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J.S. Bach’s great masterpiece, The Art of Fugue, was incomplete when the composer died in 1750, and he left no indications whatsoever for its instrumentation. Since then there has been much debate on the subject, but we now know that it was written as a practical work intended for keyboard performance exploring the contrapuntal possibilities within one subject. Bach also adopted the same compositional-notational method for the beautiful and profound organ cycle Canonic Variations on the Christmas Carol and the brilliant six-voice Musical Offering, created for King Frederick II of Prussia, which are also heard in this 4-CD set. Also included is the fragment of the incomplete three part final fugue BWV1080/19, whose inclusion in The Art of Fugue is disputed amongst music scholars.
Composer: Johann Sebastian Bach
Artists: Cappella Augustana
Matteo Messori harpsichords, organ, chapel master
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The renowned Italian harpsichordist, organist and musical scholar, Matteo Messori, has won awards for his recordings of Bach. Messori has gone back to original sources and letters relating to these works, and taken account of the most up-to-date research and interpretative knowledge, in order to reveal Bach’s true intentions for his music, and to give as authentic a performance as possible. Messori performs on the harpsichord and organ, and is joined by Italian early music ensemble Cappella Augustana, featuring Luigi Mario Lupo (transverse flute), Luca Giardini (violin), ajnd Marco Testori (cello).
Tracklist:
Johann Sebastian Bach:
Die Kunst der Fuge, BWV 1080:
00:00:00 Contrapunctus 1
00:04:02 Contrapunctus 2
00:06:52 Contrapunctus 3
00:11:12 Contrapunctus 4
00:16:14 Contrapunctus 5
00:21:07 Contrapunctus 6 a 4 in Stylo Francese
00:26:17 Contrapunctus 7 a 4 per Augment[ationem] et Diminut[ionem]
00:31:07 Contrapunctus 8 a 3
00:37:37 Contrapunctus 9 a 4 alla Duodecima
00:41:02 Contrapunctus 10 a 4 alla Decima
00:46:52 Contrapunctus 11 a 4
00:54:46 Contrapunctus inversus 12 á 4 [rectus]
00:58:41 Contrapunctus inversus 12 á 4 [inversus]
01:02:23 Contrapunctus inversus a 3 [rectus]
01:04:57 Contrapunctus [inversus] a 3 [inversus]
Die Kunst der Fuge, BWV 1080:
01:07:35 Cnon alla Ottava
01:10:19 Canon alla Decima Contrapunto alla Terza
01:17:44 Canon alla Duodecima in Contrapunto alla Quinta
01:20:04 Canon per Augmentationem in Contrario Motu
Canonic Variations on the Christmas Song, Vom Himmel hoch da komm’ich her, vor die Orgel mit 2 Clavieren und dem Pedal, BWV 769/769a:
01:24:56 Variatio 1 in Canone all’Ottava
01:26:58 Variatio 2 Alio Modo in Canone alla Quinta
01:28:51 Variatio 3 Canone alla Settima
01:32:36 Variatio 4 per augmentationem in Canone all’ottava
01:35:53 Variatio 5. L’altra Sorte del’ Canone all’ rovercio: alla Sesta - alla Terza - alla Seconda - alla Nona
Musikalisches Opfer, BWV 1079:
01:39:41 Ricercar [à 3]
01:46:11 Canon perpetuus super Thema Regium
01:47:44 Ricercar à 6
01:56:25 Canon à 2 Quaerendo invenietis
01:58:34 Musikalisches Opfer, BWV 1079: Canon à 4
Sonata sopr’il Soggetto Reale à Traversa, Violino e Continuo:
02:01:52 I. Largo
02:08:10 II. Allegro
02:14:06 III. Andante
02:17:53 IV. Allegro
02:21:04 Canon perpetuu
Canones diversi super Thema Regium, Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta:
02:22:49 Canon 1 a 2
02:24:12 Canon 2 a 2 Violin: in Unisono 2 vl./cello/harpsichord
02:25:10 Canon 3 a 2 per Motum contrarium
02:26:15 Canon 4 a 2 per Augmentationem, contrariu Motu, Notulis crescentibus crescat Fortuna Regis
02:27:46 Canon 5 a 2 [per Tonos] - Ascendenteque Modulatione ascendat Gloria Regis
02:32:12 Fuga canonica in Epidiapente vl.
02:34:31 Fuga a 3 soggetti (fragment), BWV 1080/19
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