In The Studio with Feed Me | CM Producer Masterclass

[@Unders]

Jon, the man, the legend that is to me still SPOR

[@zodiac909]

it's 2019 we NEED Noisia, & Spor to do like a collab Neurofunk album.

[@Unders]

@@zodiac909 Ft Forign beggers ;)

[@geraldgoodiii6993]

Yea his DNB back in the day (is early 2000s back in the day now?) was BANGIN

[@longamuslong]

Shh it's a secret

[@johnjohntv1195]

Xnx Gaming Also - Noisia and Billain! although, the universe might implode if that happens.

[@itchydez]

When KZbin recommended gets it right!

[@beatsbyblu6374]

facts

[@greedokenobi3855]

Yup!

[@bergg2009]

don't even know it got itself open

[@marceld13]

Jon is definitely one of the greatest electronic music producers in modern times. He just polishes his tracks so finely, it really shows how much he actually loves music. Thank you Jon for being you!

[@johnjohntv1195]

LOVE that tip about the "pre-transient" for the kickdrum.. works a treat 👌

[@cjfromgtasanadreas]

damn this guy is advanced

[@macrondo5852]

yep, gooch has been in the game since the late 90s

[@jordanmeliani4621]

@@macrondo5852 Mmh... yeah not really he started really producing in 2003 but it’s still an OG as well no doubt ☺️

[@TheLeon1032]

this guy is absolutely fucking sick!! something really unique about how he lays his thought into his words, thanks for you time man!

[@tuneboyz5634]

he sorta looks similar to spor

[@greedokenobi3855]

🤣

[@jiraiyamusic]

sorta sounds similar to a troll

[@easternundergroundsounds6977]

Bait........

[@mod3no]

this man is a legend

[@DJCouchKing]

Yess! Great choice FM!

[@anthonygio9961]

Only feed me can get me to sit thru a whole FL tut. GOAT

[@SavantAudiosurf]

8:34 That's a nice collection. I wonder what cool sounds are in there that we've never heard.

[@billmcbride6216]

reversed hat lead into kick / phase alignment / mixing bass + guitar + chords and chopping , converting to sampler /

[@onewheel3603]

Very technical and insightful tutorial..... Thanks Jon

[@zodiac909]

An In the studio session with Koan Sound, Moody Good, Teddy Killerz, or Gydra would be AMAZING.

[@player6769]

Does koan sound still make music? I used to love them

[@yyeahsure]

@@player6769 Lmao they dropped an album last year

[@player6769]

@@yyeahsure You say that like they didn't go on a 5+ year hiatus lmao That's great news tho, I'ma listen to it rn, thanks!

[@samvictoria100]

Teddy Killerz? You mean the worst artist on Disciple? Garbage

[@Anubis___88]

FUCK YES!!! All about Jons productions and the way he teaches as well

[@JonathanCirillo]

Hello Mr. Gooch

[@blackgloriouz]

Great Tutorial...

[@Sjocojate]

One of my top 3 producers, I would also pick Jon Hopkins and SebastiAn.

[@M8143K]

Same + noisia + moody good

[@jordanmeliani4621]

Crazy good picks, I like the ambient sounds and universe of Hopkins as well as the very heavy, gritty basslines, and mechanical sound from Seb, I would have add deadmau5, Noisia, Joe Ford, also Burial.. even tho there is not much about his creative processes but how he produces is so intriguing and the results are captivating.

[@raingirlcat2245]

@@M8143K Unpopular opinion, moody good is overrated + Dubstap stuckz + Ratio

[@kieranunsworth3736]

Mad scientist and very good sound design and engineering, wow.

[@Nonpartisanmusic]

Perfect Blue my fav

[@XRXONE]

You sir. Why am I just finding out about you! I heard one of your songs on someone’s streams and listen to a lot of your tracks! I love your music

[@Bucking_Fastard]

Nice to meet you, Actually Jon!

[@SirThomasJames]

What is that box on your keyboard? On the left side? Is that to switch between monitors?

[@TyderiaOfficial]

Spor is about to play Ultra Music Festival Miami =)

[@krutev]

YEAH! I'm fed. Thank you CM

[@sadmemeboi]

what is that keyboard? like, not the piano one, the computer one.

[@benjamingring621]

Do you mean the Moog or the Deckards Dream (Yamaha cs-80)

[@sadmemeboi]

@@benjamingring621 The one he types on. The one with the spacebar and the letters and all that shit.

[@Kriskraze63]

Something by Razer, most likely. He's one of the artists they sponsor, although most people only remember Razer Music because of the Carnage 808 disaster.

[@capstar1]

Razer Ornata I think

[@downupblockinc1380]

loving this guy

[@cwtag]

this is gold, thank you

[@flowlee3656]

OH MY GOD! JON! YES! This is everything I ever wanted!

[@neolyth]

God of music production...

[@phaedruslykos3249]

love ya jon use your voice more in bangers love ya

[@forfree4794]

More Spor!

[@jasonsteves734]

JOHN WE LOVE YOU

[@gtabro1337]

They should invite Spor too

[@jordanmeliani4621]

I am so grateful that I have good tastes in music… this video proves it… I mean… look at him talk, he is fuckin passionated by what he does, I Don't produce but I understood a lot because of how nicely he puts words together even with technical terms… like I'm mind blown of all his processes and his abilities, this bloke is so intelligent.

[@rupertknoop]

6:37 spoken like a true producer 😂 listen on good systems ✌🏼

[@Dragon-Slay3r]

Shush they might aim for the sky 🤣

[@Gusrikh1]

Very interesting.

[@southpowswager3026]

Got the smile on my arm ;})

[@pmaffair7705]

Good tips! Feed Me the best!

[@stylosounds]

Awesome fucking content, literally one of my main inpirations... thank you Feed Me!

[@MrHarpoSpeaks]

Thanks for the tips m8

[@spybloodjr]

Let's talk about that Deckard's Dream just sittin' there.

[@Kelsenellenelvial]

you are the best edm guy!

[@chengzhidai3995]

I love feed me!!!!!!!!!!!!!!

[@apoplexiamusic]

His studio is synth porn heaven... Deckard's Dream... Linnstrument.... Moog!

[@PhillipeGrishin]

Thank you Jon you absolute legend! New material sounds fantastic! I couldn't believe that you could somehow manage to top your previous work... virtuoso performance... bravo.

[@OperculumAudio]

I subscribed to Computer Music Magazine and I am unable to find the 2nd portion of the interview on Filesilo. Does anyone know where to find it?

[@ComputerMusicMag]

The link is in the magazine.

[@OperculumAudio]

@@ComputerMusicMag thank you

[@UrbanstepOfficial]

JON = LEGEND

[@GemoDubz]

a real magician

[@accumul8]

Needs a bit more FM8

[@EskimoCreamKing]

Would love to see what he uses the deckards dream for

[@StuartFerguson55]

Wow, amazing!

[@MikeHarmon1]

I would like to see the entire video, however the description of the digital issue says "Download does not include Producer Masterclass in-studio video." Do we need to purchase the Print+DVD?

[@MikeHarmon1]

Still looking for an answer

[@fawaz1140]

Still looking for an answer?

[@plantfan2739]

rip camelphat

[@Cru7Vchy4pple]

Dude got buff and his music is still masterclass as to be expected from him

[@arkh1730]

good shaite man

[@Filyp_]

SPOR please comme back!

[@StrangeAttractor]

Pre transients! THAT's the secret ingredient I'm missing.. Nice one Jon. Knew I could count on you. Good to met you back in the days of Herbal on Kingsland Road dude..

[@TheEqualityComedy]

You need more than that bro. That's ONE of the 100 secret ingredients you need.

[@TheHairyGhost]

What a genius

[@MN-vw3rp]

13:04 datsik scum ?

[@djazgaming4140]

Oh shit

[@luke-mq5rl]

CAMEL PHAT 2 I JUST CREAMED A LIL

[@rollyhustle]

Nice, Black Corporation Deckard's Dream...

[@TomFinsterMusic]

One of the view people, that actually knows what he's doing. Loving every bit of this.

[@LawrenceAaronLuther]

Hell yea. Although all that FM8 when you've got the most amazing synth ever (sytrus) in FL

[@jeremya9675]

orehasubarashi there’s reasons for everything

[@Samuel-ky2cq]

I bought the CM issue 268, as instructed in the description, yet it didn’t include Feed Me’s masterclass; but Maxsta’s instead?! Where can I access the full Feed Me masterclass now? If I can’t access it from the 268 issue, can I get my money back, considering you’re leading people astray and lying about the products you are selling?

[@ComputerMusicMag]

The URL in the Feed Me interview feature definitely takes you to the full video. Looks like you're following a URL from the wrong page in the mag. If you're still having trouble, please email us on [e-mail] and we'll help you out.

[@ComputerMusicMag]

​@@PaulSEdwardsMusic If you mean the link in the MusicRadar blog post, it's working now 👍

[@Samuel-ky2cq]

Computer Music Magazine i already got a refund from the wrong issue that i bought and plan on buying the feed me issue this time, so no problem :)

[@TheM0nsterX]

its kinda hard to watch this

[@s.saint.claire.273]

No context, no?

[@greedokenobi3855]

Hard to watch, because? Please elaborate..

[@Kriskraze63]

9:50 HOLY SHIT! 18 instances (at least) of FM8, all active. RIP CPU *Press "F" To Pay Respects*

[@freewheelburning8834]

🤯

[@danielrhoads8676]

Great deconstruction video. Always wanted some feed back from feed me. Feed me more feedback!

[@RSK412]

jesus CM is still around? i read it in gradeschool back in the mid 90s.

[@mikrofonaieraksti5494]

Lol, he is using "lots of Fabfilter stuff". Heh, I'm currently selling my Fafbilter Total bundle... :D Actually great plugins, many producers at our studio use them.

[@n-determineyoutube4981]

Sell it to me :p

[@mikrofonaieraksti5494]

@@n-determineyoutube4981 email me

[@n-determineyoutube4981]

@@mikrofonaieraksti5494 how? :D

[@mikrofonaieraksti5494]

@@n-determineyoutube4981 email me: [e-mail]

[@rwdy6218]

Phase cancellation is the biggest pain in my ass

[@dubstepitsmylife1290]

M-m-m..😍 😍 😍 Jonathan, you have such a nice and magical voice that I'm ready to listen to it forever❤ You're one of my favorite musicians🎶 💝 🎶. And you're also very cute 💖. And if teachers explained in the same sweet voice as you, school would be my favorite place:3

[@Prox-z404]

WE WANT SPOR!!

[@armaturesmusic]

Spor

[@LandOfBits]

the besttt

[@evolgenius1150]

Mr crowley vibes

[@ripperroo1056]

Check out my music. I used sytrus to make my sounds.

[@rarestform]

Juan Gooch

[@Dragon-Slay3r]

Feed me? Eat a turtle with a flat jaw lol

[@zodiac909]

Jon Gooch The G.O.A.T.

[@ビンガム]

Legend

[@rayten5476]

FL Studio One Love/ps/From Russia with love.

[@dzing74]

music production is so OCD

[@gitchagami3776]

that ending was so awkward lmao

[@VimDoozy]

I died a little inside. They should have shot a few takes to improve that ending.

[@romanborysov8650]

Lifted Music

[@jsr33190]

how can you work on a project so disorganized

[@alexanderalfonsokrook2471]

First and last fl user being able to understand how fm8 works lol

Yeah because fl users are dumb and FM8 is SOOOOOOO COMPLICATED, wtf

[@willia_music]

because we have Sytrus

[@alexanderalfonsokrook2471]

@@willia_music hahahahahah no

[@mitch150]

Lol.. BVSSIC, SeamlessR, Ankou, etc..

[@LorenFleisher]

I mean i would definitely consider FM8 a little more complex than say serum or massive @

[@Vincent-Vega24]

Who knew Feed Me uses Fruity Loops? HuH......

[@RetroStyleGames]

Like everyone? That is not his first masterclass.

[@BlackAera]

Please... it's FL Studio since 2003

[@FubarMike]

Jon must be starving. Apparently he cannot eat things because he's a puppet and nothing is going to change that

[@Eaglevision69]

why i get this feeling that he don't want to do this?

[@johnjohntv1195]

Eagle Vision That’s not the impression I got, I think he’s just not 100% comfortable in front of a camera.

[@Eaglevision69]

@@johnjohntv1195 maybe

[@Noah-Lach]

Jon’s always a little awkward in these interviews or studio tour sessions. I think he’s just a quiet guy.

[@mitch150]

He seemed like he was just tired tbh, that and ya he's probably not used to being in front of a camera. Seemed more like awkward pauses rather than disgust.

[@greedokenobi3855]

I don’t know, I did not get that feeling at all.

[@elefinity1808]

Feed me talking is mor like Bore me, he is accomplished though

[@jordanmeliani4621]

Elefinity what??

[@oliverdexx7031]

He looks like ... an EDM producer 😂😂😂

[@nobbystyles4807]

its really intersing the level of detail he works in so i thought ill go check out some of his tunes. ironically, turns out its music for people with zero attention span.... theres literally some bizarre unrelated noise being triggered every other beat. strange stuff.

[@TomFinsterMusic]

for people with shot attention span, or people that can process details fast. I must say most of his Feed Me stuff isn't my thing either, but "Shimmer" and "Sleepless" of his last album are definitely worth listening.

[@jordanmeliani4621]

nobby styles never read that much bullshit

[@trashhold]

Such a shame his musical style changed too much. loved his music under his SPOR moniker

[@LeScoile]

He is still making music as spor

[@rohitRraina]

Deadmau5

[@jaksosna]

Drugs are shait!

[@willia_music]

Great techniques. Horrible organization

[@milhouse777]

It works for one of the best producers in the game, so...

[@urbanizedpizza]

It actually looks super organized, I'm gonna try to base my organization of off him. But who would you say is more organized? I use ableton.

[@loobkoob]

Jon is incredible and his projects clearly work for him, but yeah, his organisation isn't great. His samples are organised in a way that works for him (although I wouldn't personally use that folder structure - I'd have folders specifying what type of sample it is, like "drum breaks" / "kicks" / "snares" / etc. and then date it in the name of the sample) but the actual layout of his project isn't that easy to work out what's going on. My advice for organisation: In Ableton and Logic Pro (not sure about other DAWs), you can group tracks together, as well as colour them. Try to find specific colours that you can associate with certain instruments, sounds or frequencies. Personally: sub-basses are red; basses are orange; leads are yellow; effects, risers and one-shots are bright green; vocals are pink; kick, snare and toms are light purple; hats, cymbals and other percussion are light blue; utility tracks (sidechain triggers, etc.) are white. For tracks that are frozen or are audio rather than MIDI, I use a darker version of the colour so I can see that at a glance. Obviously, you don't have to follow the exact same colour scheme as me, but finding a colour scheme that works for you and then being consistent with it is really helpful. Plus it makes your projects look so much nicer! Grouping and colouring, combined with renaming them in a useful way (not just "FM8 #12" like Jon did here, for instance) and just generally moving tracks to be near other tracks that are similar, helps a lot with quickly navigating your projects. It can seem a little tedious at first, but try to set up your projects so that a complete stranger could sit down and pretty much straight away work out what's going on without having to individually look at each and every track - it doesn't take long for you to do, especially if you do it as you go along, and it will help your workflow a lot. I make sure when I close down a project at the end of a session that I've named and coloured everything properly in case I missed it as I was going along. It's useful because you don't have to memorise the specific layout of each project, you can just tell at half a glance. It's also SO useful if you revisit a project after a little while (like Jon is doing here) because you don't have to relearn what every track is doing. Tangentially related: it also helps to set up a template for your new projects, with certain groups and sends that you'll pretty much always use already in place. In mine, I have my drum groups set up (kick, snare and toms in one group, hats, cymbals and other percussion in another - I use samples rather than a drum rack), my send/return tracks set up, my analysis and monitoring tools on my master already in place. This one's specific to Ableton, but I have some MIDI tracks already in place with some instrument racks loaded up. Those instrument racks don't have an instrument loaded in, but they do have an audio effect rack with some commonly used plug-ins - chorus, phaser, flanger, saturator, EQ & filter, reverb, etc. I've got macro controls set up for this audio effect rack already, so I can drop in an instrument and start playing around with effects on it straight away if I want to. I won't necessarily use all of the plug-ins in the audio effect rack every time, but it's easier for me to have them pre-setup and remove them than it is to add them every time I want them. Again, specifically to Ableton, audio effect racks and instrument racks are incredibly useful for both organisation and sound design. I didn't use them much when I first started using Ableton, but I can't stress enough just how incredible they are. It's so much easier than when I used to use Logic Pro and had to mess around with sends and returns for everything. Hopefully that essay helps! I'm happy to answer any questions :)

[@urbanizedpizza]

@@loobkoob Thank you so much, I will certainly look into this. I have been using audio effect racks and instrument racks a lot.

[@loobkoob]

You're welcome! A lot of it is fairly simple, small things you can do, but combined it really helps projects both look better and be a lot easier to navigate and manage, which in turn can help workflow. Like most things with producing, there's no "right way" to do it, you just have to find the best thing that works for you. But having an organised project has never made anything worse for anybody, and almost always improves things somewhere along the line, so it's worth doing.

[@StayHealthyClub]

So obvious he's just killing time on basic stuff like "phase alignment." Not a good tutorial.