Рет қаралды 11,357
My gear: ericpare.com/gear
My tubes: GetTheTubes.com
I keep repeating "Expose for the background first", but what does this mean? When doing tube light-painting, there are so many things to consider. Over time, I figured out that I should consider the "background" exposure first, and then I manage the rest. This is what this episode is about
Here’s my way of doing this. I adjust the camera settings to get a properly exposed background, just as if I would do landscape photography. What I set is the ISO and f-stop values, and then I take a test shot of about one second. Once I get a decent image, I ask Kim to do a circle with the tube in order to figure out the right balance between the background and the light-painting. Based on the test shot, I either ask her to dim down the light or to make it brighter. Once we get it right, I join Kim and we do a short series of pictures.
I repeat this process every time the light changes or when I move to a different framing.
This is a quick way to come up with well-balanced tube light-painting pictures. Over time, it gets easier to read the light and these things become very natural to do.
This was the first of many nights shooting under a bright moon and after a while, it became really clear that the best option was always to simply put the moon in the frame. That’s how we avoided tripod shadows or any weird looking stuff in our images. At that point, I can safely say that when you’re in doubt, simply put the moon in your shot
--- About the Tube Stories
We are Kim Henry and Eric Paré. We are a dancer/photographer duo making our way using a tube, a feather, and a flashlight. Everything we do is lit by hand, one frame at a time. Light-painting for us is a lifestyle, and this is what we share with our audience. The purpose of the Tube Stories is to bring a brighter and more colorful night to whoever is going to cross our path. Our work has been presented on the BBC, CNN, MTV, VICE, TEDx and much more.
Follow us on instagram:
/ kimhenry.dance
/ ericparephoto