How Robbie Ryan shot Marriage Story

[@AngusDaviesDP]

I heard your comments about the audio quality, so I gave in and bought a new mic, let me know if it was worth the upgrade! Also, apologies for the late upload today, I don't think my internet could have been slower.

[@GT-wo2oj]

I was lucky enough to work with Robbie Ryan on a music video I danced in a few months ago. He was super professional but was up for suggestions from us dancers too. I suggested we try something with a prop we had and he treated my suggestion seriously. I respect that, defiantly made for a fun set to be on.

[@AngusDaviesDP]

I've heard great things about him!

[@GT-wo2oj]

@@AngusDaviesDP yea was great, he shot the whole thing of this insane Arri Alexa rig which I was just staring at the whole time 😆

[@dhaniafilm9426]

the new mic sounds amazing. And marriage story was a fresh new world for me to explore in a lot of aspects to be honest.

[@AngusDaviesDP]

Great to hear! I felt like it was for me too, out of all of the incredible films in 2019, this one really stood out

[@samlyf101]

New mic sounds great!

[@void.sawyer]

New mic sounds very nice, my guy.

[@th2k864]

Sounds good 👍

[@randomfilmstudent2584]

Robbie went to my film school

[@VAZZU]

How is your film school? Is it good for international students?

[@MMELAO]

존경합니다 !!!!! 존경합니다 !!!!!

[@darlingtonpeters3422]

Much better audio! 🙏🏾

[@lorcan545]

I think that those three films are more visually distinct from one another than you. The compositions and blocking of Marriage Story are far more arresting and choreographed than the uniform casual medium shot approach of The Meyerowitz Stories. The camera in The Squid and the Whale as I recall it has a quality of hyper-alertness, scenes sometimes finishing with whip pans away from the main character, and some other very attention-grabbing strategies to remind you that this book-talky drama is a work of cinema.

[@Cinnovations]

He is such a fucking diva, let me tell you.