Lee “Scratch’ Perry: The Story and Techniques of a Production Legend!

[@Milan1Nikolic]

Thanks man for bringing the mighty Lee Scratch Perry work closer to us! He was a legend, and I was lucky enough to listen to his performance just a couple of meters away from him. I love him so much. One and only LSP ❤💛💚

[@poplifemedia]

The crying baby in that one song!!! My co worker and I cackle every time! This is an awesome channel! I did not know about Lee Perry until this video! It is awesome to finally know who made that song that I hear frequently over the weekend!

[@mixingmasteringonline]

Cheers! Thats great, pleased to help putting a name to the song 🙂

[@mosai_music]

Everytime I hear a baby crying, I think of £$₽ hehe

[@solootto]

Binge watching thanks for the informative videos

[@mixingmasteringonline]

Great, thank you for watching!

[@elisenoo]

Good stuff

[@mixingmasteringonline]

Thank you’

[@followthebeat66]

He sure had an TEAC 80-8 8-Track recorder, visible at 3:44 in this video at the right, laying nearly flat.

[@danielburns4483]

Loved the kick drum on your track at the end there. Just enough attack but keeps all the low end-- what mic / size kick was it?

[@mixingmasteringonline]

Cheers Daniel! It’s the AKG D12. That’s the reason I prefer the D12 to the D112. The D112 can be a bit too clicky. Great if you need that attack but most of the time, I prefer it to be a bit more subtle. The kick was a 22 inch.

[@danielburns4483]

@@mixingmasteringonline Ahh, one day for me. Always liked recordings with the D12. I am in agreement with the D112, I don't work in many genres where I would ever want that much click