How to make any 8-bit footage look like film (CinePrint16)

Our 16mm Film Emulation + Private Discord Server: meliorstudios....
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If you found this tutorial helpful, please let us know. It'll help us make the decision of creating more tutorials in the future.
Get in touch:
Website: www.meliorstud...
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[@GawxArt]

This is beautiful! Keep up the great work!

[@meliorstudios]

Thanks so much Gawx!! Once again, we can't tell you how much we love your videos!

[@Skelm]

Oh damn, the big boyz are here

[@ArtistYogeshMehta]

Thanku gawx🤝🥰

[@neven-kadic]

When great artist say to another great artist that his work is great🔥🔥❤️❤️❤️❤️Lav you both

[@eduard2654]

yooo gawx wassup!!

[@LFPAnimations]

As someone who has shot on 16mm before and graded it in davinci, I think you guys are pushing the look a bit too far. It may come down to taste here, but if you want to actually emulate the film stock instead of created a final graded look you should tone down the entire thing by about 25%. You can tell in a lot of these clips the the colors are getting too saturated and clipping (probably because of the 8-bit footage) and the shadows feel lifted. Film CAN look like this, but in actual movies the look is not pushed this far so that it is easier on the audience's eyes. I see this a lot with digital emulations where the colorists push the look farther than it should go to overcompensate for it being DSLR/mirrorless footage.

[@iyason6878]

Agree, it looks like the contrast is too low, and color depth just isn't there

[@gettriggered8404]

you have any videos to show us then?

[@godofredo0409]

show us how to do it then.

[@supahotfirefunciek9954]

mmmm that color separation between greens and oranges

[@meliorstudios]

Thanks!

[@alexanderforde4318]

So glad you made this! I’ve been wondering how you guys achieve this look. I’m definitely going to be incorporating this into my films

[@meliorstudios]

Super stoked you enjoyed and found it helpful!! Keep us up to date with what you create. We’d love to see

[@khansu99]

Your voice sounds so soothing. Pure ASMR quality voice there. Been waiting for you guys to release a colour grading tutorial. Really glad that you guys did this!!

[@meliorstudios]

Haha thanks a lot Fragile Monkey, we appreciate that. Hopefully it was somewhat helpful :)

[@antoniablunt5866]

Such a comprehensive, calming and easy to follow tutorial - thank you!

[@meliorstudios]

Really glad you think so! thanks for the feedback Antonia!!!

[@scottchristie5324]

This is my new favorite channel. You guys crush it

[@meliorstudios]

We appreciate that a lot Scott! We’ll try to keep up with the consistent uploads

[@a17labs28]

Beautiful work and such a soothing voice, reminds us of qoves studio

[@meliorstudios]

Thanks so much for taking the time to watch!

[@PB-kf4qt]

Man, You are an artist. Keep it up! Greetings from Peru 🇵🇪

[@meliorstudios]

Appreciate that a lot thank you!

[@yamilonetto9136]

Hola, no sé mucho inglés. Your work is amazing, I follow you step by step and I learn a lot from you, you inspire me and not only me, but more people. Please do not stop what you are doing, I thank you very much for the inspiration you transmit. good vibes and keep it up

[@meliorstudios]

Firstly, you're English is great!!! And we really appreciate that a lot. Gracias por las palabras amables. Amamos peru!!

[@sunitking7726]

Finally tutorial from you. I can die peacefully now....

[@meliorstudios]

Hahaha, man please don’t pass yet, we still gotta go see Mars 🚀

[@devada4360]

the clips in the intro are so amazing. id love to make something like that for some music videos :O

[@meliorstudios]

Thanks a lot! And they’re really simple clips to shoot, best of luck!:)

[@lucasleglise6847]

You can't imagine how much you helped me. Thank you man

[@808rocker808]

The model is so beautiful

[@meliorstudios]

He’s awesome!

[@whateverinbetween9444]

i just discovered Tom Bolles yesterday, through his works and his website and now youtube suggested me your video and see how he achieves those looks is amazing!

[@meliorstudios]

It's awesome!

[@AniketArora]

can you make a short video explaining what camera profile settings you used !

[@meliorstudios]

Picture profile settings for the Sony A7iii should be the next tutorial we release

[@AbrahamAltamar]

thank you for the information, big fan of your cinematic clips, saludos de Colombia 🇨🇴

[@meliorstudios]

No problem man, hope the video was somewhat helpful. Thank you for taking the time watch!

[@forbinfilms]

Coming in with the tutorials! This is very much appreciated, looking forward to more

[@meliorstudios]

We really appreciate that man! Can’t wait to share more

[@davidariza2320]

dude you are the best!!! thanks for this tutorial!

[@meliorstudios]

Thanks for taking the time to watch David!

[@NayefHammouri]

Great voice quality :D what is your mic? or it's just voice enhancements?

[@meliorstudios]

I use the Deity D3 V mic Pro, and no enhancements in post!

[@tsukuyomigang5146]

Do i need Davinci Resolve Studio to use it because i downloaded it on a free version and i have watermark??

[@meliorstudios]

Nope! All you have to do is turn off the film grain node and the watermark should go

[@jassford6491]

what should I put for my output color space and output gamma shoot canon t8i and it looks like the contrast/shadows were slammed all the way up any solution?

[@meliorstudios]

The colour output space and output gamma should be left on the settings that cineprint16 comes with. I.e. Arri and Arri Log C. With the t8i make sure your input gamma and input colour space are both at Rec.709

[@youngerbrotherpictures]

Saw the 11+ minute length of this and seriously got excited! I struggle mightily and flip flop with my a7iii picture profiles. Sometimes I feel like I do a good job and other times I feel like I know nothing, so I'm eager to see your process. Keep up the fantastic work!

[@meliorstudios]

We’re stoked to hear that! We really hope you’re able to take something away from this tutorial:)

[@goncalovalle]

This is really good!

[@meliorstudios]

Thanks a lot!

[@JirehTorres]

Finally! Thanks for this!

[@meliorstudios]

No thank you for watchin Jireh, we hope you find it useful!

[@DevAcharya]

FIanlly its here,thansk a tonne for making this,will watcha and comment later

[@meliorstudios]

Thanks a lot Dev, we appreciate you taking the time to watch the video

[@Lorenzo-eu2ls]

This video is great! I needed this 👏

[@meliorstudios]

Really Happy to hear that Lorenzo, We hope you find this video helpful!

[@DariusBeingReal]

Not showing up when I open power grade but I have it installed

[@meliorstudios]

Send us an email with a screenshot, we’ll try and help

[@uttarayoga]

Great

[@meliorstudios]

🙌

[@noud6031]

yessss so happy its here :)

[@meliorstudios]

We hope you find it helpful!

[@sidneyrobinson13]

Do you have to have the studio version?

[@meliorstudios]

No you don’t need the studio version. All you have to do for it to work on the free version is turn off the film grain node and you’re set

[@leonking9088]

Hi, i imported V2 and applied power grade but no nodes appear, nothing its empty? Standard one working, any ideas what the problem is?

[@meliorstudios]

Hey Leon, this problem will occur because you’re using an older version of Davinci Resolve. Once you update Davinci, the v2 node tree will appear

[@filip6994]

Just got this emulator. Cannot wait to try it out and see what happens. Thanks!

[@meliorstudios]

Stoked to see what you create, it’s a great tool

[@mychannel-vz8rv]

amazing tutorial, just wondering why didn't you touched the halation part ? it plays one of the main role in this grading. like if the light on face is high the halation goes way to red and you should've showed how to adjust it less or high according to the requirement.

[@meliorstudios]

Hey firstly thank you!! Also we completely forgot to go over halation until after we uploaded the video 😅 because as you say it’s v much key in film emulation. There’s halation that is automatically added using the powergrade but we just completely forgot to talk about it. We do apologise. We might make a KZbin post just to show how to adjust the halation

[@GhettoFabulousFILMS]

Man u just gain a sub this is what I need. Can you show how to export it as a lut 🥺

[@meliorstudios]

stoked to hear that man! And you can export it as powergrade, is that what you mean? Unfortunately this type of grading wouldn't work as a lut

[@arcadiansounds2850]

can someone explain how to do this in resolve if you recorded without any log settings? i recorded a video on my sony a7sii with the color baked in (so rec 709), and when i add cineprint it just looks terrible. im trying to learn!

[@meliorstudios]

You need to change the cst input gamma and input color space to rec.709 if it’s been baked in

[@fattyfish2856]

Do you need da Vinci studio version for cineprint 16?

[@meliorstudios]

Hey! No you don’t, but the thing that won’t work is the film grain node if you’re using Davinci Resolve free version. But as a work around we have free film grain overlays on our website that you’re able to overlay on top of your footage to still get the film texture: meliorstudios.com/store/p/free-film-grain

[@fattyfish2856]

@@meliorstudios thank you for letting me know one more question? Would halation work ;")

[@meliorstudios]

Yes! Halation uses a linear method rather than Davinci resolves Halation fx, therefore you can use it with the free version of Davinci resolve and it’s easier for your computer to process too. Hope that answers your questions! We have a link to everything in our description: meliorstudios.com/store/p/cineprint-16

[@songseakleng]

I love this. Awesome video

[@meliorstudios]

Thank you for watching!

[@lnsulee1204]

does Film Emulation only works on DaVinci Resolve studio?

[@meliorstudios]

This particular one does but there are other film emulations that work as plugins that work on most major video editors

[@anonymouselephant2594]

Awesome work, thank you for this video! Will you be making a tutorial on how you grade for digital (without Cineprint16)?

[@meliorstudios]

Hey! And yup that should be the next tutorial that we upload! Creating a digital look from scratch in Resolve

[@chrisleefilm]

Nice work!

[@meliorstudios]

Thanks a lot Chris!

[@xoseanlife]

What picture profile did you use in this? Sorry if it was asked already. I love the nostalgia I just got a n a7II and I pray I can get to this feel of video your channel is amazing!

[@meliorstudios]

pp7

[@kokolokohd5937]

Why does DAVINCI RESOLVE appear large when I apply the effect? how can i remove it? :(

[@meliorstudios]

As in theres a watermark that appears above the footage?

[@banwait]

Can we do this with iPhone as well?

[@meliorstudios]

Yes!

[@ellar1483]

PLEASE what is the music at the beginning?

[@whatevraa]

Dont know much about what log is, but Ihave a canon 77d, and davinci resolve, Will this work for me or will these look horrible when I apply them?

[@meliorstudios]

Hey! Yes this will work on you canon 77d footage completely fine. All you have to do is on the color space transform, set the input color space and input gamma to Rec.709 and you should be good to go

[@matthewjsherman]

would this work for DJI osmo pocket 3 D-log footage? if so, which camera preset would be closest and you'd recommend using

[@gessinibirad2980]

Do you think this will work on davinci on ipad?

[@meliorstudios]

I have used it on iPad and it works, but depending on which iPad you use it may run a little slown

[@cinemabandits]

Thank you so much for this

[@meliorstudios]

Thanks for taking the time to watch!

[@shemgatdula1038]

do you need the full version for this? im currently using davinci resolve 16 and there's no cineprint 16 on the powergrade :(

[@meliorstudios]

You don’t need it! You just have to turn the film grain node off and it should work

[@shemgatdula1038]

where can i see that, im new to Davinci and using mac :(@@meliorstudios

[@shemgatdula1038]

I think i have to buy the cineprint 16 emulation :(

[@Zzzziiiitttt]

Where do i get the cineprint16 power grades pleaseee 🙏🙏🙏

[@meliorstudios]

Hey! Here’s a link: meliorstudios.com/store/p/cineprint-16

[@Zzzziiiitttt]

@@meliorstudios thank you so much ....i hope it's free

[@sojaee]

Is there anyway to use CinePrint 16 V2 on the free version of davinci? Thanks

[@meliorstudios]

Hey! Yes you can but you’ll have to turn off the grain and Denoise nodes

[@sultanbagas8521]

it uses cineprint16 v1 or v2?

[@meliorstudios]

This was v1

No he podido sentarme a intentarlo, pero muchas grancias.

[@meliorstudios]

Let us know how it goes when you give it a go!

[@DimaViunnyk]

beautiful !!!!!!

[@meliorstudios]

Thank you!

[@andresasindp]

SUPERB!

[@meliorstudios]

Thanks a lot!

[@DieselEdits]

How it will work with hlg 3 for example?

[@meliorstudios]

We made a tutorial on HLG3 CST settings here: kzbin.info/www/bejne/aHamaYN8oM5_r6s

[@DieselEdits]

@@meliorstudios Thank you!

[@dominicmerrell4826]

Such a cool video! But I do have one question I have a canon t8i so what would I put my input color space to And my input gamma?

[@meliorstudios]

Hey! And yes of course. For both the input colour space and input gamma put in Rec.709 and you should be good to go

[@dominicmerrell4826]

Thanks so much!

[@meliorstudios]

@@dominicmerrell4826 we hope it goes well!

[@dellannapaolo]

Well done! really inspirational video! I have a question, when you shoot the video you do the white balance in camera or you leave the automatic balance?

[@meliorstudios]

Often we leave it on AWB, however when shooting indoors we find the AWB isn’t great and often dial in the preferred Kelvin value in camera

[@nemanjastudovic]

This is a greate tutorial and thank you so much ! I found it very helpful !! I just have one question as I been struggling with that, I have my sonyA7III and I can't quite understand what to put in color space as I shoot in HLG2 pp4 color 709 if you could help me I would highly appreciate it. Keep up with the good work ☺️✨

[@meliorstudios]

We’re glad you enjoyed it!! And for HLG profiles, for colour input use Rec.709 and colour gamma also use Rec.709

[@nemanjastudovic]

@@meliorstudios thank youu!!! 🙏🏼

[@gabrielmanoto6135]

great video bro, i'm filming with an iphone 11 what input color space & input gamma should i use ?

[@meliorstudios]

Thanks man! And for the iphone11 for both the input gamma and color space put in Rec.709

[@gabrielmanoto6135]

@@meliorstudios thanks bro !

[@meliorstudios]

🙏🏽

[@soefajarisnin]

what lens do you use for this Sony a7iii?

[@Jr.stetics]

Why does cineprint 16 make my skin really pink? How can I fix that

[@meliorstudios]

Use the NS matrix or Den and sub. This should help with your skin tones. Alternatively make a new node and select the skin using the qualifier and adjust the skin tones that way via the saturation and hue

[@Jr.stetics]

@@meliorstudios thank u🙏🏽🙏🏽

[@zqfilm]

Love the tutorial! Which colour profile was this shot? S-log2?

[@meliorstudios]

Correct the clip was shot on S-log2

[@renzopeelaers522]

How do you guys manage to get such good footage without getting any noise in the shadows? Exposure tips?

[@meliorstudios]

Hey Renzo! We always try to expose correctly, in this case making sure we expose +2 stops for the skin when shooting in slog2. We do still get grain and noise in our footage but exposing correctly helps a lot. For any of the grain left we tend to use the Denoise tool in Davinci Resolve. We don’t think we could live without it, especially for 8 bit footage

[@renzopeelaers522]

@@meliorstudios Thanks a lot! Appreciate the response!

[@meliorstudios]

@@renzopeelaers522 happy to help!

[@mindecolonia]

Hello! Nice work! I am soo thinking of buying the power grade. I already bought Juan Maleras Kodak Power grade and Film convert and I am still not achieving the look I am looking for. Maybe I am just bad 😂 I got a question: how did you change the magenta colour in the lips 😅?

[@meliorstudios]

Hey Yasemin, This is the only film emulation powergrade we've used and it's worked a treat for us in enabling us to create the look we wanted. And with lips usually being more saturated than the rest of the skin you can use the the qualifer to create a mask on the lips, selecting the magenta areas, then simply shift the hue towards the oranges. You can do this all when selecting the entire skin to shift the colours away from magenta. Another way is to use the colour warper and shift the red points towards the yellow

[@elgenyg]

Awesome job guys! Is there any plug-ins like this that works for premiere pro? anyone?

[@meliorstudios]

Hey Elgen! Thanks a lot 🙏🏽 and unfortunately we’re more entirely sure but we’ve heard good things about Dehancer and film convert plug ins

[@NowhereNear]

Hey, interesting video! But how do I l know in the beginning what's my input color space and input gamma?

[@meliorstudios]

Thanks! And you should be able to get that information from your camera settings. Which camera are you using?:)

[@addisontrue8769]

what are your reasons for shooting slog2 over slog3?

[@meliorstudios]

On the A7iii slog3 had no greater effect than Slog2 due to its sensor. But slog3 is much flatter than Slog2 which makes it harder to grade as well well the image falls apart more easily compared to Slog2 on the A7iii. On the A7siii slog3 can be used no doubt but for what we found Slog2 give a much cleaner image

[@addisontrue8769]

@@meliorstudios awesome! thank you. i seem to never be able to get good colors out of slog2, but seem to be able to get what i want when i shoot with slog3. i'll have to shoot more slog2 because i love the stuff you guys can get out of this camera

[@meliorstudios]

Hey man! We recommend everyone shoots on what works for them! We’ve just found Slog2 works better for us than slog3 tho that doesn’t mean it’s the correct way to do it. At the end of the day as long as you’re getting an image you’re happy with Thats all that matters! Stoked to see what you create!

[@addisontrue8769]

@@meliorstudios very true! thanks again :)

[@meliorstudios]

Happy to help!

[@RockyGamingFx]

hey bro , i use davinci 18 , but i don't see option ARRI Alexa and ARRI Log C ?

[@meliorstudios]

Is this within the CST?

[@RockyGamingFx]

@@meliorstudios yes , node CST , but color space transfrom not have option ARRI Alexa and ARRI Log C

[@meliorstudios]

Would you be able to send a screenshot to my email: [e-mail] the option of Arri alexa and Arri log C should be there

[@meliorstudios]

Which version of davinci are you using?

[@RockyGamingFx]

@@meliorstudios hey bro , I have sent the picture to your email, please help me. Thanks so much

[@wildelly]

wow great!

[@meliorstudios]

Thank you!

[@sidproduction8317]

Thanks for very inspring tutorial guys! It would be very helpful for me if you guys can also share the picture profile (Sony A7iii) setting of your S-log2 footages :) Greetings from South Korea.

[@meliorstudios]

We’ll be releasing a picture Profile tutorial for the A7iii very soon as a few people have asked for it :)

[@sidproduction8317]

@@meliorstudios Can't wait for it :) Admire your works.

[@meliorstudios]

@@sidproduction8317 we can’t wait to share! And thank you!

[@MrMarco7ify]

@@meliorstudios can you tag me in the video?

[@meliorstudios]

@@MrMarco7ify kzbin.info/www/bejne/a5-Uo6CVaZuZock

[@joranvancoillie8133]

My footage looks really flat and bad after selecting the right input color space and input gamma in the CST node. Am I doing something wrong? It's just S-Log2 footage of my Sony A7iii (S-Gamut)

[@meliorstudios]

Hey Joran, we’re sorry to hear that, the footage when CST is completed will be a little bit flat especially with cineon but shouldn’t be super flat like a log profile. If that’s the cast it’s probably your CST settings. Make sure you double check your camera settings, I.e. colour space and colour gamma. If you’re using S-gamut make sure you’ve selected s-Gammut in the correct field of the CST. If you’ve used something other than s-gamut such as ITU.709, make sure you’re selecting rec.709. Let us know if you’re able to resolve this

[@joranvancoillie8133]

@@meliorstudios I’ve made sure my settings are correct and match the settings of my camera. The footage still looks really flat. If you want, I can send you an email with some screenshots and more details

[@meliorstudios]

For sure go for it, we’d love to help

[@Swoonatrafilms]

This was very helpful, fantastic video. i have an issue when i use the cineprint, it completely destroys the footage, comes out looking like a grainy oversaturated mess. I'm a complete novice to davinci resolve and filmmaking hence i can't figure out how to solve this. i shoot in Blackmagic raw on my pocket 4k. what would be the inputs for the CST. would love any sort of advice. great tutorial

[@meliorstudios]

Hey! Firstly thank you, we’re glad you found it helpful:) for your black magic 4 are you shooting on Gen 1,2, or 3 colour space. Dependedining on these put black magic design 4 Film Gen 1 or 2/3 into the input colour space. Then for input gamma select black magic designs 4K film. And this should give you a shoot base. Then use the exposure and WB to adjust the look to your liking. We hope this helps!

[@grovermcdiarmid8109]

are you shooting the footage slightly over exposed ?

[@meliorstudios]

This was shot slow slightly over exposed to ensure we captured all the details in the shadows

[@ChrissBoustedt]

So i dont have the full version... Is there a way i can get rid of the overlay? Like which effects will i be forfieting due to not having the full version?

[@meliorstudios]

Hey man! To get rid of the watermarks all you have to do is get rid of the Denoise and film grain nodes! You can always add film grain using film grain overlays that you add into your timeline on top Of your actual clips

[@ChrissBoustedt]

@@meliorstudios appreciate it sm!! i was missing the denoise one!! thanks!!

[@meliorstudios]

@@ChrissBoustedt glad it’s working now!

[@cutseencinematics]

nice one for this

[@meliorstudios]

Really appreciate you taking the time to watch!

[@xx02]

Are all your videos in this CinePrint LUT?

[@meliorstudios]

Hey Danny, and nope, if we used cineprint16 on video we’ll have added it to the description of that vid. We only use it to create a film look. Any of the cleaner more digital looking grades are done without Cineprint16

[@MalteAaronVeh]

So nice! Please keep these coming 👏🏻 can you do all of this in the free version of davinci resolve as well?

[@meliorstudios]

Thanks Malte! And yes you can though you won’t be able to use the built in Film grain or Denoise tool. But you can find free grain overlays on Google that you can download and use that. And when you’re adding grain anyways Denoise becomes less of a stress

[@MalteAaronVeh]

@@meliorstudios perfect thank you :)

[@meliorstudios]

@@MalteAaronVeh happy to answer anymore questions:)

[@qusayquraishi1607]

It didn't start from the beginning of the coloring

[@meliorstudios]

Colour grading part begins at: 1:26

[@Jayz4040]

Where do you get the CinePrint 16 I don't see it in the Gallery tab?

[@meliorstudios]

www.tombolles.net/cineprint16

[@visualvibrations3554]

Thank you!!!

[@meliorstudios]

We hope you found it helpful!

[@Sponsorpt]

Do you know if there is anything similar for FCP? These Cineprint luts look insane

[@meliorstudios]

Hey Noah. The only alternative I can think of is Using the Dehancer Plug-in for Final Cut Pro. Maybe it’s time to switch to Davinci 👀

[@Sponsorpt]

@@meliorstudios Gonna check that out, thanks!! For now sticking to FCP since switching cost in terms of learning it from 0 are not compatible with my current schedule haha :) But I believe that if become skilled enough in grading I could get there with FCP too :)

[@meliorstudios]

@@Sponsorpt I completely agree with you, learning a new software can take a bit of time. And I’ve seen some incredible videos that were graded using FCPX. Most video editing softwares these days you’re able to create a good looking image, it’s just how you use the software 🙏🏽

[@Vbdenourr]

Finaaaallly😂❤️❤️

[@meliorstudios]

Haha we got there

[@dobroFM]

Thanks!

[@meliorstudios]

Thank you for watching!

[@heliostronaute]

hi ! i'm having an issue with my 8-bit footage, it feels like the powergrade is pushing it too far and some pixels are acting weird, like there are parts of the images where it's oversatured

[@meliorstudios]

Hey man! That is a common problem with 8 bit footage regardless but to get around this you need to use the Denoise node

[@heliostronaute]

@@meliorstudios i see, thanks ! sadly i don’t have the pro version of davinci and i believe the denoise node is only available in studio

[@famkefilms]

Hi I have a question, today I bought cineprint16. But every time when I add the grade, there's text (davinci resolve studio) all over the video. Do you know how to remove this? Thankyou

[@connersfolder4405]

Hey, great video, I appreciate you sharing this with us. Question, would this work using cine4 or does it have to he log? New to color grading here

[@meliorstudios]

Yup this will work for cine4 too! If you keep everything else the same just change the input colour space from S-Log2 to Rec.709

[@connersfolder4405]

@@meliorstudios Thabk you very much for the helpful response! Subscribe and watching all your stuff

[@arsenpisahov2409]

16mm film not have noise

[@meliorstudios]

Noise In the form of grain and some chroma noise, usually, yes

[@yumyumkevin]

will this workflow also work for the a7s 3?

[@meliorstudios]

Yes! Just put in the correct input colour space and colour gamma that you’re using on the A7siii and you should be good to go

[@zackmelluish4832]

Love your works guys and have subscribed to the channel. Will you guys be releasing anymore tutorials specifically on Tom Bolles CinePrint16? Recently bought it myself but have no background in colour grading. So figuring it out as I go along. This video was sooooo helpful

[@meliorstudios]

Thanks for Sub Zack! And yes we can do, are there any specific tutorials with cineprint16 you’d like to see?

[@zackmelluish4832]

@@meliorstudios Thanks for the speedy response. 'Genetics' has really great look but if you happen to do one that's been shot indoors... I'm finding natural colours are easier to grade with the CinePrint. Struggling more with stuff thats been lit

[@meliorstudios]

@@zackmelluish4832 Hey! Yeah it's a little more difficult to grade darker clips with cineprint16 however, it is possible. We'll make a quick tutorial on darket clips for cineprint16 soon!

[@zackmelluish4832]

@@meliorstudios Appreciate you guys

[@meliorstudios]

@@zackmelluish4832 Happy to help!

[@Julienazamosa]

hey i got the davinci free version what do i have to do that the watermark goes away?

[@meliorstudios]

All you have to do is turn off the Film grain node. We have free film grain on our website to get around this for Davinci Free users 🙏🏽

[@Framing]

nice

[@meliorstudios]

Thanks!

[@razijukes9435]

Will this work with the non paid version of Davinci Resolve?

[@meliorstudios]

Hey Razi, yes it will but you won't be able to use the Res+Grain node and the Denoise node. Just select those nodes and press ALT+D and it''ll turn those nodes off. You can always add Grain overlays on your timelines to get around this. and Denoise is not always necessary

[@razijukes9435]

@@meliorstudios ahhh okay thank you!! I also realized that you can’t use the Halation effect either :/

[@vivmeister_wz2121]

what's the program you're using?

[@meliorstudios]

Davinci Resolve

[@arthurgfilms]

i have a lumix g7, what colour space and gamma do i have to put into the cst conversion? any help would be appreciated!

[@meliorstudios]

I don’t think the G7 can shoot log, therefore your color space and Color gamma inputs should be Rec.709

[@arthurgfilms]

@@meliorstudios thanks! when i do input rec.709, the video looks really washed out and not right

[@arthurgfilms]

on my camera i shoot in a natural color setting with saturation turned down a bit, do i have to shoot in standard color instead?

[@rejvirahman4907]

How to get this on Android

[@meliorstudios]

Unfortunately only on Davinci resolve software

[@officialshivertrip]

Does one need the Studio version of Resolve? When I apply the PowerGrade Resolve gives me the watermark treatment :/

[@meliorstudios]

You don’t! All you have to do is turn off the Denoise and film grain node and the watermark should go

[@officialshivertrip]

@@meliorstudios Thank you so much!

[@xXstarshooter]

how do i know in which gamma i shoot? filming with sony a 6000. i mean all the data for color space transform

[@xXstarshooter]

great vid!

[@meliorstudios]

We understand! It depends on the picture profile your using and which colour input and colour gamma you have, if you find that we can tel you what to put into the Colour space transform

[@xXstarshooter]

@@meliorstudios i cant choose picture Profiles in my Camera Settings, only custom like -3 -3 -3

[@meliorstudios]

@@xXstarshooter then all you have to do is for input colour space use Rec.709 and for input colour gamma use Rec.709

[@xXstarshooter]

@@meliorstudios okay thats it? sorry im kinda new to this haha, what about output variables?

[@welcometobrainfreeze]

Hi , do I have to buy the studio version of resolve to use this as I have the studio water mark across my clip?