Randy you're doing a fantastic job, I'm a older professional musician and only wish that you'd been doing this in 1975. Smile. What a blessing you are for sharing your knowledge. Please continue. Thx.
@composer73254 жыл бұрын
Excellent, thank you. Would you do an analysis of Wave by Jobin
@patrickkyle4601 Жыл бұрын
don't usually see that Bb7 in most versions of the song. Bar 4 is generally still Fm7 - staying in the minor mode.
@brendaboykin32812 жыл бұрын
Thanx, LJS🌹🌹🌹🌹
@wilsonliberal5195 Жыл бұрын
Amazing simplicity! The author, no doubt, think to make the life of improviser easier!
@guillrponce92434 жыл бұрын
thank you, this is what i need for understanding Jazz!
@jamesobrien97473 жыл бұрын
Hey Bret, I just finished your book it was great, it’s got me a lot more excited about learning jazz! I’m going to use Blue Bossa to expand my jazz repertoire but I’m not sure where to look for a simple Blue Bossa solo to learn jazz language. The Joe Henderson and Dexter Gordon Solos seem a little tough for a first jazz solo to transcribe. Do you have a recommendation for whose solo to start with? Thank you!
@uhoh0073 жыл бұрын
Great teaching, like yours, sells itself. Hard sells are a turn-off even for great teachers. Thank you for these analysis videos :)
@cadevallot73123 жыл бұрын
Awesome stuff man! This is really useful
@AmanPlaysBass4 жыл бұрын
Thanks for this ❤️. Learning blues bossa now
@arosalesmusic Жыл бұрын
Instead of a Bb in the melody, I play a B nat. during the Galt chord. I get a lot of strange looks but it sounds cool to me.
@100happythoughts Жыл бұрын
Does your inner circle membership cover all chord analysis for all tunes?
@Learnjazzstandards Жыл бұрын
Yes, color-coded chord analyses are part of our resource pack for all the Monthly Jazz Standards Club Study. We are on our 42nd song.
@neutralkaon2 жыл бұрын
I’m studying Blue Bossa right now - this is very helpful, thanks. Question - in the minor 2 5 1 why is the 5 a dominant 7th instead of the diatonic minor 7th?
@coding4mommies115 Жыл бұрын
I'm sure you already have your answer, but just in case someone else is asking the same question in Cm you'll likely either use the natural minor scale or the Dorian scale for this tune. Natural minor is C D Eb F G Ab Bb C. Using this scale, if you build a chord from the 7th, you'll get Bb D F Ab. Unlike C major (C D E F G A B C) where a scale built from the 7th would be B D F A which is B half diminished.
@Osnosis Жыл бұрын
The simple answer is that V-I is a standard resolution, which requires the leading tone (in C minor that’s B natural). Thus, G7 with the B natural leads to C-.
@andrewdavis59134 жыл бұрын
Just a question, in ur sheet it says c minor 7 but in most other sheets it's a cmin6, just curious
@randysonnicksen94753 жыл бұрын
Why has no one mentioned that the Bb7 chord doesn't appear in the chord progression (ref. REAL BOOK). All this talk about a chord that isn't even in the song. What's up with that????
@Learnjazzstandards3 жыл бұрын
Hi Randy, be wary of using changes from the Real Book. If you listen to the original recording the Bb7 is in there
@randysonnicksen94753 жыл бұрын
@@Learnjazzstandards Hmm. So I listened to the Joe Henderson version (remastered) and indeed, the Bb7 is there. So WHY do so many transcriptions just continue the Fm7?? The Bb7 is quite subtle in the recording, but yes, is definitely there. You are vindicated!!
@unolakoko34743 жыл бұрын
@@randysonnicksen9475 Randy I thought the same thing about Bb7 until I really listened. I actually enjoy learning stuff I didn't know. After playing for many year's professionally I know that Mastering standards was a must. This learning standards channel is a dream come true. Learning some things the second time around is better then the first. Respectfully. Unless you have a good real book a lot of the changes are wrong. Do a real book history search. I played for year's using the real book a got schooled many times by more seasoned Player's , that many real book chords are more vanilla then actual. No disrespect to all vanilla changes just some. Smile. Also only strong men can admit when they've been corrected. I liked the way you and Randy handled things. That Fmin7 to Bb7 is also a back door to Cmin7. Be blessed
@ribamarsantarosa44654 жыл бұрын
I was introduced by chord analysis with your videos. So respectfully, now I developed the idea that analyzing chord progression without the melody is not usually helpful for me. Consider the first page of kzbin.info/www/bejne/aJepdZWrjJZ0nK8 . The first thing to realize: 16-bars structure, divided in 4 blocks. If you just check the melody, even without reading scores it's very clear that the 3 first blocks have a similar drawing of melody, and the forth must be something to resolve. If you just check the notes of the 3 first blocks, without even knowing which note is, you see that, although they're similar, they each step lower; so something is happening with the tension. What I see is that the first block is a C-Myxolydian on C in Carles Margerit's transcription, or Bb-Ml yours. In the 2nd block, the ii-V-i is a clear arrival to Eolian-D in CM's, or Eolian-C in yours. I guess you spotted/agree with this tension change by coloring with orange; but not naming it a change on key center, because myxolydian-Bb and Eolian-C are enharmonic (ie, same notes). I've just have colored the whole first block with 4 bars in orange, but Ok. However, in your bars 10-13 that I see how analyzing the progression without the melody is a miss: It seems that this "new key center" is completely unrelated; if to simplify we keep in mind that we are in myxolydian-Bb, that's a typical switch to the "relative" ionic-Db. Enharmonically, it's the switch from a major Bb key to a minor Bb key! So, even if "Db has nothing to do with C", this passing is so smooth and sounds just a light tension! Beautiful! And how did I spot that? In CM's transcription, I checked that the only note transformation was the second note of the bar 17; it's a Eb, instead of E from the bar 13, the major blues note of C (or of Bb, in the key used by your analysis). The 4th block: There is little information in the main melody to define the mode, it can as the 2nd, with the turnaround, but I have a sensation that me meant a doric blues. Things can get interesting, if you check the bar 125 in CM's transcript, Kenny Dorham goes with a prometheus scale, 150 augmented scale, and so on =)
@tinajackel Жыл бұрын
the first two blocks are in C minor ( the melody is in c aeolian - not mixolydian!) minor can be many things depending on the improviser.
@musicng56143 жыл бұрын
Sounds like composing a jazz song is just to put some chords together as long as you understand the circle of fifths. Then leave the player to improvise melody. Wow, that's an easy job.
@Hiphopdabop7 ай бұрын
Modal
@Guitar6ty Жыл бұрын
Its simply a blues with fancy chords and is no big deal.
@MarcelKordylak8 ай бұрын
I'm sorry but for me - Bb7 doesn't fit here at all