KOIAI - A New Picture (Official Live Video from "1st LIVE in JAPAN" Blu-ray)

The “1st LIVE in JAPAN” Blu-ray, released in limited quantities on May 22, 2024, sold out as soon as it was released.
For those who couldn't get it or will get to know KOIAI, we have culled a few songs from the Blu-ray.
「1st LIVE in JAPAN」Blu-rayは2024年5月22日に数量限定で発売されましたが、お陰様で発売と同時にソールドアウトとなりました。
買うことができなかった方、これからKOIAIを知るであろう方のために、Blu-rayから何曲か切り出します。
[KOIAI]
Vocal : Kotono
Guitar : Li-sa-X
Guitar : Hazuki
Drums : Kanade
[Supporting Bass]
Wakazaemon
- Official Shop (EC) koiai.official.ec/
- X (Twitter) / koiai_official
- Instagram / koiai_official
- Facebook Page profile.php?...
"A New Picture" (Lyrics & Music by Li-sa-X)
Once the words are uttered, they cannot be undone
(So we choose our words carefully)
Once the notes are played, they never come back
(That’s why we practice so carefully)
We all make mistakes
There is no such thing as perfection
But we won't stop talking
We won't stop playing
What was right yesterday is not necessarily right today
I may be ashamed tomorrow of what I told you today
But we won't stop walking
We won't stop loving
Once a picture is done, it should never be altered
(Then it can't be completed forever)
Let's paint a new picture
Where I am today will become a trail tomorrow

[@edurodriguez4278]

That drummer is really good

[@fastskipper777]

Well, she is Kanade Sato. She is a drum genius.

[@caprise-music6722]

Literally one of the best drummers.. in the world. *Universe-class*

[@fastskipper777]

@@caprise-music6722 True that.

[@user-shuntokumaru]

ジャズドラマーが造作もなくアジャストしちゃう感じ、その上ちゃんとちがいも見せつけている感じが痛快で痺れる。

[@andymori9050]

<a href="#" class="seekto" data-time="118">1:58</a> Kanade adding her tasteful touches between 2 great guitarists!

[@lovehide2006]

もはや奏さんがバンドサウンドを引っ張っているように感じます。彼女も天才のひとり！

[@wash12]

Ohh yes beautiful drumming

[@yakidin63]

The talent is off the scales with this line up. Japan is going off its head with music and talent right now. Great for all of us music lovers.

[@nao0829]

They are all incredibly talented, but Kanade is just amazing.

[@airtioteclint]

This is their best song ever. More like this ladies.

[@user-rb9si6kx4k]

名曲！７０年代フレンチポップとメタルギターの融合。KOIAIマジ、いいな～。

[@Vitericus1]

Wait, I spy a Waka-chan on bass. Good lord, adding her to both Lisa and Hazuki? 🔥🔥🔥

[@Russ.Murphy]

What do you have when you combine: Rock, Metal, Pop, Jazz, and Fusion? "A New Picture" This Piece lets you know what these five ladies can do!

[@99gold94]

Amazing Kanade

[@philcalvino884]

This is the supergroup I've been waiting for. The combined technique of these ladies makes mincemeat of most other bands. No offense to her fusion projects, but I think this is the band where Kanade Sato will finally be able to show the world she is one of the best drummers alive.

[@MegaHogzilla]

They just have to quit playing bubblegum pop music that is so far beneath their abilities and natural talent and play more music like this.

[@coldburrito5818]

@@MegaHogzilla Totally agree.

[@radleysmith7528]

@@MegaHogzilla What no more nights out with the boys from "Spicy Kickin"😂

[@dwightgolden8050]

Team Hazuki here! God she is so talented. PS: BEAUTIFUL AS WELL.

[@caprise-music6722]

There’s no i in band. The band is a team

[@maxpower3279]

I also came here as a Hazuki fan, but i stay for all of them. Love this so much 😍😍

[@Tyreus1]

Love the contrast between the singer and the tempest of instruments !! KOIAI showing they’re not joking what a great line-up !! ❤

[@PaleHorseShabuShabu]

Damn, that was badass! Kanade Sato is such a perfect compliment to KOIAI.

[@MixolydianMode]

She brings a lot of power and dynamic to the band. She is great!

[@TheCyberMantis]

A band of superstars.

[@killiansred1000]

Whoever wrote this song has a wild imagination.

[@givemeacue1193]

Hazuki loves Arch Enemy🍎🎵

[@coldburrito5818]

I'm in awe! How I wish all their tunes were like this masterpiece!!! PLEASE, WRITE MORE SONGS LIKE THIS ONE, GIRLS!!!!!!

[@seanm4468]

This song is like a magnificent monster.

[@hida_berserker]

I love you KOIAI. Fortunate to see Lisa-X in the recenet Polyphia concert. You rock!

[@geargeeks8955]

This is progressive metal at its finest.. can you put an album out of 10 songs of this complexity. Is everything progressive metal is. I'm aware of some band these members . I believe everything they've done this is the most progressive. I'm in Los Angeles. Dream theater ,Fates warning. Symphony x. 10 more of these songs and you're up there musicians 🎸🥁. This is top-notch good. You rock👍

[@brucefelter1335]

The IBANEZ PRINCESSES ARE ON🔥🔥🔥🔥🔥😯😯🤘🤘

[@lisandrom]

I loved it, Hazuki team here 🐔🐔🐔🐔🔥🔥🔥🔥🤟🤟🤟🤟

[@DJAYPAZ]

This is explosive burst of talent is mind blowing.

[@bgdamore]

The way that the middle section flows so flawlessly in between of quiet calm is beyond comprehension.The opening section is a soul reaper. Beautiful.

[@maxsimkammerer]

😮That was so incredibly good. Unbelievable. I still have goose bumps now. MY GOD! So many extremely talented musicians in ONE band ... That(!) is a real gift for the world. Keep on rocking! 🤘 🎸 🤘

[@dandanny6772]

That was some seriously tight playing there. Lisa, and Hazuki WOW!!!

[@colinjoiner7]

Breathtaking musicianship 🎵❤️

[@keithwilliams2218]

Love the crossover of musical genres in this song, pure genius!

[@realdocloco]

Wakazaemon, the super-deluxe support member on bass 👍. Interesting proposition, Koiai is slowly building its original style and I love it.

[@Russ.Murphy]

Hi Doc! Thanks for focusing in on Waka! A studio bassist since she was 15, in her early 20's, she's accomplished more than some musicians have in their lifetimes!

[@yakidin63]

@@Russ.Murphy Have you listened to her interview with Marty Friedman Russ. Pretty sure she was saying that East of Edens first single was written around her bass track for that song. For someone so young she's so talented.

[@Russ.Murphy]

@@yakidin63 Hi Yakidin! I did see a Marty Friedman interview with Waka, but it wasn't captioned. I kind of made out that she ate a lot of hamburgers in the US. I noticed that she was getting an IV in an ER; but I don't know what happened. Despite that, she seemed to have a good time on the tour; and a good time just talking about it with Marty on Rock Fujiyama. Senri, Kaneda, Yoyoko, Marina Bozzio, Lisa X, WakaZaemon were all childhood wonders! I guess you could also include Hal-Ca and Rina Suzuki on the list! Have a great one, Yakidin! Best Wishes! Russ

[@realdocloco]

Really I don't understand: this blu ray is the best introduction ever to this wonderfull band and show its huge potential. But it was nearly impossible for people outside of Japan to buy it AND it was limited too. Please make it available on popular commercial platforms like CDJapan, you deserve it and you need it if you want to spread the word about KOIAI.

[@user-dk9ky9tz1q]

翻訳してください。あなたの気持ちはよくわかります。私はLI-SA-Xの古くからのファンで当然ブルーレイは予約購入しましたし、外国の方でもSNSをチェックしていた人は購入していました。そして海外の人だけでなく日本人の中でも購入出来なかったことを残念がっている方を最近多くみかけます。LI-SA-Xは以前ソニーミュージックに所属していましたが、コロナ禍に思うように活動出来ず、バンド解散と同時期にソニーを離れ、元プロミュージシャンの父親と今の会社を作り活動しています。KOIAIもここに所属しています。この会社はおそらく家族経営でありとてもとても小さな会社なので、経営を圧迫しかねない在庫はそもそも抱えられないのだと思います。だから予約販売のような方法をとったのでしょう。商品の梱包や発送なども自分達でおそらく行っているのです。つまりKOIAIはまだ赤ん坊であり今後どんどん成長し、大きな飛躍をとげていくバンドなので、不満はあっても許してあげて下さい。少しずつ環境は改善されていくはずです。そして間違いなく彼らにもブルーレイの再販希望の声は届いていますし、可能性は十分あるのではないでしょうか。そしてさらに8月のライブで何らかの映像収録があるようなので今後の情報に期待しましょう。ありがとう。

[@kevcalif1]

I live in the US and I was able to get a copy without any trouble

[@ronnimetalpicodeathchamato6266]

I agree! It sold out way too fast (which leads me to believe it was a very limited amount released). I knew Hazuki played with Li Sa X and only discovered WAKAZAEMON since Marty Friedman took her on tour awhile back. This is a great band overall!

[@dougmetko1453]

Waka should be a full member 😉

[@PaleHorseShabuShabu]

I wouldn't say no, she's top tier, but she has a lot on her plate already.

[@dougmetko1453]

@@PaleHorseShabuShabu she seems to thrive on it.

[@2abug]

And she just released a new single

[@drmattconrad77]

I hadn’t heard of the band before but I will definitely be listening to them again.

[@hackermike31]

The guitar work from Hazuki and Lise is so brilliant,the song has interesting changes that work with talent of these 5 beauties.....

[@nishiki2179]

頼むから、わかざえもん加入してくれ！

[@sssrrr-mi5td]

この曲まじでセンスいいな

[@Hoprdoxx]

HOLY S**T!!! I knew Hazuki was excellent player, but this still shocked me, anyway. And of course, Li-sA-X is nextgen, faster Steve Vai.

[@hho3417]

すごい名曲！一瞬で引き込まれた！葉月繋がりでたまたまどんなバンドか見てみたけど、何度観ても衝撃です！

[@KT-wt4dk]

ツインギターやばいっすね OPの重低音なリフとツインリードがめっちゃカッコイイぜ そしてとにかく音がキレイ Li-sa-Xがジョンペトみたいな超速弾きフレーズ弾いててクリケット奏法もやっててアツくなっちまったぜ

[@iDEATH]

And Japan doesn't seem to show any signs of slowing down with the amazing music...this is my first time hearing this band, and I love them already. So interesting! That's a sub from me.

[@maidthehormone]

What a line up with massive talent....🤯🤯🥰🥰Amazing song and band😍

[@73katsu]

過去に聴いたことがない不思議で衝撃的な曲　ARCH ENEMYっぽいと思ったらDREAM THEATERっぽくなってさらにジェントな展開でボーカルパートはまた別の曲調　ソロの演奏は鳥肌ものだし　若くて超絶技巧でおまけにルックスまで良くて、こんなバンドが日本にいること多くの人に知ってほしい

[@Lesca6]

This song is mindblowingly good. The drumming... my god. Guitars, too of course. But I already knew both of them and that they're amazing, but the drums... and then the singing in the quieter parts. Please more stuff like this 🥰

[@sebastienlangonnet8852]

So progressive, I love it :) My new favourite song from KOIAI!

[@user-bo1ce6lf1z]

Li-sa-X💖

[@dumer0619]

This Is "KOIAI" Sound & World この楽曲を聴いた時、LiveでPlayするのか？！ どのように再現するのか興味心でした。 同期のMTRが霞む程の四位一体の演奏に わかさんのBassが畳み掛ける。

[@skallagrimr_kveldulfsson]

One of my favourite KOIAI tracks!! Outstanding solos! Thank you so much for uploading this ❤

[@vin-metal5192]

Coolest song I've heard since Spiderweb by BRATS - really inventive and moody

[@davidtollefson8411]

You are right. Not many songs like this and Spiderweb.

[@christopherjohnferrer3771]

Love this. KOIAI ❤🎸

[@timgove5337]

Great song, Outstanding ‼️🤘🎸💃😎

[@michelm.6033]

Thank you Koiai and congratulations on the success of the Blu-Ray. I was fortunate enough to purchase one, but this is a great way to spread the love for those who couldn’t. It is also a great way to spread your music. Thank you for these uploads. Looking forward to seeing you live one day.

[@Richzee777]

Me too, congrats. Love the Bass & drum cams.

[@michaelmunno]

outstanding! sounds fantastic! bravo ladies! 🔥🔥🌸🌸♥♥🌸🌸🔥🔥

[@musgrave6886]

wow! stars have aligned again. kanade, who can compete toe to toe with senri in a live face off fusion gig, is the perfect complement to these master axe ladies.

[@UltraFoozy]

I agree all! I can't wait for the fusion gig Kanade plays with Senri in July and the next KOIAI gig in August!

[@mknm1349]

After seeing Senri at Saki's solo concert last Friday I wonder if these two need a metal face off.

[@UltraFoozy]

@@mknm1349 Fortunately, I was at Yokohama Bay Hall last Friday as well. Unforgettable. Beforehand, I saw Senri perform with Takayoshi Omura twice last year. And I saw Senri perform with Kyoji Yamamoto this January. So, I knew Senri was phenomenal in METAL as well. I thought Saki chose the best for her new phase. Senri said she would like to be like Cozy Powell when she offered Yuya Komoguchi to compose RAGING SPUR. kzbin.info/www/bejne/mamzeqOkmpidrqc The phenomenal drummers can go OVER THE TOP of the fence of any genre. They are so versatile. They are so flexible OCTOPUSSes.

[@danmolnar402]

Massive talent on that stage!

[@rasi2020]

sooooo much skill - and a beautifully shot video - and great rock music - wow!😀😃😃😄❤❤❤✌🤟👍👍👍

[@Dtagcity]

Loved it! I wouldn't be mad if they drop a full instrumental album like Polyphia.. Not at all 😏 I mean Band Maid has a vocalist and still do a few instrumentals every album too. It'd be a damn shame for musicians of this caliber to get together and not do it.

[@walking_by5620]

My faworite song from last EP, contrast is so wonderfull. But I didn't know that Liza and Hazuki shared leads in this one.

[@musicaconqueror5477]

WOW! This lineup is crazy!

[@norbertgroll7113]

Great song, more like this please! 🙂

[@whitenoiseerra]

こういうのが聴きたかった まんまJason richardsonやHaarp machineの様な疾走感たまらん リーサちゃんリチャードソン好きなのめっちゃ伝わってくる次はルーカスマンのエイリアン要素も追加して欲しい

[@Kanimfortaas]

While experiencing this remarkable rendition you may wonder if there are any artistic limits for these girls. And you might get the idea that the probable answer to that question is: Not too many. Indeed, it needs only very few key impressions to confirm this guess. Here are two significant historical examples of some miraculous adolescent professionalism for all those music aficionados who are still unaware: Kanade Sato at the age of 17 - Festival de Ritmo (Weckl, Oliver) kzbin.info/www/bejne/a5unh42Gr8uGZ8U Li-sa-X at the age of 12 - Dance of Eternity (Myung, Petrucci, Portnoy, Rudess) kzbin.info/www/bejne/pJzEaGCVr9mmhbM) What I hear now as a result is one of the options that were foreseeable very early and it didn't need much musical instinct to imagine what potential a collaboration like this one could have. Nonetheless I am stunned again by the verve, the hardly comprehensible artistic maturity and the accomplished musicianship I am witnessing. - What follows are some compact reflections and conclusions on what I've just watched. (Be warned of some weird, sort of slightly complex stuff, a bunch of adipose lines and trace elements of binge thinking. This statement is not thumbs up friendly, but still subject-related.) Concert audience profile (general): Mature males (a cohort generally tending to relish each and any kind of women's stage presentation) with enhanced music taste, a strong affinity for young female musicians and hopefully not having ulterior motives in that respect; a hedonistic attitude is likely (in the crowd of sensation seekers - yes, Koiai's music can be pretty adventurous). Segmental video description (general): Good production level, solid camera work, occasionally also capturing some peripheral fleeting action. Particularly striking is that ecstatically twitching anonymous animated object appearing in front of the stage, when the video is about thirty seconds old - apparently the hand of a human (hairless, number of fingers: roughly five) and prominent body part of Miss Lisa's happiest victim, whose upper limb is demonstrating high-level musical empathy. - I hope that hand survived the rapture and got some acknowledgement or even a scholarship for the Tokyo College of Music... General adulation to the artists - with reference to one tiny little drawback (addressing): I'm so hopelessly and unreservedly convinced of you Koiai wondermaidens, of your artistic capabilities and the pretty things you do that a little formal counterpoint could be indicated (and I think the issue has some substance and may be worth considering): I have no problems with backing track supplements, but the piano part in this arrangement is essential and on a live music stage it's a bit peculiar to hear such a very present, familiar and traditional sound coming out of nowhere (a case of something's missing). So I urgently recommend to get you a potent keyboardist of flesh and blood (I obviously don't have to tell you what effective piano, organ and synthesizer sounds can contribute to a song - I also noticed some piano and synth pad background as part of your "Automatic" arrangement). Considering Koiai's musical format I would expect nothing but a masterclass graduate. (Like Rick Wakeman joining Yes in 1971, like Patrick Moraz joining Yes in 1974, both having a classical background - two consecutive quantum leaps in the history of ambitious popular music, being part of an infinitely iconic project that I always deemed the backbone of progressive rock in general (I know about Kanade's "Roundabout"). Or think of the third generation, particularly of Threshold, being essential in their own way, the masters of prog metal drama, who use exactly that instrumentation on most of their albums; the two guitars and the keyboards work tremendously well together. And then, well, those notorious German pyros... you know... that simple and brute blast of beastliness, tamed by the keys.) Mild apotheosis of the achievement (addressing): That said, I am thoroughly amazed that you splendid damsels of Koiai were able to transfer this feisty and contrasty and tricky and juicy music into a concert scenario. The energetic impact of the studio version is even augmented here and that dramatic dynamic switch from snare's single to double accent rhythm pattern gets my brain into high frequency oscillation mode. (Miss Sato, ever since Marie Fukai's "Run Up" that you did with Muses - a truly dynamic blast wave, highly energetic and atmospheric at the same time, including that unleashed, hot running interplay part of organ and drums - I know that you occasionally can be a pretty merciless drummer fury. And in this equally hefty Koiai case I indeed would be disappointed if you weren't. - I am hopeful that you keep on getting yourself rampant when it's needed.) This all is not just well done, the tune is rather made for rock music's Mount Olympus and I look forward to your next overwhelming virtuoso escapade. (Side note: I'm actually a speed obsessionist, too, but if I tried to play the keys faster than all of you usually execute your instruments, then this would hardly be possible without losing shape - which may be no big deal within a rock music arrangement, but would be a capital sin in the classical piano domain; ear and brain are the limits, when it comes to identifying musical shapes and structures. However, if accuracy is subordinate, it's actually quite easy to do arbitrary prestissimo things on the piano and other keyboards, simply because with using so many fingers parallelly you can blend things as much as you please. The crucial points are the respective locations of the consecutive tones and how many keys you have to hit at the same time. (Reminder: Commonly the human's biological corpus has two hands, two feet, ten fingers and one single brain available, with the latter not rarely being the critical parameter.) This rather sober technical issue is one of the many reasons why playing classical music (particularly playing the classical organ) is probably the hardest artistic challenge of all. In the rock music domain, however, guitarists often feel superior in terms of sound, sound modulation, sound authenticity and above all expressiveness; they occasionally claim that many keyboard players desperately try to make their solos sob like a long and deeply suffering lead guitar. Yes, that might be true and you find many respective (producing and reproducing) examples in the music industry. On the other hand, something like the guitarist's tapping technique appears to me like playing the piano without keys (mechanically there is only a slight difference between tapping and hitting). I think, both measures are legitimate - so take the best of everything and you will shine. Anything goes in the world of art...) Desirable prospect (addressing): My dear swift Koiai ladies, it's only you (and your way of performing) who are to blame for heating up my expectations (and not only mine, as I notice). So please keep on swirling, since I urgently like to be baffled by you - again and again. Thank you all in advance for this. - Hope to see you soon walking the path of glory. The world is waiting...

[@utrhac462]

Wakazaemon, Hazuki, Lisa-x: What else? 🤘🤘

[@aspha60]

Kotono 🥰 and Kanade

[@MetalMalc]

This keeps sounding better every time I listen (and I liked it the first time).

[@GarageYears]

This is a masterpiece! Outstanding - more like this please! 🤘🎸🐺👍

[@gothmayly755]

Brutal my beautiful friends from Koiai!!

[@gt1man931]

Let this old metal headbanger tell you this has potential to be a world class combination. I know who these women are on the instruments and they are top tier. This could be the next set of stars lining up to be something great. It doesn't look good for Nemo or East if this takes off.

[@user-vr1ln1hr8u]

やっぱ葉月さんなんですよ😍

[@JannAsheNemophilaFan]

This is so incredible. Such talent. 🤘😻

[@Theaterean]

You girls are amazing, I am so happy to have seen you live in Osaka last week ❤🎸🎸🎤🥁🎸

[@kungphu1207]

Dang, Kanade is a beast behind the drum kit. Li-sa-X, Hazuki, and Wakazaemon are not too shabby either? Also, love the lead singer’s voice. Hope they tour the U.S soon. Would go see them in a heart beat. 🤘 KOIAI!

[@Yannick1947]

Brilliant, fantastic musicians here in this great band !

[@SteveTrockroll]

A fantastic sound from these super talented artists. From the UK

[@ramair3judge]

Truly an amazing performance. The calmness of Kotono and the brilliant fast pace of the instrumentation. The 360 camera shots are very cool.

[@aungzawlin2225]

Love you all , Li-sa-X , Cheers from myanmar ❤🤩👌🎸

[@PANIC_aka_PinD]

One of the most "different" things I have heard in a very long time. Best song of 2024 so far.

[@cadiazm]

The "Deep love" EP is all good, BTW this song is from last year.

[@PANIC_aka_PinD]

@@cadiazm Not fully released on YT until today ... and now it's live. Hardly the same.

[@coldburrito5818]

@@PANIC_aka_PinD Yeah, way better live. The sound is unaltered, so natural!

[@MegaHogzilla]

This type of song is what draws fans to Koiai. Imaginative, technically difficult, flashy, quirky, but still grooveable. The ladies standing on that stage could fill the void that Rush left when they retired. I hope they move in that direction. There is too much talent to here waste it on becoming just another pop band. More of this, please. 🙏

[@994pt4]

YES!...more of this!!!

[@Reaper77-wn7ot]

Yes this was very cool. Lisa X and Hazuki jam well together. But most their songs are too poppy to me. But this kind of music I can get into.

[@mikeat2637]

And the interludes with Kotono have such a "Cabaret" Sally Bowles feel to them, but in a much harder rock style than 1930's Berlin, lol.

[@YASUJIDAYO]

この曲は童話っぽいミステリアスな雰囲気とメタルがマッチングして素敵😊 Kotonoちゃんは曲によって表情を使い分けて上手い😊

[@tsuneotakahashi4482]

この曲には速弾き有効！

[@christophedelvaux8881]

So good! It just needs to be a 10 minutes song.

[@user-shuntokumaru]

メシュガーのトーマスハーケのドラミングに近い凄みを感じた。

[@PiggyInSpace]

Love this song 🤘😆🤘

[@dens660]

Kanade Sato ❤

[@user-eu7jd6kr2k]

リーサーX、素晴らしい。 マジで素晴らしい。

[@user-nu4qw8ng6r]

去年葉月さん経由で Make you regretの MV見て以来いいなって思ってたけど 改めてBlu-ray買ってよかったと思った

[@davidtollefson8411]

So spectacular. Great work everyone.

[@user-tomozo69]

この曲初めて聞いたけど鳥肌立った🤟 めっちゃかっこいい👍

[@maximushaughton2404]

Thank you for releasing this great song.

[@thomasbrainville8233]

the blu ray is already sold out !! please make more of this i need it !!!

[@994pt4]

they definitely need to do a second printing...don't limit your exposure!

[@trilobite4458]

この路線のコンセプトアルバム聴いてみたい

[@fastskipper777]

Amazing...

[@user-ng8rr3pj1k]

間髪入れずにもう一本あげてくれるとは…ありがとうございます(♡ᴗ͈ˬᴗ͈)

[@user-yn2kk7xf9q]

最強バンドです！奏ちゃんのグルーヴ良すぎですね^ - ^

[@RicardoCaceresAlvarez]

Esta era la que más esperaba escucharla en vivo 🔥

[@dwightgolden8050]

You are wise my friend! They sound great and haven't skipped a beat!

[@jonrussell7577]

Thanks for posting; somehow I missed out on the blu ray. 😢 There’s some great playing, and Kotono looks to have the makings of a great front woman! Looking forward to your future endeavors!

[@suzukitsunehiro5686]

このカッコいぃ&シュールな感じは 魅入ってしまいます♪ liveでみてみたい！

[@user-mz8wf4ul9g]

曲も凄いし、演奏も凄すぎて🤣 二本のアイバニーズが縦横無尽に駆け巡るーッ🎸🎸

[@greggarvin2663]

🎸❤‍🔥🎸Awesome!! 🎸❤‍🔥🎸

[@rafaelornelas2085]

Huzuki 🌹❤️

[@Richzee777]

Yes! Love this song!! 🔥🔥🔥

[@nob951]

カッケー👍