Lahav Shani, Renaud Capuçon and Kian Soltani - 22.6.18 Encore - Jerusalem of Gold

[@sivan.goldman]

The most beautiful musical arrangement of this incredible song. Thank you!

[@enricovillari3066]

Gerusalemme d'oro. Gli anni della guerra,gli anni del sangue,gli anni del ritorno. Il Signore non ha dimenticato per sempre Israele. Bebedetto sia il nome del Signore. Benedetta sia Israele.

[@juliovianna7350]

Belíssima interpretação! Há algo de muito especial nessa música, uma alma ímpar.

[@amadosegundomansilladelval9026]

For today, after October 7th, most meaninful AND soul lifting work of art! Rise up Israel, never give up!

[@YotamIshay]

עיבוד יפהפה!

[@peggyroifcornejo6296]

A master piece. Thank you for publishing today.

[@wendyhicks9608]

I loved this - a very special rendition of a piece that's meant a lot to me for many years now. Thank you.

[@aaronjorgefridman5662]

Hoy por hoy, una de las orquestas sinfónicas más afianzadas, formada sobre todo por el gran maestro Subin Mehta.

[@hadassrosenthal9558]

It's so beautiful!! Like a balm We need to hear it

[@emilyhutjes]

Thank you for the beautiful music. May G-D bless all of you. ( Holland-europe)

[@carloalberto1108]

Great! Thanks

[@flemmingranch8777]

Dejlig rolig og melodisk musik. Smukt......

[@zoharayaniv5155]

יוצא מן הכלל!!!!

[@matiasurielgluck1437]

Maravilloso, sublime!!!!

[@erpollock]

What an unusual arrangement - and the dissonances and minor chords in second stanza - a relief when it switched at the end to major. A beautiful performance. I can't believe it took place during the pandemic, and there's a full audience without distancing?

[@rpvee]

Not that unusual. The minor chords and other touches in the second stanza were a nod to some Mizrahi/Middle Eastern flair. As for social distancing - note the date, this was in 2018.

[@StuartSimon]

I cried because the music was unusually strenuous. Possibly a lament for the Old City at a time when the battle raging on the outside seemed to have torn the inside apart. I immediately thought about my Birthright trip, when I stood at high noon on a rooftop adjacent to the intersection of the four quarters and heard both the Muslim call to prayer and the tolling of the bells. Last I heard, before Covid, the Birthright trips in the Old City were limited to a quick in-and-out at the Kotel. And that was in 2018 or before. As for the performance, I loved when the strings decided to stick to their C-minor terra familiaris when making their re-entrance despite Lahav’s “arranger-privileged” move to E-flat minor, and how the music becomes more urgent even when they succeed to bring the key back. Their repeated upward striving in the last chorus outdoes anything Shemer could do with only one voice.

[@peggyroifcornejo6296]

Very beautiful.

[@rpvee]

I really hope this will be an encore on the upcoming United States tour! 🤞🏻

[@Babsie4826]

Very Beautiful!! I know Lahav is Israeli but where are Renaud and Kian from?

[@mariadasgracasmoraesnardi9743]

Musica sensivel de um filme que mostra uma pessoa de bem pode fazer a diferenca num tempo de crueldade :Schindler .Essa musica fala da Jerusalem mitica que esta no subconsciente da diàspora sefardita no Brasil .Minha saudosa măe descendia de cristãos novos que se refugiaram no Brasil no início da colonização em 1500 .

[@shahardayan9356]

מה האקוקדים בקודה?

[@yaelavivi501]

yo that's twoset's friend

[@abcdefgh-hg2jn]

Я русский