Haydn Trumpet Concerto in Eb- Emily Tourgeman- Recital Performance

[@meh1943]

There is a fluidity and gentleness of tone…..and wonderful expression. I love that she does not overplay….just lets the music speak for itself. Excellent playing!!!

[@trainliker100]

Most don't play three items for the trumpet that are played during the introduction. And that is also the case here. One is a single long note pretty early in the introduction. Later in the introduction there is a trumpet "call", and this is repeated shortly after. This was really the first piece written for a "keyed trumpet" which allowed a chromatic sequence. People had never heard what a trumpet like this could do and were only familiar with natural trumpets which were often used for "calls" (like what a horn plays on a fox hunt) or flourishes and rarely as a solo instrument. I think Haydn was leading the listener step by step into what this new trumpet could do. The steady note. Then the calls (which would have been common to the listener) and after the introduction it gets to a diatonic scale, and then soon after a descending chromatic scale. It would have been the first time the audience ever heard such a thing from a trumpet.

[@kencrawford1126]

Nicely done, young lady! Both of you, by the way... The Haydn is such a rite of passage for any player, I remember my own (whoa! That was back in 1977!). But well done on the expressivity, your poise, and the way you brought it all to life. It was a nice listen for an old(ish) man... Thank you.

[@stickom]

Wow, an enchanting playing!! Horn amateur here and who ever is playing I always listen this concerto a-z, but I just realized how hard it is. The virtue is Ms. T's tone. We all can play Mozart horn concertos but the best wind music comes from tone control, volume, shape, color. Bravo for this young lady, she has that fine musicianship already.

[@georgemelitsis2607]

Glorious. Tone is sweet!

[@pierreulricksaint-gilles1766]

C'est la première fois que j'entends cette version d'Haydn. Elle est fluide!

[@Archie583]

I don't understand what you mean by "this version." This sounds like the standard version to me. Well played, Emily. Where are you at school?

[@emilytourgeman426]

@@Archie583 Thank you very much! I just graduated from UT Austin after studying with Caleb Hudson!

[@Archie583]

@@emilytourgeman426 Congratulations! You have a bright future.

[@dandurkin5186]

Wow you certainly have my admiration. Wonderfully done. Beautiful tone

[@Maranatha1968]

She plays so exact and with feeling❤❤❤❤

[@t.l.williams3684]

Really nice performance by both of you. I really enjoyed the cadenza. That was probably the best one i have heard in quite some time. Bravo. Thanks for sharing.

[@kinnkanntei]

What a beautiful sound!! I can hear Haydn's charming character in your music!!

[@TomPauls007]

OK, I'm impressed. A difficult instrument and piece. She gets a nice round tone - kind of a bit of flugelhorn. Good trills also. Keep up the good efforts!!

[@ww0yrr]

She is also very round. In fact, rolly-poley!

[@timparis70]

Wow tremendous. Beautiful tone. Really enjoyed it.

[@rudolffritzroessle6581]

Ich spiele im Posaunenchor Waldhorn. Die Kombination zwischen Klavier und Trompete finde ich sehr gelungen 👍🎼

[@jamidauber3523]

Wow, that brings back memories! Beautiful playing! Brava!

[@emanuelemicaglio5861]

I liked the sweetness you reached in the slow part (second movement)

[@bernardcromarty485]

Excellent!!

[@francoisdhelvy6397]

Magnifique

[@music-collective]

Sounds wonderful Emily... great performance indeed and your sound is exquisite. 👏👏👏👏👏

[@geonmzahsan6640]

Beautiful combination

[@geipan58]

Belle prestation, très beau son bravo Madame!

[@Ladybassbone]

Beautifully done!!

[@dionbuhagiar6577]

Brilliant trumpet and piano❤

[@johncrowe9775]

Beautiful ❤❤ thank you for sharing ladies

[@markwhite3958]

Great playing! Loved it!!!

[@ellenfenner6112]

Outstanding! It’s been many years since I’ve played the Haydn but I’m playing trumpet again after 40 years - you make me want to try it again!

[@LulahGrace]

What a beautiful sound! Brava, Emily; I know this piece so well but you’ve made me listen to it with fresh ears! Thank you and good luck with everything that comes your way 🎺🌟🎶✨

[@trainliker100]

That was very well done. What stood out the most to me (I play trumpet) is the wonderful tone. Some places seemed to be played a bit more legato than how most play it, but I don't think that's a negative. Just a little different interpretation. Chipped some notes, and some in places where I suspect she usually didn't chip them. A couple in a more difficult passage at the end where it is more difficult -especially if tiring. Or nervous. It is worth mentioning that the great Adolph Herseth chipped a note playing this concerto once. I think it a performance at Ravinia. I liked this. And if you listen without being distracted by looking at the video, you can really appreciate the beautiful tone.

[@Scrapplefromtheapple]

Brilliant cadenza. Thank you.

[@jonathansalitan]

Beautiful, a compliment to Papa Haydn.

[@qwiklok]

Very very nice. What struck me was the brilliance of the pianist. They often go without compliments, but this lady is brilliant, the touch, the tone, the way she supported the trumpet. The piano itself was fantastic in sound. To me, the highlight was the pianist. Not to take away her playing on C trumpet (good choice) for it was well done, but that piano was to die for. I wonder if she has done any for the horn?

[@josiasribeiro-xb9fl]

Muito bom,Very good

[@chrisoakmountain2387]

Most excellent! Your Vivaldi is also amazing. Good luck for your future career! (P.S.: Is that the Wobisch Cadenza?)

[@emilytourgeman426]

Thank you so much! Much love and appreciation! And yes it is, with a bit of my own sound on it 😉

[@manuelgonzales6483]

Stunning and Brave 😳🙀❤️

[@tarcizoserraferreira1832]

Muito lindo esse recital está de parabéns essa solista

[@danilora8076]

El sonido es precioso. Mis felicitaciones ❤

[@hanabeloglavec]

Beautiful!

[@XxF0RTR3SSxX]

Stellar performance!

[@josiasribeiro-xb9fl]

Parabéns

[@davidwhite207]

Beautiful tone!

[@barsukov-german]

Мне очень импонирует звук этого инструмента. Я считаю что современная труба (с клапанами), должна звучать как корнет, а точнее мягко и лирично. Сигналы можно играть на инструменте без клапанов. Спасибо, всё хорошо!

[@sergepaloyan]

I wrote 2 concertos for trumpet and one pièce for trumpet and piano edited by IMD Arpèges at Paris.....

[@Paddy-power]

Very nicely played. Great sound technique and intonation. Too many legatos on the other hand but great overall

[@楊德源-e8s]

Excellent!

[@golf4funjn532]

Bravo!

[@wonchuljoo39]

Bravissima!

[@josiasribeiro-xb9fl]

Conduzir essa música não é totalmente fácil

[@rafagalanena-nz4cn]

Zoragarria!!

[@josiasribeiro-xb9fl]

Apogiaturas bem colocadas

[@Paddy-power]

18th century jazz

[@marceloreisdesouzasouza]

Bravo!!!

[@michaelseckington1647]

Unusually rich tone, and seeming effortlessnes on a piece that requires control and effort. (Could she have memorized it, though?).

[@ricaard]

Bravooo

[@lcomfort8683]

Brava!!!

[@alexeytokarev2915]

Молодец! Но я всё-таки посоветовал бы вам играть этот Концерт на B - trumpet. У вас всё для этого есть в потенциале.

[@ypitir]

Зачем?

[@alexeytokarev2915]

@@ypitir Что зачем?

[@ypitir]

@@alexeytokarev2915 зачем играть Гайдна на В, если есть труба Es

[@alexeytokarev2915]

@@ypitir Раз так поставлен вопрос, то можно всё на Es - трубе играть, поскольку она есть... Однако, если концерты Гайдна, Гуммеля или Неруды хорошо освоить на основном инструменте (B), то на малой трубе они дадутся в разы легче. Кроме того, при поступлении в оркестры существует практика исполнения концерта Гайдна исключительно на трубе B. Причём в большинстве случаев - это условие.

[@gaudimassimo3214]

👍👍👍💖💖💖🇮🇹🇮🇹🇮🇹

[@josiasribeiro-xb9fl]

Suavidade do p🎹 ano

[@natga8943]

killed it

[@josiasribeiro-xb9fl]

Contra resposta músical

[@josiasribeiro-xb9fl]

Expendido

[@tdktv8889]

Штрихи не те.

[@IngosTrumpet]

Solide Leistung. Sie bekommen hier sehr, sehr viel Lob und Zuspruch. Das ist Ihnen hoffentlich so wertvoll, dass Sie dran bleiben. Im deutschen sagt man "kiksen". Ihr Ton ist leider an vielen Stellen zu geschlossen. Sie binden mit Nachdruck und quälen sich in die Höhe und auch in Bindung. Ihre Töne sind zu oft "gekikst". Unsauber. Das wurde im zweiten Satz noch schlimmer, obwohl der so einfach ist, dass auch gute Laien und Semi-Profesionells den spielen können. Wenn Sie stoßen ist es sauberer und offener. Wenn Sie sanft, getragen und gebunden spielen ist es zu unsauber und der Ausdruck reicht nicht. Trompete und Blech an sich braucht nicht nur Techniken, sondern Offenheit, Ausdruck, Artikulation und Luft, Luft, Luft und Übung, Übung, Übung. Der dritte Satz ist technisch solide und prima. Der Ausdruck und Ton, das Trompetenspiel an sich, leider nicht. Nichts für ein Konzerthaus, nichts für einen Platz 1-3 im Wettbewerb oder für einen erstklassigen Studienplatz. Zu viele Patzer und Schwierigkeiten, gerade im dritten Satz. Potenzial? Ja, unbedingt, klar, haben Sie wirklich. Dranbleiben? Ja, unbedingt! Alles Gute.

[@rudolffritzroessle6581]

Oha, hätten sie bei Männern auch so einen langen Satz geschrieben? Es gehört Mut dazu auf so einer Bühne zu stehen. Wenn man in die Gesichter der Spielerinnen schaut und die Reaktion des Publikums hört, weiß ich im Herzen, es war eine gelungene Aufführung.

[@cressidasoprano]

@@rudolffritzroessle6581 When I see comments like the one above yours, I just ask myself - "who are you? In which great orchestra do you play? Why do you consider yourself so far above this young woman that it is is any way appropriate to write this way about her playing?"

[@tommac5411]

Beautifully done!