Ignaz von Biber | Passacaglia | Liza Ferschtman, violin | 24classics.com

Passacaglia, Ignaz von Biber | Liza Ferschtman, violin | 24classics.com
Liza Ferschtman performs Biber's Passacaglia for friends and especially for choreographer Andrea Leine, with whom she worked together earlier in a dance production. Location: Muziekgebouw aan 't IJ, Amsterdam.
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[@rebekahmoskowitz2637]

Happy 375th Birthday, Heinrich Ignaz Franz!!!

[@leitfie3579]

This is beautifully played - and marvellous, unique piece. 🎻

[@michabielski9127]

Wonderful. This should have over one million views.

[@24classicsvideo]

it should!!

[@asyamusina4990]

she is magical! I adore every moment, so honest feelings

[@Ryan-bl1qo]

This is a baroque piece played on a modern instrument. People treat it like it's a crime. After all, she is a Classical violinist and not Baroque like Rachel Podger and others. Stop being boring and comparing things... It's a beautiful piece played on a great instrument and with a great performance. Music is not made with just one instrument.

[@24classicsvideo]

Thanks Ryan! We completely agree with you❤

[@Ryan-bl1qo]

@@24classicsvideo ☺️

[@mirkogabler6808]

Spellbinding, and so joyful! Thank you.

[@user-ow2lk2ps4l]

Superb performance. Amazing ho something so mathematical can be so emotionally exiting. With Love and admiration from Israel.

[@yordankaacosta2849]

Excellent!! A very bold counterpoint by Biber.

[@jairochaves8916]

She is "una Deusa""!!!

[@raoultak]

This makes me so happy. What talent.

[@dangerlimite6748]

this is the best modern version of this piece

[@liviomacchi3818]

Before to be so sure listen Elicia Silverstein

[@misaacsable]

Try Reinhard Goebel's version

[@hongkyulee8775]

Sunday Times, 20th July 2014 “The formidably gifted Ferschtman is clearly a musician driven by a sense of adventure. This bold, ingenious set, juxtaposing works by two giants of the high baroque with two giants of the 20th century, reveals a player of deep insight, intensity and imagination.

[@user-kc9jx5qt6x]

Божественная игра!

[@antoninopirrone2541]

♥️💕💕

[@diesirae8785]

es impresionante como independiza las diferentes voces

[@davehshs651]

Passionately and beautifully played.

[@jandirpassos5327]

Outstanding performance

[@jasonhurd4379]

It doesn't matter that she is playing on an altered violin with a modern bow. Her interpretation is in the true Baroque style: clarity of counterpoint, discrete separation of voices, minimal vibrato, et al. But above all, she stresses the actual meaning of the word 'Baroque': bizarre, eccentric, grotesque. Biber's music was disturbing and wild to the ears of his contemporaries, and Ferschtman recaptures those dark qualities in her magnificent interpretation.

[@jandirpassos5327]

@Jason Hurd, I agree fully with your analysis

[@juanpablovelez9101]

Wow that was amazing, i love it!!

[@mikerusli9660]

Magical!

[@davidcatdoso]

My God 😮

[@LadyTigerLily]

Absolutely stunning~

[@JorgeSmitt]

Maravilloso!!!

[@drandrewtan]

Beautiful!

[@mesho8575]

so low views, why such legendary plays have to be this hidden :(

[@luisdbracho]

because if they weren't hidden, they would not be legendary ;)

[@2008erichuang]

此曲只應天上有，人間能得幾回聞

[@davidcatdoso]

Brutal😮

[@eliasvieiraviola]

#Frieden

[@supremetuna]

This is how magic works.

[@user-kc9jx5qt6x]

!!!!!!!!!!!!!!!!

[@user-kc9jx5qt6x]

Божественное исполнение Пассакалии?

[@user-kc9jx5qt6x]

Не?,а!!!!!!!!! Браво Элизабет!

[@user-kc9jx5qt6x]

А вы говорите: Бах, Гендель! Почему то у Лизы смычок не барочный и струны не жильные! Это ладно! А вот ,что сын этого скрипача композитора, оказывается, был начальником отца Моцарта в соборе Зальцбурга, вот это да!! Наверное сын Бибера и подсадил юного Леопольда Моцарта на серьезное занятие скрипкой. А он в свою очередь передал любовь к этому чудному инструменту своему сыну- Вольфгангу!

[@jotaijunfu1406]

vom Feinsten das Feinste

[@Biber0315]

Not at all bad for a modern set up. I'd pay to hear that.

[@debashismitro3255]

Great interpretation but the experimental audience setting is not appropriate. Impeccable rendition.

[@tobiasstudtheol]

Sorry that I have to be purist but Violonists during Biber's time played without chinrests, had gut strings and used a bit less vibrato. Apart from that it is quite good.

[@Scriabin_fan]

I think as long as the music is respected by the musician and not sacrileged then it's fine!

[@matthewrzeszutko5601]

At least she's not playing it at a world record speed on an electric violin from outer space.

[@pvonsoosten]

A real purist would complain about the soloist not having the plague, like the composer assumed they would.

[@tobiasstudtheol]

@@pvonsoosten, how stupid of you to say that - shows a complete lack of musical understanding! But then every deaf listener of uninformed - meaning non-HIPP - recordings has no musical understanding!

[@Pingopalla]

Poco colore

[@krzysztofpyrek8903]

That woman sitting next to her looks so creepy...

[@sergiomanzetti1021]

I wonder if Bieber would walk around in a room full of sitters, and pose for them as this. Embarrassing.

[@eislakkon3110]

Poor people. Looks too embarassed...