Infant Annihilator - Torn From The Womb (Vocal Cover)

[@tungpunch2836]

Crispyyyyy

[@Gmod_Fan64]

the return of the nasty high scream, this is really sick and nasty 🤘🤘🤘

[@vincentmiller7090]

🔥 Nasty vocals brother love the cover!

[@aRiitorVocals]

Thanks my man! \m/

[@josephrinnesot]

Holy Shit. The transition and mixture of a regular low and a guttural is amazing. There is a closed but quite treble distorted tone to the scream, and the body of the lows enhances it, somehow reminds me of Ben Duerr. And the highs! Unlike others, I can really hear the body in it, boosting the bass in it. I can tell that (according to Extreme Vocal Institute) you got both the Cheekbone Rising Position (like smiling) and Tongue Position to make it higher, It seems you don’t go too high on your voice when doing them. There a myth that tells “You can only do highs in the head voice register” while you can also do them in your Mixed and Chest Voive and still managing to make it sound amazing. One of the few vocalists that go high in voice would be Danny Worsnop, that does it in Head Voice (C#5-G5) James Harrison does it in Chest Voice (not that high, D4 while the distortion is still in the upper pitch) and I believe Mitch Lucker does it in Mixed Voice (G4 Note by analyzing his vocals in Unanswered and Bludgeoned To Death). I can tell the accent here. In the Carnifex highs, the vowels are pronounced with “A” while the ones here as much as in Infant Annihilator and Oceans Ate Alaska the vowels you’re using is “A” and “Ya”, the “O”, “E”, “I”, “U” sounds are much stronger too. I can tell you’re doing the False Cord Screams. Nice cover!

[@divinebryce217]

lows sounds like the vocalist from walking dead on broadway