I will never throw the Cell Phone that in 2020 allowed me to film Full Heartbreaking e other pieces

For some informations/eplanations about the video as almost always see the Comments Section.
Then, for a matter of general informations, here I always remember to you that this isn't my main channel. Even if at this point for the numbers of the videos, here more than 1000 (1719 to be precise), in this sense it's the channel, between all my four channels, with more videos in absolute and I consider however important also it. So, the other channels, keyboard channels, are in the cover image. But I insert them also here:
1 - Main Keyboard Channel and Main in general, so always recommended, called "NikolajStavrogin'sKeyboard 1": / @nikolajstavroginkeybo...
2 - Only Lynchian Keyboard Channel, called "NikolajStavrogin'sKeyboard 2 (Only Lynch)", the channel in which I upload only my interpretations of pieces (mostly by master Angelo Badalamenti) from mr. Lynch's movies: / @nikolajstavroginskeyb...
3 - Third Keyboard Channel, called "NikolajStavrogin'sKeyboard 3 (No Lynch)", the exact opposite of the second (that is, the one in which I never load the interpretations of the music from David Lynch's films but those relating to pieces by Angelo outside the world of the good David yes, and in which, even if I haven't been a believer for a long time and the study of Philosophy, in which I graduated in case someone didn't know or if they forgot, influenced me a lot on this) I was "miraculously healed" haha by San Gennaro, Patron Saint here in Naples, for the fact that my interpretation of Händel's aria Lascia ch'io Pianga from Rinaldo reached 10,000 views September 19th of 2022, and on February 7th of last year (among other thing on the day of my mother's birthday and also that of the legendary Italian singer Vasco Rossi) it reached 100,000 views (now it's going to 243000 even if I confess it stopped for several months, it had a certain exploit it seems to me until June-July last year, I was convinced it could have reached at least 500,000 views but now I find it hard, but I already consider myself lucky like this, I don't it's something that happens to everyone). Video then uploaded last May 3rd on the occasion of the birthday of the great Danish director Lars von Trier, who has his birthday on April 30th and this year he turned 66; this is because, and I always assume almost everyone knows it here, Lascia ch'io pianga is practically the musical theme of his masterpiece, and which Lars von Trier film is not a masterpiece, Antichrist, from 2009): / @nikolajstavroginskeyb... .
00:00 uploaded on February 15th, 2020 /but filmed in November 2019) Musica Ricercata II by György Ligeti (also inserted the Weather Report of last March 29th, 2024);
02:30 Preview Heartbreaking (all the three versions);
03:30 "Ich ruf' zu dir, Herr Jesu Christ" BWV639 (originally from July 2019 but uploaded here only on August 2020);
03:45 Montage from Twin Peaks: Ancient Version (April 2019);
04:15 Shaved Version (September 2020);
04:38 Prologue: One Ring To Rule Them All (Ancient Version, April 2020);
05:22 Twin Peaks Main Theme (an older CP80 Vers. from November 2019 but uploaded here only in April 2020);
05:51 In Heaven Everything is Fine (June 1st, 2020);
06:26 Windswept (May 27th, 2020) by Johnny Jewel
06:50 Adagio for Strings by Samuel Barber;
07:21 Breaking the Waves End Credits;
07:46 Theme from Hana-Bi by Joe Hisaishi;
08:16 The World Spins - Julee Cruise;
09:46 The white headphones have been broken for some time now and which I identify above all when I learned The Fireman;
09:52 Preview The Fireman;
10:42 Once Again Musica Ricercata II in this case inserted in another video from the Weather Report channel (Episode of March 31, 2023 from the ex Series "Today's UFO Plate is...?" created by me in response to mr. Lynch's "Today's Number is...?")
12:30 Waltz No. 2 by Dimitrij Shostakovich (end September 2020);
13:30 Accident / Farewell Theme (Old Version from end July 2020);
14:28 The Chair (August 2020);
15:28 Summer by Joe Hisaishi;
15:59 Old Version (end August 2020) of Menage a Trois from Nekromantik I (1987);
16:44 Dark Lolita (Old Version, May 2020);
17:47 Laura Palmer's Theme (Ancient from May 2019 but here uploaded pratically a year later);
18:45 The Voice of Love from FWWM (Old from June 2020);
19:45 Dark Space Low (June 12th, 2020);
21:13 May 2019: A Private little faster version of Main Title from Mulholland Drive;
#twinpeaksthereturn #eyeswideshut #davidlynchweatherreport

[@nikolajstavroginskeyboard2779]

1) A part Adagio for Strings (reuploaed by me also here on January 2021 for the anniversary death of John Morris and John Hurt and through which I identify this channel being its trailer since some time but also other pieces reuploaded by me always also here for other occasions) all the original versions of the interpretations of these pieces come from the main keyboard channel. Yes, however for me that cell phone is now a kind of "precious heirloom". Saying that for the anniversary of Major Briggs / Don S. Davis' death (June 29th, 2008), although at the moment I think it will be ready a few days later we'll see, I should upload a Suite based on new versions of Theme (Audrey's Prayer Slow) from the scene "My Son Was Standing There" (legendary scene from Twin Peaks S2 Ep 1), filmed by me in the last days (among other things I realized that in the past version I got the key wrong but for the fact I slowed down the original or normal Audrey's Prayer that is in another key): June 19th, 2020 was the anniversary of my Full Heartbreaking (all the three versions; here in a form of preview from 02:30 to 03:31) by our alas dead (Dec. 11, 2020) master Angelo Badalamenti. In fact the fragment in which I speak was really filmed by me on last June 19th. I decided to uploaded this special "MacroPreview" video in which I show how I still preserved the Cell Phone through which I filmed the interpretation of that piece in particular but also other pieces along with those white headphones (visible from 09:46 to 09:53) through which I heard in depth with my ears (but in general this last it's an operation I always do since time and what I still do with others) them during those months. 2) Yes, continuing I would like to add that in truth I also kept the cell phone used when I stopped using that one because its camera was completely blurred, and therefore the cell phone I used from mid-October 2020 until practically April 2021, then this one too it's broken (or rather the display glass broke badly and I never repaired it); then from mid-April 2021 until the end of June 2021 I used yet another one, and this too broke (I don't remember exactly why now), while from the end of June 2021 to now I practically always shoot videos with a tablet ( very cheap) taken at the beginning of June 2021 sometimes alternated with a new mobile phone (very old model) which I always took in that period. Let's say that only in the last few months have I been shooting videos more with this mobile phone (as you can see from the shots of the videos of the last few months) while until a few months ago practically since July 2021 I have almost only used the Tablet. Now, it is clear that there are videos that are dear to me also with the footage taken from the tablet and mobile phone at the end of 2020 and several months of 2021 (in this case I am thinking above all of the interpretation of Profondo Rosso Piano Solo, Hook Rug Dance but also others) as well as the filming with the Tablet as mentioned, but there are some videos from 2020 that I consider to be true works of art. In fact, I don't know if Heartbreaking (All the three variants) is the absolute work of art but it certainly falls into a hypothetical top ranking. I don't believe in absolutes but that video and that performance took on a certain aura, I wouldn't say sacred but certainly authentic, I would also clearly say The World Spins, Dark Space Low, Musica Ricercata II by Ligeti. I don't make it a question of views but rather of the unrepeatable authenticity of the interpretations. Yes, in fact I believe that many of these are not replicable from the point of view of "interpretive beauty" if I may say so. As much as one can try to make new versions, some of these videos are now let's say untouchable, they have taken on a certain aura of authenticity as works of art. That is: I'm the guy who actually thinks that I don't mean shit, that I'm the least of the least important on the face of the earth, that in fact he certainly has very low self-esteem (although I don't think it seems like it, because I realize that, even from an astrological point of view, I have a complex character, not easy and overall not easy to read, so to others it may seem that I have a certain pride, that I would think of them etc.. I realize account) but this does not prevent us from saying that from an objective point of view this is the case, that is to say that some of those videos are now a sort of works of art that are there, I mean they will remain there in that way for eternity (even if I mean on the one hand eternity so to speak, because we can't know if in just ten years from now KZbin will still exist more or less, I really hope not but mostly for the fact that on the one hand, it were to happen, then unfortunately I will necessarily have to think that I will have thrown these years pretty much down the toilet since at that point everything will have been erased, and all that effort to create and edit the videos will have been useless; which therefore would certainly lead me to at least get a little annoyed while on the other hand I would certainly know how to start from another point of view, still having a degree in Philosophy but also in general independent of the latter). After all, I didn't invent certain comments, like one wrote to me under the interpretation of Heartbreaking (all the three versions) "this is perfection" or sometimes even that I would be a genius, that I have magic in the way I interpret, someone even told me "you are an extraordinary being" or lastly another just a few weeks ago that he "feeds on my art", that is, the way in which I would set up or create my videos, always clearly in connection with the interpretations keyboard. I don't know or will never understand people exactly what types of joints they smoke or what types of alcohol they drink when they express these judgments but at the same time if they express or think such things there will always be a positive reason. In any case, here perhaps I report the links of the interpretations dearest to me present in this video but in the utopian and extremely remote case someone was ever interested in the others too, as well as finding them in the specific playlists if from the main video screen you search for the videos "older" from the options you can find them all gradually, given that, apart from some that date back to 2019 but which I then uploaded in 2020 (because in fact I started uploading in 2020 even though I consider myself a full-fledged creator since September 2020 when I seriously decided to commit to KZbin): Actually always 1st most viewed there on the main (and most viewed instrumental on YT and second in absolute considering also the sunged covers with not much difference): kzbin.info/www/bejne/Y32cn2eajLKra5o; 13th most viewed there: Dark Space Low by our alas dead (on Dec. 11th, 2022) master Angelo Badalamenti (End Credits music from Twin Peaks THE RETURN / 2017; 13rd most viewed here): kzbin.info/www/bejne/qZm8ZoSse96knqs; 10th most viewed there: Solaris Theme ("Ich ruf' zu dir, Herr Jesu Christ" BWV639 and actually 10th most viewed here): kzbin.info/www/bejne/rGKvpKKbl69jrZY; 49th most viewed there: Musica Ricercata II by György Ligeti (as you know also track used in Eyes Wide Shut by the legendary Stanley Kubrick): kzbin.info/www/bejne/h4WnpZWMZ5Vsf9E 5th most viewed there: Heartbreaking (all the three versions e 5th most viewed here), used in the "Santino Restaurant Scene", Part 11 from Twin Peaks THE RETURN / 2017, always by master Badalamenti: kzbin.info/www/bejne/h4jThHWdid2tmsk; 23rd most vieved there: Montage from Twin Peaks: Girl Talk / Birds in Hell / Laura Palmer's Theme / Falling (from Fire Walk with Me, 1992), Ancient Version from April 2019 but uploaded a year later, always by master Badalamenti: kzbin.info/www/bejne/nnulq4Cjjq11ptk; 75th most viewed there: Shaved Vers. from September 2020: kzbin.info/www/bejne/opyqZqmKocqhrNE; Old Version of Accident / Farewell Theme (in Part 6 from Twin Peaks THE RETURN / 2017), always by master Badalamenti: kzbin.info/www/bejne/fX_dqquaYtyer9U; The First Dearest Version of In Heaven Everything is Fine (as you know legendary track or song from Eraserhead, 1977 by mr. David Lynch): kzbin.info/www/bejne/ravIhI2bob2jlZI 32th most viewed there: The Fireman (in the legendary Part 8 from Twin Peaks THE RETURN / 2017), always by master Badalamenti: kzbin.info/www/bejne/nHu5ZKebl99gepY; 4th most viewed there: Breaking the Waves End Credits ("Siciliana" from Flute Sonata No. 2 BWV 1031 - J. S. Bach) kzbin.info/www/bejne/Z2jXpImeZbarbsk. *As you can see there are almost all of them or rather these are certainly among the most expensive, I have omitted only a few, which in any case as mentioned in the case you can find them in the ways in which I told you above.