Just Practicing with Amelie | ENESCU'S CANTABILE ET PRESTO

Рет қаралды 3,434

Күн бұрын

Today we play and learn the famous Cantabile et Presto by George Enescu! So grab your score and pencil, make notes and join us LIVE!
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Leave Amelie a question in the live chat or down in the comments. Amelie continues her "Just Practicing with.." series with another famous piece for flute! So come hang out.
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Пікірлер: 11

@WookieWoman 7 ай бұрын

I love this piece without accompaniment. You can be a lot more free with the tempo in the Cantabile. The dynamics keep the musicality flowing. It is one of my favorite pieces to play, for sure. ❤ 😊

@victorcocco6738 6 жыл бұрын

An exceptional video from Amelie at The Flute Channel. Thank you !

@flutechannel 6 жыл бұрын

Thanks everyone for watching? Got more questions about the piece let us know down below! Also what should we do next? Here's me playing in concert! kzbin.info/www/bejne/eYmkk6qFec2imdk

@germanhayles9194 6 жыл бұрын

When I first studied this piece, it made no sense to me until I heard the piano part. It was a completely different piece of music from then on.

@paulineflute9987 4 жыл бұрын

Learning it this year, just incredible! Thanks for all that good advices

@flutechannel 4 жыл бұрын

Awesome! Its one of my favorites! Have fun learning it! I have a music video played in concert on the channel as well! kzbin.info/www/bejne/eYmkk6qFec2imdk

@trevorvaz7109 6 жыл бұрын

I have a question. How do we as flute players decipher between talent and hardwork. I am asking mainly in regards to tone. According to my brain, if I practice technique at a slow level and speed it up I can get the technique. However for tone this is not the case. For tone everyone says to do long tones. However everyone who does these long tones (at least my colleagues) already have a natural (and often good/great) tone quality. When they do long tones it makes them sound better. However when I do long tones nothing really happens. In fact my tone is completely unrelated to practicing. I find that my tone responds mostly to the humidity of the room that I play in, rather than how much I practice. I know of two other colleagues who have the same dilemma. They practice but their tone, like mine, is perpetually sub par (not trying to be mean or be harsh on them or myself, I'm trying to get a point across). While some of my other colleagues may practice alot, or never practice, yet have great tones. I might note that these colleagues don't seem to have superior knowledge or insight regarding the flute. Does any of this resonate? Can flute tone be taught to someone who struggles greatly with it after years of playing? How exactly does tone occur?

@flutechannel 6 жыл бұрын

Of course this all resonates and is an amazing question and will be sure to tackle over on the podcast this Sunday. I think will open the show with this question cause its something we all can relate to. Tone is essence your own voice. A constant exploration of sound and being able to control what you want to make and hear. Of course there will be people who may be better at the flute and require less work or more work. But focusing on yourself and your progress will clear up space in your mind to focus on whats important: the enjoyment of making music. Its complete normal and healthy for us to compare ourselves but it is when we are not and just experiencing the process of making music that we tend to feel good. So can one learn tone later on after years of playing? Of course! Tone doesn't have an "occurrence" rather its a point in time when your comfortable with what you have as tone at that moment. Tone doesn't plateau because there are many different types of tone (color, timbre, style, use of rhythm ). You wouldn't a type of tone for Bach with Poulenc. But maybe you could, maybe you could figure out ways to use it in different parts of it. But its all about what you want to project to the audience. Hope this helps Trevor and I hope your journey with music is a constant exploration!