How To Play In 6 Keys At The Same Time | Onyemachi Chuku

[@josephchiiraboh4842]

Bro, you are the wake up call i really needed. Thanks for opening my musical eyes, ears and finger.

[@christopherzalimba2093]

❤ great teaching. I have understood it very well. To those who are not getting it, I think it depends on the level you are at .

[@racheljones5614]

Great Teaching! ❤

[@Teddysamngunzi]

Hello sir thank you for what you offering to us.have request about this lession can you go slowly by showing key by key how they formed and how to use them.

[@austinlcarr7881]

Great Teaching My Brother 💯

[@hearandplay]

Thank you so much 😊

[@lisabolen1516]

This was wonderful

[@hearandplay]

Thank you so much. 😊

[@DaveyDave1977]

Good stuff bro... Love it... Thank you

[@hearandplay]

Glad you enjoyed it. 🙏🏾

[@kathyscott4605]

❤❤❤6 Keys at the same time....

[@hearandplay]

Yes Ma’am

[@anthonycraig5918]

I really feel like I got clickbaited, you really just did a lesson on passing chords

[@hearandplay]

No, sir. You’re NOT clickbaited. If we move away from C major, you’ll see that this conversation goes beyond passing chords. Most keys like B major that people struggle to play is simply because they don’t have a good knowledge of the following keys: C# minor (key of the 2) D# minor (key of the 3) E major (key of the 4) F# major (key of the 5) G# minor (key of the 6) It takes knowledge of 6 keys for you to take advantage of the vast melodic and harmonic resources in a given key. Inability to play in B major is because of the crippling effect of not knowing these keys of first relationship. Now, when they invest time in learning melodic and harmonic ideas 💡revolving around C# minor, it opens up new vistas: 3-chord in A major blossoms 6-chord in E major blossoms Now, cross-pollination of ideas will begin to happen in B major, E major and A major

[@lecombat5922]

Why you complicate it so much? Why don't you talk about the role of the dominant when ever we want to another key? I an a beginner but I understand that notion so well. The dominant is the ton that separate 2 different keys.

[@hearandplay]

Thank you for asking. All dominant chords are from these keys of first relationship. It’s the same thing. For example, the D dominant (D F# A C) is the 5-chord in the key of G major. If you think in the key of G, then it’s clear where D, F# A, and C are derived from. Now, if you dig deeper into G major, you’ll discover more melodic and harmonic resources. Question: why is there F# in the key of C major? Answer: it’s coming from the key of the 5 (G major) Keeping the F# in mind, you can easily identify what the role of the D dominant chord is. If you give it a little more thought, it’s NOT that complicated. 😃😃

[@deecm22]

Bro, I appreciate the fact that you are spreading knowledge but you are going to confuse a lot of people with this lesson and terminology. This goes against all theory books and definitions. You can introduce sharps and flats that are not in the original key in any key by adding an accidental. All sheet music that I have ever read correlates the key of the song to its major or minor scale. Otherwise you are not playing in any key.

[@hearandplay]

Thanks for your input. However, these are called “keys of first relationship” In the key of C major, we get to interface with 5 other keys: D minor (has a Bb and C#) E minor (has an F# and D#) F major (has a Bb) G major (has an F#) A minor (has a G#) This doesn’t contradict the key of C major. Rather it expands our horizon to see where NON-SCALE tones are coming from and how they are applied. So, whilst keys have key-signature (which is derived from the natural major and minor scales), to take full advantage of the vast melodic and harmonic resources in C major, you must invest some time in cultivating its keys of first relationship.

[@mkharizane]

If you feel confused you ask questions, you don’t speak on behalf of everyone’s understanding. We’ve followed this channel for long for you to just come and carelessly say that. Thanks