So, do you agree this waltz is challenging? If not please point me to another one that is even more challenging, I might make a video about it!
@thirdcoastswing53342 жыл бұрын
Def a hard one ! Notes noir was a crazy 1 !
@jorgebermejo37082 жыл бұрын
Grean interpretation, Christiaan! 👏👏 For me the most difficult waltz is Manège by Angelo debarre, his cromatic lines are also a great warmup exercise...
@cburgess28052 жыл бұрын
La Manouche is the hardest
@ChristiaanvanHemert2 жыл бұрын
@C Burgess you have a link for me to check that one out?
@ChristiaanvanHemert2 жыл бұрын
@Third Coast Swing that is a good one indeed though i think La Gitane is harder because of some very specific phrases which have a high chance of going wrong, even after a lot of practice.
@AcousticWisdom Жыл бұрын
I love this tune and your explanations. I also love the phrase “percentage play.” When I show something to my students and they are having a real hard time with something I’ll come up with an alternative and they think it’s cheating and they won’t do it. I feel like they would do an alt phrase if I say it’s not cheating it’s a percentage play. Students love it when something has a clever name. Works every time. Thank you!
@SvenJungbeck5 ай бұрын
Hi Christiaan 😊First of all: congrats, the performance is great! Also the explanations are so detailed! I learned it in a wrong and sloppy way decades ago and just catch up. I have one additional advice for people with my problems concerning the first phrase of the A section. To close the gap btw metronome slow tempo to real performance I tried to play it Legato ( where I got the timing right and ) and than somehow force the right hand onto the notes. By doing both, metronome controlled picking plus what I described, i am now getting there. By the way the last a note on the g string after the triplet still drives me crazy 😂 But this video is just great! Christiaan rocks, guys! Gefeliciteerd 💪🏻
@marcus2515 Жыл бұрын
Yes! The Option play for higher percentages is a good original concept to learning these challenging songs. Until of course one gets up close to original technique level. It also looks at the phrases 3D or like how these great players may have evolved from. Point - no one is born out of the womb playing iconic phrases Great stuff!
@thirdcoastswing53342 жыл бұрын
Yea man ! You do the beginning accurately. I hear everyone play it differently. The whole tune sounds great man ! ❤🎻
@ChristiaanvanHemert2 жыл бұрын
Glad you like it, that beginning lick is a tough one to pull off!
@DougMunro2 жыл бұрын
Hi Christiaan! You are a brilliant teacher! and a great player!
@ChristiaanvanHemert2 жыл бұрын
Wow, thank you man!
@Wyrdo999 Жыл бұрын
This was fantastic!!! Even though it's not a waltz I'd Love you to do one of the versions of "Swing Gitane." I have been playing Gypsy Jazz for 2.5 yrs now and I started learning form you,. Although I started with a jazz background, gypsy jazz is a totally different genre, and I have personally found the best way to learn is by copying the lines. I have learned Joe Pass songs note for note, and transcribing Angelo Debarre and copying his lines has been WAY more difficult. There's no real transcriptions? I'm up to 1:06 note for note in video 1 and I'm learning the beginning of the second video also cause his lines are SO GREAT. his use of octaves in his solos are INCREDIBLE!!! When I first started improvising to the gypsy jazz style, I felt my solos and improvisation literally sucked, and it wasn't until I started copying the lines, that made a light go on in my consciousness allowing me to improvise freely in a good sounding way. Another great waltz would be Passion waltz. kzbin.info/www/bejne/i6WTZJ1rhtmMaqM kzbin.info/www/bejne/nX3Oaqp5iLuffpo
@Fitzliputzli23 Жыл бұрын
Bravo, Christaan! I work on this one some 2 years. Still struggle with the "double-downstroke-lick" at 2:14. Although it is a standard triplet lick in gypsy jazz I just don't get this down at higher speed.
@j.garnergtr2 жыл бұрын
Bravo! Great execution. Good tempo too. This one is a beast. Been playing it a year or so, and there are places I still trip up. I learned from Tchan Tchou version. His picking is godly. Great job, bro!
@ChristiaanvanHemert2 жыл бұрын
Thanks a lot!
@awaywithpaul342311 ай бұрын
I like the concept of percentage play. Is it ok to “simplify” bits of songs and even maybe rearrange parts to make it flow easier or is that considered a bad thing to do in certain songs? (Ie are certain songs like this, to be played as written or can one modify ?)
@garethjones7223 Жыл бұрын
Love all these videos so much, Christian, and I'm realllly working hard this winter with your videos! Am I correct in seeing an incorrect transcription for what you're playing at 12:46? Your triplets are different than what's notated?
@7thson678 Жыл бұрын
thanks again Maestro.
@AspergerL Жыл бұрын
Stochelo and Debarre play a technicaly simplified version of how Tchan Tchou played this. They make it sound faster and more flashy but what they play is simplified. Tchan Tchou starts the first phrase on beat one, and going through the phrase, there are two upstrokes in between the e note on the first string and the d note one the second string. He finishes the first phrase with F (4th string) and G Ab A (third string), this A note is an upstroke that hits on beat one, so that the very first phrase has now been moved a little bit later rhytmically. So first time around it is from beat one F G F E D C Bb A, but evert next time it's A F G F E D C Bb A starting with an upstroke, and repeating the double upstroke between E and D. It is incredibly hard to hit an upstroke on the low A on beat one and then lower yourself playing a downstroke on the high F. Not to mention that Angelo and Stochelo simplify/change/skip all of the hardest Tchan Tchou parts from later in the song. I will intend to record Tchan Tchou version more or less note for note when i get the time.
@AspergerL Жыл бұрын
What I'm trying to say is there too much space in between the last A note of the first phrase and the high F note of when the phrase repeats in Stochelo versión compared to how Tchan Tchou played it
@cartersmithgolf2 жыл бұрын
Such a great study for the budding GJazzer. All those tricky double downs and A7 to Dm 1st and 5th position runs are so useful for the Dark eyes lick library. Even the "Dolores" style major section can come in handy once under the fingers. It's a belter mate and a brave one to deep dive into. Bravo to you and happy Christmas. Hope to see you next year. x
@ChristiaanvanHemert2 жыл бұрын
Thanks Stuart and yes let's meet next year!
@johnrothfield6126 Жыл бұрын
use of the pinky at 23:00 !
@MeanMike7 Жыл бұрын
Thanks, joined at the first tier and grabbed Part 1
@onyxclubboys47492 жыл бұрын
Beautifully played!
@ChristiaanvanHemert2 жыл бұрын
Thank you very much!
@timpannekeet6732 Жыл бұрын
I hurt my hands :) I can play the beginning but very slowly, but it's beautiful how you play
@gurayozcana2 жыл бұрын
Bravo! Great playing 👏👏👏
@ChristiaanvanHemert2 жыл бұрын
Thank you!
@regularbloke7410 Жыл бұрын
nice playing
@bibimblapblap7 ай бұрын
If I got this down with alternate picking is it worth learning to do it with rest stroke / proper gypsy picking? I’m new to focusing on this genre exclusively
@DamianMoody Жыл бұрын
The last time the triplets happen at the end of section one it is a triple triplet, One on the '3' of the preceding bar and then the normal pattern moved down.
@riffcrescendo17402 жыл бұрын
Great!
@ChristiaanvanHemert2 жыл бұрын
Thanks!
@gabrielknoedt4142 Жыл бұрын
Loved the class .. but where is part C
@ChristiaanvanHemert Жыл бұрын
Exclusive to my Patreon members!
@kevinkevin777 Жыл бұрын
Hi christiaan, I just want to say that I appreciate all the lessons that have made me a better player. Im 15 years old and I am self taught and these videos have been helping a lot. Thanks!
@hedgehippy Жыл бұрын
Thanks mate this is really helpful, as someone else commented, your playing is really improving Have you thought of doing a video on djangos waltz ? Pretty please🤔. Luv your videos im learning a lot, waltzes are my favourite, keep them coming, take care.
@nurlesen8162 жыл бұрын
Great👍👍Vielen Dank..
@ChristiaanvanHemert2 жыл бұрын
Bitte sehr!
@carlostupiggia43762 жыл бұрын
👏👏👏👏👏
@marcus25154 ай бұрын
It’s funny now how I was doing one little thing wrong in the first two systems now I see and corrected make the big difference and sounds right now
@marcus25154 ай бұрын
On the second system I was missing the timing rest between the double A third string
@rogerbinny6415 ай бұрын
😂😂😂 be prepared for a lot of frustration
@Baxtalo_Beng2 жыл бұрын
Love the “Never give up!” thumbnail, but I’m raising the white flag! No way I’m getting this even at 160bpm any time soon. Very challenging, but you play it cleanly at 200bpm! Wow!
@ChristiaanvanHemert2 жыл бұрын
220! 😏😏😏😏 You'll get there though, give it time (and a loooooot of practicing).
@Baxtalo_Beng2 жыл бұрын
220! Impossible indeed!😮
@123omairma Жыл бұрын
Bedankt probeer het beetje voor beetje met tussen pauzes, je geef goed les en duidelijk om te zien
@AspergerL10 ай бұрын
kzbin.info/www/bejne/moaXdoanhK1ma7c This is the only guy I've ever heard play the Tchan Tchou version correctly.
@ChristiaanvanHemert10 ай бұрын
That's cool indeed. My version is based on Stochelo Rosenberg's version though!
@AspergerL10 ай бұрын
@@ChristiaanvanHemert I know, without a doubt you did a fantastic job transcribing his version. It's just certain details from Tchan Tchou are so interesting and difficult to play. You are a great musician and what you do is great, without a doubt
@AspergerL10 ай бұрын
Also, the only reason I'm writing all of this is because I consider La Gitane the greatest and for me the most inspirational manouche tune of all time :)
@AspergerL10 ай бұрын
By the way, LOVE your picking technique man, AMAZING
@A.Lautner Жыл бұрын
Great timing for this video filled with great content as i'm currently cutting my teeth on this beautiful waltz. That second note emphasis on the main theme (phrase 2) is pure gold, I can play it way more consistent now, thank you for that! What I don't understand is why you say you can't rest your pinky when you want to play the triplet in the intro. I think it's much easier and "higher percentage play" if you just rest the chord forming fingering while playing that triplet. I made a little video for demonstration: kzbin.info/www/bejne/p2qplGCEmtJqj6M