I need your help | Upgrading from the Sony FX3

Thanks for your thoughts - I'm very appreciative of any advice + experience you have to share!
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[@relaxwithme3266]

There is no upgrade from the FX3. Spend the time/money on upgrading your training, not gear. Don't fall into the trap.

[@CollinJung]

@@relaxwithme3266 haha gear can definitely be a trap… thanks for the insight, I really appreciate it!

[@SamWelker]

This isn’t true. eNDs and far better processing on the sensor is a valuable upgrade. That being said the original comment is right. Better execution with better knowledge and better lighting for example will take you further.

[@CollinJung]

@@SamWelker Absolutely agree, I think im beginning to settle in on upgrading other gear first to grow into a place where I'm ready for a camera upgrade

[@dennisallen287]

Facts FX3 is beast.

[@CollinJung]

@@dennisallen287 it definitely is!

[@morisdakar6651]

I used the FX6 - FX3 and ZV-E1 in one project, they literally gave me the same result The rigged out FX3 gave the same “wow” effect as the FX6 with no rigging The internal ND filter is great but if you already have a VND and a matte box you can get through with that ibis in the FX3 is an amazing advantage which i can’t work without because i shoot documentaries - 99% handheld My advice is to hold on to the FX3 till the new FX6 is released

[@CollinJung]

@@morisdakar6651 fair point - I could definitely benefit from investing in a nicer VND, currently working with a cheap solution, but I can definitely see the value in holding off

[@PALALALALALALA]

@@CollinJung 6K Global shutter FX6 MK2 is in the works... I would hold on tight. FX3/FX6 are still solids.

[@CollinJung]

@@PALALALALALALA haha do you have a Sony insider? That would be awesome for the fx6! And also maybe an audio port…

[@PALALALALALALA]

@@CollinJung Let says it's not rumors I read online

[@CollinJung]

@@PALALALALALALA haha well that could still be rumors! I’ll be sure to keep my eyes open!

[@costa_konstantinou_dp]

There a seven rules of upgrading: Rule number 1: Never upgrade unless you/your client absolutely need/s the upgrade (i.e. from HD to 4K acquisition). Rule number 2: Never ever upgrade with anything but cash (so no loans). Rule number 3: Never upgrade by calculating possible external rentals in (only calculate for your own usage). Rule number 4: Before upgrading a camera body, first spend your money on lenses and things that streamline your workflow. Rule number 5: As a DP don't be loyal to a manufacturer - but also don't buy the latest shit every time Canon, Sony, BM ... announce something new. Rule number 6: Get Lenses with PL mount as soon as possible - you will use them on multiple bodies in the future. Rule number 7: Buy used cameras, unless you need it for a specific project (where you will get your return on investment with this single project). I broke every of these rules in my 20 your career, and always regretted it (financially).

[@CollinJung]

@@costa_konstantinou_dp thanks man these are super clear and super helpful - and I think tempting to break, but I totally agree with all of them! I appreciate you!

[@costa_konstantinou_dp]

@@CollinJung You're welcome ;-)

[@lightinsidecinema]

It is easy to fall into trends and get what is the latest technology but at the end of the day, you got to realize that your clients don't know camera gear like you do. They also don't care as long as it looks good and it has a story behind it. Remember it isn't about the resolution, its about the story that you can tell from it. Keep the Sony FX3 and put more investment into lenses and understanding marketing. The FX3 is an amazing camera and trust me you got skill so keep practicing, keep honing your craft and keep pushing forward.

[@CollinJung]

@@lightinsidecinema I really appreciate this perspective - thanks for much for the kind words, gonna keep working hard!

[@medulmiah647]

Fx6 looks more professional to some people but in the end what it matters is how you use it ( Client perception is real thing tho ) . I would say use fx6 as first cam and then use fx3 as second cam . I do weddings and I use fx3 as first cam and once I will have enough money for upgrade I will also do something similar . Also you should wait little bit like , maybe 2/3 more months and you can get the mark 2 of fx3 . Also I downgraded from fx6 like last year because I do run and gun stuff . I don't have time for switching lenses or changing other stuff. So I had to use the money from fx6 to fx3 + 24-70+ Rs3 pro . But yea so keep the fx3 and wait little longer for mark2 . Btw the nd filter was one of the greatest thing on fx6 , other than that there is no reason to get it . Fx3 and Fx6 are little same if you take out that part . Anyways love from UK all the best .

[@CollinJung]

Thanks man, definitely helpful info! Would love those internal ND’s!

[@KadeemBooth]

This is a valid decision.. I believe the FX6 ultimately is the same image as an FX3, yet the showmanship of the FX6 as a client perception is a thing but rigged up, like you said, the FX3 gives the same “value.” I say invest in a second FX3 or do get the FX6 as an A Cam if money is no issue.

[@CollinJung]

Totally get that - I think a second FX3 wouldn’t really bring much value to me unfortunately so if I’m investing I’d rather it be in an FX6!

[@KadeemBooth]

@@CollinJung the a6600 is your b cam?

[@DanielEarl]

Fellow ohioian here. 🤙 If you're looking to be hired by directors and agencies, then being an owner/operator would make sense. As they are your client, you want them to perceive you to be the best option for the job on both a creative and technical level. In your case, investing in an fx6 may be a good route to take. Just make sure it can work financially for you. That being said, I personally don't think you should. Better to invest in skills and craftsmanship than equipment. Maybe upgrade your crop to a fx30 instead. I own one, and it's an excellent little camera.

[@CollinJung]

@@DanielEarl Definitely want to follow the owner/operator route, so any investment in gear makes me more valuable - just need to find the best investments! Definitely going to keep growing my skills too!

[@colemowery]

it could be beneficial to get a used FX9. Nowadays they're selling for the same price as a new FX6. The oversampled 6k image will open up the opportunity to use a wide array of super35 lenses without having to drop down to 1080p or use the annoying clear image zoom workaround. It's also a camera with different capabilities. The Dual ISOs are 800 and 4000, and that high base is a lot more usable than 12800. And again - if you've already got an fx3, you've already got high gain and high frame rate capabilities. The other thing to keep in mind is that in terms of filmmaking, super35 is 'full frame', and everything larger is considered as such - Vistavision, 65mm, IMAX. Arri released a new s35 camera last year (2 years ago?), and it'll continue to be the industry standard for the foreseeable future. Soooo many lens sets were built for s35, and are still in use today.

[@CollinJung]

@@colemowery I’ve thought about the FX9 as well - I’m really enticed by both the features and form factor of the FX6, I’m wondering if the FX9 would be too bulky - but definitely something to consider!

[@Burritosarebetterthantacos]

Id do this as well. I think tge fx6 is too small. I like the weight.

[@CollinJung]

@@Burritosarebetterthantacos Definitely would be helpful for me to work with both and be able to compare the bodies in person!

[@danabeldp]

In terms of client perception, I think your current FX3 rigged out does the trick. FX6 is a workhorse but it might be worth holding off and seeing if Sony releases some new tech in the next 6-12 months. But if it makes sense for your workflow, go for it. If it feels like a stretch financially, I’d just hold off. No need to put yourself under more stress when you already have a very capable camera.

[@CollinJung]

Super fair advice - there would be upgrades with the FX6 but it wouldnt necessarily be a night and day difference

[@MasonAyresCreative]

I'll take your fx3... I'm using an EOS R right now

[@CollinJung]

@@MasonAyresCreative haha hey the best camera is the one you have! I do have to remind myself to be thankful for my FX3, it really is an amazing camera

[@MindfulGrinds]

People often focus on the look the client perceives. Above that, the FX6 internal electronic variable NDs are second to none. Once you shoot the FX6, the “pocket camera” will be a thing of the past. Coming to this from a longtime FS5MII shooter with two full rigs, I prefer to film on those than the A7SIII/FX3. Filming at night even in 12800 ISO you sometimes can use the electronic ND to gain a look. I would say go all in with the FX6. You can pick up used cameras for a bit of savings if you want. Because you are into the Sony ecosystem, it just makes sense. Also having just a single BP-U90/98/100 battery will last for 4 hours of shooting so you do not need to have bulky, cable ridden rigs. I am stuck in a similar quandary and want to sell my FS5MIIs but need to sell both just to get into the FX6 but I also prefer the Super 35 sensor to full-frame. Just my personal preference. Once you use that electronic variable ND, you will not want to go back to messing around with lens filters.

[@CollinJung]

Haha totally understand that, I do love my FX3 but would love to have something that can stay built for sticks so I don’t have to constantly be taking apart my different rigs - and yes the ND’s would be game changing!!

[@jaredlank]

I have an FX6 A cam FX3 B cam setup right now and it’s a great combo. It allows you to keep the FX3 small and versatile and you can build the FX6 into any type of camera you need for any pretty much situation, both narrative and doc. FWIW the FX6 is much more of a ‘cinema camera’ than the FX3, especially in regard to IO, menu, media formats etc. Having one will acclimate you to what it’s like to operate that type of camera. Overall It’s a great two camera setup for doc. I will add that if you want to go more into the strictly narrative / commercial world, there is an actual benefit to having an Arri or a Venice, chances are you’ll get likely get hired (in part) for your camera package.

[@CollinJung]

Great insight, thanks Jared! This is exactly what I'd be going for - FX6 A-cam for most projects with an FX3 for a B-cam and versatile uses on gimbal, car mount, etc. I'm absolutely hoping to be able to invest in a industry-standard camera one day - just isn't realistic for where I'm at now. Thanks again, very helpful info!

[@Marcus_Visbal]

The FX3 is the absolute best for budget filmmaking currently. Sony just announced and event at the end of November with an Aloha launch. It’s most likely the A7V. Though it’s a hybrid, I work with production companies that use the A7IV. The FX6 is great because of internal NDs but wait until mid next year for the camera release regardless

[@CollinJung]

@@Marcus_Visbal I do love my FX3, just trying to decide if having an FX6 as well would be beneficial - definitely leaning towards waiting though!

[@Marcus_Visbal]

@@CollinJung I would wait. I work for/with a production company and we are waiting for camera upgrades for mid next year to see the new stuff as everything over the past 6 years have been one massive leap, then incremental updates

[@CollinJung]

@@Marcus_Visbal Absolutely, totally understand that! I'm definitely going to wait at least a few more months!

[@UrbanAnimeLounge]

Just wait, to think sony won't answer to the c400/c80 and pixis is a bad bet. Id wait for the Fx6 mkII and pounce when they sell them for cheaper

[@CollinJung]

Fair point, definitely have thought about this - just wasn’t sure what the timeline would look like for sure!

[@QWSfilms]

I agree. Also when the MkII is released t the MkI will be available on the used market at a lower price if you want to save some money.

[@HwayVision]

Fx6 is not a worthy investment ONLY because you had 0 issues with your current setup other than optics. Get a cineback and call it a day. Once the fx6ii or fx3ii comes out weigh your options then but now not recommended.

[@CollinJung]

@@HwayVision definitely hear you on that, although external variable ND filters have been something to deal with - the workflow of the FX6 would not necessarily be a problem-solver but it still would definitely streamline a lot of processes - would love to wait for a mark 2, but I just have no idea when that will be announced!

[@Tommy_Beal]

It’s definitely an interesting question to ask the internet! 😜 In my opinion, owning a second FX camera could be really useful if you want more corporate work, or if you would benefit for 2 angles running at once. I’ve found that a lot of corporate gigs want you to provide 2 cameras that match. I really wouldn’t worry about client perception, or the size of your camera. I’m noticing that’s more an internet topic, than a real thing (speaking as someone who shows up with a large FX9 package - I have been asked to put my FX9 away and pull out my FX30 because it is smaller and draws less attention). My friends who own an FX6, are all big fans of the internal ND and buttons (which make operating it faster), but pretty much all of them are annoyed with the camera shake you get. It has no IBIS, it’s a pretty small camera, and so you get lots of micro jitters, unless you’re using a support system, like an easy rig or a sakk or whatever. So usually I see FX6s sitting on tripods, and FX3s getting b-roll. Those are just my thoughts, you’ve got an awesome camera right there, and you’re in an awesome eco system. I’m pretty sure the FX line will be around for a good while! Wish you all the best man!!

[@CollinJung]

Thanks for all the advice Tommy - watching your workflow has made me consider the FX9 as well, but I'm not fully sure that's in my price range yet (even though its pretty close to the FX6 used). Definitely a lot to consider, with all the advice from so many places especially!

[@Tommy_Beal]

@@CollinJung I hear ya. Well good luck! You've got a whoooole lot of good opinions to work with in the comments :P

[@CollinJung]

@@Tommy_Beal Haha one might say I have too many! I'm so indecisive and all the input in both directions might be making the indecision worse lol!

[@Tommy_Beal]

@@CollinJung hahaha I feel ya man

[@tlksoup15]

I’m in your position and will sell my FX3 for an FX6 or C80 since i also have RF glass. I say upgrade to the FX6. Internal ND’s will save you so much time on set.

[@CollinJung]

I would love to have those internal ND's... I'll keep the upgrade on my mind!

[@Austin_Smock]

I would wait to see what Sony comes out in the next few years. Unless you get jobs asking for the fx6, I would just stick with fx3. I hire out for vendors occasionally at my full-time gig, and I wouldn't care if you have an fx3 or fx6. I went from the fs5 to the fx3 and thought I would miss the build and features of the fs5 mainly the nd filters, but I don't. If you can buy the camera outright or now you have the work to pay it off go for it, but don't finance it if you don't feel secure. I financed my fs5 because I had a full-time job to make monthly payments.

[@CollinJung]

@@Austin_Smock this is super sound advice, thank you man. I appreciate you taking the time to share your thoughts!

[@30killabeatz]

im using the fx3 and i love it! the fx6 is nice but understand no IBIS

[@CollinJung]

Yep, love my FX3 as well! Just trying to decide if the FX6 would be worth the upgrade - no IBIS should be ok, I'd likely have it rigged up to be heavy enough to steady itself

[@TradeshowThomas]

fx6 as your A cam fx3 as your gimbal/b cam seems like a solid setup. fx6 takes care of any client perception issues especially if you’re doing corporate. For events I’ve seen plenty of shooters with a similar rig to your current fx3 setup as well as rigged out a7sIII even but yeah for corporate and docco fx6 would get my vote for sony shooters. If the capital expenditure is the issue you could finance it through adorama to make it non-disruptive to your monthly cashflow

[@CollinJung]

Definitely have thought about financing - just weighing different options! I agree FX6 + FX3 would be a perfect setup!

[@lukasvoplakal5780]

Hi I own an FX3. I previously used to lend FX6 for some event videography but when it came to decide which camera to buy, I chose the FX3... form factor and mounting points, ibis, better for gimbal use... I use FX3 with 2024 atomos ninja, v-mount battery and nisi C5 mattebox. The difference in image quality is not that substantial to "waste" the money on FX6. I personally did not find the electronic ND such a useful feature to make an impact. I would advise you to save your money and use it for same other gear you might use to improve your filmmaking journey and when it comes to an upgrade: A) Sony FX9 (expensive but worth the upgrade after some time of saving) ...B) Consider the ecosystem switch to for example RED (nice pricedrop nowdays) or Blackmagic (Easier workflow with davinci software or other of their hardware)... This is what I am strugling with to choose. Some other cameras might also be released so I would wait :D

[@CollinJung]

@@lukasvoplakal5780 solid advice here - I think our use case isn’t the exact same as I am looking to do more narrative film and commercial work, but when I have done event video the FX3 really seems like the PERFECT camera. Can go super minimal to not be obstructive or distracting while still getting a great picture. The FX6 would be my entry point into being an owner/operator and DP with a true box-style cinema camera, but I agree from an image-quality standpoint there isn’t a night-and-day difference

[@TonyJSchiavone]

In the somewhat of the same position as you. I have a A7III and recently started working with a production company that all use 10 bit sony cameras like A7SIII, FX3, etc... I'm looking at the FX3 to upgrade but at the same time I'd want to "future-proof" myself with an FX6 and cough up the extra 2 grand. As for your situation, I'd say go for it honestly. If you could keep both, the FX3 and FX6 is a killer comb for 99.9% of shooting scenarios.

[@CollinJung]

I've got an a6600 (8bit) and I saw a CRAZY difference when I got the FX3 and started working with 10-bit footage... So be excited for your upgrade regardless! I think this comment section has tons of advice from FX3 and FX6 users about which is better for the use-case, so feel free to browse the free advice lol! As for mine... I'd love to have both, but I'm starting to think patience might be the answer here - The next couple months are looking really good for work though so maybe the FX6 is in the near future!

[@SamWelker]

First thing about a hireable camera to consider. Are you getting fx6 requests already? If not you won’t get new requests just from buying one. It’s a killer camera but what you do with it matters so much more. Will it save you time or money or open doors for you? If so then go for it.

[@CollinJung]

Not necessarily getting FX6 requests but I have seen public listings for FX6 jobs I've had to pass up - it will definitely save me time and improve my workflow, but it'll cost money - and I am hoping it will open doors but I'm not 100% sure of that. I appreciate the input man, thanks a ton!

[@FerryKnijnFotografie]

I have an FX6 and love it; it looks great. However, I am also looking for the ZV-E1 (Mini FX3) for a B-cam/vlog/fun cam. The market in the Netherlands isnt in the way a camera gives you more work..

[@CollinJung]

@@FerryKnijnFotografie I’ve heard great things about the ZV-E1! And yes I understand, I don’t think the market here is a hard switch either where instantly owning a camera gets clients flocking to you - I’ve just heard that the FX6 is very highly sought after

[@FerryKnijnFotografie]

@@CollinJung its a great camera, but with the FX3 you wont notice that much in the image, the internal variable ND is nice... and it looks great! clients are always impressed by the rigged version....

[@CollinJung]

@@FerryKnijnFotografie internal ND is pretty much the top of my “want” list… along with a bunch of other things - I’ll decide eventually 😂

[@LukeCage-ku6ny]

Your video popped up on my feed, lots of people are giving good advice but i thought id comment, maybe it will be helpful I work on narrative features in the uk, I have worked with BFI, BBC and some other independent companies as a director and DP as well as working towards directing my own feature. I would say it depends on how you would like to go about getting jobs, wether you want to create, fund and produce/ shoot your own projects or you want to get hired to shoot for company’s. independent projects are going to be very different then working on narrative for a company and realistically it doesn’t matter that much what camera you have at them moment if you want to get hired by a company because its going to take a while to work up to DP on a project like that, for your first job in that space the director and producers are probably going to have more decision power for what your gonna shoot on and it will probably be a higher end camera anyway. Box cameras are always going to be industry standard, for there capability in terms of workflow, wether its ARRI, SONY, RED… big or small narrative is always going to have a team foe you to work with. Commercial is going to be different again it’s different now because we have way more work for online commercials they are usually the ones that may ask if you have gear what your kit list is and so on bigger company’s usually have a look in mid and are going to decide for you though unless you have your own ARRI or VENICE. It’s supper important that you make sure the jobs your on boarding are professional to, that doesn’t have anything to do with budget or having a huge crew, it just mean having the right team and knowing that what your Woking on is going to be beneficial otherwise your never going to grow and get new work/ bigger work, its always going to be the same level always that first job, so even though its not your job directly make sure sound, lighting, costume and so on are decent. Owning some lighting and sound gear is also super helpful especially lighting gear, learn how to gaffer learn how to 2AC, 1AC and so on, your way more likely to get on to a small to mid level job for a company doing that first. i would definitely hold of for a little while at least since the sony fx6 mark 2 might drop soon there might not be that many new features but if there’s more recording options ports internal raw, company’s will look for that. Trying not to make this super long, I would also post your work supper supper important if people have and idea of your visual style there more likely to hire you. I know there are different between the UK and America but i think all of those things are generally thins you want to practice and keep in mind hope thats helps.

[@CollinJung]

This is all super helpful, thank you very much dude! I totally agree that investing into lighting and other supporting gear over upgrading the camera could be the move - thanks so much again!

[@basinvisual]

I feel this for sure, my A/B cam setup is FX3/A7IV and I sometimes am looking for a better A-Cam setup with internal ND but a more robust body made for film instead of a repacked DSLR. FX6 seems like an easy upgrade but at the same time it has little gain in reality compared to the FX3 other than internal ND. I think waiting for the Mkii versions of these cameras will be the move in the long run!

[@CollinJung]

@@basinvisual totally feel you there, that’s where I’m hesitant with the upgrade is feeling like it’s a marginal improvement to workflow rather than a big change! Thanks for the input!

[@earnieboy54]

If not the FX6, then you could switch ecosystems and come back. I had a friend that moved from Sony FX3, to RED Komodo X, worked with for a year on his gigs and then came back to Sony for the Venice II. So it’s okay to switch ecosystems if it’s conducive to the endgame/goal. But I would consider that if you’re not going to pull the trigger on the FX6

[@CollinJung]

@@earnieboy54 definitely something I hadn’t put much thought into, but worth considering! Thanks!

[@yourbuddyaj]

Just talked to someone in the industry that has worked in film for 20 years. Said he's never lost a job due to the camera model/brand he's been with. The only real advantages to the FX6 is form-factor and internal nd. I'd stick with your FX3 and wait for the FX6.2 or II or whatever it is is Sony decides to do. I have the Tilta VND for my FX30s and they are a super nice piece of kit.

[@CollinJung]

@@yourbuddyaj I’ve been looking at the Tilta mirage, I think it might be the perfect solution to wanting internal ND’s - thanks to you and your friend for the advice!

[@yourbuddyaj]

@@CollinJung if you don’t want the bulk or hassle of the Mattebox, you can just grab Tilta’s ring adapter and the VND and call it a day. The VND makes the camera look more serious but it’s also kind of unnecessary with modern glass.

[@vincent_media]

The FS7 is also a great budget option! Prices are falling on them and theyre still super relevant! Grab a metabones ultra booster slap the canon EF 24-105 f4 on it and you have a 24-105 f2.8. Dual XLR ports, built in VND filters, exellent battery life, great orgonamics and very customizable! If you have the budget get the FX6! Both great options. Love the idea of vlogging your work so you can always look back on it! Glad to see you getting ready to upgrade! Good luck going forward man!

[@CollinJung]

Thanks man, I’ll check out the FS7, definitely sounds like a great camera! Thanks for the support as well!

[@Marcus_Visbal]

@@CollinJungdo not get the FS7, it’s dates and the fx3 can do everything it can do and more, especially with rigging

[@CollinJung]

@@Marcus_Visbal did some research on the FS7 and I agree, I don’t think I’d be gaining much besides the form factor and ND’s with the FS7

[@J_Johnson.Productions]

I 100% would say keep the fx3 no matter what due to its ability to be rigged more seamlessly than the fx6. I have more details I can talk to you about outside of the comments if you have the time. I really wish to help with advice and breaking down the workflow and what would be best especially based on your workflow and goals.

[@CollinJung]

I appreciate that! Definitely leaning towards keeping the FX3, just weighing my options

[@medy.the.minimalist]

Believe me , i own the fx3, and a red Komodo x. Nothing is like the fx3

[@CollinJung]

@@medy.the.minimalist haha gotta love the FX3! I’m definitely enjoying it a lot, just looking forward to the next thing!

[@McarthurBeard]

I think if you going to upgrade you should wait the fx6 and fx3 are too similar to upgrade unless you just want a upgrade in the body style

[@CollinJung]

Body style would definitely be the main upgrade, as well as having 2 cameras to use side by side.

[@samcityz]

I own both FX3 and FX6, The image in the FX6 looks better even though they are the same sensor. Bite the bullet and get the FX6, ti's worth it ✊

[@CollinJung]

@@samcityz I keep hearing that the image is slightly better on the FX6… I’m gonna do what I can to get it ASAP!

[@georgeg6036]

Buy some glass and G&E. You won't regret it. Good luck!

[@CollinJung]

@@georgeg6036 thanks man, definitely leaning that way at the moment!

[@HighEndPew]

Go FX6 for sure

[@CollinJung]

@@HighEndPew definitely the plan! May not be in the cards right now though

[@adnmultimedia]

Honestly the Canon C80 is better than FX6 and it’s cheaper new.. but many companies do hire Sony users.. FX3 II on the horizon? It sounds like you’ve already decided though and I think you’d be happy with the FX6. What Would you NOT be able to do with the FX6? That’s the question.. I LOVE MY FX3 I just wish it had ND’s built in. Check those limitations then decide brother God Speed!

[@CollinJung]

I've seen the C80, definitely a great camera, but I'm already pretty invested (happily) in the Sony Ecosystem! And absolutely, besides the form factor, the internal ND's would be SO game-changing for me. Thanks for the insight!

[@Shaiquille]

You should rent the FX6 for a shoot get some bts of you with it throw some feelers out there with clients

[@CollinJung]

@@Shaiquille that’s not a bad idea! Definitely could help test the waters!

[@scottievee330]

If ya wanna be in the Sony system... FX6. Ready to try something different? Canon C400.

[@CollinJung]

Ideally I'd be able to stay in the Sony ecosystem - Already have invested a lot into glass there.

[@greggh]

"...and my lenses that I already had for my 6600 are now usable on my fx3." 2:37 - You bought full frame lenses for your APSC A6600?

[@CollinJung]

@@greggh yep, wanted to make sure I was future-proofed, and FF lenses still work great on APS-C sensors - just not the other way around.

[@charlieadkins6596]

love these videos

[@CollinJung]

Thanks - I love making them :)

[@luker1ng]

FX6 A cam combined with an FX3 B cam for gimbal / second angle would be LETHAL. Saved and pulled the trigger on the FX6 (moved from CanonR6mkii) almost every job I have taken the client has been very impressed. The internal nd along with the form factor (plus you are familiar with how to shoot slog.) JOIN THE FX6 CULT - other idea. ARRI ALEXA. 😂

[@CollinJung]

Haha I’ll save the Arri for the next upgrade (or 5 after) but yes I’m really thinking I might be joining the cult soon…

[@luker1ng]

You should!! After hundreds of David and Jared’s vlogs. I had to join… you are next. It’s just such a beast!!

[@lzafar]

Hold off - Sony open gate is on the way

[@CollinJung]

I've heard the rumors - would love that if its true!

[@Adam.Hughes]

I was in almost exactly the same boat as you 2 months ago, when I bought an FX6 to have alongside my FX3. In short - The FX3 is more versatile, IBIS alone makes it more useful in a lot of instances (I shoot mostly handheld). But, on the FX6 the electronic ND is SO good that the feature alone makes it feel like an upgrade, and the feeling of using a grown-up camera is not to be ignored! If given the choice between EITHER the FX3 or the FX6, the FX3 would win in nearly every case for the shooting I do. The FX6 once stabilised with it's much comfier ergonomics have definitely made all-day shooting less tiring for me personally. With what I now know of the differences between the cameras, I wouldn't buy the FX6. Instead, I would take out a loan for a Burano, make it available on the online rental websites to pay the monthly instalments, and sell myself to local production companies as a Burano owner/operator.

[@CollinJung]

@@Adam.Hughes this is super helpful info - I really appreciate all the insight man. I’m not sure if the Burano would be a realistic purchase for me at the moment but I will definitely look into the options - do you have any idea of what the ratio would be for average profit per month? Also - have you seen any kind of similar tangible income simply from owning the FX6? Or has it just been a camera upgrade for your workflow?

[@Adam.Hughes]

@@CollinJung I would honestly say that my workflow hasn't much changed, and my income hasn't changed as a result. But take that with a pinch of salt because I haven't approached production houses with it, and I live in rural England!

[@CollinJung]

@@Adam.Hughes haha totally get it - well thanks for sharing regardless, and best of luck to you man!

[@dirtystax284]

Fx6 is great but not an upgrade if you have an fx3, the only real upgrade you could do from fx3 is an Arri Alexa!

[@CollinJung]

@@dirtystax284 definitely love the FX3 - but I think I’ve got some time before I’m on an arri!

[@davidmorefield]

It doesn’t matter if you want to be a creative DP or an Eng cameraman. You are now a businessman and you have to think as such. I would not get it bc you think higher level skills require a higher level camera. I know multiple colleagues that get the same or higher caliber client with their fx3’s. I would only get it if your productions require it. That can be: clients are asking for it or the production needs multiple video out signals/TC/form factor. Client perception is not a factor. Your fx3 rig looks the exact same when it’s next to an fx6.

[@CollinJung]

Super fair advice - I totally agree with trying to think like a businessman, I think I get caught up in the "what's next" mindset too often and the gear market hype doesn't help. Thanks for the insight, appreciated a ton as always!

[@davidmorefield]

@@CollinJung ‘What’s next’ is a great mindset to have. Just target it towards projects and clients.

[@CollinJung]

@@davidmorefield Totally makes sense, great distinction to make. Trying to balance buying gear for the work I am currently doing with buying gear for the work I want to be able to do and market myself for

[@BassDad]

im working on getting subscribers myself so I subscribed I liked your video

[@CollinJung]

@@BassDad thanks for the support!

[@Creative.visionzz]

Blackmagic pixies 6k.. lol just joking but great video man..both will be game changing

[@CollinJung]

@@Creative.visionzz haha I’ve heard great things about the Pyxis! Just don’t think it’s for me!

[@BarelyManic]

fx6 = A cam fx3 = B cam

[@CollinJung]

Yep haha that’s the goal!

[@dp_zee]

Love my fx6.. but no.. it doesn't make me money. I'm usually renting cameras for my work.. sony venice 1 and 2 mostly.. sometimes milf sometimes a35.. fx6 almost never does anything other than freebie short films

[@CollinJung]

@@dp_zee totally get that - when the competition is the Venice, a35, etc. most people aren’t paying much attention to an FX6! Thanks for the input!

[@charlieadkins6596]

Get the fx6. If people see as super professional they gonna pay more. Do it

[@CollinJung]

Haha definitely would help the client perception!

[@mrtlphoto]

There is good reviews on the brand new Pyxis 6k from Black Magic Design. You could take a look. Hearing from Brady Bessette, the camera has the potential of an ARRI. Due to his way more affordable price, it could be a game changer. Brady also said that he was considering changing his main FX6 for the Pyxis, that tells alot in my opinion. Good luck!

[@CollinJung]

@@mrtlphoto I’ll check it out - not sure if switching ecosystems would be my preference but I’m not opposed to the idea! Thanks man!

[@jpdemora]

KOMODO X, or Nikon Z8

[@CollinJung]

I've used both, they both are great - just not sure if they are right for me!

[@vanntzer]

Just rent it till you have no other choices

[@CollinJung]

renting is a good option!

[@anthonyshirk3293]

Buy a Blackmagic!

[@CollinJung]

@@anthonyshirk3293 let me use yours and maybe I will!

[@907DP]

What part of Ohio are you in? I’m flying into Ohio in about a week for a shoot and will have my FX6. You are welcome to meet up with me and try it out. Here is just an example of a couple jobs I received specifically because I owned the FX6 Using the Sony FX6 for....Alaska summer projects BTS. Vlog #9 kzbin.info/www/bejne/jHnafYOMgbNql5o

[@CollinJung]

Thanks for the offer - I'm near Cincinnati, but I've actually used the FX6 pretty extensively on some other projects, just don't own my own at the moment. I appreciate the offer, I'll check out your video too!

[@Burritosarebetterthantacos]

Id dump that fx3 as fast as possible. Ill buy it for cheap just to release you of the burden. Ill dm you😂

[@CollinJung]

@@Burritosarebetterthantacos haha definitely not a burden of a camera!