How To Create Stronger Landscape Paintings

[@Risvegli_esposizione]

One of the things I like about your videos is, beside the teaching you give, the fact that you make me discover other great American painters

[@philstarke.artist]

I do enjoy that part

[@MobeenSyedMD]

Phil, you are amazing. Thank you for your teaching. Also, I loved the private zoom session. That session definitely improved my painting tremendously. I don't have these white/chalky areas anymore. Thank you for this. Looking forward to more sessions. A request, I have always struggled with painting the edges of trees with sky. One of the mass becomes dirty or deshaped. Can you please record a video to demonstrate the method to merge sky and tree lines?

[@philstarke.artist]

Thanks Mobeen, I'll try to fit that in.

[@woutdezeeuw1604]

You're a great teacher Phil, wonderful video, and that landscape painting at the end was fantastic, strong and well thought out and not lost in detail.

[@philstarke.artist]

You are very welcome

[@monkeypanda-ib5cz]

I love your painting that you did in this. Thanks for walking us through this, I find these helpful

[@philstarke.artist]

You are so welcome!

[@janehalley8564]

Thank you for the tremendously helpful lesson. Also, your painting is fantastic!

[@philstarke.artist]

Thank you so much!

[@yelenafurer541]

Thank you for showing the creation of the painting, it turned out so gorgeous. You are an amazing painter, for me if I stop somewhere in the middle I would be more than happy with the result.

[@philstarke.artist]

Glad it was helpful

[@belindahall5220]

Thank you! This is very helpful 😊

[@philstarke.artist]

Glad it was helpful!

[@ronschlorff7089]

Phil, good one again. Like the focus on the "obscure" artists who we never heard about to illustrate your lessons regarding the big shapes and strong values to hold a painting, any painting, together. I did a few marina scenes when I lived in CA, mostly at coastal plein air events I was in, like in SLO, and nearby Morro Bay, but they are not my favorite subjects; too many verticals for my liking. Plus, they are about "the mark of man", a bias I have against anything man-made, me going for "pure" nature mostly in my landscapes. ;D However, you did show that the basic structures and techniques of the featured paintings can be translatable into any other genres of painting in your demonstration of that Colorado stream scene! Please come to Tucson soon, it's getting paintable outside now, being cooler, and let me know when you are here, you can stay with us. I live about two miles from Catalina state park, and there are many thousands of paintings to be had there, as you know!! Cheers! : )

[@philstarke.artist]

thanks Ron, Catalina is great in the fall, would be great to make it back.

[@rezahosseinzadehnasser993]

Thanks a lot for your helpful teaching. Your own painting was very beautiful. My problem with this methde is that I loose enthusiasm to continue painting when I put second or third layer. Is there a methde that I start and finish painting from top to butom. Thanks.

[@philstarke.artist]

Your welcome!

[@marilyn2]

Thank you for this. You mentioned Kansas City. Do you have kin in St Joseph? I went to high school there in the 1960s. There were Starkes in my school.

[@philstarke.artist]

Could be relatives, my family is from Lexington MO

[@BlankChaz]

The first harbor scene ( the winter one) was excellent. He not only captured the light, he showed the tide, too. So, did he Make a note to have it a low tide, even if it took longer than the tide to paint the scene? Would it have been easier for him to just make it high tide? Just grand!

[@philstarke.artist]

Not sure, probably a studio painting.

[@JTGemini3]

Am I the only one who noticed the big demonic face in the center tree at around 7:45? I understand paradolia, but that's pretty glaring to me.

[@didgeridooblue]

The painting @5:49 seems to violate the "never place the focal point in the center" rule.