I’m just learning this piece after avoiding it for 40 year. I avoided it because of the polyrhythm. You’ve explained it so well. Thank you.
@ThePianoProfKateBoyd3 ай бұрын
Wonderful! Good luck with it!!
@MelindaHart-i1q7 ай бұрын
Thank you so, so much for this video and all of the others you have created. I hope you know that you are REALLY helping me and I’m sure loads of other people. I so appreciate the time you take to put these videos together. You are an amazing musician and teacher, and it is so generous of you to share your knowledge with the rest of us.
@ThePianoProfKateBoyd7 ай бұрын
Thanks so much - your comment made my day! Happy practicing!😊 🎹
@brandonsurowiec87899 ай бұрын
If one can't play one hand silently on the piano, an alternative could be to play one hand on your leg and the other on the piano.
@ThePianoProfKateBoyd9 ай бұрын
Yes! Great suggestion!
@hippophile9 ай бұрын
Yay, another great explanation! I had to work this out for myself for 'cello playing a long time back as a child, essentially the maths way. But having switched to the piano, I can see it is not really sufficient for the Fantaisie-Impromptu. Your explanation of learning the two hands separately will be really useful when I come to try it! Sometime soon I hope, 2024 or 2025 maybe? I am not really a hands separate learner by instinct (I separate hands to solve problems and work out dynamics etc, but generally start both hands together slowly), but having a go at Rach Prelude Op 23#6 (a tough piece for me) I have been forced to admit it is necessary for some pieces! 🙂
@ThePianoProfKateBoyd9 ай бұрын
Great - good luck with the Rachmaninoff! Sometimes hands separate practice in tricky sections can be a time-saver, as it gives your brain the bandwidth to fully understand what each hand is doing.
@steggisawrus9 ай бұрын
I just applied and practiced these techniques to understand the rhythm and play of some measures in Chopin’s Ballade number 1 (specifically measures 170-175) and it not only helped learning it immensely, it made understanding it more fun! Thank you so much for this video!
@ThePianoProfKateBoyd9 ай бұрын
Wonderful! Glad to hear it!
@borisandrijic87082 ай бұрын
It s some hard to first time.
@PsychHacks9 ай бұрын
Great advice. Love the silent hand exercise. I hope your students appreciate you.
@ThePianoProfKateBoyd9 ай бұрын
Thanks!
@nhivu2347Ай бұрын
I love you teacher !!!
@ThePianoProfKateBoydАй бұрын
Aww thanks!
@borisandrijic870817 күн бұрын
Still learn..
@ThePianoProfKateBoyd16 күн бұрын
It definitely is a challenging skill and concept that will take time. I hope you can have grace and patience for yourself along the way! Good luck! 😊👏🏻
@a.a.dehulster75678 ай бұрын
Works very well that “I would like some apples” Thank you! I tough myself Liszts Consolation 3 and played the 4 embellishments notes in the right hand in measures 6,10,22 27, etc. (last beat) conform the 3 against 4, as the score suggests. But then a professional concert pianist told me that the 4 embellishment notes should not be played like 3 against 4 in this piece. Just before the last of the triplets is played in the left hand the 4th note in the right hand has to be sounded he said and demonstrated it. Play 4 just before the last of the 3 triplets is played😳He had no mnemonic or math to make it clear. And it looks impossible to me to calculate that. I finally managed to play it like him but it remains a mystery. Do you have a clue?
@danielaperisse56146 ай бұрын
Love it! Love your class! From Brasil. Thank you! Now, I know!!
@ThePianoProfKateBoyd6 ай бұрын
Thanks for your comment - good luck with your polyrhythms! Greetings from Indianapolis! 😊🎹
@nickk84168 ай бұрын
I loved your explanation of why Chopin used these polyrhythms and what it sounded like if he didn't use them. Amazing the difference. I've always struggled a little with these as in Debussy Arabesque and Brahms 118 #2. All are some of my favorites. I cant wait to try this. Thank You Prof Kate!
@ThePianoProfKateBoyd8 ай бұрын
Yay! Good luck!
@stereo1233 ай бұрын
"Golden butter" keeps our grandmas happy, haha, so wholesome
@ThePianoProfKateBoyd3 ай бұрын
😇
@jcappo1529 ай бұрын
3v5. Another great tip.
@Jcorban088 ай бұрын
Many thanks! Looking forward to your July OMTA presentation 🎹
@ThePianoProfKateBoyd8 ай бұрын
Thanks! Me too! 🥳
@rmcaulif3 ай бұрын
Very helpful! I have never heard of the butter or apple mnemonic device before
@ThePianoProfKateBoyd3 ай бұрын
Glad it was helpful!
@pguyer5 ай бұрын
I've struggled with the 4 against 3 in the Debussy Prelude from Suite Pour le Piano in measures 75-90 especially the 2nd figure where not only do you have the 4/3 pattern but it's slurred in a hemiola grouping. Any suggestions? Thanks!! P.S. Love your channel.
@ThePianoProfKateBoyd3 ай бұрын
Yes, that part is really tricky. It's important to feel the large beat and be able to play everything evenly within it. In the spot you're referencing in m 87 it's basically a big 3:2 - with the RH playing 3 (the hemiola triplets in groups of 2) and the LH playing 2 (2 groups of 4). Let the LH govern with the big quarter note beat (the 2) and then fit the RH groups (3) around it. Good luck! 👋
@pguyer3 ай бұрын
@@ThePianoProfKateBoyd Thank you so much!!
@MotifMusicStudios3 ай бұрын
Fantastic lesson on this topic!
@ThePianoProfKateBoyd3 ай бұрын
Thanks! 😃
@dr_ned_flanders9 ай бұрын
I think this was very good advice. Thank you.
@ThePianoProfKateBoyd9 ай бұрын
Glad it was helpful!
@ThanunThana8 ай бұрын
Can I see a book?
@ThePianoProfKateBoyd18 күн бұрын
If you look up Chopin's Fantasie Impromptu on imslp.org, you can find free online scores there!