Il Trovatore Full Opera - English Subtitles

Kaufmann, Harteros, Markov and Manistina. Bayerische Staatsoper, 2013. The English translation and subtitles were provided by Librettos in English.
Copyright Disclaimer:
This video contains copyrighted material used under fair use for non-commercial, educational purposes, aimed at enhancing viewers' understanding and enjoyment. If copyright owners object, kindly request video removal. No infringement intended; I don't claim ownership, except for my English translations
Timecodes:
00:00 Intro
00:25 ACT I (The Duel)
12:49 Tacea la notte placida (Leonora)
22:15 Deserto sulla terra (Manrico)
25:49 Di geloso amor sprezzato (Count, Leonora, Manrico)
28:23 ACT II (The Gypsy Woman)
28:58 Vedi! Le fosche notturne spoglie (Anvil Chorus)
31:07 Stride la vampa! (Azucena)
36:59 Condotta ell'era in ceppi (Azucena)
44:24 Mal reggendo all'aspro (Manrico, Azucena)
52:54 Il balen del suo sorriso (Count)
57:14 Per me, ora fatale (Count)
1:09:54 ACT III (The Son of the Gypsy Woman)
1:11:46 Squilli, echeggi (Soldiers’ Chorus)
1:24:13 Ah! sì, ben mio (Manrico)
1:31:45 Di quella pira (Manrico, Chorus)
1:34:06 ACT IV (The Execution)
1:37:15 D'amor sull'ali rosee (Leonora)
1:42:38 Miserere d'un'alma (Chorus)
1:48:09 Tu vedrai che amore in terra (Leonora)
1:52:23 Mira, di acerbe lagrime (Leonora, Count)
1:55:56 Vivrà! Contende il giubilo (Leonora, Count)
2:05:43 Ai nostri monti (Azucena, Manrico)
Manrico：Jonas Kaufmann
Leonora：Anja Harteros
Conte di Luna：Alexey Markov
Azucena：Elena Manistina
Ferrando：Kwangchul Youn
Ines：Golda Schultz
Ruiz：Francesco Petrozzi
Conductor: Paolo Carignani
Stage Director: Olivier Py
Bayerisches Staatsorchestere
Chor der Staatsoper München

[@Galastel]

Great singing, but I don't like this production. It's weird and distracting.

[@librettosinenglish4032]

I couldn't agree with you more. Yet, it's extremely challenging to find opera videos featuring great singing and production quality that are not blocked or subject to strikes on my channel. FYI, yesterday, I received a strike on my Maria Callas Gala video. Fearing additional strikes (as KZbin removes a channel after three strikes), I decided to delete two recent productions: 'Lucia di Lammermoor' and 'Rigoletto,' both performed in 2022.

[@anne-genevievepere5300]

​@@librettosinenglish4032c'est déjà une joie immense de pouvoir voir et écouter une si belle version de Il Trovatore avec de très grands artistes dont Jonas Kaufmann que j'adore ! Merci beaucoup pour votre travail et les sous titres anglais. J'espère que vous ne serez pas obligé de supprimer aussi cette vidéo, j'en profite tant qu'elle est là !! 🤞❤️❤️❤️

[@jelenazsadanyi1640]

Completely agree

[@jelenazsadanyi1640]

So distracting from the music all the unnecessary movements on the stage. Some of the singers were out of beat

[@geoycs]

And I’m not sure about the singing either….

[@oxana6055]

Чудесное исполнение! Получила огромное удовольствие ! ! !

[@mannydecastro3782]

I like traditional productions of this great opera - love the singing - so much intelligent passion.

[@rosy3385]

Je n'ai jamais vu un Trouvère aussi bien chanté mais dans une mise en scène si minable que c'est désespérant !!!

[@mariodouradoo]

Bravissimi!!!

[@jasonrobinson6561]

This. Production. Is. Absurd. I feel bad for the singers.

[@user-ep8tk4us8b]

Восхитительно!!!!! Спасибо!!!!!! От души!!!! Если бы были ещё субтитры на русском, я бы поделился ссылкой ещё со многими знакомыми

[@librettosinenglish4032]

Зайдите в "Настройки" и нажмите "Субтитры", затем выберите русский язык. Конечно, это перевод Google. Я не знаю, насколько хорош или плох перевод Google между английским и русским, но это лучше, чем ничего. Причина, по которой я добавляю субтитры в качестве титров, заключается в том, чтобы дать возможность большему числу людей во всем мире наслаждаться великими операми, понимая драматургию, а не только музыку. Этот русский перевод, что неудивительно, сгенерирован машиной, и я надеюсь, что он передает мою мысль.

[@susanjarmai3946]

Thank you

[@archiereece8321]

31:03

[@rodicapopa4339]

Fabulous! Especially Jonas' and Anja' performances were moving and powerful, the roles are difficult and demanding. All the cast is very good. Unfortunately the staging is questionable, cluttered with useless symbols and complicated set elements, that often diminish the visibility of the performers.

[@puccininumberonefan3400]

agree

[@archiereece8321]

@@puccininumberonefan3400 31:04 opera Viagra

[@aliciasarramida]

fantastic Jonas ♥

[@Dylonely42]

I don’t like the staging as well, but the opera is so good… worth to close your eyes and listen through more than two hours.

[@user-iw3nd3bv4s]

That I did... Appreciate just the voices...Visually it hurts.

[@ic.73]

Kaufman almost died during "all armi"

[@Porn05Mouth]

Was that even him singing the last notes? Looked like he was mouthing and didn’t sound like his B5s.

[@rodicapopa4339]

A big surprise!!! Thank you!

[@christinerapoza885]

Amazing!

[@salvoferraro6976]

Meravigliosa, favolosa, stupenda,porcheria assoluta.

[@cliffgaither]

@salvoferraro :: Hahahahaha ! Your comment reminds me of an Italian opera goer a hundred years or so ago ... _The tenor in the opera was terrible. He was booed mercilessly. Someone in the audience called out, over and over :: Bravo ! Bravo ! for this poor tenor. The audience turned on the man praising the tenor. The man defended his position and said ::_ _No ! No ! He sings it until he gets It Right !_

[@salvoferraro6976]

​@@cliffgaithercomplimenti,un centinaio di anni fa?, dunque lei ha circa 120/125 anni, portati benissimo, complimenti per il suo gusto raffinato dell' opera lirica

[@salvoferraro6976]

Tralasciando l'aspetto scenografico, è imbarazzante il livello scarso dei cantanti, veramente pessimi,in primis l' ingolato e stonato, Kaufmann,

[@salvoferraro6976]

​@@cliffgaitherlei che un' highlander, centenario, dovrebbe ricordare il Trovatore di Merli,Pertile,FilippeschiDel Monaco,Corelli, questo baritono ingolato è semplicemente ridicolo e inascoltabile.

[@googlefan8990]

@@salvoferraro6976 he is a tenor, not baritone - the Russian baritone is OK - not as bad as the others.. The soprano is pretty bad too...

[@josephlewis6181]

The only thing I can think of is comical and absurd.

[@archiereece8321]

31:03 those creamy thighs and bubble butt

[@crazyman8472]

I keep looking for the Marx Bros. to come out of the woodwork. 😜

[@irinadz]

<a href="#" class="seekto" data-time="670">11:10</a> Un altra notta ancora <a href="#" class="seekto" data-time="782">13:02</a> Tacea la notte <a href="#" class="seekto" data-time="1055">17:35</a> Che dici? Oh basti!... Obliarlo? <a href="#" class="seekto" data-time="1086">18:06</a> Di tale amore <a href="#" class="seekto" data-time="1342">22:22</a> come d'aurato sogno <a href="#" class="seekto" data-time="1425">23:45</a> Anima mia! <a href="#" class="seekto" data-time="1448">24:08</a> Qual voce! <a href="#" class="seekto" data-time="1587">26:27</a> Un istante

[@roberttartaglia1715]

I don’t know where to begin…yes the singers are fine..but this production!!! Singers outrageously upstaged by dancers, sets and nonsensical pantomime! Where oh where are opera directors who respect the works they are supposed to be directing? I have been attending opera for more than 65 years and am watching the art decline into burlesque!

[@georgesclermont1911]

How right you are. I don't mind some newer productions when they either explain a different view of a work or meet the spirit of the composer. Germany is a big dilemna. What is it with German producer that they NEED to destroy a work and show it under its worst vulgarity. Chéreau changed the world of opera in 1976 (The Bayreuth Ring) but did it with respect, finesse and elegance. The last two just don't figure in German visual arts or architecture. Always heavy, tacky, grotesque. (Compare Versailles and any dreadful royal palaces in Germany to see my point). I figure that the 'destruction' of Wagner is a form of atonement for his antisemitism. Perhaps, who knows...

[@jeanettenorman7052]

I am so over the 'set designers' rubbish and tosh. To me Opera is music and voice. That's it.

[@monie2168]

@@jeanettenorman7052 Une belle mise en scène est un vrai plus.

[@bla7091]

@@georgesclermont1911German operas always start with a naked person walking around, you would never see that in Italy or Vienna. Any opera director with ideas like that will be put in exile!

[@puccininumberonefan3400]

agree

[@tomberbers]

La puesta en escena mas,rara que he visto. Muy bien cantado. Pero la adaptacion de la opera incomprensible.

[@librettosinenglish4032]

Playlist of Full Opera with English Subtitles kzbin.info/aero/PLrkumY-yqNmkAfenvnnQ2iGlAag2TvJMl

[@kaochloe1]

Thank you so much for posting as always. love the music but hates this production. I usually like to watch and listen to enjoy the opera. With this one, i can only listen even when i tried to have an open mind. It is just too much. Not sure if it is only me and i do not want to be too judgmental but I found European productions especially German like to experiment with contemporary or futuristic setting with a lot of disruption on tthe stage

[@user-ej2sh8tt6d]

À Liège, le nouveau directeur fait les mêmes horreurs ,détruisant tout l'intérêt pour la vision de l'opéra sur scène. Desolant. Et à pleurer.

[@georgesclermont1911]

Beautiful singing but the expected vulgar and tacky German production

[@georgesclermont1911]

@@atbp0321 so should you obviously!

[@archiereece8321]

<a href="#" class="seekto" data-time="1864">31:04</a> that opera cake!!!

[@operacat1]

Kaufmann and Harteros together......great pairing. Not so keen on the baritone.......there's a production of FORZA DEL DESTINO where they are joined by Ludovic Tezier as Don Carlos di Vargas......now that is really something. I am still coming to terms with the production......I don't really get it. (But I like the fact that she looks like Jane Morris in the paintings by Rossetti! Was that intentional, I wonder!)

[@veenaraina4379]

Thank you for posting. But such a bad production. Very distracting.I am sure even to the fabulous singers.

[@oxana6055]

Замечательное исполнение! Но постановка не очень нравится. Очень хорош Кауфманн!!!

[@stephenlord9]

can't hear him in the "pira" even transposed down and the last note is a vergogna

[@tomberbers]

Very weird .

[@robertoleandri5848]

Ecco come si distrugge un opera sceneggiatura pessima e co😂yntro tutte le regole di un opera disastro😂😂😂😂😂

[@tomberbers]

Any way it has something . Surealistic

[@ggloriaf5151]

Regia come va di moda ora...richiami diabolici...uffa! E basta con sta moda dell' inquietante....

[@rickloduca394]

Just popped up on my youtube feed, so yes, I’m watching! Well listening… So sad for the distractions on stage. Im making a list of these ‘directors’ so I can avoid their shows in the future. I travel thousands of miles from CA to see opera, I’d be p-od for this crap. Sadly, the woke and ‘inclusives’ are ruining the greatest art form. The GDs like Gelb and Shilvok should be canned!

[@kaochloe1]

Same here. I travel thousands of miles from CA since we no longer have good operas both singers and production. Please do share your list once compiled. People complain about too many David McVicar's production but at least i can trust his productions, not an experimental art form. I think Gelb should be gone long time ago.

[@coragazmen7073]

Terrible,can’t understand,you are right very weird,if not for Jonas and herteros,their singing is so beautiful,I would not bother,thank you for trying <a href="#" class="seekto" data-time="685">11:25</a>

[@stephenlord9]

and all that tenor crooning and falsetto

[@clefnoteproductions6695]

Azucena looks more like his sister or cousin, not his mother

[@felipeeduardodelarosabocan2356]

Espantosa versión escénica. Le quita todo el drama y la convierte en una cosa grotesca y risible.

[@henryktritt6410]

Chamska produkcja, pani sopran nie wyliczyła długiego dźwięku w duecie z barytonem, w dodatku tremoluje

[@viewer4327]

There aren’t subtitles

[@librettosinenglish4032]

@librettosinenglish4032 0 seconds ago They will be added by this Friday, October 13th.

[@javierlameiro3539]

in my computer subtitles do appear...in Russian!!! Not easy to follow.. but worth the effort I guess...

[@tomberbers]

To much Weird very creepy indeed

[@reduxmisc]

A lesson on how to ruin an opera

[@meisterwue]

Poor Verdi.....the singers and the staging.....worst case : the tenor 😢😮

[@elsalohengrin7777]

Do you know what is worse: rape in a opera, like Kaufmann raped Fash, Lohengrin, and right now rape at xmas time with Turandot Wiener Staatsoper...😡😡😡👎👎👎

[@meisterwue]

@@elsalohengrin7777 also ich finde diese Turandot in Wien schrecklich, das Bühnenbild ein Witz. Den Ansatz von Claus Guth : Turandot als traumatisierte Frau zu sehen, das ist akzeptabel....Schlimmer aber sind die Sänger....bei Asmik Grigorian bin ich unentschieden, halte sie aber insgesamt ungeeignet für die Turandot, d h ihre vokalen Mittel nicht rexgt angemessen . Jonas Kaufmann, dazu muss ich nichts sagen oder ich frage mal : was benötigt der Tenor für den Calaf unbedingt? Die Tophöhe wird man antworten, richtig und damit ist alles gesagt . Übrigens schauen Sie doch einmal bei der auch aktuellen Turandot herein in Neapel Teatro San Carlo.......kennen Sie Martin Muehle ....derselbe Jahrgang wie Kaufmann.

[@tomberbers]

Very very creepy indeed

[@petergraham8681]

Singing that fortunately obliterates the Euro trash on visual display here. Just experience this remarkable singer with your EYES WIDE SHUT!

[@franklinperkins9991]

Modernism, or whatever this production is, desecrating a work of art.

[@gerhardhofbauer7308]

Lieber Herr Kaufmann: Ihre verdiente Weltkarriere verfolge ich (live) seit Jahren (Soloabende in Mörbisch, Wien, Bacchus in Szbg, und in letzter Zeit Radames, Otello, Calaf in Wien und jetzt auf KZbin diesen Manrico ). Sie stemmen auch, dank Ihres superben Könnens, die erwähnten italienischen Partien. Klar, dass Sie stimmlich kein del Monaco oder Corelli sind, aber Ihre Rollengestaltung übertrifft beide bei Weitem. Was mich bedrückt: Wie bei ihrem Kollegen Florez vermisse ich die Leuchtkraft der Spitzentöne und die strahlende Höhe bei "Freunde, das Leben ist lebenswert" die von Mörbisch bis Ungarn schallte. Schade. Ob die angeführten Partien dies verursacht haben, kann ich nicht beurteilen.

[@Missedtrain-gu1fh]

"Ihre Rollengestaltung übertrifft beide bei Weitem" 😂 Meine Güte. Zumindest haben Sie keine Angst, sich lächerlich zu machen.

[@Dylonely42]

<a href="#" class="seekto" data-time="79">1:19</a>:35

[@tomberbers]

This is to freaky for me

[@archiereece8321]

31:03 that opera cake and lalalalala thighs!!!🚿🚿🚿

[@archiereece8321]

31:04 that opera Viagra

[@Dylonely42]

<a href="#" class="seekto" data-time="134">2:14</a>:12 Heartbreaking…

[@piticerra]

The singing, heavenly. The "mise en scene", AWFUL!!

[@Dylonely42]

No subtitles 😢

[@librettosinenglish4032]

They will be added by this Friday, October 13th.

[@javierlameiro3539]

I´ve got subtitles in Russian! Slightly difficult to follow... but still trying hard!

[@librettosinenglish4032]

​@@javierlameiro3539 Go to Settings and choose the language of your preference. I've added my English translations of the original Italian text, and the language you choose will be Google-translated version based on my English subs.

[@Dylonely42]

@@librettosinenglish4032Thank you.

[@Dylonely42]

@@librettosinenglish4032Thank you !

[@archiereece8321]

<a href="#" class="seekto" data-time="1799">29:59</a> im liking this

[@annapasko390]

😮‍💨

[@archiereece8321]

<a href="#" class="seekto" data-time="1837">30:37</a> YES!!!!!!

[@Dylonely42]

<a href="#" class="seekto" data-time="1549">25:49</a>

[@potusumanbibingka]

Kaufmann has been a pretentious singer. He followed the footsteps of Domingo. Opera is not a Jack of all trades. one of the most embarrassing cast and production.

[@harrymelamed848]

Wonderful voices and really messed up production.

[@helgawolter5816]

Diese Kulisse???

[@ggloriaf5151]

Cantata bene, ma, senza video...😟💩

[@Dylonely42]

<a href="#" class="seekto" data-time="102">1:42</a>:38

[@djgualtiermaldeCO]

Never heard Kaufmann and hartjeros worst. The stage director should at least read the script before staging the opera...

[@Dylonely42]

<a href="#" class="seekto" data-time="2985">49:45</a>

[@Dylonely42]

<a href="#" class="seekto" data-time="64">1:04</a>:15