How to play "Let it Be" (Beatles) - 3 LEVELS

[@CharleesCraftyLife]

You are a very articulate and impressive teacher...Thank you for sharing your knowledge with those wanting to learn. BTW love your voice.

[@deeznuts-yu9co]

Need more videos like this. Great stuff 👏

[@user-pq9ji7kt4l]

Thank you! This is perfect for me!

[@johnlorenz8421]

Thanks Ted superb lesson and great advice. By the way I want to mention that your video on hand coordination was a real breakthrough for me. I am a beginning piano player struggling, like all I suppose, with hand coordination. I don't have the right words and can't do justice to your teaching in that video, but you made me think of hand independence not in terms of learning one hand then the other etc which everyone talks about, but rather starting with both hands together in the context of the overall sound, rhythm, groove, etc of a song. You got me to thinking that if I can tap relatively complex rhythms patterns with both hands intuitively with songs I know well that I can, or should, take that same rhythmic/tapping capability to playing with two hands on the piano. This was a real "aha" moment for me and I have make some real progress though still a long long way to go. Thanks again for your insights, they have been a huge help to me.

[@pianofluency]

That's awesome!

[@SeanYeomans71]

thanks Ted! that was so helpful

[@LuisitoLeonado]

Thank you

[@shananarocks]

To get millions of viewers try teaching chords accompaniment for "Older" by Sasha Sloan or Alex Benjamin. Both equally great for the younger generation.

[@pvfa39]

Nice

[@Jack_Wabbit]

I enjoy your content! Question: Why do you teach scales counterclockwise on the circle of fifths? Thanks in advance.

[@pianofluency]

@@Jack_Wabbit thanks! Good question. That’s typically the direction harmony moves in (V - I resolution.) Most jazz musicians prefer to practice theory rudiments in this direction around the circle for that reason. I also like it pedagogically because students can discover for themselves the way each new key adds a flat or removes a sharp

[@SammyCinatra]

why isnt the I aka 1 the C in the chord progression played in the lower octave C

[@SammyCinatra]

like what is telling the player to hit the c major on the right vs the left