Karl Richter - Passacaglia & Fugue In C Minor - BWV 582 (1969)

[@prinzparsiphal]

Few people are actually aware of the fact that this monumental piece was written down by Bach at the age of 22 (twenty two).-Absolutely incredible.

[@johangudmundson6007]

There were full professors at age 20 back in the days. Adulthood was quicker, as was death sooner.

[@prinzparsiphal]

The Passacaglia in d minor by Buxtehude was without doubt the root of inspiration. Bach spent several months with him in Luebeck.

[@peterherd6145]

Michael Juergen Very true indeed!

[@peterherd6145]

Michael Juergen We all and every learn from our predecessors

[@LisaBellaDonnaMusic]

Michael Juergen YES ~ I fully support this comment, this piece has deep Buxtehude impressions / spirit.

[@milovetto5977]

Yeah , THIS is the man who made me LOVE Bach Music , for so many many years . Thanks forever Karl !

[@jonahansen]

Me too. It's a shame he died at such a young age. Many attended his funeral including Leonard Bernstein. RIP Karl Richter...

[@RichardWagner-hi4zn]

Me too. And his legacy is immortal.

[@Bronzebk]

Excellent interpretation. Richter ...gone too soon. R.I.P

[@FighterFred]

Hard to beat that performance, and he memorized the whole piece. Good old Karl was the reason why I started to listen to Bach 40 yrs ago. The passions were done on a monumental scale, and Erbarme Dich is the most moving piece ever.

[@HoeeSayy]

This is a perfect recording. Absolutely flawless performance. Richter playing one of Bach’s titanic pieces with so much emotion and individuality.. can’t get enough of it.

[@JoePalau]

A perfect match of composer, performer and instrument. I'd would have loved to have sat on a back bench and listen to this magnificent performance unfold. The stop choices, the reverberance, the sounding and decay of each note. This would be my heaven on this earth. The instrument is simply extraordinarily beautiful. The playing sheer mastery. Truly, divine. (oh, yeah, old man Bach gave a pedal passage to die for ❤)

[@tereziajuliannakoszo6984]

​@@JoePalau😅i

[@tereziajuliannakoszo6984]

​ki9i

[@angelacooper2661]

I always enjoy the triumphant ending with a Picardy Third!

[@johannsebastianbach3411]

Richter just amazes me whenever I listen to him. People accuse him of being too much of a romantic when he performs my music, but pay no heed, those people know nothing.

[@Musicienne-DAB1995]

I find his interpretations of Bach thoroughly absorbing.

[@MrFossekallen]

Johann Sebastian Bach Richter is number one, end of discussion.

[@gamers7800]

Kk Ff no one comes close👍

[@TenorCantusFirmus]

I don't like this much his recordings as a conductor, historical performance practices studies have by now marched on and performances by him and "his" Münchener Bach-Orchester are by now quite dated, but as an organist still is spot on. Probably helps the fact the organs he used still were quite close in construction to 17th- and 18th-Century ones, those Bach would have played on, and he took full advantage of their peculiarities (I really like German organs, and find them to be the best blend between clarity and power). This performance of Bach's Passacaglia in C minor is outstanding.

[@MrFossekallen]

Johann Sebastian Bach Agree. Just listen, and enjoy this very great art of music.

[@erlingurthorsteinsson5952]

Outstanding play 10 of 10 possible of Richter scale.

[@peterherd6145]

Excellent playing on words! I still keep an old cassette of 4 organ recitals by K. Richter. 10 of 10

[@MrFossekallen]

Erlingur Thorsteinsson Karl Richter, always one of my absolute favorites.

[@michaelwu7678]

Clearly an Earth Shattering performance

[@annakimborahpa]

If this was recorded in the Church St. Peter's brother, was it a rumbling due to or upon San Andreas fault?

[@cornelislit4976]

Zowat het mooiste wat ik ken van Bach door Richter !gespeeld

[@stefanhinners2199]

Richter und Bach, was für eine Symbiose!!!

[@Marientje1954]

Einzigartig!

[@MalmgrenRestrepo]

The best comparable entities I ever heard!!!..

[@ВалераМедведев-м6в]

Это чудо....не возможное чудо,но оно состоялось....да благословен будет Господь...как здорово...великий Бах...!!!¡

[@НатальяКириллова-н7р]

It's funny: a Russian/Norwegian woman is sitting in Thailand, looking for the best interpretation of Johann Sebastian Bach. This is without a doubt Karl Richter -the brilliant😍 German organist-recorded in 1963. So many years have passed; such a long distance... but this music will never be lost, as well as the great spirit of the German people, unique and amazing, giving so much to all mankind.

[@OttobeurenKaiser]

One of the best comments on here! Karl Richter has the power to connect people from all over the world.

[@michelsauzier1144]

@@OttobeurenKaiser Every time I listen to this celestial recording, I am feel immensely grateful for your involvement in sharing this divine performance

[@missasinenomine]

I agree with all you say, & about Germany, das Land der Dichter & Denker. Und Musik!! (The land of the poet & the philosopher). But you must hear Helmuth Walcha as well. He was blind, so had a very sensitive touch & ear.

[@creativeself7147]

Great, beautiful comment with an evermore important underlying message about the true importance and beauty of unity, freedom and humanity! No matter the country we were born in; no matter which political 'system' we currently live under; no matter the language we speak - Ultimately, our differences pale when compared to the countless similarities and desires we, as the human race/species all share. Never forget that we are all, in a sense, brothers and sisters. Let us not be torn apart because political leaders tell us to hate - or even fight and kill each other... but let us rejoice in the beauty of life - be it through music, art, science or love. Thank you and everyone else in these comments; for your beautiful and important words!

[@НиколайПлатов-ш4ъ]

Ничего себе... Русская норвежка, находящаяся в Таиланде... Не каждый день наткнешься на такую комбинацию 😊 удачи вам и дальнейших творческих поисков!

[@matthewspence7476]

Bach’s music touches on something as deeply universal and mysterious as the deepest parts of space

[@dejavu8348]

Kesinlikle bana da öyle geliyor özellikle bu müziğin 4. Dakikasından sonra

[@marcsmith5275]

Yes! (Even without fully hearing (and, thus, feeling) the sound of 16 foot pipes!) Hearing it was, again, an absolutely astounding aural experience! (Bach, alone, in excelsis?)

[@michelespata8206]

4:14 - 4:27 , what a wonderful articulation. Richter is truly able to emphasize notes on the score. Quite often nowadays we hear Bach's music played too fast, with overlapping notes. Richter instead chooses tempo and articulation in order to highlight and search depth in Bach's masterpieces.

[@aetheric-r-us]

Extraordinair

[@igorcavalheiro2323]

That bass man

[@trespire]

It takes no less than four hands, one pair of feet, 5 keyboard to play this timeless masterpeice. Richter nail it with this performance. Absolutly epic.

[@timhamilton6527]

I've always loved Karl's interpretation of Bach's organ music - I know it's not everyone's cup of tea. Outside of Karl, I normally hear this piece belted out Organo pleno, and I think it kills it. This interpretation is full of colour, subtlety and majesty, and feels like it is constantly elevating, until, finally it reaches a heavenly destination. RIP Karl. SDG Bach.

[@russedav5]

While I probably generally agree with you about how wearing nonstop organo pleno can be, some of the skillful manage to pull it off, like Luc Beauséjour and Ton Koopman, both on yt, especially Luc, a relatively unknown but to me extremely fine performer. He also finely does Böhm's Vater Unser Im Himmelreich, better than any I know, something I usually find not the case for the French, even the late, great Marie-Claire Alain, whom I love and find riveting when playing Alain, where she was obviously THE authority, thankfully much established by numberless recordings, but often avoid when it comes to the Baroque. There seems to be a perennial French-German antagonism few escape that prevents each from playing the other's music properly; there are likely other antagonistic combinations given the limitations of man's sinful condition.

[@timhamilton6527]

Russ, thanks for that, I'll look up those performances you mentioned. It's always wonderful coming across new, previously unknown treasures. As to man's sinful condition, I echo another Bach motif, Jesu Juva.

[@EddieMillerStudios]

Many arrangements of this piece are very loud and heavy, and it sounds evil and sinister.

[@johnmilburn5715]

@ Tim. Totally agree. Totally.

[@Logiafruit]

This piece has some very powerfull dissonant harmonies, many of which are in the beginning, and I feel they are not put in value enough without the Organo pleno. And I also feel this interpretation is too slow. But It’s true that full Organo pleno can kill the progression that this interpretation has.

[@Camze3307]

It’s probably one of the best interpretation of this masterpiece.

[@LisaBellaDonnaMusic]

In my top five favorite Bach masterworks. This performance is inspired and closer to the heart of it’s obviously deep Buxtehude impressions. Music of miracles.

[@林柏辰-m7i]

could i ask you what is your top fivebach masterworks

[@porridgeandprunes]

The most imaginative use of registration that I have ever heard for his piece.

[@emigos3088]

Simon Preston's is also great

[@gideonvanderwatt]

It is always fascinating to see how Bach absolutely obliterates anything else in comparison. He truly is Phenomenal!

[@trespire]

Has anyone even come close to Bach in all this time ?

[@prinzparsiphal777]

No.- He will stand alone forever and eternity.

[@edsknife]

Maybe Tony Banks, but he played a different sort of music (although similar in comparison to classical, Genesis writing was more... expressive of English heritage and the strive for the common good).

[@simonjenkins4481]

Little known fact is that Bach's 'day job' was as an organ tester and much of his work was with that use in mind.

[@bernios3446]

Yes. It is simply that way. His music had power, depth, width, emotion, transcendence and an general vibe of something bigger than mankind, and obviously incredible beauty. The only classical composer who's music regulary makes me cry.

[@prinzparsiphal777]

At 3:54 chord of the Neapolitan sixth.The second one is placed before the end of the fugue,14:31,the greatest unprepared Neapolitan sixth in music history.

[@yannickramouillet3742]

Very common in Bach's music however, especially in transitions in organ music

[@omarnazimbouzid1510]

Karl Richter is, in my opinion, the only musician that really understood and felt what J.S.Bach really wanted to transmit through his masterpieces

[@daangroeneveld5308]

Watching Bach's passacaglia performed by Reitze Smits might make you reconsider your opinion...

[@larbado9575]

I'm not agree at all

[@ONBOARDKLM]

@@daangroeneveld5308 Did it, and I definitely prefer Richter's performance. Bach's music is not about notes, harmony or tempo, it's about God. Playing Bach's pieces is like praying (in church or a mosque). So I prefer how Richter prays God

[@joeross9478]

Forgetting about E. Power Biggs . The best version I have ever heard is without a doubt him on the Harvard Flentrop.

[@BOOOZB]

On dirait que Karl Richter et cette Passacaille se sont épousés un jour , et forment un couple indestructible ! Existe-t-il un grand Riep au ciel de nos dieux ?

[@fabiopalma4429]

To put this by heart... can imagine how many hours he spent exploring the piece.

[@SkullKid1222]

+Fábio Palma Karl Richter has almost always played by heart... or as he liked to call it, "with" the heart. :)

[@blankmeister69]

Richter gives this piece an incredible sensitivity of touch and rich texture which is all but lost when simply 'belting it out'. Simply lovely.

[@maximilianhartwig6995]

Outstandingly Performed. My teacher told me to watch every single Note - here we can hear it at its best!

[@thehuwedwards]

Summit of genius - the greatness of Bach and the peerless playing of Richter - a life-enhancing experience

[@mikkikas6821]

Hats off to the assistant, too for his help!🤗🤗 Love this musical selection.

[@Xxxxxxx-i7o]

A legend. Richter always played without score by memory !!

[@OttobeurenKaiser]

Luca Ogliari Indeed!! Or as he preferred saying, "With the Heart" 😊

[@JohnTate-ij5zx]

Have to mention, Adrian Volovets dedication to preserve the past. His syncing of a previous recording of this piece, to this video in near perfect timing. Just goes to show how Carl played this piece each time, nearly at the same tempo! Kudos Adrian for doing this! To perform this complex piece from memory, is truly astonishing. Long live the master, Bach to have created such a composition at such a young age in your tender twenties and a master interpreter, Carl Richter.

[@daniel0212]

Bach. What life experiences did this man have? His understanding of human emotions is so deep and vast it's almost frightening.

[@aartblokhuis9879]

It was due to the close relationship he had with his Master, our Creator.

[@mtv565]

Read his biography. His life was not easy.

[@javiermedina5313]

thousand of years of experience and even more

[@malvasia17]

thank you for your comment.I had the same thoughts

[@darklord220]

The same ones we do, just faster and probably more often especially re: tragedy.

[@buzhichun]

My favorite rendition of this piece. Richter's performance is much more gentle and musical than anyone else's I've heard yet. It feels like this was the way this work is meant to be played.

[@voraciousreader3341]

I love this performance so much, and have listened to it again and again. I’m always amazed by organists who can commit such monstrous works to memory-not that it’s a requirement for me to enjoy a performance-especially because of the stop pulling when there aren’t pistons. I love that the mixtures at the end are out of tune, which in every other instrument or singer would drive me crazy, and the organ box is stunning! Fabulous performance of one of my favorite works of Bach!

[@Drifter21031971]

Adrian, thank you! Karl Richter was the best Bach player. God rest his soul!

[@НатальяКириллова-н7р]

The strongest impression of my childhood! For more than 30 years, I have been trying to find a similar interpretation - but no. This is a masterpiece! Hey, 😉 people in 2020, we talk about optimizing consciousness, connecting our thinking in the network.... Nonsense! Listen and you will find something infinitely greater in yourself.

[@TheEternalWayfarer]

Walcha's interpretation is outstanding too.

[@CDB-hf5wn]

Simon Preston's is amazing

[@JohnTate-ij5zx]

Stunning performance! Never heard all of Bachs, master creation parts until this version. The voicings bring out all the events so clearly. Bravo interpretation! Thanks.

[@prinzparsiphal777]

I can see Bach saying : " Thank you, Karl, this is what I had in mind ".

[@trespire]

We must recognize the dedication of the master craftsmen that faithfully reconditioned the organ at Freiburg Cathedral to perfect tune. The instrument is magnificent.

[@prinzparsiphal777]

Paramount sound.

[@oneginee]

No, he can see God the father saying to Bach : " This is what I had in mind ".

[@dialsforstupid]

oneginee No i see Bach saying to xenu to goku to God the father to Jesus to Karl Richter. Might've gotten the order wrong. Oh well.

[@Hotspur77]

Bach would have agreed with oneginee. Sorry to ruin your fun.

[@SurfinScientist]

I did not expect much from this performance by Richter, but boy was I positively surprised. I very much like his choice of registers and his phrasing.

[@Retrographer]

Oh the flow..... Please relax and feel Karl Richters easy flow through Bachs evry note.....This is what Bach intended...a flow...harmonous....Feelings bubbling within.... Just beautiful...........

[@peteacher52]

A magnificent version of what is, in my opinion, the finest piece of music for organ. I never tire of hearing it when played by the likes of Karl Richter, Piet Kee and Gillian Weir. The Toccata in d minor has become a weary old war-horse, but this great Passacaglia in c - never!

[@MichaelCWBell]

Colin Gantiglew yes you are right, this dominates BWV 565

[@thorenjohn]

Excellent work with the over-dubbing. Very skillfully done. Thank you.

[@jeanflab1]

C'est un vrai bijou cette pièce jouée par Karl Richter. Après tant d'années elle demeure toujours intériorisante. Merci d'avoir partagé!

[@achitophel5852]

No one ever has and probably never will interpret Bach's organ canon so sublimely as Karl Richter. A genius whose early death has deprived the world of much.

[@AlexSchwartzviol]

Besides Marie Claire Alain

[@llacinkilic]

This is lovely. Now I can feel the Baroque Era.. Wunderschön gespielt.. Fürn Gott Bach!

[@awkwarddude]

Thank you for your efforts in posting this. I often heard the Passacaglia and Fugue in C minor played by my wife during her many senior year practice sessions and recitals leading up to her senior recital. That was many, many years ago. Brings wonderful memories. Again, thank you.

[@SkullKid1222]

+awkwarddude Thank you so very much. Your comment means a lot.

[@TheGreekPytheus]

One of the greatest achievements in the history of mankind, played flawlessly.

[@peterheisler4648]

The only Pasacaglia Bach wrote

[@prinzparsiphal777]

Bach composed this piece at the age of 22, inspired by the Passacaglia in d minor by Buxtehude.An unsurpassed achievement until today,and forever.

[@animatewithdermot]

Here's the Buxtehude - certainly sounds like it! kzbin.info/www/bejne/iGTEgJp8i96Vqsk

[@celeritas2503]

Die schönste Interpretation dieses göttlichen Werkes! Es lebe Bach und es lebe Richter!!

[@jorgegarzaelli6238]

For sure - from Argentina

[@amorphoustorus5208]

This is one of the most powerful pieces I have ever heard. Listening to it makes me think about how the cosmos is unthinkably large and doesn't care about us. I don't mean that in a bad way. This piece is like the musical equivalent of looking at the Hubble Deep Field. It's too bad there's no air in space to be able to play it. From the lowest notes to the highest notes. From the largest galaxy to the smallest particle. Bach was a master.

[@NotLegato]

is bach lovecraft? i wonder if he was going for anything that existential, hah.

[@esjel9804]

I would say the Toccata and Fugue in D captures your sentiment but in a more profound way. That piece has a much clearer expansion contour to it that is intrinsic to the music and not merely the result of the orchestration/pulling out of more stops. And add to it the orchestrated version by Leopold Shostakovich and you have a heart wrenching mind-blowing masterpiece on steroids. However, when I think of that other work, Tocatta and Fugue in D, it makes me think of a person's experience when first meeting the creator of the cosmos and the cataclysmic, and catastrophic glory that would overwhelm the senses. A glory that no human eye could behold, nor the human mind could contain or grasp without being utterly dissolved in stupified majesty.

[@jansnauwaert1785]

Bach was much more than a master. He was a miracle.

[@gentianjoca565]

@@jansnauwaert1785 A prodigy among the humankind

[@Zurvanox]

I had similiar thoughts.

[@willemlemmens5154]

True beauty, divine light: the young man who wrote this incarnates both. And the performer understands this in a perfect manner.

[@limitstoprogress]

Very well done editing! THANK YOU for all the work and posting! Greetings from Canada!

[@IrenaeusBacoviensis]

The most beautiful and brilliant performance of this Bach's master piece. Thank you very much for posting this video clip.

[@PeterAccettola]

Thank you so much for this. Richter's is the (DG) recording that I have of this marvelous work. It as a wondrous rendition of a magnificent piece of artistry and beauty by very possibly the greatest musician that has ever been. What a treat to find it here on U-Tube. Thank you again. Peter A.

[@yuristremel]

The essence of Bach's compositions is mathematic on it's purest form, the manifestation of abstract perfection on music. I believe that this may be what sounds so complete, so "godly" and so pure.

[@trespire]

The laws of Physics can be expressed mathematically, Math is the universal language of the Cosmos to quote Carl Sagan. Intelligent consciousness is the Cosmos attempting to know itself. The genius of Bach is that he could open a window into this order & beauty.

[@DeeCeeHaich]

​@@trespirereligion

[@nicholaspearson4246]

In awe at the genius of J. S. Bach as always. Richter was a great interpreter of that genius here.

[@geiryvindeskeland7208]

No he wasn't a great interpreter of Bach's organ music. He came from the romantic tradition, they didn't care about how to restore the style.

[@nicholaspearson4246]

What do you think of E Power Biggs' rendition (also on youtube)? Are you an organist by the way?

[@geiryvindeskeland7208]

My opinion of E Power Biggs rendition? The organ version is not interesting, but the way he play this piece on the pedal harpsichord - yes! That is what I'm asking for! Lot of improvisations, inegalite etc, it sounds great! Im studying church music back in the 1970' and work some years as a chuch musican. But I had to give up due to my emotional dysfunction.

[@MusicalMaryFly]

You are quite right ! Some people say he is the greater interpreter. An organist that has seen him in tour,many years ago,said he played for 3 hours continuously and that his performance was so marvellous. Many people that listened to him had the perception to hear the real Bach through him. At the beginning I believed that them exaggerated,but after having listened to him,I believe them,and that he brought the real Bach's Tradition.

[@DanMcMullan]

My favorite piece by Bach to play. I love the clever variations in the Passacaglia theme and how it moves between the manuals and pedals, at times almost hidden. The best part is at 8:43 where, after dozens of repetitions of the theme, it reaches a climax that sounds like the musical equivalent of madness.

[@OttobeurenKaiser]

Dan McMullan Yes, I completely agree!!

[@trespire]

Pure madness & clear sanity at the same moment.

[@dlevi67]

There's definitely a lot of method in that madness...

[@mikkikas6821]

I call it a "Variations on a Theme by Bach!"Ben, all that you said is so true!! WOW!! Can you imagine watching him in person?!?!, As Bethovab once said, " He's not a bach, he's an ocean!!" Well said!!

[@glj1377]

Dear Dan, regarding the bwv 582, particullary Karl's version of the 582, there is no best part. The whole piece from start to end is the best part.

[@paulinegallagher1675]

Truly wonderful. Karl Richter was a gifted interpreter of Bach, and his performance here is without doubt the very best, ever, in modern times. And he played from memory! What a loss he remains to music, and to the world. Taken too soon, as he knew he would be, but oh, my, what he achieved in his lifetime! Bless him always.

[@hansweichselbaum2534]

Good job with the dubbing - thank you!And a great thank you to Karl Richter and JS Bach.

[@briandsteel6711]

Fun as the video is, let me just say a massive thank you for posting the AUDIO of this performance. Apart from a vinyl recording I still have of Lionel Rogg at the Grossmunster organ, this is the best version of J S Bach's lovely Passacaglia and Fugue I have ever heard. And on JSB's 331th birthday, 21 March 2016! Thanks!!!

[@SkullKid1222]

+Brian D Steel Thank you so much for taking the time to listen to this masterpiece by Bach interpreted by the legendary Karl Richter! Spread this video around social media so that the youth of our generation shall know both of their talents. :)

[@Bronzebk]

Hear, hear.

[@generalackbar245]

I have heard a version by Edgard Power Biggs, I find it far better, both in terms of registration and in terms of playing But this is purely subjective... ;)

[@wunhunglo2880]

General Ackbar biggs doesn't compare to k. richter

[@generalackbar245]

Why not?

[@LanceCampeau]

An amazing composition played by a modern legend. Its a blessing to listen to such mastery.

[@lacrthxx14]

It's impressive the ability he has to perform in a very meticulous way speaking about rithm, but at the same time the piece does not acquires a mechanical interpretation, it's fantastic.

[@catherinescott562]

This is a wonderful rendition - actually gives me chills. Richter seems to have such a wonderful feel for the piece and stays in such control. I’ve heard so many other overplayed versions.

[@skipalas91]

THANK YOU FOR THE PUBLICITY DURING THE PLAY, YOU'RE A GENTLEMAN !!

[@dmathmothtutinean8950]

Irresistible....there are no words...again, and again...!

[@eskolintula9295]

Hieno esitys Richteriltä (aikaisemmin kuulematon minulle).. Äänikerrat paikallaan - lempeitä, viiltäviä, selkeitä, artikulaatio fuugan teemassa ja tempo hieno, laulumainen. Vertaisin edesmenneen Michael Schneiderin levytykseen vuodelta 1969 Schleswigin uruilla. Itse teos, ikäänkuin virsi on, niinkuin tiedämme lohdutus ja helpotus kaikille. Voisi sanoa: "Jos ei löydy kyyneleitä ja hymyä painu helvettiin" (T.-S.Eliot). Wonderful registeration and playing by the great musician. The music makes you weep and smile - the task of Bach.

[@tepmich]

Die Göttlichen Harmonien, die uns der Große Karl Richter schenkte !!! Tepper Michael.

[@industrialengineer3269]

This organ musical work it's the universe done music. Karl Richter is my favourite Bach's performer. He it gave to Bach's works deep and intense emotions. Thank you!

[@exlibrisensemble]

Two geniuses, Bach&Richter. Fantastic music in a fantastic performance.

[@redabdab]

We were so fortunate to have Karl Richter among us. One of the 20th century’s greatest musicians. One of the less well known heroes of our age

[@naturewolrd]

Karl Richter svela la meraviglia, la grandiosità e l'equilibrio perfetto nella musica di Bach. Grazie per aver caricato questa Passacaglia favolosa!

[@59Quixote]

Really, a very good job. Thank you, Adrian.

[@Hanako5100]

I heard Maestro Richter twice - once at an organ recital, and the other when he conducted a choral program, both in Munich, his city. Truly truly impressive musician. I love this performance - brings tears to my eyes. To Minoru Yoshida 吉田実さんですか？日本語を見て嬉しくなりました。私がミュンヘンで聞いたときはバッハだけではなく、マックスレーガーを弾かれたと思います。もう大昔の事なので（１９６５？）記憶は薄れていますが、感激した事はたしかです。そうして、二度目の時の聖歌隊の歌の素晴らしかった事！もう一度あの経験をしたいです。

[@mulvay2008]

The interpretation I fell in love with. Bloody outstanding performance...listen to it on LSD!

[@НатальяКириллова-н7р]

Ich habe noch nie etwas Schöneres gehört! Eine fabelhafte Leistung, eine erstaunliche Orgel und ein unvergleichlicher Meister.

[@Maumoleseullevrailunique]

5:20 omg this guy has three arms that's so amazing

[@tomasmichalek7046]

Maumoleseul levrai hh😂😃

[@russellfroggatt]

ROFL....

[@jyseoh]

From Mars...

[@ivanodrog]

He is Karl Ritcher, nothing is Impossible for him!

[@danieltkach2330]

LOOOOOOOOOOOOOL

[@Jantsenpr777]

Wow! What a stunning performance! The registration sounds pretty much like an orchestra.

[@LuisMaldonado-po1bp]

Dios mío " que maravilloso todo " gloria a Dios !

[@prinzparsiphal777]

It may sound funny, but in other interpretations with faster tempi the Passacaglia is "too short". With Richter it has the right lenght.

[@ketereissmore3967]

True, this is a passacaglia, not a toccata. It's supposed to be slow than fast

[@salvat3735]

This is the reason why I prefer this version over most of over organist's.

[@GMHmusik]

Keter_2438 passacaglia means variation on a basso ostinato. It is the name of a musical form, not a tempo marking.

[@herbertmische8660]

Great, fantastic and immortal Karl Richter!!! Respect forever!!! 👍👍👍

[@francescocroese2741]

I never heard an interpretation like that. Dear Karl, you're the best.

[@jirifranc2778]

Abgesehen von der genialen Komposition finde ich Richters Interpretation phantastisch!

[@VolkerSchikowski]

Finde ich auch ;-)

[@someyboi]

Schade, dass es heute so wenige romantische Interpretationen gibt. Das Stück hört man heute meist durchgehend mit lauten Mixturen, schlimmstenfalls auf Neo-Barock Orgeln.

[@jirifranc2778]

Son P. T. Eben als "alte Musik" interpretiert, einfach schön, nach innen, nicht nur hinaus posaunt! ...

[@anmarti49]

Gefällt mir auch viel besser als das Durchhauen im Organo pleno. Ich spare mir aber das stufenweise Crescendo wesentlich länger auf - Mixturen erst beim Thema fugatum. Noch romantischer ...

[@timrichter1980]

Einfach großartig.

[@vitalisamasiuk3217]

we are so blessed to hear this.

[@voraciousreader3341]

I love Richter’s playing, not just because it’s both insanely precise and insanely musical, but because his choice of registrations is breathtakingly lovely, but because _you can clearly hear every note in the counterpoint so clearly!_ You’d think all organists would have the same emphasis on counterpoint, but many truly don’t, typically because their choices of registration make the music way too loud and very muddy. Richter solved that problem as all good organists do. The other thing I love about this recording is that some of the Reed and mixtures are out of tune. And they always are on old organs, and I love it!!

[@rafikbaladi6555]

God! Amazing performance of this work, Solemn, deep, serious, calculated and occasional staccatos that create fractions of refreshing tensions- perhaps to come back to the solemn and absolutely deep flame of faith that J. S. Bach overwhelms us with, I enjoyed it Mr. Richter. I heard you live in Stuttgart in 1985 and saw Master Helmut Rilling performing Bach's Cantatas in the same year.

[@contarex1]

Karl Richter actually died in february 1981,

[@monoman7116]

I find myself returning to this performance time after time. It is the most glorious piece of music performed by a master of Bach's style. I just imagine listening to Bach playing this, and possibly improvising from one performance to the next, as the congregation left the church . He must have been enjoying glorifying God in his own way.

[@trespire]

I keep searching and coming back to this performance. This instrument together with Richter's interpretation are engraved on my memory. Starting at 6:10 , the voices of this magical organ are like a vision of an enchanted kingdom, a Brothers Grimm fairytale, a magical castle in the clouds.

[@michaszpyrka4153]

This recording was made on one of Germany's finest organs: Silberman organ in Freiberg Cathdral. The video was recorded in Ottobeuren Monastery. Check out photos of the places. Mindblowing

[@nigelthomas7960]

Oh Mr Richter! I wish I could have met you and told you how amazing it is that you use your articulation to give a dramatic sense of change of intensity in this monumental masterpiece. Of course some people will criticise the "romantic" registaration, but the sheer quality of a moment of rhetorical pause that you intuit, and then same where Herr Bach clearly intended a sense of dramatic forward energy (which this piece has in spade-fulls and then some) are so so well done here. The "relentlessness" of the 20 or so statements of the theme comes through so powerfully, you just don't know how it can end........ and then the fugue, which you allow to release the energy of the passacaglia at first then build to its devastating climax. I know this piece and play it from memory, but THIS is what Herr Bach meant it to say!! In awe......

[@TheApostleofRock]

Wow...how haven't I heard this interpretation yet?? The power and variety of color is unlike any other performance I've ever heard. Very very good.

[@simonjenkins4481]

It requires passion, and an organ with the right 'guts', and this monster just SINGS!!!!!!

[@geiryvindeskeland7208]

TheApostleofRock, I am sorry for my inadequate English. Quote: "The power and variety of color....." You touch the problem, which performance sounds best, "romantic" or "authentic?" Organists who don't play like Karl Richter make attempts to restore this old music after studying old sources. Karl Richter did not cared about the question, so he played the way he liked. I understand that many people who's unfamiliar to the music prefer Richters performances. But for me, all the changes of stops sounds like interuptions, I need the "boring" "authentic" way of playing.

[@williamfossardo6052]

@@geiryvindeskeland7208 Bach was an organist, he would use all the potential of his pipe organ. Play on one combinason is just idiot, you just use 5% of the organ. Richter use all his knowledge and the power of this organ to make the piece sing. It's just a shame to not want to make the piece sing because pedantic musicologist say that you need to play that way and not this way.

[@geiryvindeskeland7208]

William Fossardo, quote: "Play on one combinason is just idiot..." william, be careful by using the word "idiot." Are you sure that you got the knowlegde to jugde? I am not so sure. This music was composed for about 300 years ago. It is important to keep in mind - neither Bach or his contemporaries was able to listening to music after their own lifetime. But what about you and me? Wow! All the different kind of music we are familiar with, but was created after Bach's lifetime. You step in the same trap as many other people: You can not mix the 1800-style to the baroque periode. There are a lot of old written sources that gives us many details of how they perform their music in the 1700'. Some sources say that a Passacaglia often was performed with a pleno. William, I don't like to be arrogant, but how to tell you this in another way? I am able to catch the qualities of the composition itself. I don't need any changes, and I don't want any changes, because every changes of stops sounds like annoying interruptions to me. I disagree by the way Karl Richter begins. The registration is very light, therefore it is difficult to catch all those wonderful dissonanses in the beginning variations. Dissonances is an important part of the music! With a pleno the dissonanses is more easy to catch. William, there are to mainstreams in this case: Those who are not interesting in restoring, and people like me who think it's important to make attempts to bring this old music closer to the original style. Karl Richter was influenced of his contemporaries, a musical style unknown to Bach. But the problem is solved! In our days we can choose. You prefer Richter, and I prefer "authentic" performances.

[@williamfossardo6052]

@@geiryvindeskeland7208 The problem is that people like you, say that Richter play Bach's orchestral too monotonous but the aim of pipe organ is to sound like an orchestra. So why when Richter play with contrast of color and power of sound you are saying it's not authentic ? I don't understand. And if you don't like change of stops, stop listening to pipe organ. And i keep my words play a piece with one combinason is idiot.

[@ginny465]

Thank you Adrian for overdubbing the recorded Passacaglia on the video. Exquisite beyond words.

[@sasholyuba3789]

you did actually great job, this is also a proof that he plays it in the exact and same way, which is itself a proof that he is very well prepared and educated in his convincing of this music. great musician.

[@paulbonge6617]

Nearly ALL the STOPS! In case some don't know this is where we get the expression, "Pulling out ALL the stops!" Those are the pegs that the other man is pulling out or pushing in, all the way or part way. It opens or closes or limits depending on how far you pull them out, the flow of air to the myriad banks of pipes. The organ is an instrument that replicates EVERY single part of an entire orchestra, winds, strings, etc. and those are all the stops.

[@carolfurness992]

this is truly the most inspired piece of music ever written. Bach was the best and this is his best played by the best . Every note portrays the glory of God , the Alpha and Omega,the Old Testament and the New I have loved this particular piece of music from a very early age and now in my old age can just thank God on High for the gift He has given these two talented men.

[@Vivianissime]

Un des plus grands moments musicaux de ma vie fut d'avoir pu écouter Karl Richter à Notre-Dame de Paris, lors de l'inauguration de l'orgue qui venait d'être restauré. C'est grand, Notre-Dame, mais la nef était aussi bondée qu'un wagon de métro, et quand Richter "attaqua" ce fut grandiose. L'orgue de Notre-Dame n'est pas le meilleur de Paris mais avec Richter il fut immense.

[@pierrette581]

God bless Notre Dame good luck with the restoring also of the organ

[@ysamilk]

Existe coisa mais linda que isso? MAGNÍFICO! Bela interpretação!

[@karennoble1168]

What a soulful great Bach's piece. Great organist too!! Thank you for posting!

[@pyropegarnet9540]

I, in Japan 2017, am crying.

[@peterherd6145]

Pyrope Garnet Naite ii tomo!

[@jorgegarzaelli6238]

Me too!!!

[@charlesdavis7087]

That nice. Get over it. Yes, there are things eternal and things temporal. So what are you going to do with about it. To withdraw offers neither hope or excuse. To Try... is the whole of the Law. When you're dead you'll understand it a little bit better... maybe. It's not whether we win or loose. It's whether we tried... or not. And in that spirit we either shine or we... haven't yet... risen to the occasion. Listen... and you will learn. TRY

[@KyrieEleison1990]

You're not alone in this cruel world. Bach knows, God knows. Remember it!

[@starfox1]

why you crying though

[@ChrisMaragoth]

Definitely the best version here on KZbin by Karl Richter. This beautiful and epic piece of music and Bach in general are a big influence for my own musical endeavors in the past and present. Timeless epicness

[@SkullKid1222]

Burkhard C. Schipper, yes, this is the audio from the Silbermann Organ in the Cathedral of Freiberg. The video is from the Ottobeuren Abbey, but when they recorded it, the microphones were poorly placed and the sound was very muddy, so I put the Silbermann audio to the video in Ottobeuren.

[@dmathmothtutinean8950]

Your skill in making this presentation...OUTSTANDING...indeed, live long and prosper.

[@moimoi1967]

So nice working!!!!!!! Thanks(^0^)

[@MartinSmithMFM]

SkullKid1222 Well - whatever your crazy name, you did the work of angels!

[@roerfluit]

+SkullKid1222 Magnificent. Utterly quiet Richter brings, playing by heart, pure extasy in the Fuga. You made me happy, SkullKid!

[@trespire]

The sound of the Silbermann Organ at Freiberg is utterly amazing. It is so rich & complex.

[@aleksandarbrzic8351]

Music for the End of Times... Best interpretation ever! While most others simply play yet another Bach tonal exercise, Richter is building a Cathedral. He takes his time and the results are magnificent, poetic, clear and indeed, Romantic. Thank god he dared to play like this, otherwise we would have never heard a true masterpiece!

[@dveronic]

A definitive performance. Karl was incredible.

[@georgesmelki1]

Magnificent! Thank you for publishing this video with the good quality audio!

[@citzie]

Brilliant overdub. Bravo! Terrific sound now.

[@SkullKid1222]

+Ronald Robinson Thank you so much!

[@nevermorefarm]

I visited the Münster once, and now I cannot remember if I heard the organ or not. Thank you so much for posting this...it is magnificent. I was fortunate enough to hear this piece played in 1987 in the Michaelskirche in Hamburg...this is an incredibly fond memory.

[@usuariodegoogle3076]

6:14 is like the peace in the deepest ocean

[@trespire]

Touching the depths of our souls.

[@unviaggiatore1981]

E' proprio così! E' una delle cose più belle che mi sia stata concessa di ascoltare nel passato, nel presente e nel futuro della mia esistenza. Il mio cuore piange per chi non può sentirla. Thanks Skullkid1222 for your excellent job of synchronization.