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From the Jurassic World: Dominion Prologue: • Jurassic World: Domini...
To create the sounds needed for the Giganotosaurus, Sound Designer Al Nelson and his colleagues recorded a variety of animals including mules, stallions and a lion called Daisy, who he discovered at the Conservators Center in North California. Alligator bellows were also used as the deep growling.
“We wanted something that had a different personality,” says Al Nelson. “We thought about what had already been used. We’d used pigs, we’d used elephants in the case of the T-Rex, we’d used big cats like tigers and lions, so what new flavours can we use that still make it sound dangerous? How can I come up with something that’s large and has dramatic vocalisation and can sound intimidating and unique?
“I decided I wanted to record big stallions. When a stallion is near a mare during mating season, they get crazy. When they’re arguing for territory or arguing for access to food or just anxious, they scream, they bellow, they make some very dangerous sounds. And they’re big animals so they produce a lot of air. They sound angry to me, but they might not be angry. I don’t know what the horse would tell you they’re feeling, but they definitely have personality.
Once the field sounds are captured by multiple recorders in different parts of the animal’s environment (in order to capture a diverse array of sounds), Nelson then begins mixing them at a sound desk - for the new film they added sounds to the stallion noises, including “an ancient female lion who did these raspy desperate bellows.”
Discussing his process across the Jurassic Park franchise, he adds: “It’s taking that stallion scream, and that lion ‘oof,’ and morphing that. Sometimes it’s [blending] one into the other, sometimes it’s one followed by the other. We generally pitch them down a bit; sometimes not, but we manipulate the pitch, and if we’re doing our job right it sounds like one unique voice.