Lavta Seminar / Periklis Papapetropoulos

[@菊池由幸]

トルコの伝統楽器ウードの名手による至高の小曲集の演奏で、極上の癒やしをいただいております。

[@marasw]

It's not an oud.

[@theo9845]

Μπράβο Περικλή!! Η λαφτα, τραγουδά στα χερια σου.

[@avielp]

Wow. What smooth virtousity

[@dimitriskalliakmanhs1042]

ΕΚΦΡΑΣΗ ΑΠΟ ΧΕΡΙΑ ΜΟΝΑΔΙΚΗ ,ΣΠΑΝΙΑ ,ΑΞΙΟΛΟΓΗ ΜΟΝΑΔΙΚΗ ΝΑΣΕ ΚΑΛΑ ΔΑΣΚΑΛΕ

[@kimyaci78]

Elinize sağlık, well done.

[@emreatalay5468]

helal olsun üstad, sevgiler Istanbul dan

[@alexgabriel5423]

Many Respectful Thanks for this Unforgetable Seminar! The Lavta remains a great teaching instrument with its markings showing the tonal & micro tonal divisions...i.wish I could learn more about the continuity of this instrument...clearly its longer neck allows precise playing of microtones that on.the oud are done as glissando/glystrima. It was very interesting to.watch the imitations of the other instruments on the Lavta. I gave this Production.as an illustration.for the existence of the Lavta to the producer of a Seminar on.the Oud.

[@ozerbasar7922]

Bravo üstadım, makam, kaide üslup adına tebrikler alkışlar size.👍

[@thewayofbiutze3899]

Usta ya maşallah

[@Samdoun]

So the solfege for Turkish is based on their note system on the staff, not on concert pitch. Therefore Arabic level at concert pitch would be DADA or Re La Re La lo to hi whereas same tuning in Turkish would be called Kaba Rast, Yegâh, Rast, Neva so on the Turkish staff and solfege which is written different than Arabic/Western that would be sol, re, sol re low to high I think. Anyways there are different ways to tune lavta, for example even like mandola CGDA lo to hi

[@tourick]

Βίντεο να μελετας για 3 ζωές!!!!!!!!!

[@nameofthewind9242]

Very talented! Bravo!

[@xstone672]

Great! a lot of information, Thank you!

[@refaelgreenblatt4005]

A true master!

[@SEge-tm8ei]

supersiniz hocam

[@motofingo]

Bravo.

[@bykadirdemir]

Cok, güzel bu Lavta min boyutları nedir nerden aldınız bir link varmi ? tesekurler.

[@bebritim]

What is the name of the song between 11:09-11:31 and where can i find it?

[@efetalu3308]

Tebrikler

[@neita9066]

Lovely! How is it tuned? thanx

[@arsene737]

DADA (low to high)

[@alexterzis945]

re-la -re-la

[@MatthewZmusician209]

I am wondering if I want an oud or a lavta LOL what tuning is this?

[@Samdoun]

DADA concert pitch

[@MatthewZmusician209]

@@Samdoun DADA? Wow that seems a little bit limiting to be honest

[@Samdoun]

@@MatthewZmusician209 yes you could look at it that way, but there are many alternative tunings for lavta according to Eric Ederer and also Enver Mete Aslan. DADA (concert pitch, low to high, = kaba Rast, yegâh, Rast, neva) is I understand the most common folk tuning and likely the tuning used by Tanburi Cemil Bey but you can instead tune like mandola CGDA or more like oud CGDG, and there are other tunings too depending on the makam

[@Samdoun]

@@MatthewZmusician209 lavta if tuned DADA has been a transposing instrument

[@Samdoun]

@@MatthewZmusician209 lavta also as you can see from this video has unique plectrum techniques. Actually it is a fascinatingly flexible instrument because it can be more like an oud or more like a tanbur