How I Made Astral Wandering

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[@syberlilly]

Thanks again for having me on this track, Kindrid, and making this video 💜! Let me know if you guys think I should collaborate with him again :).

[@-itvara-]

Yes absolutely! Your voice goes so well with Kindrid’s music.

[@-itvara-]

I remember watching a twitter video of you recording your monitor while playing this. It reminds me so much of Indignation. And Syberlilly’s vocals match so well with this song. This song is amazing throughout.

[@crim-jim6814]

I love the awesome Dune esque vibe you're going for with you new releases, keep up the good work! 💜

[@isaac3360]

Wow I learned a lot, especially on the bass section! Love it.

[@Spamton]

This was super insightful! Would be cool if you did one of these for Demise if you still have the project files lol

[@HeroNoodle]

Really appreciate you giving this look into your process man. Super interesting and I've been loving the song to pieces! What is each of the mastering limiter's specific jobs? As in, are some purely there to limit and are some there to boost loudness? Also, what's the average LUFS level you shoot for in most of your EDM tracks?

[@KindridMusic]

They're all technically doing a little of everything. The mm-1 is basically just there to decrease my overall dynamic range in a pleasant way. The TDR Limiter 6 clipper (you can use like kclip or standardclip here or whatever other mastering clipper) is to set the track up for the final limiter because I find soft clipping some of the top off before limiting sounds more transparent. And then the last limiter (I use ProL-2) is to get the final glue of the master and also set the loudness level. Of which I usually think -6.5 for EDM is fine, and you shouldn't have a hard time getting there if your mix is set up correctly, so it usually ends up between -7 and -5 depending on how much I want the track to have dynamics.

[@TRMSFN]

i am green

[@Brianpeppers15]

Kappa 10:44 hehe