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Jagar || Latest Garhwali Folk Song 2020 || Digamber Bisht || DSR Music
#Song_Jagar
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#Singer_Digamber_Bisht
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#Writer_Diwan_Singh_Rawat
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#Music_Sanjay_Kumola
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#Recordist_Sagar_Sharma
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#Editing_Vipin_Dev
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----------Production Team-----------
#Producer_Diwan_Singh_Rawat
#Co_Producer_Pari_Rawat
-Being part of the Indo-Aryan dialect continuum Garhwali shares its grammar with other Indo-Aryan languages, especially Nepali, Hindi, Rajasthani languages, Kashmiriand Gujarati. It shares much of its grammar with the other languages of the Central Pahari like Garhwali and Jaunsari. The peculiarities of grammar in Garhwal and other Central Pahari languages exist due to the influence of the now extinct language of the Khasas, the first inhabitants of the region. In Garhwali the verb substantive is formed from the root ach, as in both Rajasthani and Kashmiri. In Rajasthani its present tense, being derived from the Sanskrit present rcchami, I go, does not change for gender. But in Pahari and Kashmiri it must be derived from the rare Sanskrit particle *rcchitas, gone, for in these languages it is a participial tense and does change according to the gender of the subject. Thus, in the singular we have: - Here we have a relic of the old Khasa language, which, as has been said, seems to have been related to Kashmiri. Other relics of Khasa, again agreeing with north-western India, are the tendency to shorten long vowels, the practice of epenthesis, or the modification of a vowel by the one which follows in the next syllable, and the frequent occurrence of disaspiration. Thus, Khas siknu, Garhwali sikhno, but Hindi sikhna, to learn; garhwali yeso, plural yasa, of this kind.
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