Im Rahmen des Hiller-Festivals im Gasteig München widmet Jörg Widmann sein Werk "Fantasie" seinem ehemaligen Lehrer Wilfried Hiller. Am 11.04.2011, Black Box Gasteig München
Пікірлер: 21
@gaetanomontante51617 жыл бұрын
Mr. Widmann is an absolute master of the clarinet. It is one of the most musically/technically challenging pieces that I have heard/seen anyone attempt. Bravissimo! Thank you for uploading.
@joanlitman8 жыл бұрын
I heard Fantasie performed at the Teatro Colon in Buenos AIres last night. A" total body" experience of musical imagination. Danke! joan Litman, NYC
@MargaretThornhill11 жыл бұрын
A masterful performance and composition; dramatic and expressive!
@WilfriedBerk7 жыл бұрын
Great stuff, brillant performed !
@Clarianna713 жыл бұрын
GRAET!!!! FANTASTIC PIECE AND PERFORMER!!!!
@clarino719 жыл бұрын
7 people who dislike this video, should record it and upload on youtube. Will be interesting to listen.
@zhengli58768 жыл бұрын
Maybe they simply don't like the music itself...
@JorgeSadLevi6 жыл бұрын
I can´t dislike it ? Oh fuck!!! what great music must be!!
@Ciberliada711 жыл бұрын
Fantástico! Thanks!!!
@Sabinefreiheit13 жыл бұрын
Jörg, really well well done! A fantastic piece and a super performance! Thank you! Hope to meet you soon! Sabine Grofmeier
@krachkdres11 жыл бұрын
Super gespielt!
@ypolchenko-freejazz-guitar5 жыл бұрын
bravo!
@Georges_8411 жыл бұрын
Superbe !
@ChrisMPearson12 жыл бұрын
I love the way someone phone goes off about 2:05
@OmnipresentSloth12 жыл бұрын
jaaa!
@nicktheclarinet67183 жыл бұрын
2:05
@WilfriedBerk7 жыл бұрын
3:50 slap tonguing notes
@clairannette13 жыл бұрын
If this is what you intended when wrote this for ARD, Jörg, please update your edition. It is a brilliant piece (arguably), but none of these ideas are adequately communicated in the text or offered up for a remotely similar interpretation. Based on this performance, there seems to be no way to extract what you had in mind from what is written so as to give it a fair interpretation. You are basically demonstrating theory that straight readings of compositions as written are hogwash.