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A few years ago, one of my sons developed an interest in analog black-and-white photography. I also rekindled my interest. As a journalist, I have been photographing since the early 1970s. Until the turn of the millennium, this meant shooting with black-and-white film and spending hours developing the film and making paper enlargements in the newspaper's darkroom.
As a longtime newspaper journalist and editor, I used Nikon cameras. My first camera, a brand-new Nikkormat, I bought in 1972. I still have it, we've tested it, and the camera still works perfectly.
However, I wanted to go further back in time, and I became interested in Zeiss Ikon cameras. The first one I bought, somewhat by chance, was a Zeiss Ikon Nettar. The seller was very serious, and the camera was top-notch! You can see for yourself in this video.
The Nettar cameras were already produced before World War II, starting in 1934. The model I bought for about 70 euros was produced between 1951 and 1957. My camera does not have a mechanism to prevent double exposure, and it has the "soft" lines at the top of the camera body. This means that this particular camera was made early in the 1950s.
The Nettar is a medium-format camera that uses 120 roll film. The negatives are 6x6 centimeters.
Like many other Zeiss Ikon cameras, the Nettar is a bellows camera. Since then, I have bought two more bellows cameras from Zeiss Ikon, and incredibly, they are completely light-tight, even though they are 70-80 years old. The shutter and aperture work flawlessly, only the self-timer was a bit slow at first.
The Nettar doesn’t have a rangefinder for focusing. You have to measure or estimate the distance to the main subject manually. I’ve bought a laser distance meter so I can measure accurately before setting the camera.
The camera also doesn’t have a built-in light meter. There’s nothing electrical or electronic in it at all, apart from the flash socket. I bought a used Ikophot light meter with a selenium cell. It works perfectly, even though it’s over 60 years old.
With thousands of hours in the newspaper darkrooms, I had plenty of practice developing films. We bought a kit with a tank (Paterson) and chemicals. Developing black-and-white film is not rocket science. You can manage it, even if you’ve never done it before. Just make sure no light gets onto the film!
There are many Nettar cameras and other Zeiss Ikon photographic devices on the second-hand market. The prices are moderate but can vary widely. So does the quality! I bought a Nettar for 300 euros. It turned out to be a bad purchase, but I don’t blame the seller.
I bought another Nettar for 400 euros. It turned out to be an excellent camera that works perfectly