He was and still is one of my favorite artists. Aside from the sheer beauty of his playing, he is not afraid to take risks, to try and reach beyond his grasp to find a deeper, richer and more profound beauty. He makes sound a living, breathing being.
@henrikwolff5081 Жыл бұрын
Yes, true artist. Much needed today.
@ipermetro Жыл бұрын
I cannot forget one of his concerts many years ago, Friday 21 May 1993, here in Rome; a large number of encores, we remained in a small group, about twenty people under the stage burning with passion and peeling their hands from the applause, and he continued to come out and play wonderfully, he came back and then managed to play again. A magical evening. Regal, charismatic, luminous, never seen so much generosity in a great soloist like him. Thanks Ivo! Stefano Non posso dimenticare un suo concerto di molti anni fa, venerdì 21 maggio 1993, qui a Roma; un gran numero di bis, eravamo rimasti in un piccolo gruppo, una ventina di persone sotto al palco che bruciavano di passione e si spellavano le mani dagli applausi, e lui continuava ad uscire e a suonare meravigliosamente, rientrava e poi riusciva, di nuovo a suonare. Una serata magica. Regale, carismatico, luminoso, mai vista tanta generosità in un grande solista come lui. Grazie Ivo! Stefano
@mark-eq5qb Жыл бұрын
Total genius ! and the greatest and most interesting of musical interpreters . What a joy to see this artist explain something of his process of musical presentation.
@brigittequerre8319 Жыл бұрын
Je le réécoute ce soir et suis séduite par sa passion contrôlée, son détachement et sa grande sensibilité après la fougue des jeunes années !...la sagesse du maître
@user-zf2cn8vd2k7 ай бұрын
Именно!... Очень точно сказали-,,мудрость мастера,,! Иво-уникальный музыкант кто бы и как не относился к его экспериментам и, безусловно, один из самых интересных в исполнительском плане музыкант!
@TaniaCarolineChen Жыл бұрын
I love this documentary and it is good to see Ivo enjoying his time in the magical city of Nara. His interview is so insightful just like his performances.
@user-jp9rd2sx3m2 жыл бұрын
tempoも解釈もとてもユニークですが、何故か1つ1つの音が心に沁みます。
@Chopin43213 жыл бұрын
2:17 -- Haydn: Sonata in D major, Hob. XVI:37, 2nd Movement 7:14 -- Clementi: Sonatina in F major, op. 36 no. 4, 2nd Movement 16:57 -- F. Chopin : Polonaise op. 40 no. 2 in C minor 24:06 -- Chopin Nocturne Op.62 No.2 38:04 -- Rachmaninoff Moment Musicaux, Op. 16 No. 5 in D-flat major 46:20 -- Jean Sibelius - Valse triste (Sad Waltz)
@christophera33303 жыл бұрын
Thank you!
@amans2282 жыл бұрын
Thank you.
@gmpa8082 жыл бұрын
thank you!!!
@CyrusandAurelius Жыл бұрын
Thank you so much! I will try the Polonaise
@cherryblossom91107 ай бұрын
Thank you very much.
@milosercegovac6 ай бұрын
HVALA, Ivo za Vas intervju i interpretacije kompozicija iz Vaseg bogatog repertoara; secamo se kad ste davnih godina gostovali u Ambassador Auditorium, Pasadena, Calif. Bravo, Milos & Zorana Ercegovac.
@downdog703 жыл бұрын
What a wonderful surprise to come upon this. Ivo is such an incredible pianist, and the English interview is so appreciated.....and of course his playing!
@bailahie4235 Жыл бұрын
It was a special event to have seen him perform live once, and even briefly speaking to him. His interpretations are razor sharp and so deep. E.g. in his interpretation of the Chopin concertos he revealed layers to me that I never knew where present in them - which I did not hear in other interpretations even from the most well-known pianists... (And I even doubt Chopin knew they were in there... :-) )
@shsu7426Ай бұрын
Grazie Mille, Maestro Ivo.
@vggenome3 жыл бұрын
Merci de partager, un des pianistes les plus sensible et surveillez sa main gauche, pleine de belle basse!!
@cherryblossom91107 ай бұрын
Good program of NHK. The performance including the interview and the setting are all very interesting and impressing.
@koichiito69732 жыл бұрын
These rare performances make me feel deep spirituality and warm mercy !!
@ugo9575 ай бұрын
Он играет сердцем и душой, а не волосами. Его интерпретации завораживают воображение. Они глубки и прекрасны! 🎉👌🙏
@clintclint76733 жыл бұрын
I wish i understood but even without this i enjoy this video already !!!!!
@creativecolours2022 Жыл бұрын
Thank you for uploading this fantastic interview. Greetings from Greece.
@kalinamasash11372 жыл бұрын
Thank You Ivo :) Greetings from Poland .
@user-te3gz9lb5o Жыл бұрын
Thank you from Sofia Bulgaria.
@deanedge59888 ай бұрын
He is a truly great and very serious musician whose performances are intellectually and spiritually engaging in a perfect location for his gentle but powerful artistry. At the Nara Hotel in Nara (one of the worlds most beautiful places) there is a photograph of Einstein who travelled on his Nobel Prize money in the 1920's to visit the Japanese physicists at the University who had been early champions of his ideas. He is energetically playing Mozart (we are told) on an upright piano in the bar. I do hope the Maestro saw it.
@theophicen78503 жыл бұрын
I was so excited when Sony made public that Ivo Pogorelich would make recordings for them again after years of silence. But after the first cd on this label came out it's once again silent! How sad. Because Pogorelich is one of the great pianists of today. What is going on?
@horaciotarditoherreros11 ай бұрын
As a pianist. Am enjoying so much all, with interview included. Big Brother! Even if my ego would prefer this or that in any musical space, realize this is irrelevant. This is a truly gift and inspiration. Oh bro! You are samurai survivor of the perfect demonic ideal established by the standards. Go on!
@meloncollector66623 жыл бұрын
Thank you! There are such few interviews of Ivo in English. Thanks
@adrianocastaldini Жыл бұрын
I love and agree with Pogorelich's idea of tempo as an elastic dimension constantly deformed by subjective/psychological/emotional "gravity", against the idea of tempo like a Cartesian "tactus" or a beat. This is obviously possible almost only in solo-performances, and that represents IMO the fundamental difference between solo-music vs ensamble-music. I can't see solo-music simply like "music with a single instrument". Solo-music (hence solo-interpretation) lives on a subjective level, whilst ensamble-music lives on a more objective level.
@alessiofagioli9235 Жыл бұрын
sublime Pogorelich. ultraterreno capitato solo per caso per illuminarci in questa desolata terra. grazie
@ypingo3 жыл бұрын
Thanks for posting!
@surkova_a Жыл бұрын
A completely unique pianist..
@kingakorycka4652 жыл бұрын
It is very interesting when he speaks about the intellectuality of Chopin's music. I love the way how he doesn't look like a pianist at all. But he should have kept his hair.
@arthursulit2 жыл бұрын
I am 10 years younger than he, and I kept my hair. I support making it frazzle out like youthful genius perm. Because when the gut protrudes with age and lack of exercise / hormones, it is the HAIR which can restore youthful looks. I know he can still do it. Maybe one day. kzbin.info/www/bejne/rqPJp3ipbtFno6M
@benjamintrefny41072 жыл бұрын
hair are not important
@irinalazareva8654 Жыл бұрын
Михаил Плетнев и Иво Погорелич. Два лучших, блестящих, гениальных пианиста нашего времени.
@cynic150 Жыл бұрын
Yes, perhaps if he let his hair grow long again he would play better.
In the 2018/2019 season, in which virtuoso Pogorelich celebrated both his 60th birthday and 40 years of his career, the Japanese state broadcaster NHK completed a feature-length documentary dedicated to the cult pianist, filmed at the historic sites of the town of Nara, which that year celebrated 20 years on UNESCO’s World Heritage List.
@nellysorokko56652 жыл бұрын
Hello Ivo. Nelly
@user-nw3wn5fm6j10 ай бұрын
この人は、ポゴレリチではない。 ただのメイソンだ。
@laurenth71873 ай бұрын
What ever, Mozart's duos for violin and alto are much better. K.424 is the most important piece ever composed.
@paulrxxxmann67183 жыл бұрын
admittedly as a first time hearer of the polonaise, it sounds....peculiar. Did chopin really intend that ? anyone agree ?
@jfpary73362 жыл бұрын
Who will ever know.
@giorgiolesini28872 жыл бұрын
@@jfpary7336 Il maestro Pogorelich esprime suoni molto belli. Secondo me la musica di chopin non è intelettuale è musica sentimentale. Chopin, in una lettera al padre, dice:"la mano sinistra accompagna, segna il tempo; la mano destra insegue la felicità (la libido)". Con Pogorelich non riesco a percepire la felicità.
@andream.464 Жыл бұрын
@@giorgiolesini2887uella lettera la scrisse Mozart al padre, non Chopin e non usò l’espressione “inseguire la felicità”.
He has a very strange style; very exaggerated. I really do not like this much. He is trying to get blood out of a stone and failing. Personally, I think that this attitude of always trying to go deeper and more intense just leads to a quagmire. He should go back to being simple. Then he might do better. For example, in the Polonaise, the exaggeration is exaggerated. If you really listen and know the work, you can hear that the balance is bad in the second part. Why does he not bring out the inner tenor melody? His right hand is too dominant here. He says that Chopin's music is intellectual, but then he does not play it in that way at all!
@Lamizeharblu Жыл бұрын
I think it is a path of revolution of his music. He is much simplified in expression of sense of music during decades. He might lead to the maximum harmony in decades in the future.
@1922peter Жыл бұрын
Sadly, I have to agree. We don’t need Chopin in the style of Mussorgsky! I heard him in the late 1980s on several occasions, mostly in London. Even then he overdid things, but his sheer sound was amazing. And his presence was something special. Musically he now seems less relevant than ever, though the piano world would be the poorer without him.
@privateprivate22 Жыл бұрын
I started to listen to polonaise and stopped very soon because , as you said , exaggeration was very exaggerated.
@kpokpojiji Жыл бұрын
He is one of the most daring risk takers in music, so yes, he will fail, and in big ways, in some performances. But he will also succeed in others, and get to a place where very few pianists can reach. I'll take the failures because they are part of the path to his great successes. I might also make an observation as a painter- a musician's mistakes are all onstage, for the public to hear. Thus the vulnerability is great. For a painter, we are much more protected. All my mistakes occur in the studio. No one sees them, and I can sneak them out and bury them at midnight and no one is the wiser!
@maiko41307 ай бұрын
I like his Chopin. Exaggerated? Maybe. But as a person gets older and starts to see what really is important, he/ she will drop what is excess and keep only what’s left to make life worth living. He has to exaggerate what is really important and the rest is going to be there of course but in the background. Just like great paintings. Life itself and It’s beautiful.
@moriscengic Жыл бұрын
I like the japanese tradition. But I never be good in performing the japanese tradition. The same with playing piano, ko aying Chopin. You will never understand the european culture. Let's stick to our own traditions.
@rigel4810 ай бұрын
Listen to Mitsuko Uchida. She plays Mozart better than many European pianists.