Kirill Troussov plays Bartok Violin Concerto No.1

Béla Bartók - Violin Concerto No. 1, Sz. 36, BB 48a
Kirill Troussov, Violin ( www.troussov.com )
Zsolt Hamar, Conductor
Württembergische Philharmonie ( www.wuerttembergische-philharmonie.de )
Recorded 2016
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[@bertrandm8925]

This is a true beauty!Its pitty this concerto is not played as much as the No.2 of Bartok. This music is absolutely breathtaking and passionate. The violinist and the orchestra manage to create a line of depth and intensity. The controlled and precise conducting is a help to all parties and the music. Merci pour cette video et bravo!

[@KirillTroussov_violinist]

a very nice comment of you Dear Bertrand!THX!

[@artmusic2029]

the violin solo in the beginning of this concerto is unique. Its so pure and innocent...

[@KirillTroussov_violinist]

yes, that's very true

[@user-ij8qs1yj5o]

Thank you for sharing this wonderful music. Every time I listen to your interpretation of every pieces , I found myself love this world more and more.

[@KirillTroussov_violinist]

thank you for your nice words!very kind of you!

[@hectorbarrionuevo6034]

The climax in Movement I of this Concerto (5:40 - 6:40) might be one of the greatest, most emotional in the history of music ! The whole performance here is absolutely gorgeous !!!

[@KirillTroussov_violinist]

yes, I completely agree with you!Thanks also for your nice comment!

[@marcsirmont1605]

i have listened this video over and over again. Really great music and music making. Bartok was not only a great composer but also a special person. thank you for sharing this music with us

[@andymilstenmusic8520]

This is a truly magnificent performance sir, well done!!! Bartók is so underrated and I just don’t get why, he deserves to be known to the level of Mozart, Beethoven, Schubert, etc. Truly a master in his craft on all levels!!!

[@KirillTroussov_violinist]

Yes!Bartok was a genius, thx for your comment!

[@andymilstenmusic8520]

Kirill Troussov No problem!!

[@classicalricky]

Bartok's concertos sound like they could be movie soundtracks. They are also wonderful works. This concerto is in my list of favourite violin concertos. Wonderful job playing this. I will check out your other interpretations when I get the time! 😊😊😊😊😊😊😊😊😊😊

[@KirillTroussov_violinist]

Thx!

[@shawnchristopherwhite3271]

This is YOUR work, this concerto belongs to you!

[@KirillTroussov_violinist]

Thank you!:)!

[@danicastobienia]

Amazing!!! A perfect and sensibile interpretation! Thank you!

[@violawizard]

Thank you! Hope can learn from you in future.❤️🌈

[@magyar4925]

Geyer Stefi grew up in a conservative, very religious, Catholic family. When they were emotionally close to Béla Bartók, the composer shared his thoughts of a very liberal liberal world with Stef. The young, conservative-educated girl was very frightened and fled before Bartók. Geyer Stefi egy konzervatív, nagyon vallásos, katolikus családban nőtt fel. Amikor érzelmileg közel álltak Bartók Béla-hoz, a zeneszerző megosztotta gondolatait egy nagyon liberális liberális világról Stefával. A fiatal, konzervatívan képzett lány nagyon megrémült és elmenekült Bartók elől

[@TheFinkwerder]

Bartok war ein Genie, so etwas wunderbares zu schreiben

[@KirillTroussov_violinist]

ja, unglaubliche Musik.

[@JS-op7uj]

I believe Bartok himself would weep at the beauty of this playing. Maybe after hearing this Stefi Geyer would have changed her mind.

[@KirillTroussov_violinist]

Very special comment!thx!

[@magyar4925]

This piece of music has been in Geyer Stefi's account for 50 years.

[@melgee9567]

he wrote this for his great love, a much younger girl, passion, passion, passion...

[@KirillTroussov_violinist]

yes, passion, passion...

[@fullargon]

What a beautiful interpretation of this concerto it was. You make that "Brodsky" sings in another dimension.

[@KirillTroussov_violinist]

Wow!Thanks for the nice comment!

[@Ladri_di_biciclette]

Great sound! Bravo!

[@KirillTroussov_violinist]

thanks!

[@guptaviolin]

beautiful!

[@SebastianBredemeier]

There are not many video recordings of these concerto, thanks for sharing. Oistrach`s recording is also amazing but there is no Video

[@gianpaga11]

Grande artista! Mago del violino! Magnifico. Grazie.

[@KirillTroussov_violinist]

Grazie mille!

[@spasskyfan5389]

Wow. So precise & lovely!

[@KirillTroussov_violinist]

Thanks!I love this piece.

[@casual720]

Ah, thank you for sharing this beauty

[@KirillTroussov_violinist]

thank you!

[@bernardparret3191]

Lyricism and mystery : this concerto sounds as if encapsulated in theses two words.

[@Angelwayes]

Bravo Kirill

[@francismcleod1298]

Thankyou '

[@adampatricmiller1419]

Poetry.

[@KirillTroussov_violinist]

Thx!

[@nadinegro2444]

fantastische Musik

[@patrizio39]

II 8.32

[@derrickware7816]

Beautiful playing

[@KirillTroussov_violinist]

Thank you very much!

[@vpala100]

I'm going to hear this concert played by Giovanni Andrea Zanon at Venice Teatro La Fenice, on Friday July 6.

[@f.m.3887]

Super vi

[@peterrossiter8307]

Thanks

[@KirillTroussov_violinist]

:)

[@EpicureanSwerve]

Bravo!

[@KirillTroussov_violinist]

:)thank you!

[@salvatorelombardo6808]

Bravissimo!!!

[@KirillTroussov_violinist]

thank you!

[@harrynking777]

Great playing. I hear the influence of Isaac Stern.

[@KirillTroussov_violinist]

Very kind!thanks!

[@magyar4925]

Összetörte Bartók szívét, de hegedűjátékával meghódította a világot Origo, MTI2018.06.23. 20:57 Ez a cikk 242 napja frissült utoljára. A benne szereplő információk a megjelenés idején pontosak voltak, de mára elavultak lehetnek. 3 éves volt, mikor apja már hegedűórákat adott neki, és hivatalosan 7 évesen kezdte zenei tanulmányait. Sokat elárul Geyer Stefi csodás tehetségéről, hogy mindössze 10 éves volt, mikor felvették a Zeneakadémiára. A rendszeres koncertezést tizenévesen kezdte, és nemcsak Európát, hanem Amerikát is bejárta játékával, ami szépsége mellett Bartók Bélát is megfogta. Szinte egy életre. Reménnyel telve, de sikertelenül volt szerelmes a nála 7 évvel fiatalabb művésznőbe. 130 éve született Geyer Stefi, a legnagyobb magyar hegedűsök egyike. Geyer Stefi zenekedvelő családba született Budapesten 1888. június 23-án. Csak hároméves volt, mikor orvos apja már hegedűórákat adott neki. A férfi az orvoslás mellett a hegedűkészítéssel is megpróbálkozott, fiából, Stefi bátyjából többek között ezért is válhatott elismert orgonaművész és orgonaépítő. Stefi anyai nagybátyja, Zipernowsky Károly pedig a transzformátor egyik feltalálója volt. A csodagyereknek számító Stefi hétévesen kezdte zenei tanulmányait, és már abban az évben hangversenyen is fellépett. Tízévesen vették fel a Zeneakadémiára, ahol a magyar hegedűiskolát megalapozó Hubay Jenő tanítványa, és első világsikert arató növendéke lett, a később szintén világhírűvé vált Szigeti Józseffel együtt. Stefi tizenévesen kezdett koncertezni, és nemcsak Európát, hanem Amerikát is bejárta. Már ekkor dicsérték vonókezelését, technikai tudását, muzikalitását. 14 éves volt, amikor először találkozott Bartók BélávalForrás: Wikipedia Tizennégy évesen találkozott először Bartók Bélával, akinek idővel múzsája lett. Kapcsolatuk Stefi 19 éves korában, 1907-ben mélyült el, amikor a nála 7 évvel idősebb Bartókot a Zeneakadémia tanárává nevezték ki. Ezután többször együtt is felléptek. Az év nyarán Jászberényben, Stefi nagynénjénél is találkoztak, ekkor határozta el Bartók, hogy versenyművet ír Stefi számára, az első motívumokat híres fekete zsebkönyvébe jegyezte le. Bartók levélben számolt be ideáljának erdélyi népdalgyűjtő útjáról, bontakozó érzelmeiről, a karácsonyi ajándéknak szánt, születőfélben lévő zenedarabról, de hamar, nagyjából 1908 elején rá kellett döbbennie, hogy érzelmei nem találnak viszonzásra. Kettejük levélváltása fontos zenetörténeti dokumentum. Bartók elküldte a mindössze kéttételes Hegedűverseny partitúráját Geyernek, aki azt a magántermészetű beírások miatt nem publikálta, csak halála előtt adta át barátjának, Paul Sacher karmesternek Bartók hozzá intézett leveleivel együtt. Az első Hegedűverseny két évvel Geyer halála után, 1958-ban hangzott el először Baselban Hansheinz Schneeberger előadásában, Sacher dirigálása mellett. This piece of music has been in Geyer Stefi's account for 50 years. He broke Bartók's heart, but he conquered the world with his violin playing He was 3 years old when his father had given him violin lessons and officially began his music studies at the age of seven. He tells a lot about the wonderful talent of Geyer Stefi that was only 10 years old when he was admitted to the Academy of Music. He started his regular concert in teens and went to Europe not only in Europe but also in America, which, besides his beauty, also captured Béla Bartók. Almost a lifetime. She was hopeful, but she was in love with her 7 years younger artist. 130 years ago, Geyer Stefi was one of the biggest Hungarian violinists. Geyer was born in Stein on 23 June 1888 in Stefi. He was only three years old when his doctor's father had given him violin lessons. In addition to medicine, the man also tried to make violin, and his son, Stefi's brother, could become a recognized organist and organ builder. Stefi's mother's uncle, Károly Zipernowsky, was one of the inventors of the transformer. Stefi, a child of miraculous children, began his music studies at the age of seven, and was performing at the concert that year. He was admitted to the Academy of Music at the age of ten, where he became the student of Jenő Hubay, who founded the Hungarian violin school, and became the first world-class successor to the world. Stefi started playing concerts in teens, and not only Europe, but also America. He was already praised for his train handling, technical knowledge and musicality. She was 14 when she first met Béla Bartók At the age of fourteen, he first met Béla Bartók, whose time he became a muse. Their relationship with Stefi at the age of 19 was deepened in 1907, when Bartók, who was seven years old, was appointed as a teacher at the Academy of Music. Then they performed together several times. In the summer of this year, they met Jászberény, aunt of Stefi, when Bartók decided to write a contest for Stefi, the first motifs in his famous black pocket book. Bartók wrote in a letter about his ideal for the Transylvanian folk song collector, the unfolding emotions of the Christmas gift for a birthday party, but soon, at about the beginning of 1908, he had to wonder whether his emotions could not be returned. Their exchange of letters is an important music history document. Bartók sent the score of the only two-piece Violin Concerto to Geyer, who hadn't published it because of private writings; The first Violin Concerto, two years after Geyer's death, was first performed in 1958 in Basel by Hansheinz Schneeberger, conducting Sacher.

[@abigailgabalski6413]

15:36

[@abigailgabalski6413]

6:05