Orchestre National de Lyon Leonard Slatkin (Conductor) Khatia Buniatishvili (Piano) February 11, 2017
@alanwarburton83622 жыл бұрын
Mowjhawke
@alanwarburton83622 жыл бұрын
Mowhaw
@georgescancan75032 жыл бұрын
What words, dear "bloodgrss", how many emotions! Did I step on your foot, respected businessman who sells half-naked, barefoot, busty whiskey drinkers who call themselves "pianists"?! Owning a piano keyboard is not yet an art, it is a craft! Therefore, your "pianists" attract the attention of an uneducated audience with their half-naked body, bare feet and other tricks. As their bodies age, these "pianists" will disappear! Together with them, you will disappear, dear "bloodgrss"! And we will all say goodbye to you: Ciao, baby!!! With your propaganda of the "attractive young half-naked body" you block the way to the stage for really talented people. Your place is the garbage pit of history!
@Vodichka92 жыл бұрын
@Georges Can can You're the proverbial swine gazing at pearls. One wonders how little shame you have in publicly exposing yourself.
@georgescancan75032 жыл бұрын
@@Vodichka9 You are deeply mistaken if you think classical music is meant to boost testosterone levels in your aging body! This "lady" shamelessly sells her body, she successfully sells her body in her other videos. It is precisely such "lovers of classical music" as you, dear sir, who destroy classical music by writing sweet comments. It is these "lovers of classical music" who drool and snot at the sight of the "fresh body" of a pianist! kzbin.info/www/bejne/jHO9mYNplrWUhLc
Thinking same. How fortunate I am to hear & see this performance.
@Dave.Mustaine.Is.GeniusАй бұрын
@@sylviajones4907especially "to see" 😂😂😂😂😂
@castlebound2010Ай бұрын
When all we have to do is choose wisely from all the 'infinite' options out there...
@Dave.Mustaine.Is.GeniusАй бұрын
@@castlebound2010 I choose this woman's body over many videos on Yetube
@RonCook-ny3lo Жыл бұрын
I am 88 years old. I have heard this composition many many times. I have never heard it performed this well by a performer who seems to totally enjoy it. I am sure if George were listening to this particular performance, he would say "Ah. This is what I heard when I composed it."
@UKOnation Жыл бұрын
I didn´t read many answers ( exaktly it´s only yours at the moment), but I´m shure, this is the best comparison and also compliment to her, which can be given. I agree 100 %.
@AlcibiadesMD Жыл бұрын
May you have many, many more years of listening pleasure in the company of great composers. I'm 64, been listening to it since I was a kid, best music in the world.
@dawhike Жыл бұрын
This type music keeps us ALL ALIVE! I hope I'm still kicking at 88! 😎
@t.s.t.4085 Жыл бұрын
Thank you for erudite/sweet, comments. I'm 55+: Sang, played clarinet, sang again, acted, and (Yuch....) Sang, and sang, and sang.......
@t.s.t.4085 Жыл бұрын
Tell us so much more about yourself, 88-year old. We (U.S.) want(s) to learn.
@randybenjamin56856 ай бұрын
Today, February 12th 2024, is the 100th Anniversary of the first performance of "Rhapsody in Blue" . This performance is magnificent.
@shaunweaver210710 ай бұрын
I love how Ms. Buniatishvili not only enjoys playing, but seems to thoroughly enjoy listening to the orchestra as well. Her phrasing is so clear, precise and full of expression. What a joy! What a great recording. Bravo to all!
@patrickrussell18885 ай бұрын
Well, my Leonard Berstein version of the 60s was due for modernization...and this version did just that! 😊
@James-un8rr4 ай бұрын
Truely real angels ,,!,❤❤❤
@marckemp995510 күн бұрын
Ich bin mir nicht sicher, ob es ihr Spaß macht. Es scheint, als wäre es eher eine Performance.
@DanielDaniel1 Жыл бұрын
Nobody mentioning how masterfully this was recorded and mixed. Huge shout out to the sound team
@MariusRiley Жыл бұрын
💯
@pierre-gabrieljobin9450 Жыл бұрын
Indeed the sound of this colourful piece is very rich and very well mixed.
@IsraelChaffin Жыл бұрын
No doubt! And the camera angles with shot duration and switching was engaging-it pulled me further in and gave me the joy of seeing key players as they expressed the beauty within their soul.
@williamherndon4873 Жыл бұрын
Improving on perfection….you just wit nessed it
@LucBoeren Жыл бұрын
Absolutely
@DecoWorks4u Жыл бұрын
That clarinet intro almost squeezed the life out of me. Sensational performance
@YewtBoot Жыл бұрын
He was masterful at it, and Khatia certainly made good note of it.
@spikespa5208 Жыл бұрын
Her expression at his little embellishment at 0:47. Priceless. And again at 5:12, if she had given me that look, I wouldn't have been able to continue playing.
@jakerazmataz8529 ай бұрын
Flawless.
@FreeCandle9 ай бұрын
Came to say this!
@craigcarlson40228 ай бұрын
Yes, indeed!
@301rs5 ай бұрын
What a privilege! Without modern technology and KZbin, I probably would have never seen this wonderful performance. The artistry of Khatia and the accompanying orchestra are pure magic!
@kevinburnson4 ай бұрын
One wonderful piece of music!! You can see the pride, the passion, the pleasure in the faces of these musicians!! BRAVO!! This is what you get when great orchestras and great music come together. What a treat for body and soul.
@tomskimcdouglegaming806Ай бұрын
And those tiddies. Spectacular.
@DiZasturАй бұрын
First time I heard this was in 2000. My friend and I bought an ex cab to go skiing for a week in Nelson BC, Canada. We bought the car, an old 1990 chevy caprice classic, not realizing the stereo system was worth twice what we paid for the car. My friend flipped this CD in...OMFG...I will never forget, going up the switchback outside Osoyoos BC first thing in the morning, fresh snowfall, at the apex you see the mountain peaks for hundreds of miles...and this song was playing. My only thought was...it just doesn't get any better than this. Most majestic moment I've ever experienced.
@fazzaz31Ай бұрын
@@DiZastur Glad you enjoyed the performance. The orchestrsa was damn good and cudos to the clarinet. Sadly, Khatia's piano woefully underperformed. I couldn't tell what it was, but it sounded like an upright beerhall relic to me. Steinway or go home.
@FuckFeminists11 күн бұрын
Are you seriously going to credit "modern technology" for learning of Rhapsody in Blue? What a bizarre place to lay your gratitude. That same modern technology has destroyed the recording industry.
@terrybrowning5143 Жыл бұрын
the clarinetist stole the show...certainly my heart!.....that ascension...flawless!
@rnashrockАй бұрын
The best I've ever heard!!!
@frankcoverjr.-jz3neАй бұрын
With just the right amount of swing!😊
@acropolis40328 күн бұрын
it’s not Swing in the opening passage. It’s pure Klezmer!
@claudegagnon999Күн бұрын
Beautiful instrument!
@claudegagnon999Күн бұрын
@@acropolis4032 Yep!
@davidhankins77765 ай бұрын
I am a 65-year-old CPA, taking a break from doing tax returns. I was so overwhelmed by this video that I had to respond. It was mesmerizing! First of all, I am blown away by her passion. She literally absorbs and becomes the music. It is almost like watching a great athlete perform. She is so physically powerful and yet graceful. Her strength, not only in her hands is extraordinary. I recall watching Jimmy Page of Led Zeppelin play guitar in the movie The Song Remains the Same, and how his hands move so incredibly fast, and the power that came out of that thin man. Again, like watching a great athlete. Khatia is similar. She attacks the piano, like she is trying to squeeze every last note and sound out of it. Yet, she is graceful as well. What a combination! Khatia reminds me of Judy Garland. Ms. Garland would just belt out her songs, singing as loudly and powerfully as possible. A literal wall of sound. It didn't matter what the song was. She gave it her complete effort. She could make the song Mary had a Little Lamb sound like the greatest piece of music ever. Khatia also has incredible focus and concentration. She is in "the zone", a place of total consciousness and mindfulness, like an out of body experience. A place where only the greats can go and experience. I think perhaps the best way to describe her performance and playing is breathtaking! She literally takes your breath away. I found this video while watching an old clip of Rita Hayworth and Fred Astaire dancing to Boogie with Stu by Led Zeppelin. It is amazing watching her dance. Breathtaking! You can't take your eyes off of her. Again, like Khatia. Like Ms. Hayworth dancing among dozens of other dancers, Khatia demands full attention. The consummate entertainer. She is playing amongst some of the best musicians in the world, and yet she is the central focus. And yet as others have shared, she is humble and shares the spotlight with the orchestra. Frankly, I don't usually get this moved or touched to respond to a KZbin video. But I can see that I'm not the only one! I am so blessed to have discovered Khatia and her music. Some people are just extraordinarily talented and special. She is definitely one. Thanks for letting me share. Back to tax returns!
@derkmanley32202 ай бұрын
Dear D: Thank you for Your Text. You are an excellent writer! I confess. I have never had a CPA as a friend or Colleague 😅. I commend you on your ability to describe Khatia. You left out one other thing about Her: She has to be the sexiest Pianist on the Planet 🌏. If you are still with us , I. E, please respond to my Comments. Faithfully Yours, The Rev. Derrill B. Manley , Jr., Ph.D
@derkmanley32202 ай бұрын
Khatia! You are A Force of Nature!
@James-un8rrАй бұрын
❤extectcey
@mixerD1-Ай бұрын
Slightly disturbing 🤔
@FuckFeminists11 күн бұрын
This is a copied and mildly edited comment that I saw on another artist's video. Wow that's weird.
@skopp888 Жыл бұрын
The genius of Rhapsody in Blue is how it invokes such a feeling of well being, of familiarity, of nostalgia. Of a time gone by, of good times, of better times. Of good times still to come
@timford3599 Жыл бұрын
Beautifully stated Rishie.
@Jacquiejo20127 ай бұрын
This was magnificently and masterfully preformed!
@cpalmer50335 ай бұрын
N@@Jacquiejo2012
@kirbyculp34494 ай бұрын
After listening many many times I have finally felt that this music describes the feelings of a man that is going on a date for dancing with his beautiful future wife.
@joeherald73192 ай бұрын
You are so correct. It's like a 20 minute walk through the 20th century. Good and bad happy and sad fast and slow yet always joyous and hopeful.
@valeriecoopet98975 ай бұрын
I am not a musician, but I am pretty sure most musicians are magical creatures put on earth to create beauty.
@rickhunter72 ай бұрын
Here's a secret: being a musician is more about hard work than talent. Sure being talented helps but most of it is just practice, so, in reality anyone can be a musician with enough effort.
@MusicLife-xy4phАй бұрын
@@rickhunter7 Not "anyone". You're right, talent is not enough to be a musician. Hard work isn't either.
@rickhunter7Ай бұрын
@@MusicLife-xy4ph I agree, some people are born without a musical ear and it seems no matter how hard they try they can't overcome that. They can still enjoy music as much as the next person.
@donmcmillan2615 ай бұрын
A class lady at the piano. As she finishes she acknowledges the Conductor, the concert mistress, the orchestra, and then she takes her bow to receive audience recognition. Such a beautiful piece of music. thanks, Khatia!
@789armstrong2 жыл бұрын
If Gershwin had seen this performance he would write another rhapsody just for Khatia.
@dominiquedesbarres74332 жыл бұрын
Gershwin sees and hears her.
@christopherczajasager90302 жыл бұрын
Indeed. "Rhapdody for Boobs"?
@jaewok5G2 жыл бұрын
maybe for Cyan … ya know, to give it some contemporaneousness
@oldblckmajic2 жыл бұрын
I agree totally.
@rafaelventura-rosa46882 жыл бұрын
@@christopherczajasager9030 play nice Chris
@joeherald7319 Жыл бұрын
Just one guy's opinion but, I think is the most moving piece of music ever written. It's got some of the musical stylings of the best of 20th century America. There's: classical, jazz, big band, stride piano, banjo, march tempo, blues, concerto and more. And in this performance Khatia totally "gets it". And the way she is dressed adds an extra 1940's swanky night club aura to this beautiful presentation. PS- I could watch this every day and get chills every time.
@renendell5 ай бұрын
You’re not alone. It’s one of my favorites
@wa1-marketing9554 ай бұрын
I wholeheartedly agree ..
@mikeaubrey13103 ай бұрын
i just sent a half dozen texts suggesting that this is the finest music ever written. 100 yrs old. this version is the best of the best. you are correct. at 9min 35 seconds is proof
@charlotteb.derrick51172 ай бұрын
Spot on you are! One of my all time favorites….I must add you are very observant….on all points….💜💜💜
@jazluvr992 ай бұрын
Agreed... on all counts!! 😀
@nortledorfus Жыл бұрын
This is THE MOST MOVING MUSIC I'VE EVER HEARD...and I'm 73 years old. Her performance and that of the orchestra was absolutely OUTSTANDING. Brought me to tears.
@noeliafernandez9478 Жыл бұрын
Excelente interpretación !pianista y orquesta
@lukebradley31939 ай бұрын
The classic American symphony in my opinion. It was composed a couple years before the great depression, but it seems to define the spirit that carried America through that, and into the Looney Tunes act of involving itself in WWII. Just this beautiful chaos to the piece, all these distractions and victories. The pianist Khatia Buniatishvili, was apparently born in the Soviet Union, and it's something to think that with her semitic features she may not have even been born to play the piece had America not found that strength to involve itself in world affairs when very poor. All the pieces just come together in this performance, to make this incredible thing. Music is such a universal language, there really isn't anything anyone needs to say if one can really listen, and YOU sir, can obviously really listen...
@bennywyman17 ай бұрын
😅
@semajtee6 ай бұрын
Me too!
@ofdrumsandchords6 ай бұрын
Great performance, indeed. Happy man, with so many masterpieces to discover. Musicians have a say. Mozart is a man talking to God, Bach is God talking to men.
@HanWijman5 ай бұрын
Rhapsody in Blue was played at the funeral of my late Father. Afterwards we got so many compliments about the beautiful music. A lot of new fans.
@johnhenke64752 жыл бұрын
When I was a kid, about 10 or 11, I road my bike to downtown in Casa Grande Arizona and discovered the Salvation Army store. It was a musty smelling place with lots of old uniforms from the Second World war and all kinds of interesting junk nobody wanted anymore. There was these old 78 RPM records for ten cents each. They were only 20 years or so old at that time. I bought Rhapsody in Blue, I don't know why. I took it home and set our record player on 78 RPM and flipped over the needle and played it. I cried listening to it. It was so beautiful. I didn't know music could be so beautiful. You just made me cry again. Thank you.
@haroldbrown66302 жыл бұрын
Well written comment . . . I can smell the place.
@petervrabcak55972 жыл бұрын
The man was a genius, so is the lady!
@alexdevon25882 жыл бұрын
Your wonderful true story made me cry. Emotionally and sentimentally, beautiful! I adore this piece also and when Khatia plays it, she really feels it and transmits this feeling to us. The best of Worlds.
@georgescancan75032 жыл бұрын
@@alexdevon2588 Alexander Boot Writer, critic, polemicist Sex sells - all of us short The other day I listened to something or other on KZbin, and a link to Chopin’s Fourth Ballade performed by the Georgian pianist Khatia Buniatishvili came up. The link was accompanied by a close-up publicity photo of the musician: sloe bedroom eyes, sensual semi-open lips suggesting a delight that’s still illegal in Alabama, naked shoulders hinting at the similarly nude rest of her body regrettably out of shot… Let me see where my wife is… Good, she isn’t looking over my shoulder, so I can admit to you that the picture got me excited in ways one doesn’t normally associate with Chopin’s Fourth Ballade or for that matter any other classical composition this side of Wagner or perhaps Ravel’s Bolero. Searching for a more traditional musical rapture I clicked on the actual clip and alas found it anticlimactic, as it were. Khatia’s playing, though competent, is as undeniably so-what as her voluptuous figure undeniably isn’t. (Yes, I know the photograph I mentioned doesn’t show much of her figure apart from the luscious shoulders but, the prurient side of my nature piqued, I did a bit of a web crawl.) Just for the hell of it I looked at the publicity shots of other currently active female musicians, such as Yuja Wang, Joanna MacGregor, Nicola Bendetti, Alison Balsom (nicknamed ‘crumpet with a trumpet’, her promos more often suggest ‘a strumpet with a trumpet’ instead), Anne-Sophie Mutter and a few others. They didn’t disappoint the Peeping Tom lurking under my aging surface. Just about all the photographs showed the ladies in various stages of undress, in bed, lying in suggestive poses on top of the piano, playing in frocks (if any) open to the coccyx in the back and/or to the navel up front. This is one thing these musicians have in common. The other is that none of them is all that good at her day job and some, such as Wang, are truly awful. Yet this doesn’t really matter either to them or to the public or, most important, to those who form the public tastes by writing about music and musicians. Thus, for example, a tabloid pundit expressing his heartfelt regret that Nicola Benedetti “won’t be posing for the lads’ mags anytime soon. Pity, because she looks fit as a fiddle…” Geddit? She’s a violinist, which is to say fiddler - well, you do get it. “But Nicola doesn’t always take the bonniest photo,” continues the writer, “she’s beaky in pics sometimes, which is weird because in the flesh she’s an absolute knock-out. “The classical musician is wearing skinny jeans which show off her long legs. She’s also busty with a washboard flat tummy, tottering around 5ft 10in in her Dune platform wedges.” How well does she play the violin though? No one cares. Not even critics writing for our broadsheets, who don’t mind talking about musicians in terms normally reserved for pole dancers. Thus for instance runs a review of a piano recital at Queen Elizabeth Hall, one of London’s top concert venues: “She is the most photogenic of players: young, pretty, bare-footed; and, with her long dark hair and exquisite strapless dress of dazzling white, not only seemed to imply that sexuality itself can make you a profound musician, but was a perfect visual complement to the sleek monochrome of a concert grand… [but] there’s more to her than meets the eye.” The male reader is clearly expected to get a stiffie trying to imagine what that might be. To help his imagination along, the piece is accompanied by a photo of the young lady in question reclining on her instrument in a pre-coital position with an unmistakable ‘come and get it’ expression on her face. The ‘monochrome’ piano is actually bright-red, a colour usually found not in concert halls but in dens of iniquity. Nowhere does the review mention the fact obvious to anyone with any taste for musical performance: the girl is so bad that she should indeed be playing in a brothel, rather than on the concert platform. Can you, in the wildest flight of fancy, imagine a reviewer talking in such terms about sublime women artists of the past, such as Myra Hess, Maria Yudina, Maria Grinberg, Clara Haskil, Marcelle Meyer, Marguerite Long, Kathleen Ferrier? Can you see any of them allowing themselves to be photographed in the style of “lads’ mags”? I can’t, which raises the inevitable question: what exactly has changed in the last say 70 years? The short answer is, just about everything. Concert organisers and impresarios, who used to be in the business because they loved music first and wanted to make a living second, now care about nothing but money. Critics, who used to have discernment and taste, now have nothing but greed and lust for popularity. The public… well, don’t get me started on that. The circle is vicious: because tasteless ignoramuses use every available medium to build up musical nonentities, nonentities is all we get. And because the musical nonentities have no artistic qualities to write about, the writing nonentities have to concentrate on the more jutting attractions, using a vocabulary typically found in “lads’ mags”. The adage “sex sells” used to be applied first to B-movies, then to B-novels, and now to real music. From “sex sells” it’s but a short distance to “only sex sells”. This distance has already been travelled - and we are all being sold short.
@imbok2 жыл бұрын
When I heard this performance, I ugly cried - hard. This stuff is magic.
@TheRealBrook1968 Жыл бұрын
Flawless clarinet solo. One of my favorite pieces and is the best opening I have ever heard in a live performance.
@sosenpott5445 Жыл бұрын
Der Klarinettist ist wirklich großartig, ganz im Gegensatz zu Khatia Buniatshili. Da gibt es niemanden, der oder die großartiger ist, als Yuja Wang. Ich bin verliebt in sie. The clarinettist is really great, in contrast to Khatia Buniatshili. There is no one more magnificent than Yuja Wang. I am in love with her.
@IsraelChaffin Жыл бұрын
Yes!!! Mmmmm. ^_^
@randyzaucha8745 Жыл бұрын
I abandoned clarinet to play keyboards.
@nattersting976 Жыл бұрын
If this doesn't make your neck hair quiver, you aren't alive.
@IsraelChaffin Жыл бұрын
@@randyzaucha8745 how's that experience been?
@SCRClasses4 ай бұрын
That is the best R in B I've heard in a long, long time. Perhaps EVER! Her playing is both spectacularly clean and brilliantly free. There is not a MOMENT where she hasn't made a strong, beautiful, thoughtful intensely MUSICAL choice.
@JohnCollins-th8hm7 ай бұрын
Ive said it before, and I’ll say it again, but watching a great performer onstage completely enjoying themselves is just the best. She is so fun to watch. And hairdo is just perfect!
@Fatdog-Dakind6 ай бұрын
...all this and she never missed a note and had the entire piece set to memory O M G !!! That is truly amazing! Piano Power! Band too!
@paladin17265 ай бұрын
She is as beautiful as beautiful gets. Yes, that hair when she’s playing is perfect
@davidphillips39253 ай бұрын
Yes, it is quite evident when this lady plays the piano it is all about her.
@observer323213 күн бұрын
Not only is her piano playing superb, but her appearance and performing style is sexy and erotic.
@lucashankins9425 Жыл бұрын
George never imagined this being played so well.
@johnalcorn8079 Жыл бұрын
George Gershwin wrote classics from Summertime to Rhapsody in Blue.He kept changing direction in music.He died at 38yrs old,who knows what he would have written.A Genius!
@IbanezArtist85 Жыл бұрын
And Summertime was even recorded by the Zombies (and done very well by them).
@sondrasmith2691 Жыл бұрын
He WAS true genius. I agree with you.
@invisibleink26445 ай бұрын
And Ira, too.
@robotaverage2 ай бұрын
If he'd lived long enough to get a Fender Strat in his hands he would have slayed like Hendrix.
@_..-.._..-.._17 күн бұрын
He’d have been a rap superstar, and lived large.
@patricksirmon6555 Жыл бұрын
The look she would give to the individuals during their solos was almost if they were performing it directly to her. ❤❤❤
@kcmichaelm Жыл бұрын
This was my favorite part!! It seemed a heartfelt acknowledgment of the back-and-forth which makes the piece so wonderful. It felt like each part playing off each other. This was the first time I’ve ever seen Bernstein’s production topped.
@Dave.Mustaine.Is.Genius8 ай бұрын
@@kcmichaelm me favourite part is her whole body :))
@lucashankins94257 ай бұрын
She is a temptress. I love the enthusiasm she brings to the orchestra. She makes eye contact to confirm the next movement is ready.
@lucashankins94256 ай бұрын
@@user-yl9fs8mj9q Is it a demand or flirt? Maybe both…
@N_Loco_Parenthesis4 күн бұрын
Sometimes the next movement isn't ready, needs another five minutes. 🤣
@bobsmachine618 Жыл бұрын
The look on her face seems to say "This is what all the hard work was for, and it was worth it.". All the musicians in this performance are exceptional.
@Frankincensedjb123 Жыл бұрын
It seems to say I'm a total histrionic
@haroldsmith8969 Жыл бұрын
Agree 100 percent
@pauljohnlongua4093 Жыл бұрын
Or...My farts don't stink. 😜
@sailorgeer2 жыл бұрын
What a fantastic performance! I love how Ms. Buniatishvili watches the other soloists and conductor so intently, truly playing with them as opposed to treating the orchestra as mere accompaniment. Bravo!
@MrPetrie2 жыл бұрын
Yes!
@chickencrapoperator2 жыл бұрын
Well put.
@georgescancan75032 жыл бұрын
Buniatishvili est vulgaire dans tout, dans son comportement sur la scène, dans son habillement dans la scène, dans son pianisme! C'est un produit pour divertir sexuellement la foule et gagner de l'argent pour le manager! Tout ce qu'elle dit est préparé et rendu par la grande équipe derrière elle! En France et en Europe, il existe des dizaines de pianistes de la plus haute classe, mais ils ne montreront pas leurs seins et d'autres parties du corps sur scène. Par conséquent, la route vers la scène est fermée pour eux! Nous pouvons dire avec une certitude absolue: dans le secteur du concert, la mafia est active et cette vidéo en est la preuve!
@gearsofsounds2 жыл бұрын
@@georgescancan7503 mort de rire à l’idée qu’une vraie personne en 2022 puisse encore faire un commentaire de vieux schnock de 1964. Si en plus vous trouvez que cette robe montre une poitrine indécemment c’est que vous avez un sacré problème, il faut rapidement consulter…
@celsodorneles4842 жыл бұрын
@@georgescancan7503 caro tenho que concordar convosco em partes, pois a música não precisa de tal postura apelativa. Mas também não se pode deixar de reconhecer o talento da moça.
@danoneill875110 ай бұрын
Holy crap. Statistically speaking, no one will ever do anything so well as that pianist in that performance.
@castlebound2010Ай бұрын
Talent, effort and motivation since the times of Mozart and even before so...
@user-vm8zm5nb3pАй бұрын
❤ 3:57
@jasonstarr64192 жыл бұрын
As a performer - professional for a period of my life - I know how important it is to be recognized for my/your contribution in a performance. Her attention to the principals and conductor for quite some time prior to taking her own bow shows that she not only has tremendous talent, but also has enough humility and appreciation for others that she recognized them first. Brilliant performance, tremendous humanity.
@mariodisarli10222 жыл бұрын
@vibratingstring International Association of Theatre Critics (Hong Kong) 31.03.2016 ..... One may say that it is important for musicians to have a unique musical style and personality, but is it even acceptable to interpret the pieces like what Buniatishvili did? Buniatishvili is intoxicated by being virtuosic and often forgets what is behind the music. One should have faith in his or her own interpretation, but he or she should also re-think whether he or she is doing justice to the music or not. In addition, technique is much more than playing the notes accurately and rapidly. Technique refers to the total mastery of the keyboard. Yet, at times Buniatishvili’s playing lost control, no matter use of pedal, or tone production. Virtuosity does not necessarily mean speed and volume. In order to become a mature artist with individuality, Buniatishvili has to reflect on her musical approach and attitude towards music making.
@georgescancan75032 жыл бұрын
What words, dear "bloodgrss", how many emotions! Did I step on your foot, respected businessman who sells half-naked, barefoot, busty whiskey drinkers who call themselves "pianists"?! Owning a piano keyboard is not yet an art, it is a craft! Therefore, your "pianists" attract the attention of an uneducated audience with their half-naked body, bare feet and other tricks. As their bodies age, these "pianists" will disappear! Together with them, you will disappear, dear "bloodgrss"! And we will all say goodbye to you: Ciao, baby!!! With your propaganda of the "attractive young half-naked body" you block the way to the stage for really talented people. Your place is the garbage pit of history!
@mariodisarli10222 жыл бұрын
@vibratingstring Dear, you have a flat mind! You are here because they give you a young vigorous body, classical music does not play any role for you.
@Vodichka92 жыл бұрын
@vibratingstring The hatred is insane and Talibanesque.
@georgescancan75032 жыл бұрын
@@Vodichka9 Fake Appellation Fake Appellation vor 4 Stunden @Georges Can can You're the proverbial swine gazing at pearls. One wonders how little shame you have in publicly exposing yourself. Georges Cancan Georges Cancan vor 3 Minuten (bearbeitet) @Fake Appellation You are deeply mistaken if you think classical music is meant to boost testosterone levels in your aging body! This "lady" shamelessly sells her body, she successfully sells her body in her other videos. It is precisely such "lovers of classical music" as you, dear sir, who destroy classical music by writing sweet comments. It is these "lovers of classical music" who drool and snot at the sight of the "fresh body" of a pianist! kzbin.info/www/bejne/jHO9mYNplrWUhLc
@fporretto2 жыл бұрын
“Rhapsody in Blue” is the clearest, highest, strongest shout of joy in American music. It’s impossible to play it decently unless you love it - and Khatia Buniatishvili clearly does. This performance combines exuberance and precision in perfect proportion. Bravo!
@bruceatkinson53572 жыл бұрын
Quite decently!
@SchwarzeWitwe22 жыл бұрын
I saw a youtube comment years ago that called it a "brilliant piece of British music." Excuse me?!
@fporretto2 жыл бұрын
@@SchwarzeWitwe2 *_HUH??_*
@SchwarzeWitwe22 жыл бұрын
@@fporretto some fool thought it was British, which blew my mind.
@fporretto2 жыл бұрын
@@SchwarzeWitwe2 Well, it blew mine, too! I suppose I should just relax and chuckle over the mistake -- but can you imagine if some American were to refer to the marches of Elgar as _American_ music? It would be the War of 1812 all over again! The British would invade and burn down Washington D.C. again...though come to think of it, that doesn't sound so bad just now...😉
@toms2494Ай бұрын
Just think the Orchestra is reading the music and Khatia is playing by memory, she is fantastic.
@jimwalker5412 Жыл бұрын
I'm 75 yoa my Father passed away when I was 12 yoa RIB was his favorite piece of music, this just brought me to tears, Love you Dad
@unclemarkmark Жыл бұрын
Khatia obviously dropped down from heaven to play this.
@vacancywithin5 ай бұрын
She could have dropped by to see me, but she chose this instead. 😢
@mysterj15 ай бұрын
Whew. Stunning performance by a stunning woman.
@hanszimmer8801 Жыл бұрын
This is the greatest performance of Rhapsody in Blue I've ever heard. Absolutely formidable and overwhelming. I love it 💙
@thomassicard3733 Жыл бұрын
All the fast notes are SO FAST that you can't even hear them!! WONDERFUL!! Right??????
@wchambers384911 ай бұрын
You should listen to Leonard Bernstein’s performance. The best I’ve ever heard!
@kevinmalone32107 ай бұрын
@@wchambers3849I agree, Bernstein performance was unmatched. She's very good, but her style isn't on par with the way he played it.
@Dbean486 ай бұрын
Totally agree, Gershwin would approve of this performance..above and beyond any before..😎🇺🇸
@craighill18825 ай бұрын
Bernstein was an overrated pretty boy, loved by the critics and no one else.
@jazluvr992 ай бұрын
To say that I am blown away by this performance would be a gross understatement. Beauty, style, elegance, God-given talent, flawless technique - and that extra special flair for the dramatic - Khatia is beyond compare. Oh, I almost forgot that incredible orchestra! 😉 Wonderful performance of this timeless classic.
@user-yl9fs8mj9qАй бұрын
I know very well who you are !!!!!
@manyplanets2 ай бұрын
Playing with Khatia is like playing with the composer of all her pieces. She represents them. She embodies the soul of every piece she plays and she can play anything. And she revives these pieces for the audience and her fellow players who I can imagine love playing with her more than anything. She is a performer but also a channeler.
@dxdxdkino1583 Жыл бұрын
Khatia Buniatishvili, the orchestra, the conductor, the sound team, the camerawork... Everything is on point. Beautiful performance
@mitchmatthews67132 жыл бұрын
Those little eye flirts she does with clarinetist shows that she is truly enjoying this. She is also incredibly talented!
@derkmanley32202 ай бұрын
Valerie you are absolutely right!! Well put. I have a terrible time going to sleep every night. Classical Music, especially the Way in which Khatia plays it, blesses me every night!!
@nnaHume2 ай бұрын
Эта девушка восхитительна!!!!! Просто глаз не оторвать от игры и ее эмоций!!!❤
@user-yl9fs8mj9qАй бұрын
I don't agree with you
@melvynemanuel4396 Жыл бұрын
Her timing is impeccable. Brings a lump to my throat. Watching her is like a beautiful, beautiful dream. I am emotionally overcome. I'm so glad I'm alive to here her play.
@warbuzzard716710 ай бұрын
To see such people so connected to the music is a great inspiration!
@comfyathome9 ай бұрын
Spell-check "here"!
@melvynemanuel43969 ай бұрын
a typo no doubt.@@comfyathome
@dariuszm.d.4360 Жыл бұрын
Probably the best 17 minutes of my life.... again and again and again.
@raquelcastro457 Жыл бұрын
Super magnífico, super magistral y super hermosísimooooooo
@gregs2466Ай бұрын
I have always loved this piece but I have never heard it played so well. The pianist blew my socks off and her emotions playing perfectly were something I will never forgot. The entire orchestra and the individual musicians were perfect. Wow!!
@lucashankins9425 Жыл бұрын
In my opinion, the best interpretation of RIB. The tone and tempo of the conductor multiplied by the passion on the piano. The best I have ever seen. It’s a definite standing ovation.
@mariajosesanpaiosousafonse29048 ай бұрын
1 22
@mariajosesanpaiosousafonse29048 ай бұрын
The best interpretation I have heard of RIB
@larumpole Жыл бұрын
I grew up with Leonard Bernstein’s 1976 performance of Rhapsody in Blue at the Royal Albert Hall in 1976 (search for it on KZbin), and that was, to me, the definitive rendition - I could neither appreciate nor enjoy the slightest deviation from Bernstein’s authoritative cadence and his orchestration. Khatia Buniatishvili’s spirited and sympathetic performance now challenges my mindset; I am open to two fantastic renditions of Gershwin’s masterpiece. Bravo Ms. Buniatishvili! Gershwin would adore your interpretation and style, and Leonard would truly respect and appreciate the competition.
@semajtee Жыл бұрын
I agree with you 100%
@katz7life Жыл бұрын
I also have that one performance in 1979 as THE one. Then I listened to this one. My life is infinitely better and richer, with no exaggeration.
@TheMorphrick11 ай бұрын
I still prefer the Bernstein one, but this is my second favorite
@robertcraven177110 ай бұрын
I’d never have thought anyone would give Bernstein a run for his money. I stand corrected.
@guybo079 ай бұрын
I so want to find it on KZbin & see & hear it!! 😮
@hlpimcnfsdl97152 жыл бұрын
khatia is everywhere. Speaking language after language. Relatively young. At the top of her game. Playing globally. The world at her feet. The comment section full of praise. Can you imagine how that must feel? And yet, watching her I get the feelng she's holding it all together. With style, with grace, and with a whole lot of passion and talent. She is a gem.
@francescolaface1922 жыл бұрын
Katia.e' una pianista.versatile e irraggiungibile. Complimenti.
@MusicAdmirer Жыл бұрын
I love that she's acknowledging the orchestral musicians.
@sosenpott5445 Жыл бұрын
Please listen to and watch Yuja Wang. Everything you say about Khatia applies to her.
@hlpimcnfsdl9715 Жыл бұрын
Yuja wang is a force of nature. I have watched her. She's an experience all to herself.
@user-jw5tw2gs6d7 ай бұрын
Это чудно, великолепно! Все великолепны: и оркестр и Хатия шикарна во всём: в исполнении, в эмоциях!!!! А какое вступление !!! Как красиво!!!! Не хватает слов, чтоб выразить насколь ко это гениал ьно!!!
@MrWphilips5 ай бұрын
Khatia is a superstar! Incredible musicianship and brilliant personality! She brings this masterpiece to emotional life! Wonderful!
@Bustafunny2 жыл бұрын
That was the jazziest, bluesiest arrangement of Rhapsody In Blue I've ever heard. Music at it's absolute finest!
@ellenmarch30952 жыл бұрын
Well, it was the arrangement Gershwin wrote, so... Not knocking anyone's talent, this was a great performance to be sure, but I've only ever heard one arrangement, both playing in orchestra and a piano solo version that had all parts on the same keyboard. Every note is in order, the only thing you can really play with is tempo.
@ellenmarch30952 жыл бұрын
Just saying Gershwin is a genius.
@MottiShneor2 жыл бұрын
No it isn't. Sorry.
@silvergirl7810 Жыл бұрын
I agree- that intro - wow- the sexiest intro to this song I’ve ever heard!
@davidelongo6438 Жыл бұрын
Your statement clearly proves you know literally nothing about Jazz and Blues, of course. Please, do you a favour, and go to listen to the Rhapsody as conducted by Maurice Peress in 1987.
@TTony-tu6dm2 жыл бұрын
Possibly the greatest piece of American music ever composed. And she blows it away. Bravo!
@godly746 ай бұрын
100 years of Rhapsody in Blue! It's still as good as the first time I heard it.
@larrycurrid862611 ай бұрын
Oh my God! Astounding. What a magnificent performance. No one writes music like this anymore.
@Dave.Mustaine.Is.Genius11 ай бұрын
Peter Gundry, Adrian Von Ziegler, Hans Zimmer, Ye Banished Privateers. Pyrolysis, Stormfrun, Burzum, Sleep Dealer, Steve Wilson, Joe Satriani, Death and Megadeth does.
@vernacular148310 ай бұрын
Maybe you’re just looking in the wrong places 😊
@Dave.Mustaine.Is.Genius10 ай бұрын
@@vernacular1483 :D Whole bodies of women are great and hof
@werideatdusk5 ай бұрын
Megadeth???
@lalva5798 Жыл бұрын
If you’re not blown away by this version of Gershwin’s Rhapsody in Blue, then you probably don’t have a pulse. Sometimes it’s difficult to articulate into words how something can make you feel. The emotions that it provokes, and what the creator of such a masterpiece was thinking at the time. Absolutely Keeping this video in my favourites file 🥰
@stevensaunders1580 Жыл бұрын
Agreed, I play this at least weekly.
@lescobrandon3047 Жыл бұрын
I’m 82 years old in Manhattan and this version is the best I’ve heard. Khatia is the difference.
@lalva5798 Жыл бұрын
@@joeybloey3631 true, or no taste at all
@lalva5798 Жыл бұрын
@@joeybloey3631 I’ve been teaching music theory and music appreciation at the University level for 21 years. I’d beg to differ if you’ve ever seen my music library which spans the globe. Please place your nose elsewhere
@c.a.savage5689 Жыл бұрын
Enough already. Anyone who doesn't like Gershwin is hardly likely to have searched out the video. Much less leave equivocal comments about who has taste and who doesn't. I would heartily agree with L Alva that this particular piece played by this pianist with this orchestra is UNIVERSAL in its appeal.
@dontheshark Жыл бұрын
Love watching her enjoyment of performing and her respect for the orchestra while they were playing. Her smiling throughout was wonderful.
@rickandosca82627 ай бұрын
YES!
@bradzoltick64657 ай бұрын
The best performance of Rhapsody in Blue - ever! Wonderful playing. Just beautiful.
@KnoxBronsonАй бұрын
Best performance of Rhapsody In Blue I've ever heard.
@007JHS2 жыл бұрын
Love that opening clarinet.
@TheMarpalm2 жыл бұрын
This is the original kzbin.info/www/bejne/jHLYhaKrd82Ba80
@007JHS2 жыл бұрын
@@TheMarpalm Many thanks...I'd seen that too... For 1945 was it....The sound recording was great... as was the Art Deco style set and photography
@DonnaMcMasterRiver2 жыл бұрын
That is a really tough solo! And he did it perfectly. 😍
@Kamadev8882 жыл бұрын
Called a "glissando", the clarinetist has to stretch a single low note from the bottom of his low register up and into a high note in his highest register. takes YEARS of practice. (thank you Jennifer)
@m.f.9122 жыл бұрын
Clarinet in the jewish music culture is a super classic. Gershwin as a jew had huge influences from hassidic jewish music from eastern europe. KLEIZMER music, if you love clarinet, may amaze you.
@meteor2012able5 ай бұрын
I am 91 yo, I first heard this in a movie when I was a teenager. I was smitten by the composition and never stopped being amazed ...😢 at how impactful it is. Great performance!!!❤❤❤
@RandysFiftySevenChevy5 ай бұрын
United Airlines used it their advertising, and that's where I first was exposed to this beautiful tune.
@TKn-dq8kp4 ай бұрын
I am 91 as well and saw this movie after we were liberated in The Netherlands. This movie music never left me until now, unfortunately there was no Kathia then. What an artist! What a beauty!. Great experience whenever I play it and great memories. Thank you!
@1867DJP4 ай бұрын
What movie?
@TKn-dq8kp4 ай бұрын
@@1867DJP As far as I can remember the name of themovie had something to do with the rhapsody but even as I remembered the music I am not sure about the movie's name, it is almost 75 years ago
@1867DJP4 ай бұрын
@@TKn-dq8kp Maybe an American in Paris
@Chicken_Consumer Жыл бұрын
A part of my soul disintegrates every time an unskipable ad interrupts this performance
@paulychannel7914 Жыл бұрын
Then pay for an ad free subscription ! ..... You won't regret that ......
@johndymond160511 ай бұрын
This must be one of the most beautiful pieces of music ever written❤
@debracarnow947510 ай бұрын
I agree.
@user-hz2kn3nv3z3 ай бұрын
I've watched this video 10 times, it never gets old! Khatia is just fantastic! So talented, no sheet music, so fast her fingers blur! She crosses her hands, how do you do that! Her expressions are just as interesting to watch, you can tell she is enjoying herself performing RIB, and she cues the rest of the orchestra with just a look. The orchestra is fantastic, and I agree the sound and video people captured the performance perfectly. What a blessing to run across this on U-tube.
@user-yl9fs8mj9qАй бұрын
?????????
@chinet952 жыл бұрын
At 81 years old, I've seen and heard a lot of great renditions of "Rhapsody." This ranks with the greats.
@BradWieland2 жыл бұрын
@vibratingstring :: Do you know who the clarinetist is? Fantastic indeed...
@kennetw422 жыл бұрын
I'm 85 this month so I say "Ditto"
@odilecadiou182 жыл бұрын
@@kennetw42 I am 78 ! Sublime she is !!!!
@odilecadiou182 жыл бұрын
He is fabulous ! what a joy !!!
@georgescancan75032 жыл бұрын
Alexander Boot Writer, critic, polemicist Sex sells - all of us short The other day I listened to something or other on KZbin, and a link to Chopin’s Fourth Ballade performed by the Georgian pianist Khatia Buniatishvili came up. The link was accompanied by a close-up publicity photo of the musician: sloe bedroom eyes, sensual semi-open lips suggesting a delight that’s still illegal in Alabama, naked shoulders hinting at the similarly nude rest of her body regrettably out of shot… Let me see where my wife is… Good, she isn’t looking over my shoulder, so I can admit to you that the picture got me excited in ways one doesn’t normally associate with Chopin’s Fourth Ballade or for that matter any other classical composition this side of Wagner or perhaps Ravel’s Bolero. Searching for a more traditional musical rapture I clicked on the actual clip and alas found it anticlimactic, as it were. Khatia’s playing, though competent, is as undeniably so-what as her voluptuous figure undeniably isn’t. (Yes, I know the photograph I mentioned doesn’t show much of her figure apart from the luscious shoulders but, the prurient side of my nature piqued, I did a bit of a web crawl.) Just for the hell of it I looked at the publicity shots of other currently active female musicians, such as Yuja Wang, Joanna MacGregor, Nicola Bendetti, Alison Balsom (nicknamed ‘crumpet with a trumpet’, her promos more often suggest ‘a strumpet with a trumpet’ instead), Anne-Sophie Mutter and a few others. They didn’t disappoint the Peeping Tom lurking under my aging surface. Just about all the photographs showed the ladies in various stages of undress, in bed, lying in suggestive poses on top of the piano, playing in frocks (if any) open to the coccyx in the back and/or to the navel up front. This is one thing these musicians have in common. The other is that none of them is all that good at her day job and some, such as Wang, are truly awful. Yet this doesn’t really matter either to them or to the public or, most important, to those who form the public tastes by writing about music and musicians. Thus, for example, a tabloid pundit expressing his heartfelt regret that Nicola Benedetti “won’t be posing for the lads’ mags anytime soon. Pity, because she looks fit as a fiddle…” Geddit? She’s a violinist, which is to say fiddler - well, you do get it. “But Nicola doesn’t always take the bonniest photo,” continues the writer, “she’s beaky in pics sometimes, which is weird because in the flesh she’s an absolute knock-out. “The classical musician is wearing skinny jeans which show off her long legs. She’s also busty with a washboard flat tummy, tottering around 5ft 10in in her Dune platform wedges.” How well does she play the violin though? No one cares. Not even critics writing for our broadsheets, who don’t mind talking about musicians in terms normally reserved for pole dancers. Thus for instance runs a review of a piano recital at Queen Elizabeth Hall, one of London’s top concert venues: “She is the most photogenic of players: young, pretty, bare-footed; and, with her long dark hair and exquisite strapless dress of dazzling white, not only seemed to imply that sexuality itself can make you a profound musician, but was a perfect visual complement to the sleek monochrome of a concert grand… [but] there’s more to her than meets the eye.” The male reader is clearly expected to get a stiffie trying to imagine what that might be. To help his imagination along, the piece is accompanied by a photo of the young lady in question reclining on her instrument in a pre-coital position with an unmistakable ‘come and get it’ expression on her face. The ‘monochrome’ piano is actually bright-red, a colour usually found not in concert halls but in dens of iniquity. Nowhere does the review mention the fact obvious to anyone with any taste for musical performance: the girl is so bad that she should indeed be playing in a brothel, rather than on the concert platform. Can you, in the wildest flight of fancy, imagine a reviewer talking in such terms about sublime women artists of the past, such as Myra Hess, Maria Yudina, Maria Grinberg, Clara Haskil, Marcelle Meyer, Marguerite Long, Kathleen Ferrier? Can you see any of them allowing themselves to be photographed in the style of “lads’ mags”? I can’t, which raises the inevitable question: what exactly has changed in the last say 70 years? The short answer is, just about everything. Concert organisers and impresarios, who used to be in the business becau ...
@ShockzG5 Жыл бұрын
The best clarinet solo I’ve heard of this piece. Laid back af man just how it was meant to be
@silvergirl7810 Жыл бұрын
Right? That was THE sexiest intro to this song I’ve ever heard- I was happily hanging on every note
@juligrlee5566 ай бұрын
Thank you Khatia for everything you have invested in your music. It's heavenly.
@par72golfer11 ай бұрын
Khatia is a rhapsody in and of herself. No one can play this incredible music like she does.
@dawnnoele Жыл бұрын
I love love love how she thanked the conductor and the orchestra before she took her bows. That shows incredible humility and respect. This is the first time I've watched her play, but I'm definitely gonna look for more. She's incredible. 💕💕💕
@paulware4701 Жыл бұрын
Likewise!
@kevinmeachem2138 Жыл бұрын
Also noted the way she listened to and showed appreciation for the clarinet solo before giving her tremendous performance. Team effort.
@leastcoast56069 ай бұрын
@@user-yl9fs8mj9qJerk.
@walterweckers7712 жыл бұрын
Artistry aside, what fascinates me in this is how Khatia enjoys the interaction with the orchestra. She's having FUN.
@juanrabanales49335 ай бұрын
Man of culture, we meet again. 🥸
@krisc.24789 ай бұрын
This has been my favorite musical piece for 60 years
@Qplus-tc5hh3 ай бұрын
47 years for me. Found it in the 5th grade at 10 years old.
@billsimpson6042 жыл бұрын
If people are still around in a hundred thousand years, they will still be listening to that piece. And it won't be better than that performance. Gershwin attained immortality with that work. Khatia played it perfectly.
@liberalwithguns5265 Жыл бұрын
Well said sir! And so true
@timford3599 Жыл бұрын
Thank you, Bill. We are of the same mind in appreciation of this wonderful performance of ALL involved.
@djecoed Жыл бұрын
I never comment on KZbin videos. I always feel like it’s an exercise in self indulgence (no offense; we all want to be heard). But I feel that this performance and this recording compels comment. This is astonishing. The composition is amazing. The performances superlative. This is the first video I’ve seen of Ms Buniatishvilli And it is… A revelation. Her technical skill, her characterizations, her expressions, the way she engages the orchestra… Even her hair is perfect. And lest we forget, the camera work, the editing, hours of behind-the-seens* toil that we dismiss or ignore or simply never consider but are yet critical to this end…. There are times I witness something that leave me stunned at what my brethren and sestren** can accomplish and this is one of them. If you have read this far, thank you for hearing me. I’m an old man. Please do not judge me harshly. *no I don’t didn’t misspell that ** = sisters; I crafted this word. You are invited to use it with attribution. How’s THAT for self indulgence?
@etiennecfourie777 Жыл бұрын
Thank you kindly Sir. I shall use it on the very best next occasion with due credit. Lol!!
@djecoed Жыл бұрын
@@etiennecfourie777 Haa ha ha ha ha ha haaaa I am flattered, sir.
@S0ulinth3machin3 Жыл бұрын
you should comment more often. It was worth reading.
@djecoed Жыл бұрын
@@S0ulinth3machin3 I am very flattered
@radkokosoTT Жыл бұрын
Well written!!
@blissbombseventeen8114 Жыл бұрын
This retired dancer/ choreographer just wants to get back up again listening and watching the pure mastery and magic weaved by Khatia! Love the orchestra, conductor and gosh those rhythms!
@tjmcguire9417 Жыл бұрын
People forget. A piano, played with verve vigour and talent is an entire orchestra in and of itself. I have played this. In my day I was Royal Conservatory ARTCM. So wonderful to see talented young folks like her carry on. I watch closely. She has superb right hand articulation. From allegro to sotto voce; she is quite accomplished. She knows the voices. Plainly. Lovely artist. Sometimes... her pace is too fast. Not by much. Just her adrenalin speaking I expect. Just the fact it can be seen by a worldwide audience on KZbin is important. Carry on Khatia. You do all dedicated pianists proud. We all know the dedication it takes.
@TheMorphrick11 ай бұрын
Exactly my thoughts. In some parts might be slightly rushed, but the passion she expresses, compenses by far any technicality. Awesome performance!
@pymarathon11 ай бұрын
To be fair, if you go by the Piano Rolls Gershwin made of this isn't basically everyone just dragging compared to him? I remember those sounding WAY more rushed.
@kezilkka2 жыл бұрын
Who would not love Khatia?
@randysandford4033 Жыл бұрын
Not only was the music SUPERB but watching her facials as she played without a single note in front of her, just straight from the heart, is what made this particular "Rhapsody" soar above all the others. BRAVO!
@robbyrtg1147 Жыл бұрын
I cannot express how upset I am that I wasn't able to see this performance live. Don't let them release time machines! Favorite composition ever, favorite performance ever. Nothing compares to this level of musicianship. Anyone can play what's on the score but these people made it way much more than what was on the paper. Hearing them/Khatia play live is now on my bucket list!
@DavidBFreedman8 ай бұрын
I doubt that we could see all her facial expressions sitting in the audience. This might be better?
@stephenburnage76875 ай бұрын
Gosh, if we had a time machine, to visit the best performances of all time....that would be a long list..
@victorvillatoro72417 ай бұрын
This is brilliant. From the expressiveness of the orchestra, to the sound production, to the camera work. Bravo.
@rortlieb Жыл бұрын
This is one of the greatest compositions in history and this is the best performance I’ve heard. BRAVISSIMO!!!
@jimrosenthal12282 жыл бұрын
Hers is one of the best interpretations of Rhapsody that I have ever heard- clear, articulate, and it even SWINGS!!! People forget how much Gershwin was influenced by jazz artists, and the high regard that some of them had for Gershwin (Art Tatum, for one) This was a delight to hear, from beginning to end. And a shout out to the sound engineers who recorded this performance- they did an outstanding job.
@stevedoe16302 жыл бұрын
Sounds good even on _my_ headphones… high quality orchestra, pianist, recording, audio engineers… the whole kit and kaboodle.
@sebastian-benedictflore2 жыл бұрын
Indeed, a change from the audio of the most recent van cliburn first round or chopin competition, for example
@mike975252 жыл бұрын
All from memory😉😉
@agneslefevre16562 жыл бұрын
exactement, j'ai vu un film, les personnages, tour à tour danser, les musiciens eux même semblaient danser. Puis la romance doucement se dessine, les émotions montent jusqu'à l'explosion, explosion des sens, la montée en puissance n'est pas sans évoquer le Sacre du printemps, le tout très jazzy. On my opinion
@petergals44512 жыл бұрын
For me it is clear she enjoys to the bones that so "jazzy" sections of this master pieces. Eyes totally closed at the most part of her interpretation, simply power and masterful!!
@derinmenekse6774 Жыл бұрын
She is AMAZING, the orchestra is AMAZING everything is fabulous about this video ❤️🫶🏽🫶🏽🫶🏽🫶🏽🧿
@user-mr8br7tx2f Жыл бұрын
I am 61 years old Brazilian Professor and love this Gershwin composition! Fantastic interpretation!
@diegoforesti4726 Жыл бұрын
Sono passati quasi cento anni dalla prima esecuzione di questo capolavoro e risentendolo oggi è più fresco e vitale che mai!!! Caposaldo del Novecento di un genio assoluto che ci ha lasciato troppo presto. Chissà cosa avrebbe potuto scrivere ancora se fosse vissuto più a lungo. Grazie George!!!!
@davelester1985 Жыл бұрын
That piano had great tone, most wonderful sound, and when loud in upper register ....such warmth.
@bartram335 ай бұрын
From someone who doesn’t have a musical note in his body, I’ve said it before and I’ll say it again, musicians are born not made. That was breathtaking, both Khatia and the orchestra!
@charlesfoleysr661028 күн бұрын
The first time I remember hearing this melody, I was about 5 years old. It was night and we were coming home from a long tiring, but satisfying Sunday afternoon car ride. It was 1955. Only my dad and I were awake watching the blacktop unwind in the headlights. The rest of the family slumbered peacefully. Dad had the radio station tuned to big band music. The Rhapsody in Blue, the clarinet opening. As the music unfolded, I was entranced. My dad only spoke to explain the picture each section of this symphony was painting in it's melodic flow. I was swept away. My 5 year old imagination sketching the crowds, cars and trucks in the orchestrated into the panoramic portrait as it of this huge dirty busting metropolis. The music let me see it all unfolding as the highway rolled away beneath us. That car ride with just my father and I awake, fondly comes back to my mind every time I hear this melody is played. Beautifully memories, just beautiful. A better time for sure. ❤
@NyteNArmor Жыл бұрын
This Gershwin piece and this performance of it has it all. It's blusey, jazzy, classical and sexy. I've watched it several times. It's simple amazing.
@johnnyxmusic6 ай бұрын
I mean at times it’s corny, and hackneyed, and over the top and a bit cartoony… But it never stops being brilliant. I adore it. ❤❤❤
@aneyeinthesky7193 Жыл бұрын
Fantastique!! She does not play the music, SHE IS THE MUSIC!! her hands do not touch the piano, they joyfully dance with a piano full of sounds coming out. All the musicians are outstanding and she is the soloist.
@manleyhall536810 ай бұрын
This one of my best loved music compositions. This lady has to be one if the greatest performers of RHAPSODY IN BLUE,!!
@franciscojunqueira10 ай бұрын
I'm AMAZED how she talks and swings with the orchestra.... she is INCREDIBLE and they are FANTASTIC!
@ratking_c242 жыл бұрын
Her playing is gorgeous but can we also mention the cinematography!! The cuts and angles make you feel as if you’re in a busy city and it fits sooo good with the music!!
@redskindan782 жыл бұрын
Yes! It feels like Manhattan, and I can imagine people in the 1930s, wearing tuxedos and drinking champagne.
@reddyandre2 жыл бұрын
Amazing camera work, AND amazing EDITING.
@valerie_handani_pianist2 жыл бұрын
I couldn't agree more. I drown in admiration while watching this amazing music video!
@stephaniestanley80412 жыл бұрын
Yes the editing made this a living, breathing performance!
@bruceatkinson53572 жыл бұрын
Hearing is enough for me.
@DariusSarrafi2 жыл бұрын
She totally gets jazz. It's always nice to hear someone of her caliber and passion play this piece!
@MarceloCanelas-mc1my3 ай бұрын
Khatia is indeed the best pianists today. Exceptional performance.
@DanielDaniel1 Жыл бұрын
My absolute favorite section is song E, the romance theme from 11:04 to about 14:00. It’s just achingly beautiful. The French horn medley being traded to Khatia, and the big band effect overall is just incredible
@Siddiquemilan Жыл бұрын
Mine too.
@GT-bz9nc7 ай бұрын
You are so right - total bliss on this section.
@edvett75962 ай бұрын
Yes, sublime!
@steveburke39232 жыл бұрын
This is a lady with mischief in her heart! Her looks to the musicians as they answer her magnificent playing bring a smile to my face. And her playing...OHH..her playing...is as breathtaking as her beauty!
@dxwallace552 жыл бұрын
Our band teacher in high school once told me "You like the sound of the band more than your own instrument". I think some people like the "whole" more than the "parts"
@philipdavidson8420 Жыл бұрын
Both good-looking and talented, yes. I believe the scientific term is " hot chick" 😉
@Remshmuck Жыл бұрын
@@philipdavidson8420 super duper
@philipdavidson8420 Жыл бұрын
@@Remshmuck YESSS 😃
@rossdennis56942 жыл бұрын
I never grew up with Classical Music - parents were into the crooners (Bing, Val Doonican, Sinatra) with one exception, my father could play Rhapsody in Blue on piano in full and occasionally did at home, despite him having no association with orchestra's or other in his working/social life since I grew up - Used to be the 'piano man'' at dance halls/clubs in his youth playing all the latest hit songs. But I did tear up, listening to Khatia's rendition of this, as it so strongly reminds me of my father who passed away in 1986. She is brilliant and it is a magical composition !
@georgescancan75032 жыл бұрын
I shed tears reading your biography of a "true connoisseur of classical music"! But I burst out laughing. Reveal to us the secrets of your delight, what exactly is in this work, what part of it do you like. Listen to this work performed by two more oriental women, their names are Lola Astanova and Yuya Wang. I am sure that you will lose your peace forever! kzbin.info/www/bejne/fKHWnKhnidyEbac
@rossdennis56942 жыл бұрын
@@jennifer86010 I happily stand corrected on the musical genre...but the emotional resonance remains.
@georgescancan75032 жыл бұрын
@@jennifer86010 Who is Yuja? Product PR and show industry! Absolutely ordinary pianist, pulled onto the stage by mafia structures for the sexual entertainment of snotty youths and old libertines! Her videos and interviews multiply at the rate of cholera spread! She filled the entire Internet with her "art" consisting of a half-naked body. We must finally say: enough !!! The Classical Review Wang’s powerful virtuosity stronger on flash than depth in Boston recital May 13, 2018 By Aaron Keebaugh Yuja Wang performed Friday night at Jordan Hall for the Celebrity Series. Photo: Robert Torres ... There is no doubting Yuja Wang’s technique at the keyboard. The Chinese-born pianist is capable of unleashing torrents of octave runs, and her left-hand figures supply an almost orchestral sense of depth and gravity to her sound. She clearly shapes every phrase, and her notes resonate with a ping. ... Still, there were times Friday night when one wondered if Wang only saw some of this music as just showpieces for her mesmerizing technical skill. Her selections of Rachmaninoff Preludes and Études-tableaux, though played deftly, didn’t always flower with the vocal quality so integral to the composer’s style. Wang takes a full-bodied approach to Rachmaninoff, and she renders his textures in multi-dimensional shapes. In the Prelude in G minor, Op. 23, No. 5, her strong left hand figures tethered the march rhythms to the ground. The Prelude in B minor, Op. 32, No. 10 unfolded in Debussyian washes of color. In the Étude-tableau in E-flat minor, Op. 39, No. 5, Wang’s harmonies and bass lines crashed together in blistering clusters. But in each, Rachmaninoff sense of sweeping grandeur went largely unexplored. Three of Ligeti’s Etudes, which filled out the program, were similarly muscular but lacking in probing musicality. Wang’s running chromatic figures blurred into a fog in Etude No. 9, “Vertige,” and in Etude No. 1, “Désordre,” churning Bartókian rhythms propelled the music ever forward. In Etude No. 3, “Touches bloquées,” Wang’s performance needed more of the intimacy that this music requires. Though Wang played the work quickly-as marked-the Etude’s halo-like harmonics, caused by the pianist keeping some of the keys depressed with the left hand while punching out syncopated figures with the right, failed to shimmer. Ligeti incorporated difficult passages into these works not as vehicles for showboating but to create ethereal musical tapestries. And throughout, it seemed as if Wang was playing Ligeti’s notes, not Ligeti’s music. ... The program will be repeated 8 p.m. Thursday night at Carnegie Hall in New York.
@georgescancan75032 жыл бұрын
@@jennifer86010 Alexander Boot Writer, critic, polemicist Sex sells - all of us short The other day I listened to something or other on KZbin, and a link to Chopin’s Fourth Ballade performed by the Georgian pianist Khatia Buniatishvili came up. The link was accompanied by a close-up publicity photo of the musician: sloe bedroom eyes, sensual semi-open lips suggesting a delight that’s still illegal in Alabama, naked shoulders hinting at the similarly nude rest of her body regrettably out of shot… Let me see where my wife is… Good, she isn’t looking over my shoulder, so I can admit to you that the picture got me excited in ways one doesn’t normally associate with Chopin’s Fourth Ballade or for that matter any other classical composition this side of Wagner or perhaps Ravel’s Bolero. Searching for a more traditional musical rapture I clicked on the actual clip and alas found it anticlimactic, as it were. Khatia’s playing, though competent, is as undeniably so-what as her voluptuous figure undeniably isn’t. (Yes, I know the photograph I mentioned doesn’t show much of her figure apart from the luscious shoulders but, the prurient side of my nature piqued, I did a bit of a web crawl.) Just for the hell of it I looked at the publicity shots of other currently active female musicians, such as Yuja Wang, Joanna MacGregor, Nicola Bendetti, Alison Balsom (nicknamed ‘crumpet with a trumpet’, her promos more often suggest ‘a strumpet with a trumpet’ instead), Anne-Sophie Mutter and a few others. They didn’t disappoint the Peeping Tom lurking under my aging surface. Just about all the photographs showed the ladies in various stages of undress, in bed, lying in suggestive poses on top of the piano, playing in frocks (if any) open to the coccyx in the back and/or to the navel up front. This is one thing these musicians have in common. The other is that none of them is all that good at her day job and some, such as Wang, are truly awful. Yet this doesn’t really matter either to them or to the public or, most important, to those who form the public tastes by writing about music and musicians. Thus, for example, a tabloid pundit expressing his heartfelt regret that Nicola Benedetti “won’t be posing for the lads’ mags anytime soon. Pity, because she looks fit as a fiddle…” Geddit? She’s a violinist, which is to say fiddler - well, you do get it. “But Nicola doesn’t always take the bonniest photo,” continues the writer, “she’s beaky in pics sometimes, which is weird because in the flesh she’s an absolute knock-out. “The classical musician is wearing skinny jeans which show off her long legs. She’s also busty with a washboard flat tummy, tottering around 5ft 10in in her Dune platform wedges.” How well does she play the violin though? No one cares. Not even critics writing for our broadsheets, who don’t mind talking about musicians in terms normally reserved for pole dancers. Thus for instance runs a review of a piano recital at Queen Elizabeth Hall, one of London’s top concert venues: “She is the most photogenic of players: young, pretty, bare-footed; and, with her long dark hair and exquisite strapless dress of dazzling white, not only seemed to imply that sexuality itself can make you a profound musician, but was a perfect visual complement to the sleek monochrome of a concert grand… [but] there’s more to her than meets the eye.” The male reader is clearly expected to get a stiffie trying to imagine what that might be. To help his imagination along, the piece is accompanied by a photo of the young lady in question reclining on her instrument in a pre-coital position with an unmistakable ‘come and get it’ expression on her face. The ‘monochrome’ piano is actually bright-red, a colour usually found not in concert halls but in dens of iniquity. Nowhere does the review mention the fact obvious to anyone with any taste for musical performance: the girl is so bad that she should indeed be playing in a brothel, rather than on the concert platform. Can you, in the wildest flight of fancy, imagine a reviewer talking in such terms about sublime women artists of the past, such as Myra Hess, Maria Yudina, Maria Grinberg, Clara Haskil, Marcelle Meyer, Marguerite Long, Kathleen Ferrier? Can you see any of them allowing themselves to be photographed in the style of “lads’ mags”? I can’t, which raises the inevitable question: what exactly has changed in the last say 70 years? The short answer is, just about everything. Concert organisers and impresarios, who used to be in the business because they loved music first and wanted to make a living second, now care about nothing but money. Critics, who used to have discernment and taste, now have nothing but greed and lust for popularity. The public… well, don’t get me started on that. The circle is vicious: because tasteless ignoramuses use every available medium to build up musical nonentities, nonentities is all we get. And because the musical nonentities have no artistic qualities to write about, the writing nonentities have to concentrate on the more jutting attractions, using a vocabulary typically found in “lads’ mags”. The adage “sex sells” used to be applied first to B-movies, then to B-novels, and now to real music. From “sex sells” it’s but a short distance to “only sex sells”. This distance has already been travelled - and we are all being sold short.
@carolmikofsky49762 жыл бұрын
@@jennifer86010 aside from jazzy passages, there is the SOUND OF THE CITY
@mauriceedwards42985 ай бұрын
This song hits it's 100th birthday this year; it's still got the magic! 'Course, Khatia brings her own bit to it 🙂
@MidwestMike1003 ай бұрын
Bravissimo! Rhapsody In Blue is a very intense piece. Most pianists are so involved and concentrating on the timing, and their solo performance and such that, at times they seem a separate or detached part of the orchestra. No disrespect...I have been playing over thirty years and still can not play this magnificent piece. Khatai becomes the piece, is the piece. She plays with, to, and for the orchestra. At times she seems to musically flirt and coy with the musicians. Her expressions bring more life to the score. And, notice after the conclusion, she first embraces Slatkin, shakes hands with the principle, salutes the orchestra, and only then, turns to the audience for her bows. Class!
@snatchbloock Жыл бұрын
I'm 78 and have loved this music since my teens, but I have never witnessed such intense focus and total concentration as Ms. Khatia demonstrated today. What a beautiful performance...bravo
@andrewbrown7789 Жыл бұрын
Very well put
@oldflorida2003 Жыл бұрын
Not even Tyrone powers?
@snatchbloock Жыл бұрын
@@oldflorida2003 what the hell are you talking about?
@CurtRowley Жыл бұрын
AND….she does it so effortlessly! Bravo! 🎉
@alexdevon25882 жыл бұрын
She embraces the piano, and the piano embraces her. Rapsody in Blue, as it has never been played before! What a love story.!!!
@rbsinger Жыл бұрын
Mind blowing! The performance captures the time and exuberance of the music. Gershwin would love it!