Kaliya with Southern Flavour (Bill Monroe)

Bongrass with Basudeb Das Baul and his son Bhola from 2010 perhaps.

[@uttambiswas6369]

With same flavour....১১ বছরের পূর্বে র গান। আহ্ কি মধুর। শুনে মন পাগল হয়ে ওঠে।

[@anildonjoaquimmota9303]

Aqui do Brasil! Sou fã desses músicos, os acompanham desde muito tempo pelos vídeos do KZbin. Parabéns gente maravilhosa!!

[@clawhammer704]

Their rhythm is just that rhythm to accompany the singer.

[@hahmed3765]

20secs into the video and the like button has turned blue...!!!

[@AabuDidIt]

You look younger. Delighted to hear this collaboration. I didn't see that its from 2010. Wow make more of these

[@atikfaisalemon454]

Nice to see this 10 years leter..! ❤❤

[@tapasbera7359]

Amazing 👏

[@santanu20072007]

A long cherished desire fulfilled. Thank you dolinman. Let more "unfaithful" be converted to your magic 😀

[@palvinderkaur1456]

I've been listening to kaaliya n vari jaun a lot lately , I listen to it when I want to smile . Thank you for the music you are making ♥️

[@subhrajitghosh666]

Was seeing you ad in here few days back and saw a repeat telecast of Sa Re Ga Ma Pa tonight. Couldn't recognise you though. Now I open KZbin at around 2am and your video pops out. No I am able to connect all the dots.

[@mandobanjoguitar]

Love how you incorporated the bluegrass with the Indian folk music

[@hemrajsharma9261]

Very lovely music🇦🇪

[@santoshkumarsarkar4153]

খুব সুন্দর‌

[@mahmud05maisha]

Food of my soul.

[@BishowChamling]

Nice video 💕💕💕

[@LekhanKumbang]

Such a beuti♥️♥️

[@arkabanerjee9715]

Amar dujon priyo silpi k abar eksathe dekhe darun laglo, jodi amio partam onar akray giye sikhte.

[@BPxPown]

Woah! Amazing!

[@khokonporaan]

🇧🇩🇧🇩🙋‍♂️🙋‍♂️🎧

[@judhajitsanyal6191]

Thank you...seems you can't lock down talent 😊 👌

[@Dr-mahmudul]

You're doing a great job Diptanshu Da

[@karishma15]

♥️

[@hemrajsharma9261]

Nice 🇳🇵

[@dcbormon8876]

Dear Diptangshu dada could you please make some tutorial videos for mandolin chords? There are no good tutorials on youtube! SO please....

[@coldsampat3972]

This is an extremely heady composition. I don’t understand bangla. Can someone pls give a background about the song. What is it that they are singing.

[@Aadhish1000]

'Kalia Nai Mor Ghore Re" is a Baul song written and composed by Sri Barun Ghosh. The song is from the perspective of a lonely Sri Radha longing for Sri Krishna, also known as Kalia from the event of Kalia-daman. It speaks of a sense of desolation and emptiness within her home when her husband is away and she is expecting her beloved Krishna. The lyrics describe the anguish of Sri Radha, as the flames of separation have engulfed her body and mind, while she cries out Krishna or Kalia's name incessantly. She tries hard to forget about him but in vain, the charming avatar of her beloved Krishna keeps reminding her about him. Sri Krishna is called Kalia as he had emerged victorious in a battle with the five-headed serpent king Kalia by assuming the weight of the entire universe in his feet and dancing on the many heads of Kalia, while playing his flute with one hand and holding Kalia's tail with another. Another reason might be his dark complexion which in Braj language is termed as 'kala'. Sri Krishna and Sri Radha's relation was deemed immoral in those days as they were both married to different people. In this song, Sri Krishna has gone to Mathura while Sri Radha is in Vrindavan. Also, her husband is not at home, making this a perfect opportunity to meet in secrecy. But the separation is making Sri Radha anxious, so much so that she has given up cooking and eating. Even when she makes the bed and tries to sleep, she is unable to do so as she feels'Kalia Nai Mor Ghore Re" is a Baul song written and composed by Sri Barun Ghosh. The song is from the perspective of a lonely Sri Radha longing for Sri Krishna, also known as Kalia from the event of Kalia-daman. It speaks of a sense of desolation and emptiness within her home when her husband is away and she is expecting her beloved Krishna. The lyrics describe the anguish of Sri Radha, as the flames of separation have engulfed her body and mind, while she cries out Krishna or Kalia's name incessantly. She tries hard to forget about him but in vain, the charming avatar of her beloved Krishna keeps reminding her about him. Sri Krishna is called Kalia as he had emerged victorious in a battle with the five-headed serpent king Kalia by assuming the weight of the entire universe in his feet and dancing on the many heads of Kalia, while playing his flute with one hand and holding Kalia's tail with another. Another reason might be his dark complexion which in Braj language is termed as 'kala'. Sri Krishna and Sri Radha's relation was deemed immoral in those days as they were both married to different people. In this song, Sri Krishna has gone to Mathura while Sri Radha is in Vrindavan. Also, her husband is not at home, making this a perfect opportunity to meet in secrecy. But the separation is making Sri Radha anxious, so much so that she has given up cooking and eating. Even when she makes the bed and tries to sleep, she is unable to do so as she feels the void of her beloved. The verses also hint at 'Dvait-advaita Tatva' - the idea of simultaneous diversity and unity of God and soul. According to this concept, Radha is the personification of Krishna's power of ecstasy. So, although in physical form they are two, they are also essentially one. The love of Radha and Krishna is a manifestation of their longing to become one and shows that through love and devotion, Jeevatma (mortal soul) can attain union with Paramatma (Supreme Soul).

[@coldsampat3972]

@@Aadhish1000 Wow. So amazing. Thanks a ton!!

[@ritabratabarat2066]

I'd like to know what the lyrics mean

[@Aadhish1000]

'Kalia Nai Mor Ghore Re" is a Baul song written and composed by Sri Barun Ghosh. The song is from the perspective of a lonely Sri Radha longing for Sri Krishna, also known as Kalia from the event of Kalia-daman. It speaks of a sense of desolation and emptiness within her home when her husband is away and she is expecting her beloved Krishna. The lyrics describe the anguish of Sri Radha, as the flames of separation have engulfed her body and mind, while she cries out Krishna or Kalia's name incessantly. She tries hard to forget about him but in vain, the charming avatar of her beloved Krishna keeps reminding her about him. Sri Krishna is called Kalia as he had emerged victorious in a battle with the five-headed serpent king Kalia by assuming the weight of the entire universe in his feet and dancing on the many heads of Kalia, while playing his flute with one hand and holding Kalia's tail with another. Another reason might be his dark complexion which in Braj language is termed as 'kala'. Sri Krishna and Sri Radha's relation was deemed immoral in those days as they were both married to different people. In this song, Sri Krishna has gone to Mathura while Sri Radha is in Vrindavan. Also, her husband is not at home, making this a perfect opportunity to meet in secrecy. But the separation is making Sri Radha anxious, so much so that she has given up cooking and eating. Even when she makes the bed and tries to sleep, she is unable to do so as she feels'Kalia Nai Mor Ghore Re" is a Baul song written and composed by Sri Barun Ghosh. The song is from the perspective of a lonely Sri Radha longing for Sri Krishna, also known as Kalia from the event of Kalia-daman. It speaks of a sense of desolation and emptiness within her home when her husband is away and she is expecting her beloved Krishna. The lyrics describe the anguish of Sri Radha, as the flames of separation have engulfed her body and mind, while she cries out Krishna or Kalia's name incessantly. She tries hard to forget about him but in vain, the charming avatar of her beloved Krishna keeps reminding her about him. Sri Krishna is called Kalia as he had emerged victorious in a battle with the five-headed serpent king Kalia by assuming the weight of the entire universe in his feet and dancing on the many heads of Kalia, while playing his flute with one hand and holding Kalia's tail with another. Another reason might be his dark complexion which in Braj language is termed as 'kala'. Sri Krishna and Sri Radha's relation was deemed immoral in those days as they were both married to different people. In this song, Sri Krishna has gone to Mathura while Sri Radha is in Vrindavan. Also, her husband is not at home, making this a perfect opportunity to meet in secrecy. But the separation is making Sri Radha anxious, so much so that she has given up cooking and eating. Even when she makes the bed and tries to sleep, she is unable to do so as she feels the void of her beloved. The verses also hint at 'Dvait-advaita Tatva' - the idea of simultaneous diversity and unity of God and soul. According to this concept, Radha is the personification of Krishna's power of ecstasy. So, although in physical form they are two, they are also essentially one. The love of Radha and Krishna is a manifestation of their longing to become one and shows that through love and devotion, Jeevatma (mortal soul) can attain union with Paramatma (Supreme Soul).

[@DutaraMusicStudio]

Sir apnar phon namberta pety pari ..