J.S. Bach, Toccata Adagio e Fuga in C major BWV 564 (Massimiliano Pitocco)

[@ИльдарГабитов-ф5ъ]

Великий музыкант и мастер баяна! Средства записи звука позволили передать мощь и объем сравнимый с органом. Спасибо за радость! Я знаю как это не просто.

[@denyspicard7271]

Massimiliano...what an experience, never in my life could i have thought an accordion could match an organ... all this while adding a touch of crispiness an organ cannot render... I am confounded. from now on I live in re-verb. Great! (Listened through desktop, Harmon-Kardon and B&W DM604 S3).

[@camilloflaim8933]

Straordinaria realizzazione di una composizione che non aveva mai oltrepassato le porte di uscita di una chiesa o di un Conservatorio perché suonata con un organo a canne. La conosco molto bene per averla studiata su organo a canne la BWV 564. Complimentoni. Si è così. aperta la possibilità di eseguire con accordeon una delle 6 Partite o una delle 7 Toccate per clavicembalo di J.S.Bach.

[@ЕвгенийБожко-л8о]

НИКОГДА НЕ СЛЫШАЛ СТОЛЬ БЛИЗКОГО К ЗВУЧАНИЮ ОРГАНА ИСПОЛНЕНИЯ НА БАЯНЕ !!! БРАВО !

[@rasohatskiy_andriy.]

Этот маестро играет на самом дорогом баяне в мире- Pigini Mythos.

[@teodomirobattistel717]

Incredibile!!!LA PERFEZIONE IN ASSOLUTO!!!!

[@nachotrejoszelaya]

Thank you, Mr. Pitocco, for playing this beatiful piece with such magnificence. I am listening it thanks to the recommendation of our son Gabriel, who is an aspiring accordionist (and musical instrument inventor). Bravo!

[@Barbapippo]

Impressionante, bravo.

[@alexanderweibel-valls9379]

Brilliant and the bass (organ pedal parts) so distinctively captured. They are so essential to this work!

[@massimilianopitocco5590]

Dear Gianmarco, it isn't a sound editing mistake! Absolutely! The copy autographed by Bach of the Toccata, Adagio and Fugue did not reach us, but there are copies of some students: in one of these handwritten copies a Toccata refrain is mentioned at the end of the Fugue. if you want, you can get more information if you go on the explanations.. Thanks

[@ДмитрийСазанаков]

Гениальное произведение и гениальный исполнитель браво

[@СергейБезрукавный-с4н]

Инструмент великолепен! Просто убивает !

[@robertorusalenofficial264]

Straordinario !!!

[@NeverovSergeybayan]

Suona come un vero e proprio corpo!

[@olehchelovan3996]

Чьё переложение? У кого-нибудь есть эти ноты?

[@kjellbygden235]

...einfach sagenhaft!

[@jadesilveira4994]

Parabéns, fantástico 👏👏👏

[@amedeobernasconi3338]

molto bella questa versione

[@massimilianopitocco5590]

Dear Serge, I don't know because I studeid and played it with the original organ edition. So, you need of Bayan..Maybe I think there is a standard bass version by Berbèn edition.. You can see..

[@SergeMartyn]

Thanks for your help! Good luck!!

[@JayantaParmeggianiSimoni]

Nessuno lo dice, ma questa e' una FISARMONICA, non un organo. Così mi sembra!

[@2003cater]

Per la verita questo strumento si chiama BAYAN è sta suonando con timbristica ORGANO.

[@teodomirobattistel717]

Ma,il bayan non è 'la fisarmonica cromatica??grazzie

[@SergeMartyn]

Dear Massimiliano, I admire Your tournament! You play not only virtuoso, but also with the original and unique manner. One question: I`d like to learn playing Adagio, but have only organ music score,which is difficult for me - especially the end tacts. I`m not professional. Have you accordion (bayan) adapted score for this part of BWV 564 and couldn`t I get it?

[@EmilioAccordions]

I have it for standard accordion. The Adagio

[@JuanCarlos-nr4nq]

👍👍👍👍👍👍👍👍👍👍

[@gianmarcocarnevale659]

Just after the end of the Fuga the second part of the Toccata starts again. Was it played in that way or is it a sound editing issue?