Horn Arranging 2: 4-piece Horn Section Voicings | AVOID VOICING MISTAKES!

[@kevinthomas]

Great video! A video on harmonizing would be much appreciated please. Thanks!

[@kieranmarsh9128]

I originally came into this thinking it was for 4 piece FRENCH horn section. But i stayed and watched the full video because its still interesting! (But does anyone know where I can learn what the deal is with the french horn section in an orchestra, its driving me nuts bc I see vids on 6 and 8 and 12 horns and they all assume I know how to do the standard four horn section)

[@guystoker7468]

I really like the tempo of your delivery and the simplicity and clarity with which you teach. Thank You!!!! 😁🎹

[@modernmusicarranger]

Thank you! Very much appreciated. Hope the video helped!

[@mal2ksc]

I wanted to add that there is a texture in between unison and fully harmonized: two part harmony. For example you might have the first two 16th notes unison, the next two in two part harmony, then on beat 1 open up into whatever your full harmonization method of choice is. Also, there's no reason you have to stick to closed harmony exclusively, or drop-2, or any other voicing. It often makes sense to keep the voicing closed when the trumpet is low in its range, but let it open into Drop-2 as the trumpet gets higher in the range, since you probably want to avoid pushing the tenor sax into altissimo on a soft harmony part. In this case, I probably would have made the conscious decision to have the bari end on a C and worked backward from there to see what voicing options were available, and would have landed on the last option, more or less.

[@mattlabarbermusic]

Great layout and explanation, Thanks for this awesome video

[@modernmusicarranger]

Thanks for watching!

[@emilcamusic]

just discovered your channel and im loving it! great video really instructive! could you do a video on harmonizing a melody over a chord progression?

[@ayepeemusic9543]

This is very informative thanks you!! Could you do something like this for the string section in the Paul Riser, Curtis Mayfield, Motown, Philly style of composing please if possible.

[@Markrspooner]

Awesome video, found it really useful and I loved the horns in a lo-fi track

[@rafaeltorresbatista]

Great video, man! Thank you!

[@modernmusicarranger]

Thanks so much. Hope it helped!

[@josepmaria5771]

Thank you very much great and instructive tutorial

[@OrchestraUnderGround3000]

Love the content man !

[@KOPANO]

esto es increible amigo, gracias por la data

[@alanhowell3646]

Really useful information here. Thanks

[@sinnott4]

Thank you! Good stuff!

[@marcobojorquez9467]

Are those stock Logic sounds or Kontact for the horns?

[@geevzmo756]

My ears disagree with the guitar accomp too heavy on the modulation and lfo make it hurt 2 me. Love the info on the horns , gonna take it all to my own stuff thnx mate great tube day !

[@estestevensellama7640]

Which library are you using?

[@markcbeaumont4670]

And I missing something you are not doing anything about the low B in the baritone

[@toddthornton4972]

Enjoy the ideology behind this, but bari sax should be written in treble clef instead of bass, so may be confusing to some.

[@mal2ksc]

It's all written in concert pitch. The trumpet and tenor sax aren't transposed. When writing an all-concert-pitch score, you do not stick to the instrument's native clef if that is in opposition to its actual range. Bass clef is the correct way to do the bari part, although I might have used a 8vb treble clef for the tenor sax just to make it a little easier to read.

[@rushmanphotos]

an add righ in the middle of you teaching. bad. movin on

[@NomeDeArte]

Sax is not a horn

[@aprillikeslilacs]

wrong

[@institucionsoncubano9429]

Gracias!