Рет қаралды 1,810
Day two of my "Gaucho in one week" project, song two on the record, "Hey Nineteen".
This is Walter Becker playing bass. The part is economical, controlled and in the pocket - just the way the composer of the part would like it played. Becker explained in Brian Sweet's SD biography "Reelin' in the Years":
"The B band is me and Donald. The A band is anyone else - professionals. I prefer to have someone else play bass - someone I know who's better than me - unless all else fails. The way I feel about my guitar playing, is that it's to be used only as necessary or 'taken as directed'. If there's anybody else we think can do it, we get him first."
I'm fine with the last resort, when it comes out as nice as this. Also, Rick Marotta is credited on the track, but most of the actual drum beat is done by regular Dan engineer Roger Nichols' invention, Wendel the drum machine. Or Wendel II, as it was radically redesigned with 16-bit circuitry at the end of the 70s. It was the highest of high end studio gear, one crash cymbal sample would require $12,000 worth of memory.
More from Brian Sweet's book: "This was pretty much an all Wendel track, but wherever possible, a live drummer was credited and Nichols' invention got credit for sequencing and special effects."
I really love the background vocals in the bridge, so much that I decided to remove them with Spleeter and have a crack myself. Quick and dirty, three dubs of three parts with my AKG 414, no pop filter.
The bass is my 1973 Precision going through my Avalon U5 into Logic. One whole take, captured with my Canon M50. Enjoy!