Jan van Eyck, The Ghent Altarpiece (2 of 2)

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Smarthistory

Smarthistory

10 жыл бұрын

Jan van Eyck, Ghent Altarpiece (open), completed 1432, oil on wood, 11’ 5” x 7’ 6” (Saint Bavo Cathedral, Ghent, Belgium). Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Пікірлер: 30
@jurgenhoth8750
@jurgenhoth8750 Жыл бұрын
Gloriously beautiful painting! .... and a great explanation. Thank you.
@peroz1000
@peroz1000 10 жыл бұрын
How can anyone possibly dislike this?
@tiwitiwi6202
@tiwitiwi6202 3 жыл бұрын
the details are mind blowing!
@marciasmith5010
@marciasmith5010 10 жыл бұрын
Such beauty and exquisite details! Viewing this makes me miss my time as a student of medieval iconology. Thanks for the post.
@leanhquoc3109
@leanhquoc3109 6 жыл бұрын
this is crazily sick good
@blinkdoge
@blinkdoge 6 жыл бұрын
They don't mention the final 4 panels including the missing one...?
@smarthistory-art-history
@smarthistory-art-history 6 жыл бұрын
Have you seen the related essay: smarthistory.org/van-eyck-the-ghent-altarpiece/ ?
@blinkdoge
@blinkdoge 6 жыл бұрын
Smarthistory. art, history, conversation. I have now, thanks
@nelsonx5326
@nelsonx5326 6 жыл бұрын
Just subscribed.
@stefaand7181
@stefaand7181 10 жыл бұрын
The missing panel might return very soon. Its said a rich family in Gent has it in its possession so now after 80 years it might return they are investigating the new news. But its very likely its true. They also said its been restaurated recently so its in superior condition.
@annadziewulska4733
@annadziewulska4733 6 жыл бұрын
I wept as I watched the beautiful restoration in Ghent Museum prior to it being shown in the Ghent Church ...worth visiting ...
@TheViciousVendetta
@TheViciousVendetta 9 жыл бұрын
At around 4:14, I think the word is "ermine", used to refer to a stoat in its winter fur, commonly used to line robes or clothing. Source: I'm reading Venus in Furs; it's also the animal in Leonardo's "Lady with an Ermine".
@TheViciousVendetta
@TheViciousVendetta 9 жыл бұрын
In case someone's using the CC like I am.
@winterdesert1
@winterdesert1 8 жыл бұрын
+katakatakara Yes. Look up Louis XIV of France!
@frankgryspeerdt
@frankgryspeerdt 7 жыл бұрын
winterdesert
@MichaelAChang
@MichaelAChang 10 жыл бұрын
The masterpiece can be viewed in breathtaking Gigapixel detail on a collaborative website between Canada and and the Netherlands: closertovaneyck.kikirpa.be/#home/sub=altarpiece
@winterdesert1
@winterdesert1 8 жыл бұрын
+MichaelAChang Amazing link. I'm going to keep this forever.
@CantBeHammy
@CantBeHammy 5 жыл бұрын
Is eve pregnant?
@biologicalexuberance4636
@biologicalexuberance4636 2 жыл бұрын
Yes, from a retired OB-GYN: the linea nigra from her umbilicus to pubis is a definitive sign of pregnancy.
@romcallis
@romcallis Жыл бұрын
The restoration of the lamb was a travesty. It now has a two dimensional look whereas a real lambs eyes are off to the side. How could they do this to one of the greatest pieces of art?
@tier2599
@tier2599 Жыл бұрын
The two dimensional look you mentioned is Van Eyck’s true painting of the lamb - the more ‘realistic’ version is the restoration from the 1500s. It’s usually taken as an implication that the lamb is a symbol of Christ, as it almost looks humanoid.
@Aljonakras
@Aljonakras 10 жыл бұрын
Isn't it the deesis with Jesus in the middle? Why God the Father? In earlier artworks God the Father was depicted with Jesus at his right, not John the Baptist.. Why was mideival God terrifying as opposed to mercyful? Where does it appear? How does the facial expression of God bear to the humanist tradition? A few decades later another humanist Michelangelo painted both the Christ and God the Father in a much more redoubtable manner. It seems that humanistic and humane are slightly different things, in the context of Renaissance, at least. Please, somebody familiar with the topic, explain...
@LlywellynOBrien
@LlywellynOBrien 5 жыл бұрын
I agree that they overstate the 'new' view of God, one can read very mercy-focused works about God right through the centuries before the Renaissance. Even Aquinas's rather austere theological works have little in common with the view of God described here.
@domenomahen9542
@domenomahen9542 6 жыл бұрын
Why would an almighty god that created everything have such a weak and powerless form that is the human body? Don't get me wrong, this has nothing to do with the painting, I love Van Eyck. I'm just talking about the christian depiction of god which makes no sense to me. And why would a god have to wear clothes? Is he like cold or shy or something? xD Can someone explain this to me?
@smarthistory-art-history
@smarthistory-art-history 6 жыл бұрын
This is such an important question. I think that one of the most useful ways of understanding this issue, particularly in the the case of van Eyck's work, is to remember that these images, despite their plausibility, remarkable detail, high naturalism and finish are not meant to be seen as photographic documents but rather function symbolically and should not be taken literally. Clothing, for example, forms a visual language that we all speak and it was used in part for this reason. Of course there are many other issues at work too but this, I believe, is central.
@domenomahen9542
@domenomahen9542 6 жыл бұрын
Thank you for the answer. You guys are awesome. Your videos help me pass art history exams a lot :D
@fododude
@fododude 5 жыл бұрын
I'm no expert but I don't think that bird is a pelican.
@PaulHinderer
@PaulHinderer 3 жыл бұрын
Agree - the bird depicted is a peregrine not a pelican
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