i don't know why more ppl are not using Tokyo Scoring Strings.. we have attack settings. it has every setting possible it's almost overwhelming. they about to update to TSS 2.0 any day now too, got an email about it last month, just found this video randomly
@alvarorodriguezfilmmusic3 ай бұрын
Haven't had the chance to use them to be fair. Ive certainly listened to some demos and I don't see them having an edge over other libraries in terms of realism 🤷♀️ Having lots of settings can be a double-edged sword. If you are constantly making decisions all the time over everything, to me that library becomes unusable - in that the amount of time you'd have to spend to make it sound good would not be worth it (even if the result is very good). A good library is one that gets you 90% there very quickly and in a very straightforward manner 🤷♀️
@aleksandarstojceski31393 ай бұрын
Honestly sounds better than spitfire's demos. I wonder how did you achieved Molto vibrato on some of the FF parts?
@alvarorodriguezfilmmusic3 ай бұрын
Thank you!! I didn't do anything in particular really. When you crank up cc1 the vibrato gets quite intense on its own. Most of the heavy-lifting for me is going over it multiple times and find the exact automation curve that works best: maybe it's something as small as a couple more numbers or maybe bending the curve ever so slightly more. 🤗
@enchantederic37923 ай бұрын
Well done, very clear!
@alvarorodriguezfilmmusic3 ай бұрын
Glad it was helpful! 🙏
@juanperaltamusic3 ай бұрын
Grandísimo Álvaro!!👏👏👏
@alvarorodriguezfilmmusic3 ай бұрын
Mil gracias Juan 🙏❤️
@LuisTorres-qz5kr3 ай бұрын
Great job on this. Easy to follow, thanks for the "tutorial", much appreciated! Sub'd!