J’aime beaucoup cette œuvre, et plus je l’écoute plus je l’aime
@christiandemullenheim8041 Жыл бұрын
Mendelssohn est un génie digne de Bach. Une symphonie pleine de grâce, d'élévation et en même temps jubilatoire. Très belle version, fine, fluide et profonde avec un son généreux, jamais heurté. Merci beaucoup à l'orchestre, aux chanteurs et au chef Alain Altinoglu qui fait respirer cette musique. Un moment de félicité.
@platedpen7 ай бұрын
Razón
@RealFelixMendelssohn Жыл бұрын
One of the best symphonies ever written. The composer must have been a genius.
@violinhunter210 ай бұрын
He was just lucky to find all the right notes to put in the score - that's all.
@robertopatino66466 ай бұрын
Sadly, not a symphony
@philippeboisson20485 ай бұрын
@@robertopatino6646et alors ! Et pourquoi malheureusement ? Quel étrange commentaire .
@jbut12085 ай бұрын
Why not?@@robertopatino6646
@americanidiot55635 ай бұрын
Hi Felix, you are my favorite Composer!!❤
@dermax12542 ай бұрын
Auch wenn ich Atheist bin, muss ich sagen, das ist wunderschön!
@philippeboisson20482 жыл бұрын
Superbe Légèreté de bonne aloi La plus belle interprétation que je connaisse
Prodigious entrance with Trombones : Fabulous indeed 😍
@samuelfabian9737 Жыл бұрын
not only the entrance - last but not least the finale!
@texwiller40292 жыл бұрын
I am glad to find Mendelssohn: I've been buried under Schubert, Schumann and Brahms.
@donovancarlson92562 жыл бұрын
That's not a bad place to be buried lol
@profMaximvs10 ай бұрын
Fantastic choir and orchestra! Amazing rendition! Congrats from Brazil.
@notaire22 жыл бұрын
Literarisch lobenswerte und wunderschöne Aufführung dieser einzigartig konstruiereten doch perfekt komponierten Sinfonie mit gut vereinigten und perfekt entsprechenden Tönen aller Instrumente sowie gut harmoniserten Stimmen des ausgezeichneten Chors und herrlichen Stimmen dreier genialen Solisten. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester in verschiedenen Tempi und mit perfekt kontrollierter Dynamik. Wundervoll vom Anfang bis zum Ende!
@Calamity3652 жыл бұрын
Bei ihnen ist immer alles Wahnsinn, wa?
@notaire22 жыл бұрын
@@Calamity365 Nicht immer, doch fast alles so.
@erwin6563 Жыл бұрын
Der Mezzosopran ist meiner Meinung nach nicht perfekt (was aber nicht heißen soll, dass ich es besser kann).
@jbut12085 ай бұрын
This is so beautiful! Note what Mendelssohn makes of " Now thank we all our God"! Glorious!!!!
@arnaudvaes1055Ай бұрын
Divinement exécutée, cette œuvre est d'une beauté ineffable... Merci pour ce moment d'éternité ❤
@harryhagan59372 жыл бұрын
I just noticed this was/is today! Wow! Many thanks for the many fabulous works of the greatest musical minds in all human history. What blessings. God bless you all!
@michaelpatterson2955 Жыл бұрын
Magnificent performance! It makes my heart and soul cry out to God in thanksgiving and praise. Mendelssohn if, I believe, woefully underappreciated and underperformed by orchestras today.
@marcelorosa1973 Жыл бұрын
Amazingly beautiful! It deeply touches us!
@shin-i-chikozima2 жыл бұрын
The majesty and wonderfulness of this performance are overwhelmingly , and off the charts
@dorinteodorescu4123 Жыл бұрын
In such a masterful interpretation, I think this second symphony of Felix Mendelsshon-Bartholdy announced, in the middle of the 19th century, the later second symphony of Gustav Mahler. Two cathedrals of symphonic music...
@maaroufyassine9692 Жыл бұрын
È sublime ❤...!!!! È un " Canto di Lode " che nasce da un cuore credente , tale è il cuore di Mendelssohn ❤.. Il canto del coro nell'ultimo movimento mi fa lacrimare gli occhi 😢😢..Sia Lodato il creatore dei due mondi ...❤❤❤
@maaroufyassine9692 Жыл бұрын
Secondo me questa sinfonia supera di gran lunga la nina sinfonia di Beethoven....
@davidkelly5343 Жыл бұрын
Always good. Clear filming. Sparkling sound. No advts. Doesn't matter what they're playing. Very uplifting.
@nonosquare10662 жыл бұрын
im always happy when the hr orchestra uploads a video, because i can discover new music played from a top world orchestra
@roseevaris91102 жыл бұрын
Me too. Would love to see them in person one day.
@erichallpaintings-great2 жыл бұрын
Yes, undoubtedly a great orchestra!
@Franz_Liszt_Korean2 жыл бұрын
Agree
@gerardbegni28062 жыл бұрын
This symphony is quite interesting, very well written and orchetrated. By no ways it is inforior to symphonies 3,4,5 and even exhibits some unique features, like for instance the prodigious and poorly known Walpurgisnacht op. 60, adter Goethe's "second" Faust. Mendelssohn is quite surprising, even in piano. Forget for instance his honeyed romances without words and listen to his Preludes & fugues.
@davereid23962 жыл бұрын
A stunning and moving performance - thank you!
@bobsimon83772 жыл бұрын
There is so much going on in this symphony by Mandelson . The performance by all is simply stunning. Thank you all. Bravo...
@weekeeyuu8362 жыл бұрын
I wonder if there any gud and Batch, Hidin' and Baydoven.
@eduardafreire7766 Жыл бұрын
this literally makes me cry i wish i was there
@alsenwulf2 жыл бұрын
Phantastisch ! Gänsehaut ! 😌 😍
@gretchenpritchard4778 Жыл бұрын
I'll be in the chorus at a performance of this piece August 2023 -- it seems an apt choice as the pandemic abates to sing "Let everything that hath breath praise the Lord." Probably that was in the mind of the director a year ago also, if perhaps a bit prematurely. I hope the performers were all vaccinated and tested: there was a LOT of breath blowing into that space!! This is the most nuanced performance I have found so far on KZbin. Some performances make the piece seem just loud and bombastic from beginning to end. I loved watching the choir during the "Nun Danket" movement: it seemed clear that many of them were singing the chorale from memory from learning it in childhood.
@user-xt9su1jr1u5 ай бұрын
OBRA PRIMOROSA DE MENDELSSOHN, ESTA SINFONIA CANTATA 'LOBGESANG' OPUS 52, É UMA DAS MAIORES E MELHORES OBRAS DO PERÍODO ROMÂNTICO. SUA PERFEITA INTEGRAÇÃO DE SOLISTAS, ORQUESTRA E CORO OBTÊM ESPLÊNDIDA COESÃO RARÍSSIMA ENTRE OS GRANDES COMPOSITORES ROMÂNTICOS QUE JAMAIS ALCANÇARAM ESTA MAGISTRAL E FENOMENAL HARMONIA DOS RECURSOS MUSICAIS CONTIDOS NESTA ESTUPENDA OBRA. RICA DE HARMONIA, RICA DE MELODIA E EXTRAORDINÁRIO ACABAMENTO ARTÍSTICO QUE SÓMENTE MENDELSSOHN PODERIA OBTER COM SEU INCOMPARÁVEL GÊNIO.
@kenccwong4188 ай бұрын
Brilliant.and powerful
@Artist_Aejoo2 жыл бұрын
경이롭고, 아름답습니다 ❤️ 감사합니다 👍👍👍
@damianoskailoglou68695 ай бұрын
So beautiful!! Thank you!!
@Honoka-le9oc9 ай бұрын
Danke für diesen tollen Musik❤ Meine Musikklub singt dieses Musik und das hilft uns sehr. Ich bin japanische Studentin so mache ich vielleicht Fehler, aber meine Danke für deine Musik ist sehr groß ❤
@erickoevoets942 Жыл бұрын
Sehr schön, vielen Dank!
@onenightraven19782 жыл бұрын
Wonderful sound!!!
@eduardafreire7766 Жыл бұрын
i've been obsessed with this since the upload! thanks for sharing such a precious performance!
@ceciliaenglert5449 Жыл бұрын
Same here 😀🤩😍
@vladislav58 Жыл бұрын
Это произведение можно слушать каждый день! Магическое произведение!! Как будто слушаешь первый раз каждый раз!
@ProudBerliozian2 жыл бұрын
I’ve been watching performances of Maestro Altinoglu for weeks now, and I can’t help but be struck how much he resembles Anton Rubinstein, and to some extent Hector Berlioz (the latter whose music Altinoglu does exceptionally well.) He certainly carries the traditions of the nineteenth century well into the future; lovely directing! Perhaps he should tackle some of Rubinstein’s music, sometime.
@jan-heinzhesse73042 жыл бұрын
Hey sehr schöne Operrette mag ich sehr gerne hören und dass zusammen spiel einfach nur super traumhaft schön
@violinhunter210 ай бұрын
Great rhythmic integrity by this orchestra. (I have played every Mendelssohn orchestral work except this one!!!)
@helmahaller98442 жыл бұрын
Danke von Herzen für diesen musikalischen Genuss! Grüße aus Brasilien 🇧🇷
@sandozpop60172 жыл бұрын
oaaah? ... Something else than samba?
@andywe75242 жыл бұрын
Wunderbar, Danke! Grüße aus Frankfurt - Andreas
@aytonsalazar141 Жыл бұрын
Essa sinfonia me lembra a Grande (Great) do Schubert, principalmente o primeiro movimento.
@richiejohnson8 ай бұрын
MAGNIFICIANT!
@user-qh2uy9yu9k2 жыл бұрын
Прекрасно!Включила,чтобы познакомиться с редко исполняемым сочинением Мендельсона и была совершенно захвачена"Хвалебной песнью".Ален Алтыноглу покорил.Прекрасно чувствуеет и стиль композитора и своих музукантов.Совершенно отеческой улыбкой одновременно внушает бесстрашие и дарует силу.Спасибо!
@marcelogoncalves29873 ай бұрын
BRAVO !!!
@davefigthe3rd2 жыл бұрын
I wish I could’ve been there to bask in the glory.
@miticaarrsin87012 жыл бұрын
Ascult cu plăcere muzica Barocă și va multumesc pentru mesajele transmise
@hansrichardnohrer28349 ай бұрын
Ein sehr gutes video
@Tonygoodvillage2 жыл бұрын
History (en.wikipedia.org/wiki/Lobgesang) It was composed in 1840, along with the less-known Festgesang "Gutenberg Cantata", to celebrate the 400th anniversary of the invention of Johannes Gutenberg's movable type printing system. In 1842 Mendelssohn published his Scottish Symphony as "Symphony No. 3", however, "Symphony No. 2" had never been published during Mendelssohn's lifetime. Possibly the composer's intention was to spare this number for his earlier Italian Symphony, which he premiered in 1833, but afterward withheld for a revision that was never completed. The Italian Symphony was published posthumously as "Symphony No. 4". Decades after Mendelssohn's death, the editors of the old Mendelssohn complete edition entered Lobgesang as "No. 2" in the sequence of these symphonies for editorial reasons. However, there is no indication that this represented the composer's intentions. The new Mendelssohn-Werkverzeichnis (MWV), published in 2009 by the Saxonian Academy of Sciences and Humanities, no longer lists Lobgesang among the symphonies, but rather among the sacred vocal works.
@bomcabedal Жыл бұрын
Mendelssohn's symphony numberings are a bit of a mess. I agree that this simply isn't a symphony, but the others are sort of jumbled too. The chronological order (and what other criterium to use for numbering?) Is 1-5-4-3 when we exclude two. However, enter the "string symphonies" and the thing becomes even more confused. We can just prefix all, but I've seen numberings that just include the ones with a fuller orchestra: Nos. 8 and perhaps 11 (which contains percussion in the 2nd mvt). In which case SS8=1, SS11=2, Regular Symph 1=3, 5=4, 4=5, 3=6. In short, it's a mess.
@Iamsegesest10 ай бұрын
❤❤❤
@rumondangsilalahi5530 Жыл бұрын
❤❤❤❤❤❤❤
@holgergruenewald30382 ай бұрын
Next chance to hear this: 8 June 2024, 19:30 hr, Duesseldorf Johanneskirche
@Tonygoodvillage2 жыл бұрын
Descrição da obra (Wikipedia) A obra é em Si bemol maior e é formalmente dividida em duas partes: a primeira, a sinfonia, que representa cerca de um terço da obra e consiste em três movimentos instrumentais interligados e sem pausa; e a segunda, a cantata, formada pelos números 2 a 10 da obra. As duas partes da obra, contudo, não são independentes, pois são conectadas pelo tratamento dos temas musicais. Assim, o vibrante tema inicial só se revela verdadeiramente para o ouvinte quando a parte da cantata se encaixa à letra Alles was Odem hat, lobe den Herrn (Todos que têm um sopro de vida/respiram, louvem ao Senhor), passagem que dá título à obra. Para o texto da obra, o compositor uniu citações da Bíblia com o hino protestante de Martin Rinckart Nun danket alle Gott (Agradecei agora a Deus), e a partir disso elaborou três temas principais: o louvor de Deus, a fidelidade de Deus para aqueles que esperam a sua ajuda e seu consolo e a ascensão do povo de Deus das trevas para a luz. Mendelssohn enfatiza o último tema em particular, porque consegue vincular os temas bíblicos ao objetivo da obra: o desenvolvimento da prensa móvel e a primeira Bíblia impressa por Gutenberg conduzem ao clímax, que leva o cristianismo da Idade das trevas e da ignorância até uma nova era de esclarecimento. Isto é enfatizado no clímax dramático da obra, quando a pergunta do tenor solo “Hüter, ist die Nacht bald hin?” (Guardião, a noite está acabando?) é repetida com um tom de súplica cada vez maior, sendo primeiramente respondida com uma afirmativa pela soprano e depois pelo radiante tutti: “Die Nacht ist vergangen!” (A noite já passou!). Mendelssohn escreve sobre esta parte em uma carta: “para a introdução do coro “Die Nacht ist vergangen”, encontrei as palavras na Bíblia. Elas não poderiam ser mais bonitas e se encaixam como se estivessem sido escritas para essa música...” Muitas vezes, Mendelssohn também repete trechos do texto, passando primeiro pelos solistas e depois os repetindo no coro, simbolizando a propagação da iluminação do povo de Deus. Com o tratamento do texto, Mendelssohn dá seguimento à tradição do Oratório do século XVIII. A duração da execução da 1ª versão é de cerca de 37 minutos no total, e da 2ª versão, de aproximadamente 55 minutos.
@Ic3q45 күн бұрын
:3
@marcospeixoto29072 жыл бұрын
Whithout advertises
@commandercool0693 ай бұрын
25:45
@jesusmariagarciaarejula903210 ай бұрын
Gorgeous sound, outstanding soloists, magnificent orchestra, excellent choir... but too fast here and there, too much energy so to say.
@martinsohn85710 ай бұрын
One of the horn players looks suuper young. Does anybody know his name?
@neldakartashev27092 жыл бұрын
56:21
@klausimausischmidt57912 жыл бұрын
Kann mir jemand erklären, warum nicht der Einstudierer das Orchester dirigieren kann/darf im Konzert? Warum unterscheiden sich oftmals Einstudierer und Dirigenten?
@obotobi Жыл бұрын
Der "Einstudierer" ist in diesem Fall nur für die Choreinstudierung zuständig. Das Werk hat aber auch Instrumentalsätze ohne Chor. Bei diesem Stück übernimmt aber sehr oft auch ein Chorleiter die Gesamtleitung.
@madiko Жыл бұрын
In Ergänzung zu dem, was @obotobi bereits schrieb: Chor und Orchester bereiten sich zunächst getrennt voneinander vor. Chor-Dirigat und Orchester-Dirigat unterscheidet sich zudem in bestimmten Punkten (z. B. Atmung oder auch für den Chor beispielsweise die Hilfe für das Halten eines langen, schwierigen Tons; im Orchester hingegen ist Phrasierung oder das Zusammenspiel auf einer großen Bühne wo die Musiker:innen weit verteilt sitzen). Idealerweise arbeiten beide "Einstudierer:innen" gemeinschaftlich. In machen Fällen findet dies in Personalunion statt. Ich empfand es jedoch stets als Bereicherung, ein und dasselbe Stück unter der Leitung von zwei Dirigent:innen zu spielen. Wir handhabten es bei uns dann so, dass einen Teil der gemeinsamen Proben von beiden (zumeist abwechselnd) bestritten. Manchmal kam auch der jeweils andere Dirigent:in als Gast zum Hospitieren hinzu. Die Konzerte fanden dann idealerweise ein Mal unter dem Chor-Dirigent:in und ein Mal unter der Orchester-Dirigent:in statt. Es gebietet der Ehre, die jeweils andere Person zu nennen.
@carloscamara961 Жыл бұрын
Las interrupciones son molesta cuando se oye un concierto y está la tiene y muchas