Henri Tomasi - Fanfares Liturgiques for Brass, Percussion, Soprano and Choir (1947) [Score-Video]

[@SeanABrown-ic4uy]

The horn playing by all 4 players in this recording is absolutely incredible.

[@emanuelecrepet3630]

5:03 Back to the future

[@mikkeldahl9703]

17:23 and out is mind blowing

[@AncientMusicVideos]

What an interesting piece. Love some of the harmonies I heard in here

[@betatester4713]

I. Annonciation 0:05 II. Evangile 2:31 III. Apocalypse 6:31 IV. Procession Nocturne 10:05

[@hollysedillos9643]

Oh hi! I think I’m recording this in December and came to KZbin in search of a recording and here you are! Thanks!

[@GNGianopoulos]

How cool, Holly! Unfortunately this score doesn't have the vocal line in. Looking forward to hearing your version ;)

[@hollysedillos9643]

George N. Gianopoulos I actually sang it live about 4 years ago and still have the PDF. It was tough to find because I didn’t know I was looking for a larger work. The Phil did it a few years ago so I contacted their soprano.

[@GNGianopoulos]

Locally? Would have killed to hear it live. Tomasi's music is seldomly performed but I connect with it a lot. Curious to learn more about your recording!

[@KCTrumpeterAPB]

@@hollysedillos9643 Hi Holly - would you be willing to share the PDF of that soprano/choral part? I'd be happy to send you my email if so. =)

[@whatafreakinusername]

Heard this piece performed, without vocals, in the stunning Basilica of St. Josaphat in Milwaukee, Wisconsin, USA, and it was a truly great performance that took advantage of the church's seemingly boundless acoustics. Alas, unfortunately, I couldn't truly appreciate the performance because I was unfamiliar with the piece at the time.

[@Apfelstrudl]

When studiying this score keep in mind he is using the old bass clef for horn 4 and that the first horn part is very difficult to perform live without flaws.

[@potrelviewer9536]

Yep, as a pro horn player myself, it's always been a mystery that the notations in bass clefs is always an octave lower than the actual notes. Personally, I rewrite these kinds of parts in treble clef, with the "8va basso" indication for the low notes.

[@SeanABrown-ic4uy]

So is the first trombone part.

[@valerieheinderyckx4506]

Très intéressant...merci beaucoup car on ne l'entend pas souvent.

[@Woodcut60]

Interesting and very beautiful piece. Wow! Love the soprano part in the final movement.

[@Melox]

GLORIOUS

[@betatester4713]

What a low horn part, fantastic

[@jorenelsen8271]

This piece actually appears in an opera by Tomasi, not sure what was first. I guess the voices were added with the opera, or else the brass piece was extracted out of the opera without the voice for practical reasons.

[@adlfm]

Very nice! I think I'm going to study the score to learn. Btw, why does the vocal part not appear in the score of mvt. IV?

[@zachmon24]

I believe Tomasi added the vocal line after he finished the original piece, so we're seeing the first edition before he added the vocal line

[@Apfelstrudl]

When studiying this score keep in mind he is using the old bass clef for horn 4 and that the first horn part is very difficult to perform live without flaws.

[@John-zq6pt]

Gorgeous

[@EliahNebb]

Great performance, too!

[@FS4U-CH]

hello. I loved this music. anybody knows where I can download the score? much appreciated

[@emanuel_soundtrack]

Really good, modern and chick

[@zacharymckinnon6832]

It’s sounds awesome but it looks like a pain to get through lol

[@estefaniadamigonzalezgigof4414]

Hola

[@estefaniadamigonzalezgigof4414]

Hola tomasi

[@trombone67]

First time hearing this with soprano and choir, fantastic! I also like this version: kzbin.info/www/bejne/pZjKh52IZ9B2kLc, especially the trombone in part 2.