featuring Rachmaninoff, Medtner, Villa-Lobos, and Godowsky more scores here: imslp.org/wiki... more public domain review videos: • Public Domain Review w... bennacar.com bennacar.bandc...
Пікірлер: 283
@charlesloving48207 ай бұрын
I clicked on this based on the title of the video, thinking he was just going to talk about music. Then he says, "I'm going to try to approximate the piano and the orchestra simultaneously." Epic. Mind blown.
@user-lp3ew1xb5u7 ай бұрын
“Savage enough for you~?”
@insearchofthemuses7 ай бұрын
"I'm going to try to approximate every single piece of music on this list simultaneously" [sits on keyboard]
@christianweatherbroadcasting6 ай бұрын
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16❤😊❤❤
@bombi87096 ай бұрын
@@christianweatherbroadcastingi goon for hours at a day staring at my poster of jesus on the wall, amen ❤
@gonzoengineering48946 ай бұрын
@@christianweatherbroadcasting Jesus condemned such conspicuous public declarations of faith piety 😘
@ChristopheStrobbe6 ай бұрын
"96 years after first publication" (USA), "70 years after the creator's death" (Canada): as far as I know, copyright protection was created to make sure that creators could benefit from the publication, performance and recording of their works while they lived. Extending copyright protection to a certain number of years after the creator's death make sense if you want to make sure that their children should also benefit (which is understandable of the creators neglected their family for their work). But a deadline more than 50 years after the creator's death makes no sense for the creators themselves or their children. This is solely for the benefit for the publishers and other copyright holders, who don't create any of these works but lobby to extend the time period during which they can benefit from other people's creative works.
@insearchofthemuses6 ай бұрын
Amen brother
@themathhatter52906 ай бұрын
For me, 40 years post publication/25 past death makes most sense as a compromise.
@AhrkFinTey6 ай бұрын
@@themathhatter5290 I've always thought just having it be a set amount would make the most sense. Like 40 or 50 years. That way your estate would inherit rights identical to how you left them, as is the case with most other assets. And if you've made a work when you were young, you would have more than enough time to extract everything out of it that you could, but it still becomes a part of the culture while still in popular memory
@andrewwestcott91726 ай бұрын
It depends if you consider inheritance as a right rather than a necessary practicallity.
@thomasharris90596 ай бұрын
@@AhrkFinTeyEspecially because the author can sell copyright while alive if they, say, neglected their children. I think it should be a maximum of 30 years with no exceptions. Imagine how screwed this world would be if patents frequently had lifetimes of 100+ years.
@esotericVideos5 ай бұрын
I don't know why I expected to recognize anything from one specific year ages ago.
@pseudotonal6 ай бұрын
You are QUITE a pianist!! That took a lot of work and preparation! Thank you for introducing us to this concept. It brought to mind that I have told IMSLP my first publication dates. So I guess that someday my works will become public domain.
@ITNoetic6 ай бұрын
Technically, I think if it's your work, you can release it to the public domain whenever you want.
@ugh.idontwanna5 ай бұрын
Well, he's had ninety-six years to practice. :)
@brownie34545 ай бұрын
🥩🎢
@InstrumentManiac6 ай бұрын
Wow Rach 4 is a really cool piece! This was a really interesting video- thanks for taking the time put this together 👏
@OfficialWorldChampion6 ай бұрын
It really is
@modjohnsenglishdisco6 ай бұрын
I was expecting a long list of Tin Pan Alley songs... nice surprise! Deftly demonstrating a few choice pieces with some fascinating background info... Love it, this is what KZbin is for.
@Zayphar6 ай бұрын
Tin Pan Alley was a New York institution by 1908, so they had been putting out top 50 pop songs for 20 years already by 1928.
@modjohnsenglishdisco5 ай бұрын
Indeed, I was expecting a 20s hit parade of Tin Pan Alley tunes along the lines of "I'm Just Wild About Harry" or "The Charleston" or "Bye Bye Blackbird" :)@@Zayphar
@briansunday70996 ай бұрын
Thank you for clarifying copyright rules. It certainly helps to explain why I have had trouble getting certain works, such as those by Dohnanyi and Bortkiewicz.
@carlazaz16906 ай бұрын
Long copyrights don't mean more compensation for creators, but less because people simply aren't going to play the songs at all if they have to pay. Which means also that those songs disappear from history.
@donovandownes50645 ай бұрын
creators are free to release their works into the public domain early, if they want
@Muzikman1275 ай бұрын
@@donovandownes5064 I mean no, not usually
@Muzikman1275 ай бұрын
@@donovandownes5064 most people working creative jobs do so under contracts of some kind or an other and don't end up sole owners of the rights to their own creative output. Hell, you're doing well if you keep a big piece!
@DonnaChamberson5 ай бұрын
Thank you. That’s so beautifully said. 🌸
@Wesrl5 ай бұрын
not if they are dead
@richardrijnvos7226 ай бұрын
07:32 Many, many thanks for your video. In my humble opinion, “Rudepoêma” is Heitor Villa-Lobos’s masterpiece. It sounds like a Brazilian version of “The Rite of Spring”, all squeezed into a single piano. Generally speaking, Villa-Lobos was a fast composer, so given the fact that it took him five years to compose “Rudepoêma” means a lot. Below is a link to the orchestration I did for the Netherlands Radio Philharmonic Orchestra, back in 2011, though this particular recording is the 2014 revision, performed by OSESP, the Orquestra Sinfônica do Estado de São Paulo. In case you enjoy my orchestral versions of Villa-Lobos piano works: I also did “Valsa da Dor”, “Alma Brasliera” (perhaps better known as “Chôros No.5”) and “Ciclo Brasileiro”. kzbin.info/www/bejne/nWSXk2Otjs2gY9k&ab_channel=RichardRijnvos
@insearchofthemuses6 ай бұрын
Woah that's great! I had been aware that Villa-Lobos himself had written an orchestral version, but from a first listen I like yours better. What led you to undertake re-orchestrating it?
@richardrijnvos7226 ай бұрын
Back in 1988, at the Royal Conservatoire (The Hague), an adventurous fellow student of mine performed “Rudepoêma” as part of his final exam recital. I was the page-turner. ☺ From that moment onwards, I have been dreaming of doing an orchestration. That didn’t happen until 2010, and it just so happened I was already halfway arranging the piece, when I discovered Villa-Lobos’s own orchestral version in the archive in Rio de Janeiro (as at that stage it wasn’t published). The major difference between the two versions is that Villa-Lobos composed an alternative ending for his orchestral version (which perhaps wasn’t the best idea…?). The ending of my version is 100% faithful to the piano original and much more “savage” (to use his own words). ☺
@robertstorlind23026 ай бұрын
The 1928 Rach 4 is lovely with its jazz inspired material that was cut in the later version. I get the impression his style evolved more than that of the audience or publishers
@insearchofthemuses6 ай бұрын
That's my impression as well, or at least he was growing beyond people's expectations of him specifically. It's basically what happened with Stravinsky - the "Rite of Spring" was so notorious that he found himself typecast as a composer of that kind of music. When he subsequently got onto his neoclassical kick, people kept asking him "why don't you write more music like the Rite of Spring?"
@nullv0d8805 ай бұрын
Came for the royalty-free inspo, stayed for the immaculate Mr. Rogers-adjacent vibes of the whole dang video 👌 encore!
@HodGabriel7 ай бұрын
Medtner is among the greatest piano composers of all time, and definitely among the greatest Russian composers, In the last 20 years his music is heard more and more and he became a stable in the repertoire.
@insearchofthemuses6 ай бұрын
Oh yeah Medtner's great. I've played (sadly so far only) one of his works before, the op. 51 no. 3: kzbin.info/www/bejne/g33ReKuiicqVbM0
@Htfsik6 ай бұрын
Curious why Medtner has taken so long to be more widely noticed. Theories?
@Jburt5714 ай бұрын
@@Htfsik Why would Russian music from a man who died after 1947 not propagate to the US? I wonder if something happened for the next 40 years after his death?
@seheyt6 ай бұрын
I've clicked the like button about 6 times. Three times just realizing I had already. This is some craftsmanswork and just lovely backgrounders too
@davidarundel97396 ай бұрын
Lovely playing and thanks for reminding me about Rach 4; feels like catching up with an old friend.
@kingconcerto58606 ай бұрын
Criminally underrated piece of music.
@insight8276 ай бұрын
good to see villa lobos getting his flowers (somewhat). Beautiful, savage playing!
@lloydbotway59306 ай бұрын
You've got some serious piano chops, Sir. Congratulations. I downloaded Rach 4 today and am going to learn parts of it.
@insearchofthemuses6 ай бұрын
Have fun!
@Ambidextroid6 ай бұрын
Thank you for introducing me to several incredibly strange and austere pieces like that passacaglia and the villa lobos piece. I love this kind of strange sound so deeply but I find it difficult to find.
@ChristinaPepper6 ай бұрын
I look forward to Public Domain Day so much every year, and this put the spotlight on some excellent music. Thanks for putting this video together!
@crysstoll11916 ай бұрын
OH Wow, absolutely fabulous. My first thought at the very start was "uh oh, really reverby and low volume voice" (i have a hard time understanding speech in a certain shortish reverb range) but then he started playing! Then i was blown away by music which says so much more than words.
@limethefemboy52056 ай бұрын
The Medtner intro you played was so interesting, tbh really cool, I liked it a lot and it was just a tiny bit of the whole piece
@eldergeektromeo98686 ай бұрын
Always such a pleasure to hear Rachmaninoff. Thank You!
@christopherdew23557 ай бұрын
Your piano illustrations are the making of this episode. Looking forward to more!
@insearchofthemuses7 ай бұрын
More is the plan!
@myboibill6 ай бұрын
So glad I logged on to your channel. Certainly worth the time. I enjoyed it so much Thanks. I will keep an eye out for new posts and watch what you have in the queue.
@lisys5116 ай бұрын
Ravel respighi and gershwin also entered the public domain :)
@ikschrijflangenamen7 ай бұрын
Thank you for the overview and presentation! There's also An American in Paris by Gershwin
@insearchofthemuses7 ай бұрын
Now _that_ would be fun! According to IMSLP, An American In Paris was _composed_ in 1928 but only _published_ in 1929 or 1930, so it seems we'll have to wait a bit longer (although if you have reliable documentation to the contrary, you can edit IMSLP yourself!). But I'll definitely keep it in mind for a later video!
@ikschrijflangenamen7 ай бұрын
@@insearchofthemuses Ah you are right, that one's sketchier than I thought at first glance.
@christianweatherbroadcasting6 ай бұрын
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16😊❤
@katiehough24996 ай бұрын
@@christianweatherbroadcasting stop spreading your hatred
@mkshffr49365 ай бұрын
@@katiehough2499Severely OT but not hateful.
@ripleyhrgiger46696 ай бұрын
I appreciate the music lesson... but, my god man, you play beautifully. I'm not sure what else to say about it - just beautiful. Don't you ever stop playing, please, you're remarkable.
@matthewgurvitch49906 ай бұрын
Thank you for the historical info and examples included - very interesting and enjoyable
@Zayphar6 ай бұрын
There was also Ravel's "Boléro", Ellington hits like "Black & Tan Fantasy"(maybe this is late 1927), Jerome Kern "Ol' Man River", Kurt Weill & Bertolt Brecht's "Mack The Knife", or Jimmie Rodgers' "In the Jailhouse Now". I also wonder if there are any notable Noel Coward songs from '28 other than "A Room with a View".
@SwirlyWhirlyXYZ6 ай бұрын
Early blues and jazz will be a treasure trove of new PD works
@givepeaceachance9406 ай бұрын
Your performance of the Villa-Lobos piece is mind blowing!! It has inspired me to listen to more of this innovative composer
@Kidzelda06 ай бұрын
Great video concept, looking forward to seeing where this goes
@phineasbluster28725 ай бұрын
I'm mystified that a smart, articulate, and very helpful presenter does not give his name ( privacy, security? ). Or are we supposed to deduce it to be Ben Nacar? Anyway, you're excellent! And a terrific pianist! OHHHH... I see now. You publish your name at the end. Bless your heart.
@vrkoven6 ай бұрын
Looks like there were quite a few notable works that went PD this year. One I highly commend to your attention (though it's not a piano piece) is the string quartet by John Alden Carpenter.
@insearchofthemuses6 ай бұрын
Thanks for the recommendation! I honestly wasn't aware of any of John Alden Carpenter's work, but I'll have to go check out that quartet.
@jackpijjin40886 ай бұрын
Good God that was some beautiful playing... Publishers should not have rights over those of the creator. Thanks Mr. MOUSE, et al. for making copyright so incomprehensible.
@itschelseakay5 ай бұрын
This video was on my recommendeds. I know close to nothing about classical music or music history but I have quickly subscribed. I love how you share the stories behind the pieces and the artists. I thought this would be a list and a quick sample of it. It ended up being so much better 💕It is unbelievable wholesome that they would name their compositions after friends or people they admire. That is way too cute. Now I want to read a historical fiction book about queer famous pianists who are secretly in love with each other and name the same specific part of their compositions after the other. Does the other ever find out it is out of love? Do they become “best friends” or do they love from afar? I do not know. If a book like this exists, please feel free to leave recommendations 😅
@inamoratopiano7 ай бұрын
Savage it is :-) Thanks for the video and great performances!
@christianweatherbroadcasting6 ай бұрын
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16❤😊❤
@KC9UDX6 ай бұрын
In five years Congress will yet again do the bidding of Big Business and this channel will be shut down for the copyright violations from this one video.
@zgriggs5 ай бұрын
No, they know they can’t get away with another extension. They rely on trademark now.
@kingconcerto58606 ай бұрын
Medtner's 2nd is such an incredible concerto... My personal favorite of his concerti is the 1st (the Tozer recording), but Hamelin's recording of the 2nd on Hyperion is a staple of my regular listening rotation. Timecode 1:50 - 2:50 in the 1st movement of Hamelin's recording of Medtner's 2nd piano concerto, it might be the most sublime 60 seconds of music ever recorded.
@adrianaperez28055 ай бұрын
First time your channel gets recommended to me, and from just this one video your skill and passion for music is clear to see! Beautiful playing and super insightful how you went into the backstory for each piece! I especially loved the story about Villa-Lobos and the piece he composed for Rubinstein :^) you’ve earned yourself a new sub!! uwu
@tobyzxcd6 ай бұрын
First exposure to villa-lobos, something just snapped inside of me- in a good way
@89volvowithlazers4 ай бұрын
u let me have new background music lol bless you, after listening and taking names man I feel a bit inadequate lol wow thanks again, incredible and going to check out the list huge
@Carpface5 ай бұрын
This is giving “California’s Gold” vibes! But it’s Floridas gold 😄 This guy either has a very well written script or he’s going off the dome. I’m impressed regardless!! Thanks for showing us the very cool trees. I’d love to visit a mangrove forest 🙂
@jaykay10536 ай бұрын
What a GREAT idea for a post!
@alitlweird6 ай бұрын
It’s amazing how the piano can sound like classical… and then boogie woogie… and then rock and roll… and then blues…
@nandovancreij6 ай бұрын
loved ur approximation (?) of medtner 2 !!!! very epic playing
@Oneirovore6 ай бұрын
"Reduction"😊
@Scottie_McNaughty5 ай бұрын
WOW! I didn't that. Suddenly breaks out in the most amazing piano playing ever!
@nomadcrows5 ай бұрын
Wonderful video and channel! Subscribed. I didn't even know about Medtner, thank you.
@johnh67906 ай бұрын
man you are a serious pianist. great playing.
@jvallas5 ай бұрын
I really like the bright sound of that piano (and of course, I'm amazed at your playing and enjoyed the entire video so much).
@ojotut6 ай бұрын
Great video, thank you! I would be interested to know how you figure out what exactly has come into the Public Domain. I am interested in the organ music that is now available. Thank you for all the work you put in to this.....and all the playing of such interesting works
@insearchofthemuses6 ай бұрын
You're very welcome! For the most part I'm depending on imslp.org, where you can filter by year published: imslp.org/wiki/Category:Works_first_published_in_1928 I always check a few days ahead of the new year, because there are usually a handful of anomalies where the copyright had already expired (I discount those), and again a couple weeks after the new year, because there will usually be a bunch of new scores added as copyright expires. If you live in a country that does copyright expiration by time elapsed from composer's death, I don't think there's an easy way to search on imslp by "composers who died in [year]", so there would be some extra legwork involved.
@violamateo-on8pc6 ай бұрын
I adore the Rach.4 and it also contains a rare example of self-plagiarizing (which so few people seem to ever comment upon): in a magical moment at the end of the 2nd movement and against accompanying ascending two-hand chords on the piano, the cellos play a melody which is, note for note, the same as the end of his Étude-Tableaux op. 33 #3. Hopefully, the fact that orchestral parts will no longer have to be rented in order for this piece to be perfomed will mean that it will show up more frequently on concert programs!
@insearchofthemuses6 ай бұрын
If that's self-plagiarizing, what about him quoting the theme of his First Symphony at the end of the first movement of the Symphonic Variations? I wonder if there was a hidden message in both cases, or maybe he was thinking "this is too good an idea to use only once, hopefully no-one will notice"... or else he was just having fun giving music scholars more material for gossip
@jasonklein81026 ай бұрын
You mean Symphonic Dances. Remember, though, at the time SD was written SVR thought he had destroyed the 1st Symphony. The score was reconstructed from old orchestra parts after his death. So the touching and wistful quotation was his private tribute to his younger self.
@insearchofthemuses6 ай бұрын
My bad, yes I meant the Symphonic Dances! Thanks for the correction.
@gorak90006 ай бұрын
We are playing some Beach in the community orchestra I play in this year. It is quite difficult, but it is very beautiful!
@Herfinnur6 ай бұрын
That Villa Lobos piece is really cool! I didn’t realise he was this modern. And I’ve never heard of Godowsky but that piece is right up my alley!
@ethanmenzel6 ай бұрын
So inspiring. I’m so happy I came across your channel. So many good pieces I need to listen too.
@ProckGnosis6 ай бұрын
Cool overview/info and some nice playing...danke!
@charlieinthe_box4 ай бұрын
I'm so glad that artists like Rachmaninoff are able benefit from their extended copywrite, even today! Afterall, the lengths of copywrites were extended to benefit the individual artists, right? right?
@airstriker1084 ай бұрын
Amazingly played, well deserved subscription!
@bigblack6215 ай бұрын
Your voice is very NPR coded. Soothing and informative!
@thenerdlet31714 ай бұрын
this was so lovely to watch! thank you for this video
@grantturley86004 ай бұрын
That Godowsky tune is a fantastic example of why copyright, if it exists at all, should be much more limited in its time scope.
@TheSecretProvider5 ай бұрын
That Lobos piece was wild. Great playing
@lewis_r_6 ай бұрын
You've got the start of a great channel there.
@JulieBulon-fb9dz6 ай бұрын
Love the passacaglia style in the godowsky!
@brentarnold_piano6 ай бұрын
We have similar taste in music. The Villa-Lobos Rudepoema is one of my favorite pieces by the composer. I think it is texturally similar to the Stravinsky Petroushka, but is a better work for solo piano and conceived purely for the piano (and in many ways, more playable). As for the Godowsky, I prefer the Piano Sonata, which should already be in the public domain (1911). The first, second and last movements are wonderful. It's criminally neglected and so beautiful. And it's not based on another work. The question of public domain is one that comes up a lot. It's frustrating for those of us that really enjoy playing 20th century music, and new music. It's an even bigger problem with concertos. It's a reason why the repertoire expands very slowly, if at all. The Medtner concerti are great. I also really enjoy the Lyapunov Rhapsody on Ukrainian Themes. Another work that is criminally underperformed is the Tchaikovsky Concert Fantasy (it was difficult for me to get a two piano score copy for myself). Even as works enter the public domain, or even if they have been already for a while, people have to program them for the pieces to get any traction with the public. And unfortunately the soloist rarely has any say over what gets programmed. The orchestra associations - in places like the U.S. especially - need to sell tickets.
@insearchofthemuses6 ай бұрын
Ooh, I'll have to check out the Godowsky sonata - thanks for the recommendation! And totally agreed about what a drag long copyright terms are for expanding the popular repertoire. The good news is so many people ignore copyright here on KZbin that (most of the time!) the rights holders are now willing to compromise and let recordings stay available as long as they get the ad revenue. Not exactly an end run around the system, but the Internet does make it possible for lesser-known music to get more exposure.
@brentarnold_piano6 ай бұрын
@@insearchofthemuses On KZbin, I think the way around it for most people is to not monetize and say it is fair use or educational. The Godowsky Sonata is quite long (about 50-60 minutes), and the quality of its movements is inconsistent. But the movements that are the best are towards the outside, and they are wonderful. The other movements (3 and 4) aren't bad, they're just not as good.
@LukeFaulkner7 ай бұрын
Thank you for covering these beautiful but neglected works!
@insearchofthemuses7 ай бұрын
You're very welcome! Once upon a time they weren't neglected - expiration of copyright seems as good an excuse as any to pull them out.
@LukeFaulkner6 ай бұрын
@@insearchofthemuses Absolutely! Would love to hear all the Medtner concertos played more. They're very rarely programmed, yet they are exquisite.
@jimm63865 ай бұрын
And what about the Gershwin brothers? They wrote lots of music in the 1920's. Many that are still played today popularly by any number of professional artists.
@shubus6 ай бұрын
I've always loved the Godowsky Passacaglia. It is a huge complex work that is unfortunately rarely performed. I asked a concert pianist friend about this and he said the work was too long and couldn't hold an audience's attention. Guess it's just left to connoisseurs to enjoy..
@insearchofthemuses6 ай бұрын
I think it's all about setting audience expectations. I performed Beethoven's "Hammerklavier" once and by way of introduction I told the audience that it was going to be a solid 45 minutes of not very easy listening, and they loved it.
@AlvesterGarnett6 ай бұрын
Spectacular! What a wonderful presentation!
@JamesMGarrenisme5 ай бұрын
Thank you so much for making these videos. They’re wonderful.
@PhenomDaGod4 ай бұрын
Great video man! Very knowledgeable on the subject and then killed the piano!
@dragonflytheatre84686 ай бұрын
Christ, the sheer emotional power of the Rachmaninov.
@djtomt6 ай бұрын
What an incredible demonstration and such amazing piano playing. Where have you been? I would love to watch an autobiographical video.
@patrickmacgillivray84525 ай бұрын
Everyone has lost all faith in Canada.
@JosephVanceDude6 ай бұрын
I’ve been in love with Rachmaninoff since my teens and Villa-Lobos, and Godowsky since discovering Marc-André Hamelin in the early 90s. Absolutely love what you played here! The Rudepoêma section was wonderful! The Passacaglia is a sublime and intellectually and physically challenging piece (as is a good portion of Godowsky’s oeuvre). Thank you, subscribed from this and will enjoy exploring more vids!
@rosshoyt20306 ай бұрын
Very good content! Inspiring discussion and performances
@ledfarmer1005 ай бұрын
Can’t wait till I’m 70 and all good music is public domaine
@Reuben-6 ай бұрын
I really enjoyed this video! You presented it very well, and your talent at the piano is amazing!
@gnastyfunk5 ай бұрын
i already love this guys vibe, and insane skill too
@Cfjgrub5 ай бұрын
Royce on the Road! In Japan, where they have vending machine restaurants
@benbookworm5 ай бұрын
This just reminds me again that our copyright laws are ridiculous. I think 50 years from the original publication is an appropriate amount of exclusivity, maybe even 30 years. This is particularly an issue in the video games industry, thanks to multiple corporations having a stake in a work, and then IP getting lost in mergers and reshuffle. Without knowing who the current copyright holder is, you can't find who to license the work from, growing the amount of "orphaned works".
@vrixphillips6 ай бұрын
ooo! 3penny opera goes public domain? nice.
@gRosh084 ай бұрын
Cool... thanks for sharing.
@rogercarroll25516 ай бұрын
Thanks for this excellent summary. Wonderfully informative.
@DancerGirl-246 ай бұрын
Awesome, thanks!
@VICTORYOVERNEPTUNE5 ай бұрын
The last piece is thrilling
@achaley41866 ай бұрын
What wonderful playing! 🙂⭐❤🙏🏼
@sovereignbrehon6 ай бұрын
Beautiful playing! Very inspiring!
@cnking275 ай бұрын
I can’t imagine what the accidentals look like on those last couple pieces
@teddyb.57696 ай бұрын
Love what you’re doing!!!!
@spencermarks76445 ай бұрын
Great picks! Thanks for posting!
@myu2k25 ай бұрын
It is worth looking up the Disney vs US Copyright Law videos that came out when the Mouse became public domain. It is basically Disney had no interest in protecting their animation studio rights now the animation industry and the characters they created are no longer their core source of income for the company.
@anlingitalia6 ай бұрын
This series is great.
@juanferestrada6 ай бұрын
Great video and amazing playing!
@stevenklimecky49186 ай бұрын
I would hope Handel had already been in public domain.
@rlittlefield26916 ай бұрын
It used to be many people got rich on music, not so much any more.
@zelig8885 ай бұрын
dude this is dope. would be way more dope with a decent microphone so i can hear better. I love the vid though seriously. Just want you to succeed bro
@Tommyboyy995 ай бұрын
you got mad skills! Just earned a new subscriber 👍