Holy Motors !!! අති විශිෂ්ඨ රංගනයෙන් හා හඳ බැඳි සංගීතයෙන්ද ? අන් සියල්ලෙන්ද පිරිපුන් චිත්‍රපටයක් !!!

අහම්බෙන් වගේ නරඹන්නට ලැබුණු විශිෂ්ඨම චිත්‍රපටයක් ..... ප්‍රංශ බසින් ශීර්ෂ ඉංග්‍රීසි ශිර්ෂ පාඨ නොමැතිව නැරඹුවත් එයින්ද රස වින්ඳනයට කිසිදු බාධාවක් නොලද චිත්‍රපටයක් .....කෑන්ස් සම්මානනීය චිත්‍රපටයක් මා මෙතෙක් නැරඹු චිත්‍රපට අතරින් ගතහොත් Denis Lavant නැමැති නළුවාගේ විවිධ චරිත රංඟනය නම් කියා අගය කල නොහැකි තරම් ..... ඔබ සොයා බලන්නට යුතුම චිත්‍රපටයක් . මේ එහි අඩංගු එක් සංගීතයක් !!!
Plot
After waking up one morning, a man called "The Sleeper" locates and opens a secret door in his apartment. He enters, wandering into a packed movie house, while a young child and a giant dog wander up and down the aisles.
Meanwhile, a man called Oscar rides to work in a white limousine, driven by his close friend and associate Céline. Oscar's job involves using makeup, elaborate costumes and props to carry out a number of complex and unusual "appointments", sometimes for the service of others, and at other times for seemingly no reason at all. At his first appointment, Oscar masquerades as an old woman beggar in the street. At the next, Oscar wears a motion capture suit and performs an action sequence and simulated sex with an actress on a soundstage while being directed by an unseen man. At Oscar's third appointment, he plays the role of Monsieur Merde, an eccentric and violent red-haired man who kidnaps a beautiful model from her photoshoot in a cemetery. The next scene finds Oscar as a father picking up his daughter from a party in an old red car. The two argue when the daughter reveals that she had spent the party crying in the bathroom instead of socializing. Céline continues to drive Oscar to his appointments. In a little interlude, Oscar performs a short musical piece on accordion with a group of other musicians in a church. In the fifth scene he assumes the role of a Chinese gangster assigned to murder a man who looks identical to him. After stabbing the man in the neck and carving scars into his face that match his own, the victim suddenly stabs the gangster in the neck as well. Oscar manages to limp his way back to the limousine, seemingly injured before seen sitting comfortably inside the limo removing his makeup. A man with a birthmark is sitting in the limo and discusses Oscar's work with him, informing Oscar that others believe he is getting "tired". Oscar admits that his business is changing, and that he misses the days when he was aware of cameras. He remains in his profession, though, for "the beauty of the act". Later, in what turns out to be the sixth sequence, Oscar abruptly runs from the limo, dons a balaclava, and shoots a banker (who looks identical to Oscar when he left for his first appointment in the morning) eating at a cafe before he is gunned down by the banker's bodyguards. Céline rushes to him, urging him towards his next appointment, and again Oscar returns to the limo unharmed. In the seventh sequence, Oscar's character is an old man on his deathbed. A young woman named Léa referring to Oscar as "uncle" keeps him company, and the two talk about their lives. Oscar then pretends to die as Léa cries, before he leaves the bed and excuses himself to go to another appointment. Léa reveals her real name to be Élise, and she tells Oscar that she too has another appointment. When Céline stops the limousine beside an identical limo in what turns out to be the eighth sequence, Oscar recognizes the woman inside and asks if they can talk. The woman, Eva, tells Oscar that she has an appointment as an air hostess who spends her last night at a vacant building, and that they have twenty years to catch up on. As the two ascend the interior of the building, Eva sings the song "Who Were We", its lyrics suggesting that Oscar and Eva had a child together. When she concludes, Oscar says he should leave before her "partner" arrives, and on his way out he narrowly avoids him. When Oscar returns to his car, he sees that Eva and her mysterious partner have jumped to their deaths from the top of the building. He lets out an anguished cry as he runs past the two and enters his limo. Oscar finally heads to his ninth and final appointment in what seems to be an ordinary family man scenario. His dossier on the appointment refers to "your house", "your wife" and "your daughter". However, when Oscar enters the house, it is revealed that his "wife" and "child" are apparently both chimpanzees.

[@MadanSuvedi]

Ever since I watched this movie a decade ago, I don't know how many times I've wathced this accordion afterwards. But for some reason the original video was removed from KZbin and I badly missed it to watch and listen. When I found it again, though not in original form as before, I'm overwhelmed. The tunes, the movements, the atmosphere, the leader-follower musical parade have so fascinating impact upon my mind and body. This fills up new energy everytime I do it. Thanks for sharing. Kathmandu 17th August 2023

[@flyingfrogofdeath9616]

My mouth was agape during thise scene. So unexpected and so wonderful!

[@valeriemoreux7159]

Hihi. Oreilles grandes ouvertes😂😂😂😂😊

[@guesswho5122]

Honour to whom honour is due! This song (LET MY BABY RIDE) was written and originally performed by the great blues meister R. L. BURNSIDE (1926-2005).

[@beerblues762]

RIP

[@charlescaineli3307]

you are a person of good taste !

[@matheusarruda6462]

His roaring laughter at 2:22 as the song crescendos is immaculate.

[@wanderreis]

Cena espetacular! Entre as melhores do cinema.

[@brandedtotroll9153]

Cinema is........Carax.

[@jeronimonoguera3061]

Una pieza única, para un film único y de culto. Toda una joya

[@nanettehastrup2972]

Love it❤❤❤❤

[@ronnierockit4468]

Thanks for putting this up on youtube so I can send it to my friends late at night while I am watching late at night

[@JeronimoNoguera-lb6sr]

Una obra de culto que va más de lo experimental , un bucle que nos refleja la vida en estos tiempos, mostrando la alienación a la que nos somete la vida actual...De obligatoria visión...sin prejuicios y preparados para ver una auténtica obra de arte.Excelente.

[@JeronimoNoguera-lb6sr]

más allá de lo experimental.... perdón por la omisión.

[@es2985]

I saw this in theatre with someone who refused to believe her city had any bearing on culture. We watched someone put up the marquis from across the street.

[@BlackSeriesRebels]

I saw so stoned when this scene kicked in.

[@parambrataghosh5808]

❤️

[@alexandrepapastamatiou8686]

🤘⚡👊🎼

[@Roflmaolinde]

This scene is amazing! It fills a pretty specific niche for me: best scene from a movie I don’t intend to watch. Of what I’ve heard, the film is probably too surreal for my taste. But thanks to that it has this scene in the middle not having to do with anything, and I love it so much!

[@solarpunkcyborg4663]

It's not surreal at all. It's about an actor in the near future (where cameras are made invisible to enhance performances) going about his daily acting jobs.

[@alexaliennerd3990]

The best way I can describe this movie is that the lead is an actor of sorts throughout the day going to a location, doing a scene and returning to the limo, even if he dies, even if he's in two places at once. Otherwise save for there being no lights or cameras on screen, if a movie can do it, this movie does it. And that's it, Holy Motors is exclusively about the world of movies.

[@monariver66]

Le tout début,l’image me fait penser à Chirico (je ne suis pas sûr de l’orthographe)…dans l’entrée,le bâtiment,l’angle,la lumière

[@valeriemoreux7159]

❤❤❤❤❤❤❤❤❤

[@monariver66]

Le tout début,l’image me fait penser à Chirico (je ne suis pas sûr de l’orthographe)…

[@alejoparedes2388]

Leos Carax est Dieu

[@linogodard9489]

le plus grand entracte que l'art vivant ai connu

[@adrietc]

Cómo amo esta escenaa

[@nanettehastrup2972]

Cracy film but I lovooiove it💖💖💖🐮🐮🐮🇩🇰❤️

[@maximilianschmidt4589]

I have never seen the Movie. Are these Actors from the Film or musicians invited for one scene ? And did they really played it like live in one take ? Amazing Song and great scene for sure

[@Gergaloth]

The bald dude is main character, the other players just show up and leave