"Amazing Grace" Modern Jazz Reharm [Part 2]

Watch Part 1: bit.ly/35ZtB3F
Download Stanky Loops Vol. 2: bit.ly/31LILGu
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[@djbrady]

You deserve many more followers. Truly excellent videos.

[@Simrasil_]

I really love your style.. you manage to make everything sound beatiful and coherent despite the spicy chords. I have much to learn :D

[@tonylancer7367]

My favourite KZbinr is back and playing one of my favourite chords, Eb6/9#11. Gonna cop that Stanky Vol 2!!! It's straight fire!

[@Jamminn555]

Killer reharm, Jeff. And great walkthrough. Thanks so much for all of your videos. Watching for Stanky Loops 2!!

[@DonyaLane]

Yeah, I sure did notice that chromatic descending bass line, and I APPROVE! This was really beautiful (including Part 1).

[@edwardvivenzio5843]

Schneider ROCKS!

[@DojoOfCool]

Sounds very cool like the sounds you're using.

[@krakenrc]

Love it, Amazing!

[@shark615]

Beautiful chords

[@Blackhawknightstrikr]

Woah that Eb to the Emi11 chord. For me it's all about how you do a grace note into the 9 (f#) of the Emi11.

[@jojo-fj7lw]

What is a grace note?

[@rorykaufmann1508]

That blew me away too, saved the video just for that moment

[@myselfmusicworld5284]

beautiful, thank for teaching!

[@ordinaryperson6014]

I tried this in guitar. I realized i needed another hand

[@gabimeredith1]

Gotta leave out the roots

[@Delight_Uzoma]

This is really great sir

[@jojo-fj7lw]

Thankyou so muchh! Learn alot by multiple watch over

[@timothyivan2427]

He plays the whole thing from 9:15

[@INSTRUMENTALISTSLOUNGE]

Nice stuff

[@mariolopes3362]

thank you loads man

[@pablodejesusfieiro1337]

pretty nice

[@readtears7246]

INCRIDIBLE 👍

[@sebastianrichieblaj]

Yey!!!

[@DrJohn123]

Great reharm! 👍🏻👏🏻 I really love the chromatic bass movement. However, if I got it right, there is a tritone bass jump from the part of the first video to the part of this video, right? I'd loved to hear once the complete song.

[@isaacphilip7874]

💓💓💓

[@Oddestmoose19]

Thanks for sharing all of this with us Jeff! What program do you use to get the keyboard to record what you are playing and show it to us visually?

[@alsatusmd1A13]

A C note won’t work too badly over an E 1/2 dim7 because it is the b13 of the chord and does not contradict the b5 when voiced above it, it will just sound weird because unextended diminished chords occur so rarely that if you did try it it would most likely be mistaken for C9/E anyway, making the cadence appear to be V-V/VI-VI, which you did not intend.

[@Mind-BlownMoments]

Hi Jeff I hop we talk soon I love your work and I would like to talk on my idea on how i can learn more form you thank you

[@mikefoo6842]

A M A Z I N G

[@nicscott8560]

..."How did I do that?" Had me dead!

[@user-vg8em1rj7w]

Can you explain a bit of it? I know there’s a lot of Tritone sub but just need to be sure

[@pabloemiliorui2281]

A little late but previous video

[@blossomroy7743]

Hii sir plzz upload a video tutorial on how to write chord and improvised it plzz..

[@johnthomas4577]

E=MC2!!!

[@aeralix9423]

Could you explain the reasoning behind choosing the Eb and Emin chords? Why is this okay and why does it work

[@jcdeen6295]

I'm not Jeff, but when you're thinking about these reharms, I find it helpful to remember that the melody note is most important and as a result, you can build chords around that as long as it can fit within that chord. And in both instances of the chords he chose, the A fits. It just be like that sometimes.

[@WILLIFM.]

This is 100% keyscape LA Custom C7 Grand with a hint of reverb right

[@jojo-fj7lw]

May i know this reharm is in the verse or the chorus of the song?

[@mingbot]

9:16