Hoffmanns Erzählungen - Les contes d'Hoffmann, operklosterneuburg 2019

[@lignja.95]

Браво!!! Великолепно!!! Лучшие "Сказки Гофмана" в моей жизни!!! Всем сердечная благодарность!!!

[@veronikalokar2085]

Una meraviglia!

[@野間健司]

オッフェンバックの音楽の演劇的な推進力を果敢に引き出している面白い公演。オランピアのアリアはちょっといただけないが、全体に荒削りなところもありつつ好感の持てる演奏。

[@rogersexton7857]

Every aspect of this production was absolutely superb. I was worried that after Fally's superhuman performance as Olympia, the last 85 minutes would be an anticlimax. My worries were totally unjustified!

[@richardduployen6429]

There were some good ideas like the violins on Crespel's walls and the flaming punch. The Muse to Nicklausse beginning and vice versa at the end must be done. In a good conservatoire production from the States which was on KZbin I think someone brought the costume for the transformation. Here didn't the Muse come out of the freezer wearing a flying machine? Franz which I've played doesn't need to act singing flat in his song. There's a new manuscript for the end of Giulietta. The Septet with Chorus is probably an addition from Monte Carlo. The Jewel aria shouldn't be given in the equally posthumous version based on a tune from the overture of "le Voyage dans la Lune". There's the tune traditionally given to Coppélius, and a beautiful version discovered by Jean-Christophe Keck. One of the best productions ever used the corrupt Choudens edition & famous DANCERS. It is still the film by Powell and Pressburger. There's a mystery about the Muse. Michael Powell recited it (recorded) for Sir Thomas Beecham. The Muse's beautiful music wasn't discovered till much later. She's not on the soundtrack & not all of that was used in the film. However there is a photo of Pamela Brown mime for Monica Sinclair (mezzo)/ Nicklausse, as the Muse, draped in gold tulle. Was it just a publicity shot?

[@LadyHeathen82]

1:43:15 Bell nuit (baracolle)

[@TheMrFarkle]

Great vocal clarity, imaginative staging. Bravo. Music can indeed be powerful.

[@charlottehuang1207]

Thanks

[@wrybreadspread]

I've fallen in love with this like I fell in love with Jean Cocteau's La Belle Et La Bête. I don't know German any more than I do Latin. But I'll make it through the subtitles.

[@irmar]

Search for the version with Domingo and Agnes Baltsa.

[@wrybreadspread]

@@irmar Took a moment's search to realize you meant Plácido Domingo. Excellent advice. Shall do.

[@vratsab]

WONDERFUL ! WUNDERBAR ! NADHERA !

[@meadowfullofdaisies4206]

🎵🎤🎤✨✨

[@meadowfullofdaisies4206]

#😍

[@silwen9412]

Чтоб долго не искать - 45:52 😉

[@gerdlindlar1980]

toll toll toll! großes schönstes musiktheater

[@Taehan_Kim_1]

Bravi

[@sireneoperntheater]

Kompliment!

[@fmangin63]

Le livret est en français, et malheureusement peu d’interprètes de cette production le chantent distinctement....

[@derspieler6326]

real begin: 1:48

[@LadyHeathen82]

45:54 olympias doll song

[@sannynhalion]

Pior montagem desta obra prima.

[@uferlosa9016]

Margarita Gritskova ist umwerfend!

[@hermannramusch8464]

Meister Offenbach

[@davebillnitzer5824]

Was ist das am Ende? Heisst es, dass der Hoffmann in einem Rollstuhl tot ist? Wie doof...

[@Riedel777]

Zum 200. Todestag von E.T.A. Hoffmann ✝️ kzbin.info/www/bejne/np-VmWiCi8l_m80

[@irmar]

The stage was too big, so the cast seemed lost in it. And the stage design, with those plain walls and that modern photograph of a woman's face, wanted to be "innovative" but it was not inspired.

[@LadyHeathen82]

Sorry barcarolle

[@michaelmoor5240]

32:38

[@_xxmilkyxx_]

1:10:30

[@irwassermann]

Beschissene Kostueme!!! Muesst Ihr alles alte und gute kaputt machen mit euerem modernen Scheiss? Costumes are absolutely horrendous! Hoffmann would have a heart attack if he saw his masterpiece destroyed like that.

[@operaetcompagnie]

Read his books and his life... He would have loved it! But you should know him a bit better.

[@operaetcompagnie]

And this is an opera of Offenbach and not a novel of Hoffmann. Read the books...

[@operaetcompagnie]

Hoffmann would have loved it! Read his books. And it is not the masterpiece of Hoffmann but of Offenbach! Look from time to time Wikipedia, it lasts 30 seconds and you look then less stupid...

[@irmar]

@@operaetcompagnie Opera is music and text and theater everything together. One shouldn't only credit the composer. Although the libretto was written by Jules Barbier, it is based on Hoffmann's three short stories. So he's sort of co-author.

[@dominiquegaultier7613]

Très bien chanté. Mais mise en scène, décors et costumes affligeants

[@operaetcompagnie]

Quand on n'a pas lu ni Hoffmann, ni regardé les partitions d'Offenbach, sans doute...