How To Play Great S#%T | You'll Hear It

Geoffrey Keezer Piano courses: openstudiojazz.link/keezer
It's not easy, but Adam Maness and Peter Martin are gonna teach you how to play some great S#%T (and not the stinky kind!).
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The theme song for You'll Hear It is Peter Martin's "Emotion in Motion":
open.spotify.com/album/2JGW2L...
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[@josephlavecchia8069]

You guys are really on point this episode.

[@markharvey6546]

This is your best video yet! Please more of this kind of format of open discussion rather than one topic or a list of things. There is a wealth of knowledge in just hearing you two bug out about what motivates you to make the decisions you make when you play. It’s amazing to have this available on KZbin. Thank you guys, so much.

[@benwinstanleymusic]

i really love this stuff guys, thanks for this

[@harryg6013]

It's nice to see you havin fun. :)

[@JudahDaniels]

Awesome video, find this style very helpful

[@StephenAntKneeBk5]

I connected with that comment from Peter toward the end about starting a line with some outside notes on an upbeat. I said to myself, It's not only what you play, but when you play it." Something clicked and I was immediately more able to find places for notes with more "outside" flavors. Great lesson in all, great playing by both of you, and hilarious, too.

[@liccmy2517]

Excellent use of Giant Steps

[@CalebM-Music]

Love the pint of beam Peter, shows you're a humble man.

[@jazzbonept]

I associate that main 4-3 lick with Blues in the Closet and also one of Wynton Marsalis’ signature lines

[@tyronebirkett1161]

Great video

[@afxmnstr]

Adam is a beast trading with peter like this. I wish I could hang out and talk piano for a week with either but they would get bored with my vanilla playing

[@Samuelee97]

A way to practice the timing you are talking about at 13:19 is to count out lout 1 & 2 & and so on and meanwhile playing the line you are practicing! Hard but rewarding in a long run

[@nitugeorgian]

You guys makin' me cry with that sh*t

[@azzafadaly]

Hi, how would you count all of those bars in So What while improving? Thanks

[@TheFLparkour]

Peter absolutely fucking shredded on this one

[@anthonyjrtummino3819]

yess guys

[@IronFairy]

looking forward to those left hand s#%t videos in the future!

[@amotinyabongo5659]

I love the bottle of Jim Beam in the back on the shelf? LOL!!! Not my cup of tea but interesting. And those subliminal (not really) John Coltrane GS's. Thank you gents for the post.

[@AKOutback]

I thought on the C7 Adam was just quoting Oscar Pettifords " Blues On the Corner.". I like the breakdown of: This is the chord I'm on, this is the scale or scales I'm thinking of, and here's the application of it. Over a KZbin video, its really the only way a student can get it. Thanks and great episode.

[@dakotahoeppner605]

Best frickin' intro

[@henriquealejandro7247]

Yall are some cool cats!!!

[@johnalowoesin5036]

I feel like getting the keys under my fingers right now...really some GS

[@EliaGaitau]

All day. Every day!!!

[@josephlavecchia8069]

6:54 When Adam says "Oooooh!" after Peter's lick and he slides into the pitch hahaha

[@LasseBoogieJensen]

The slick lick ;-)

[@Samuelee97]

Ahahahha

[@pichipachu]

Ok... don’t go to far... you guys are dangerously exuding the joy of jazz.

[@nickrees4706]

Giant Steps = GS = Great Sh*t. I get it

[@iggyziggy8737]

Ahhhhhhh 🙈🙈🙊🙉🤯😱😮🤟🍌

[@cjsteinway5014]

Ha! That’s fun!

[@hifreq-therapy1058]

How comes Adam is doing the custom grow 420 introduction here, had me dead laughing :D

[@swiftla]

Just gotta practice dat great sh#%

[@brendaboykin3281]

JAM ON!!!! 😎🎩😎🎩

[@MAYNOR82]

Just 7.6k views to all this GOLD🥇 ?!?!?! Everyone here should tell a friend and tell a friend to tell a friend. This is how you get this gen and the next playing great or at least understanding sophisticated music!

[@tradingwithwill7214]

love these videos… i’m a guitarist

[@henriquealejandro7247]

Hahahahahahah the great shit bit is hilarious

[@juwonnnnn]

👌

[@cwestmont]

Honestly, most of this goes over my head but it is so inspiring nonetheless. Working through your classes online now -- great stuff!

[@toppepp]

Play that flat five to four on your Volvo, “ it doesn’t matter” but save the “ light bright blues“ for your fiat 500.

[@John-boy]

When do get to drink the Jim Beam?😀

[@Breakbeat90s]

they already did, its actually a piss bottle now

[@henriquealejandro7247]

Can you guys play in all keys equally as good?

[@giaguaroturchinoYOY]

I can't. They obviously can. I would love to know some every day tips to get interested in exercising over all keys...!

[@jman12849]

@@giaguaroturchinoYOY the easiest way to get comfortable in other keys is to play things you already know, like a lick or a short phrase, and run it through different keys. you can also learn tunes in different keys - it's quite difficult at first, but it really trains your ears to think about intervallic relationships and all that more than trying to mentally transpose everything.

[@il_fastidio]

Around 5'30'' I hear some "return from forever"

[@j.s.m.5351]

*to

[@cjsteinway5014]

Who gave this video a 👎🏻? I’d be interested in watching their videos to see what they offer that Adam and Peter don’t.

[@hankmerman1967]

12:53 Is the hardest part of the lesson.

[@jeffreydelisle7337]

Sorry, can’t follow this one. This needs to be shown on sheet music

[@brendaboykin3281]

Sweet Georgia Brown "A" section, uh huh.

[@wbtbwb18]

Y’all need a video with davie504

[@ridgelyhsd123]

Nice “Shite”

[@chuckfrost5624]

Play the whole tune all the way through a few times then go back and analize the tune, instead of a few bars here and there.

[@jegoy68]

Why censor a word everyone knows? ...other than that, it’s a joy watching and learning :-)

[@eky]

KZbin monetization

[@billguitarvin]

Well whatever the reason they bleeped out the “s” word, I thought it was pretty hilarious the way they did it. Really interesting to get inside their heads and see how they approach soloing. Both monster players! Thanks Adam and Peter. Always enjoy your videos and thanks so much for taking the time to make them.