IS IT POSSIBLE TO SING HIGH IN CHEST VOICE SAFELY?

⭐ Work with me here: philmoufarrege.com

[@jees3474]

YEAH 🔥🔥🗣️🗣️🗣️🗣️🗣️

[@philmoufarrege]

😎

[@JulianGem]

same energy as "ALL ABOARD!"

[@cerseistark288]

😂😂😂😂😂

[@Alex.Rascol]

Another great tip I found is strengthening your chest voice by being able to hmm scream higher in you chest voice and then opening your voice without strain or pain and learning to control and master that higher chest range.

[@tristanplays_ph]

OH HELL F'ING YEAHHHHHHHHHHH

[@deepak_277]

Neighbours : here we go again !!

[@philmoufarrege]

100% lol

[@ChrisMorel-xe6ds]

😂😂

[@anggiebarria]

😂😂😂

[@novelay]

Nice scream

[@philmoufarrege]

cheers dude

[@cerseistark288]

Luvvvv this

[@AndyChaplinMusic]

Totally agree. This is what I started doing and streched my chest voice up to about a G4 / A4 before switching into more of a mixed placement. Have to be careful when doing it though as its easy to be too loud by accident though!

[@philmoufarrege]

good work brother

[@deathrattle216]

Around Bb4, I learned to really "dig" into my support muscles. It takes the squeeze off of my throat and the sound is definitely beefier. This is where I feel like singers are doing themselves a disservice by not having some basic understanding of classical technique/appoggio.

[@philmoufarrege]

thanks for sharing. for me, using the muscles in the torso to dig in and push to support never really helped until I learned how to actually get the vocal cords to compress in a lower larynx position. Then it's like it all connected together. I find in teaching people it's also that same thing that they are missing. I've trained a lot of opera singers too and they also had the same issue. I find what people are mostly missing is how to really connect the support from down low to the larynx and vocal cord compression and get it "connected" together.

[@ricomajestic]

@@philmoufarrege Phil do you have a video where you show how to get the vocal cords to compress in a lower larynx position and what you actually mean by that?

[@neongelb1146]

You are still using your head voice when you mix. It´s only less noticeble if you have more chest voice than head voice in your belt .

[@philmoufarrege]

I am assuming you mean "head resonance"? If so yes absolutely dude. If however when you say "headvoice" you are referring to basically a non-breathy falsetto then no I'm not mixing anything with THAT kind of head voice. people define head voice in a few different ways so it's important to clarify which one you are referring to. This video of mine may clarify how I view these kinds of terms: kzbin.info/www/bejne/r2fLgmeoi7KghaM&lc=UgyUReyq0Vx9goObOgd4AaABAg

[@JoeyLeBlancMusic]

I top out around an A4 comfortably but MANY songs have the “belted” B4 and C5 By doing what you’ve said in this video I’ve had WAY more success than “strengthen my head voice”

[@philmoufarrege]

that's awesome progress

[@XXMCRMYxD]

YYEEEEEAAAAAHHHHHH ‼️‼️‼️💯💯🗣️🗣️🗣️🗣️🥶🥶🥶

[@christlover2358]

I have break in my voice, so when i sing higher pitch i switch to falsetto and i hate it🥲

[@philmoufarrege]

yep, used to be my main struggle for many years too

[@sampreetchanda5014]

HELL YEAHHH

[@rahuldravid5594]

You spoke truth

[@MrSquidzzy]

dude weeks of learning to si mg you actually helped alot thanks😊

[@philmoufarrege]

awesome!

[@sawyerdodd7904]

It yk there’s something called mixed voice where you gradually move into head voice I don’t think you have heard of that before

[@philmoufarrege]

lol!

[@sfudge]

Thank you!! 🙏 🔥🔥🔥

[@philmoufarrege]

you are most welcome

[@Jrongjeeptrailer]

😂😂😂 thats fun. Ill do that now😅🎉

[@user-xo7xy4oi2i]

Damn, even tho I am just starting to sing after 6 years again, i know Already i am More of a head voice, Like literally you sound like A rock Singer, for me i can already i am more in pop or at best in very light rock.

[@stebolian]

Or learn to engage the mix section of your voice. Takes time and balance between the stretch muscles and the muscles that hold the cords closed. . I found this by accident.

[@philmoufarrege]

I don’t see it as “or”, for me I was never able to mix until I first developed a strong chest voice up high. Then by refining that and making it less heavy and more relaxed I found I was “already mixing” without realizing it. So I see it as just the continued development and refinement of the chest voice. People who find their mix already have a strong chest voice in place and perhaps take it for granted or don’t realize it. Then when they teach others because they never built it from scratch they leave out most of the necessary preparatory steps and just say things that only work when you’re at step 90 out of 100 😂

[@m.luqmanh]

​@@philmoufarrege yeahhh..I agree with you..most of the people who found their mix by accident already have a strong decent chest voice to begin with.. I had a friend..and he said the same thing..found his mix by accident..but the truth is, he is a tenor who already can sing high from the beginning.. While me, I'm a baritone..and even struggle to hit G4 in a full chest voice to begin with..there's no other way for me except to strengthening my chest voice first..

[@philmoufarrege]

100% dude.

[@stebolian]

When you truly a mixed coordination you can sing higher than you ever imagined . So to me it's not a strong chest voice. It's a separate coordination in my throat or vocal cords are doing something different. Like is a fry or whine feeling I can also sing high in chest but its a different feel to mixing . .

[@quo6894]

​@@stebolian you only proved his point by saying you can sing high in chest

[@jonnylpenman]

bro casually hit a C5 wtf

[@philmoufarrege]

💪

[@zelda1420]

...But how? How do you safely use your chest voice higher up like that?

[@philmoufarrege]

this is a 60 second video. have a look at my longer form videos

[@heythere6983]

Is there a way to email you directly if my email didn’t register on your website?

[@philmoufarrege]

what's your email I'll email you and then delete the comment

[@TheGrimHustler-yc3ef]

Sir, Can You use a white board and kind of help us to visualize

[@bmwchris1462]

How? By strong breath control? I tried practicing singing She's gone using my chest voice. But my only concern is.. neighbors getting annoyed because they feel irritated everytime I they heared me screaming

[@philmoufarrege]

There's a lot more involved than just breath control. I have 3 videos that are a good place to start and will give you an overview of some of the core elements needed in the process: kzbin.info/www/bejne/g4LaZqyapZh6d68 kzbin.info/www/bejne/gIjNk5ejfdKUbtU kzbin.info/www/bejne/iZLTp6SdpKx5bpo

[@sanitizedcarrot7050]

YEAHHHHHHHHHHHHH

[@philmoufarrege]

💪

[@potatosalad4779]

This is true but you didn’t show how.

[@philmoufarrege]

it's a 60 second clip brother. If you want to go deeper watch my longer content.

[@dmitryno4819]

Either way you'll have to reach Mixed voice coordination otherwise you'll stuck on your Yeah note.

[@philmoufarrege]

definitely not stuck. I build the mix through chest voice development and refining the chest voice. first expanding range loudly, then learning to access softer volumes of it.

[@19910601wsj]

Dude you’re just mixing head and chest when you scream.

[@philmoufarrege]

I understand why you're saying what you say. But I don't think YOU understand why I say things the way I say them. When most people say "head" they're basically referring to a non-breathy falsetto. If that is what you are referring to then no I am NOT mixing with that. Most struggling singers think if they keep bridging from chest voice to "headvoice" (what they're really doing is falsetto even if they say it isn't) that they'll get a "mixed voice". While it is possible to add compression and chest voice and mix it with falsetto, what you'll end up with is what I call a high larynxed unstable mixed voice - it will be excessively thin in the high range and won't be very stable. What I am doing here is NOT that. I have achieved what I do strictly through the development of the chest voice If you are referring to "head" as in the more classical sense (which is basically chest voice above the first bridge with more of a tilted larynx) then yes I am doing that - however the key thing here is that the actual way I've achieved this outcome is by developing the chest voice and working purely with that coordination, not mixing with falsetto/reinforced falsetto.

[@hadiahmadzadeh4235]

Say hello to vocal cords nodules then

[@philmoufarrege]

are you open to being wrong about that?

[@hadiahmadzadeh4235]

@@philmoufarrege you are misleading singers. You are using mixed and head voice while screaming. Not chest voice alone. Pulling chest is really bad for vocal cords. I know many singers who are not able to sing anymore because of pulling chest. Don't call what you do "chest voice", it's mixed voice

[@philmoufarrege]

what you call mixed voice is something I develop purely through chest voice training. The way I approach building chest voice and successfully teach it automatically leads to mixed voice/head resonance development. Then, when the voice is coordinated correctly all I think about is literally staying in my chest voice, and all the adjustments (laryngeal tilt, compression, resonance shifting etc) all happen automatically. This is why I refer to it as chest voice because I build it that way and also the way I "get into it" is through chest voice without using a "different voice". You can see a bit more how I define terminology here: kzbin.info/www/bejne/r2fLgmeoi7KghaM I'm wondering why you weren't more curious as to WHY I define things the way I do. Usually when people seek to understand one another, they ask questions to get the full picture. Happy to go into more detail as to WHY I define things this way if you are here for an actual discussion