Latin Jazz backing track in Dm

Latin Jazz backing track
Download this track: footracks.bandc...
Blog: footracks.blogs...

[@PakoMusicRomania]

OMG ! This is soooo gooood for trumpeters. I love it !!! Thanks for sharing and caring !!! From Romania, with a lot of love!

[@kumarmolligoda]

Thanks buddy , great service you are doing to spread the Latin revolution.I am a tenor player playing entirely by ear ,so this will give endless opportunities to jam .Thanks once again

[@grampzstillkickin7252]

Excellent! This ol man is changing up the music a bit and learning a Latin feel for my ol bass. Lot's od fun playing along. Thank you Thank you.

[@hancylopez2056]

kzbin.info/www/bejne/l5TRnnlneqeqjMU

[@nickyfarrell3024]

Love this track! Very professionally done.

[@Kiwi76RamenNoodle]

The F/E# is simply a common tone in every chord in that progression - the A7 is played with the b13. It's kind of like One Note Samba.

[@erwinaguilar]

I love this track, I always listen it.

[@felixweirich7434]

L

[@seymatopcu170]

Hi ! Is this song on Spotify ? Do you know its name if there is ?

[@zackwhite1]

I love this, such a good piano backing. noticeable difference between a computer and the real thing

[@QuistJam]

latin fever..

[@soverzeniano]

+QuistJam quist i wanna hear you on this! you produce great back track too!

[@KoudyVanHalen]

I understand that in key of F major, in that case the D7 is a modal interchange but not sure where the D7 was borrowed from.Its like F phrygian but instead of minor 6 there is major 6 and instead of minor 7 there is a major 7.Actually the only thing which is different is one note - F become F#, but the rest of notes in key of FMajor/Dmi is still there - Bb (fourth in FMaj - minor 6 in DMaj) etc....

[@fanqueen]

The way to go through this is Dm- D dorian/ Gm - G dorian/ A7 - Dminor armonic or whatever altered scale you want/ D7- altered scale (is the fifth grade of Gm/ Gm- G dorian/ A7 - Altered (fifth grade of Dm) and finaly back to Dm. Hope it helps, cheers.

[@Zacheldridge]

All theory aside, the best thing you can do is find all the half step resolutions from chord to chord. For instance, D F# A C Eb (b9 is common when going form a dom7 to a minor chord) ------> G Bb D F. You could resolve the F# up or down (although up sounds stronger), the Bb down, or the Eb down. Try all these resolutions and see what you can come up with

[@eskimofireman]

i can hear the F# pretty clearly,, a very cool scale to play over the D7 is the 4th mode of G harmonic minor, in other words, Dm with b2 and #3 .. what i like about this one is you can play Eb diminished arpeggios over it.

[@aidenw6862]

ooooh nice

[@koonmung4167]

Ritmo Caliente para mi! What fun for this self-learning 83 y.o., chino viejo. Gracias.

[@hancylopez2056]

kzbin.info/www/bejne/l5TRnnlneqeqjMU

[@Informatik]

About your first question, F# sounds pretty well on D7, your ear might just not be used to it...But I think you should try and play a b9 (Eb) on it, cause a natural 9 would indeed make the 3rd sound bad...As FooTracks suggested and explained you can play the #9 too, but I think b9 is easier to hear to begin with if you're not used to playing chord extensions :) Plus 7b9 chords are very common in Latin style

[@JustAnotherGuy66]

That's so cool, whom shall I listen to for music like this?

[@garydean777]

This is a great track for introducing some simple modulation. Thanks for doing it.

[@hancylopez2056]

kzbin.info/www/bejne/l5TRnnlneqeqjMU

[@fanqueen]

En the V grande of G you can use any altered scale of your choise, its one of the most used chord progression.

[@katherinnnnne]

well D minor is the relative minor of F major, as Dm is chord 6 in Fmajor. So technically this is played in Aeolian mode, the relative minor, so they are the same key.

[@PakoMusicRomania]

exactly !

[@subhradeepganguly1740]

take a key, think of it's relative major scale...the progression goes as that relative major's 6th min, 2nd min, 3rd maj... hope that helps!

[@renegarcia8612]

the best way to represent latin emotions

[@jorelc6]

yes it is but u can use too the Harmonic scale in Dm (the same than "regular" Dm scale but C moves to C#) and u get that latin sound

[@williamanesbitt]

Nice track. Fun to play with. Thanks for posting!

[@micitari]

Thanks, this is a bunch of fun to play to.

[@hancylopez2056]

kzbin.info/www/bejne/l5TRnnlneqeqjMU

[@Zacheldridge]

In what world does an F resolve to a D? That's not a resolution. The b9 resolves to the 5th of gmin, not the sharp 9 (eb->d=good.... f---x--->d=not a resolution) Did you think about what you were saying at all? Sure, you could use a #9 as a passing tone, or perhaps use it by implying a "D" half-whole diminished scale over the D7... but you simple can't get a strong resolution out of it. yeah, you could resolve it to the 6th of gm... but why would you resolve something to a non chord tone?

[@AlGO.4]

It just need to resolve in your ears,every xmaj7 chord is unresolved

[@danrichman1]

Good stuff! Thank you.

[@ghostsoot]

i like this backing track~~~~~~~~~

[@Aiden057]

Excellent backing track and arrangement.

[@alebao4004]

Beautifull for bass...great! muy bueno,me gusto mucho!

[@azzurres1]

Wonderfull, just wonderfull bg track!!!

[@JasstoJazz420]

Loving this for guitar.

[@hancylopez2056]

kzbin.info/www/bejne/l5TRnnlneqeqjMU

[@pierrephily4577]

Très bon back track

[@benbluesman2831]

because the hole thing is in Dm(or F) when you comme to the D7 it sounds bad because its kind of a bluesy thing (minor pentathonic over 7 choards) so the F sharp doesn't fit because its in F, and there ain't no F sharp in the F scale

[@Joshua-gv1ep]

This track is awesome

[@geminisax6115]

This is excellent - You should sell these for solo Sax(Horn players ) doing a solo gig . Murray Middleman

[@Zacheldridge]

Not trying to sound like a dick, but just wanted to point something out. A #9 is common in dominant 7th chords, but not when they resolve to minor. Think about it.....The sharp 9 resolves up a half step from E# to F#. This would only work if you intend to use a harmonic minor scale over the G, The resolution between the F# and the G would sound much stronger than E# to F#. In the case of major, it is more stable and acceptable to land on the 7th.

[@SuperMr730]

I don't understand D is the 6th note of the Fmajor scale, I chords and VI chords and tonic chords in progression, they can't literally just go back and forth and in boring fashion and someone could call it post rock, or whatever. The D7 invites a little playfulness in my opinion with the F# that allows fer mischief, I don't know whatever, It's a dope track

[@KoudyVanHalen]

so i'll use every note from FMaj or Dmi, but instead of F, i'll use F#.combination Major third (in D) and minor 6 (in D) sounds pretty good in my opinion.just correct me (sorry for my english).

[@dennisbrowder6316]

Very nice much thanks

[@ouroboricform]

you can think of it as the V thats tonicizing the G. like a minor ii-V-i sort of deal so you get b9/#9 with the voicing hes using.

[@forzainter02]

the scale built on the V grade of Dminor armonic (maybe a mixo b2 b6..maybe..) seems to fit the all progression..or seems only to me..

[@RuthJoness]

Could I use this track to improv over on piano on my KZbin channel?

[@jcam783]

This is Hot ! Wepa

[@TAM-gz5tc]

hi trying practise to your track.i think it is better to use a keyboard instead of a piano as the tuning is slightly out and its annoying to retune all the time or record the track and use a pitch control to bring the tuning in.otherwise very good.

[@joaodini8216]

Which scale do i use to play this?

[@susieblaia100]

Thank YOu so MUch

[@robbertzzzzz]

That's not true actually. The #9 isn't the note resolving to the 7th of the next chord, it's the note resolving to the 5th (or 6th) of the next chord. The third of the dominant is already resolving to the 7th, the #9 would be just too much in that case. So, the F in D7#9 resolves to the D (or E if it is played) in G. Just try it with a piano, resolving the #9 to a major 7th sounds quite ugly, that's because the F# was already there.

[@flintowndancer]

This is good Cabasa practice music

[@Dentark1]

Thanks a lot, that really helped but if you don't mind I have another question: Isn't F the 3rd of the D Chord making it minor? I apologize in advance for my ignorance in theory.

[@Thomytho]

Awesome backing track ! Is there some Latin jazz standard we can play on this ?

[@Gollunk]

+Maxime Thomy Not Latin Jazz but maybe Minor Swing !

[@nimbleysinspirations500]

Hi, I love this verión of this song. I Wonder if you could alowe me to use the song to creare a cover for my Chanel?

[@olymoon2008]

Chevereee Thank you so much.

[@shruggie1]

excellent! great to jam on. thanks :-)

[@d4cndev]

Viva Latino America ;)

[@christozi99]

Nice groove!!!

[@derreckparedes8971]

sheet music rn.👉🏼👈🏼

[@sizwendlanzi8181]

So groovy!

[@mikewallaceguitar2538]

Love this

[@parispetre4839]

Foarte frumos

[@rudylopez5620]

magnifico!

[@tolgaguven3467]

Thanks a lot for this. Very inspiring track. As a matter of fact, I just uploaded a video of mine where I improvise over it:)

[@carapungo]

kzbin.info/www/bejne/mWLCc3hpfrWcY5o

[@rafaelvelasco2734]

Gracias

Thanks for the idea :p

[@hancylopez2056]

kzbin.info/www/bejne/l5TRnnlneqeqjMU

[@josedepaz30]

Chords is the D-harmonic scale bro. Hope that helps:))

[@danielcastillo8528]

me encanto

[@locochono77777]

beautifull!

[@L.A.Killah213]

Superb..

[@TheMikeall714]

Help me, I feel that F# is just perfect for the D7, am I wrong?

[@Andre-si4to]

Great tutorial! Do you have any tutorials on how to play the Latin piano parts or sheet music for sale? I'm a bassist crossing over to keys and would pay for a transcription or vid.

[@hancylopez2056]

kzbin.info/www/bejne/l5TRnnlneqeqjMU

[@ufdffdd1]

good track some sheet of music much beter ?

[@wsoulam]

"They made up their minds, and they started packing..."

[@bignick442]

awesome

[@miguelvivancolopez9253]

More please

[@freddylopez7536]

Burnin !!!!

[@arabesque1]

damn, this is spicy

[@RobertCavallo]

more .............please

[@TheGuitarManUK]

nice grooooove

[@aeolion1179]

if F major and D minor are the same, why are they called two different things? a reason exists. think about it.

[@Dentark1]

Why can't I fit a F# in that D7? Can someone explain that to me please?

[@subhradeepganguly1740]

no idea why he decided to add that D7 chord...but just think of it as standard D minor scale(you can tweak the C to C# at the end of 4 bars to give it that phrygian taste) but I'd suggest that you don't use the F#!

[@necroutcher]

Mode?

[@ばぶほげ]

初め情熱大陸にしか聞こえない

[@vector7132]

la bomba

[@ersinozkan793]

nice :)

[@garydean777]

D harmonic minor...but watch out for the F# in the D7 chord. Sharpen the 3rd interval.

[@Jazzysax007]

Yesssssssssssssssss

[@situationing]

what´s the best way to approach this song? I meant best scales for soloing

[@guitarsorrow]

you can play the D melodic minor or the D dominant phrigian over the first chord, and you can play the G dorin over the second chord, the A super locrian or the diminished over the third

[@milten00001995]

anass elyaagoubi And over D dominant seventh chord, you can play D whole-tone scale, D diminished scale or the scale derived from these two, so it's D diminished whole-tone scale (known as D super locrian scale) but the best choice over this chord in this genre of music is, in my opinion, D phrygian dominant scale (known as D Spanish scale, D Jewish scale; in jazz classification, it's D dominant 7 flat 9 scale as well - great idea is to play D7b9 arpeggio chord over D7 here, because you don't always have to play a scale over the chord; in this progression when you play D7b9 arpeggio chord, it sounds great when you go to G dorian scale after it - play D7b9 arpeggio chord, go up to g natural note and then descending g dorian scale - that sounds just superb).

[@kirkkimball-martinez2402]

bemolable For get the Academia Psycho- Bable here. Let the Music come from wth in you. Intercourse wth it, It wll come naturally.

[@DucksDeLucks]

Kirk Kimball-Martinez I agree that you have to play what you hear in your head but theory can be helpful in revealing possibilities you wouldn't have thought of. But I'd hate to be on the bandstand having to logically reason out what note to play next!

[@DucksDeLucks]

bemolable I guess the short answer is D minor?

[@BrunoAlhexandro]

hey what rythm pattern this is

[@2maraarrua2]

BrunoAlhexandro Centro americano.

[@margheritadamiani1198]

❤❤❤❤

[@henryasucacalderon7740]

Asuca aiboi con mi tres

[@Nichaelesv]

You dont need help bro, its called music theory not fact.

[@Nichaelesv]

bpm ??

[@geohhhhhhhhhhhhhhhhh]

carlos santana

[@SuperMr730]

*can literally whoops lol

[@lyli3972]

keren (y)

[@handyburnett]

THANK YOU. VERY GOOD! MY FACEBOOK PAGE IS NICK DV VARANO. ALL THE BEST FOOTRACKS!

Organ over this backtrack: kzbin.info/www/bejne/on6Vind8ic2fnpI

[@lucasavilaadorno742]

Latin Jazz é de cair o cu da bunda

[@nacl_keo]

where is the rizzy

[@nacl_keo]

where is the skibbidi toilet

[@nacl_keo]

skibidy rizz

[@karlalden2076]

The piano is taking way to strong of a lead in this.

[@lieutenantswebus7525]

Nuh uh