Kreisler - Praeludium and Allegro (in the style of Pugnani) ⭐ Sarah Nemtanu

[@bellamusica8126]

Quelle belle âme se dégage de ce jeu virtuose. Émouvant, entraînant comme une invitation à vous suivre sur ce chemin que vous nous offrez sur ces belles harmonies de Kreisler. Merveilleuse interprète et digne de ce grand compositeur

[@katrinaspears8527]

this song just speaks to my heart! I love this rendition

[@eneachristian620]

My favourite Praeludium and Allegro interpretation. Love it

[@ViolaWizardry]

Totally agree!

[@Marcel_Audubon]

first one you've ever heard, I take it

[@SR-jx8yu]

One of the great pieces for violin!

[@chrisebbesen5798]

Bravo, eloquent , brilliant, teach me I want what youve got. Rabone, master!❤❤❤

[@maysunwu3779]

I love this version after watching all performances on Utube

[@SR-jx8yu]

Possible the best version of this piece I have ever heard

[@duggiefresh8170]

Beautiful rendition of this masterpiece. Loved it.

[@morganmusic1504]

Complètement incroyable ce moment de grâce ! Merci 💚

[@cosleon3]

Bravo 👏. Excellence to your piano accompaniment. May your fiddle continue to make beautiful sounds.

[@Zoom_1012]

I've heard a lot of performances of the Praeludium and I have to say Ms. Nemtanu has the most beautiful phrasing I've ever heard in this piece. Brava!

[@michelejackson2184]

Magnifique!!!

[@321bigbang]

Magnifique Sarah !

[@seinanpe]

How wonderfull...

[@NorbyHofner]

very, very good!!!

[@andreviolin1043]

Muito lindo.belíssima interpretação

[@wolfgangamadeusmozart9387]

É bom ver um BR aqui

[@VanessaSancez]

superbe!!!

[@leopardtiger1022]

Very very good...

[@jewelhelligar4013]

Nothing tickles my funny bone like KZbin commenters giving tips to professional musicians

[@kentakiman_gmd]

The fact that someone can be considered professional doesn't mean they don't deserve feedback. Do they know everything? Do they do everything entirely correctly? Of course they don't, so amy piece of advice should be welcomed

[@roblindauer6521]

@@kentakiman_gmd I don't think it was she herself who posted, so I doubt she'll ever see the comment. She's had quite a successful career, e.g., selected co-concertmaster of l'Orchestre National de France at age 21. Her technique looks unusual to me, but for her it works - I can't argue with the excellence of her performance.

[@Kaylaa23]

0:32 Dr. Eggman

[@lalabest1aj]

Her posture though

[@mclee0905]

your rudeness though

[@guillermobellorin9067]

your name tho

[@guillermobellorin9067]

your name tho

[@heleneg.2393]

Excellente interprétation !!!

[@gustavonavarro4205]

YESSSSSSSSSSSSSSSSS

[@eduardosacasa5007]

who tha heck is that old guy they keep focusing the camera on? it's annoying. Great playing by the way

[@saeidyazdani]

lol no respect for elders

[@emmabjn2643]

It's a famous French singer

[@DavidWDNO]

That`s a Russian comedian Leonid Yarmolnick. No idea, how he ended up on a French TV show...

[@michelejackson2184]

Her father may be?

[@emergenthub305]

Daniel Bevilacqua, a French singer and songwriter. The woman is Macha Méril, a French actress.

[@Peter-xi3ve]

The first and finial part are really great but the others, I think, need to be altered

[@paulb9842]

Wow!!! What E-String does she use?

[@billdong7717]

Tres bien

[@billdong7717]

Very good

[@soniarenteria6028]

Love..Love..Love......

[@matend8125]

Is the old man paganini ?

[@samuelhermosillo4532]

mate Nd the most famous (like the one who wrote this)composers lived in the 1600-1800 so no. I wish he was alive though

[@michelejackson2184]

No her father may be?

[@Sanntik]

et est-ce que par hasard, tu aurais le saint saens aussi? :)

[@music_lovers_classica59]

Sanntik Non, je ne l'ai pas gardé.

[@Sanntik]

classica59 ohh et dire que j'attends depuis cet été, dommage ^^

[@atelierspatrickcharton3486]

La très grande classe

[@thatzwhite8930]

No fourth finger vibrato?! 🤦‍♂️🤦‍♂️

[@josephmcmahon7470]

Largely isn't there in the prelude but definitely is at 42 seconds in...

[@irisce2799]

looks like the years are finally catching up to Johnny Depp

[@Marcel_Audubon]

she's no Ida Haendel

[@annajeehee]

It’s amazing how she can play with such bad posture

[@alicehopkins4068]

IKR!!

[@ashleyperez196]

bella2019 her bow is tightened so much too

[@TheGiverProd]

Amazing job!!! Love your interpretation! One small small critique: on your bow hand, extend your index finger a smidge from the rest of your fingers. It’ll give you more leverage, and will help you pull more sound out of the instrument rather than just using the surface of the strings. It will also give more gravitas and “juice” to your broken chords. The performance was still absolutely stunning and inspiring. Way to make it your own! I love this piece. You have great talent. Keep grinding 🎻🎻🎻

[@foxmulder8955]

lol do you have any idea to who you're giving advice to ? This woman won a chair as solo violin in a prestigious orchestra at the age of 20

[@ProfessorCrews]

(Désolé, ce sera en langue française...) Quelques détails sur le violoniste : Sarah Nemtanu est nommée premier violon solo de l’Orchestre national de France à vingt-et-un ans à peine. C’est une des multiples facettes d’une reconnaissance internationale qui commence alors. En 2007, alors qu’elle n’a pas encore vingt-six ans, Sarah Nemtanu est nominée en tant que « révélation soliste instrumental de l’année » aux Victoires de la Musique classique. En 2009, elle est la vraie violoniste du film « Le Concert » de Radu Mihaileanu : elle double Mélanie Laurent et interprète le concerto de Tchaïkovski. Sarah Nemtanu est régulièrement l’invité des médias, pour qui elle fait partie des violonistes qui marquent l’univers musical actuel à l’international. La Fondation Zilber-Rampal lui prête un violon Giovanni Battista Guadagnini de 1784. Sarah Nemtanu commence le violon avec son père Vladimir Nemtanu, violon solo de l’Orchestre national de Bordeaux Aquitaine. Dès l’âge de seize ans, elle intègre la classe de Gérard Poulet au Conservatoire national de musique et de danse de Paris et y obtient des premiers prix mention très bien en violon et musique de chambre. Après ses succès en concours internationaux - premier prix Maurice Ravel à Saint-Jean-de-Luz en 1998 et lauréate du Concours international Stradivarius en 2001, Sarah Nemtanu est révélée au grand public lorsqu’elle joue le Double Concerto de Brahms avec Gautier Capuçon sous la direction d’Emmanuel Krivine. Ses prestations en soliste au sein de l’Orchestre national de France sont applaudies par le public. Ses rencontres avec des chefs renommés - tels que Sir Colin Davis, Bernard Haitink ou Ricardo Mutti… - l’ont conduite dans des salles prestigieuses à travers le monde : Théâtre des Champs-Elysées à Paris, Century Hall à Tokyo, Carnegie Hall à New York ou Musikverein à Vienne…

[@rudikviolin99]

That small piece of advice you have generously offered (without even knowing whom it was addressed to !), usually leads to super tense, rigid sound that has almost no colors to it due to lower -positioned wrist crushing the overtones and preventing their natural "glow &flow" ...

[@sarahdubois2386]

wow- what a jerk.

[@chriskim3324]

Bad posture, and why so fast? Also, I don’t think Kreisler is meant to be played with tempo changes and tenutos. U have to keep your tempo the same as the beginning. The second half was much slower than the first part of the quarter notes

[@annalee2701]

AVALON 123 um. thats how the song is supposed to be like, if you actually listen to recordings. 🙃

[@chriskim3324]

I understand that it should be played with emphasis, and it is musical. It really is. I just think that maybe she could make it a bit more consistent on the quarter notes at the beginning and middle.

[@kentakiman_gmd]

@bassguitarlover 93 They are allowed as long as what the do makes any sense. Overall I wouldn't say this interpretation is bad, however I wouldn't make pauses on asection of quarter notes that belongs to the same harmonic rythm as she does in the first half of the preludium. Also she could have reinforced the brigtness of the highest note by lengthening that ending of the section a bit more. Regarding the second time that entire section of quarter notes gets repeated, it is a good point that she changes its colour by playing it with a different dynamic and playing harmonics whenever she can, but playing it more slowly makes it feel rare.

[@mclee0905]

@@chriskim3324 pieces that don't give much context are up to interpretation so she can interpret it however she wants ;)

[@한상돈-x6w]

I from Korea....... what's mean this........