Hilary Hahn • Corelli Sonata for Violin No.4 in F major, Op.5

[@sakuntalabasu1493]

No matter how many times I hear Hilary Hahn play, she never ceases to amaze me with her technically amazing yet so sensitive perfirmances. A true maelstrom of emotions on hearing her play

[@vt4979]

Such a beautiful interpretation. Thank you for this upload, Amie!

[@laure4305]

C'est magnifique, simple, clair et nous encourage

[@Pakkens_Backyard]

How. HOW. How even do you get that sound from just ONE violin *mindblown*

[@vincenzodilario2343]

eccellente esecuzione congratulazione❤🌷🌷🌷

[@AlbertoCruz-x2d]

CORELLI É CERTAMENTE UM DOS MAIORES GÊNIOS DO BARROCO. SUAS OBRAS E A POSTERIDADE CONFIRMAM ESTE JUSTO JULGAMENTO DE SUAS MAIS DE 76 OBRAS PARA CORDAS. A CLAREZA, A FLUÊNCIA DE SUAS LINHAS MELÓDICAS ENCANTADORAS. A OPULENTA HARMONIA E CONTRAPONTO SÃO DISTINTIVOS DESSA OBRAS QUE JAMAIS ENVELHECERÃO OU SERÃO ESQUECIDAS. TAL É A QUALIDADE DE SUAS MÚSICAS, QUE INFLUENCIOU COMPOSITORES DA GRANDEZA DE VIVALDI QUE FOI SEU ALUNO, J.S.BACH, HAENDEL. E OUTROS MENOS IMPORTANTES DO BARROCO. CORELLI NO SEU TEMPO, FOI APELIDADO DE "O CRISTÓVÃO COLOMBO DA MÚSICA" POR CAUSA DE SUAS DESCOBERTAS VISIONÁRIAS NA CONCEPÇÃO DE SUA ALTA CRIATIVIDADE.

[@mechanicaldidgeridoo5741]

Am looking through Grade 8 pieces prior to choosing. Vivace - Adagio - Allegro. If the examiners are judging according to Hilary Hahns' performance what hope for mere mortals!!

[@wuillymay8815]

Those double cuerdas! 🥰🌹❤️

[@riccardopini9340]

Che energia musicale e violinistica ! Semplicemente memorabile .

[@luisrofriguez461]

Sublime

[@andygomezs.5137]

1:52😍❤😘

[@andreaferioli7734]

Molto superlativa e brava

[@CreatedbyJonah]

This is what I call accurate f major

[@robertoraccagni3126]

Sempre perfetta 🤩

[@yannnsty]

7:10

[@Aurora-Palace]

3:58

[@HenJack-vl5cb]

Que maravilla.

[@ethangill2477]

Amie do you know what bow hilary hahn uses?

[@ILikeBirds]

“In an interview on Danish television Hahn said she almost never leaves her instrument out of sight. She uses bows by American bow maker Isaac Salchow and bow makers Émile Ouchard, Paul Jombar, and Emil Miquel”

[@SCK586]

Obviously not a baroque bow anyway!

[@lynnm6413]

Zu diesem Stück finde ich ein Cembalo einfach passender...Hilary Hahn ist wie immer unübertroffen

[@devttt4685]

Vivace 3:59

[@rogerbussy2212]

J'ADORE CETTE SUBLIME SOLISTE HILARY HAHN ⚘ mais votre enregistrement est scandaleusement médiocres.🌵

[@gunternentwig535]

00

[@ILikeBirds]

Gunter Nentwig ?

[@editionprimavista4937]

Excellent violinist. But not for Corelli. Please, don't play Corelli like this.

[@andrewoconnor9819]

No feeling for Baroque style at all. Frightful.

[@eloycortinez2769]

@fadcullen the interpretation is horrible.

[@SCK586]

I do understand why you said that.... It is true that the first Allegro, (2nd mvt) was probably too energetic and over-stated to catch the quiet elegance of the Correlli baroque interpretation.... This technically brilliant player has exceptionally good skill at playing staccato and colle bow strokes and this probably led to some of the intended "lesser" step back sections being given the showpiece treatment where neat quiet elegance in the staccato and double stopped chords .was needed! (Baroque forte and piano markings are there to indicate contrast certainly - but not strong louds and softs such as you would play in say a late Romantic piece... or eg Brahms concerto.. Is this why you disliked elements of the style I wonder?)

[@thomashaug8144]

The quality of the recording is awful, and this piece must be accompanied by harpsicord, not piano. Altogether a very bad interpretation