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This video is a segment of a stage show held at the Ranny Williams Entertainment Centre, Kingston, Jamaica, in 1985.
Leroy Smart (born 1952, Kingston, Jamaica) is a reggae singer and producer.
Smart was born in 1952 and orphaned at the age of two. He was raised at Maxfield Park Children's Home and educated at Alpha Boys School, where he studied singing, drums, and dancing.
Smart recorded his first single, "It Pains Me", in 1969 for a producer called Mr. Caribbean. In 1970, he recorded "Ethiopia" for Joe Gibbs and the first version of one of his most famous songs, "Pride & Ambition", with producer Gussie Clarke. His breakthrough would come in 1973 with "Mother Liza", produced by Jimmy Radway, which topped the local singles chart, and led to "Pride & Ambition" also becoming a big local hit. After working with Bunny Lee for several years, he recorded another of his best-known songs, "Ballistic Affair" at Channel One, in 1976, and began producing himself in 1977. Smart has continued recording and remains popular, with over 35 albums to his name. He is regarded as one of Jamaica's best dressed and colourful characters.
Smart appeared in the film Rockers along with contemporaries such as Gregory Isaacs and Jacob Miller.
Lincoln Barrington "Sugar" Minott (25 May 1956 - 10 July 2010) was a Jamaican reggae singer, producer, and sound-system operator.
After working as a selector on the Sound of Silence Keystone sound system, and then his own Gathering of the Youth system, he began his singing career as part of The African Brothers in 1969, along with Tony Tuff and Derrick Howard. The group released several singles in the first half of the 1970s on labels such as Micron and their own Ital label, and were an early example of the Rastafari movement's influence on the Jamaican music scene, taking a clear lead from The Abyssinians. Minott then teamed up with the producer Clement "Coxsone" Dodd, as studio apprentice at Dodd's Studio One, working as a singer, guitarist, and percussionist, and soon began recording his own singles. Minott developed a talent for writing new songs to fit over existing rhythms (which at the time was common when singers performed live, but rare in the studio), often proving more popular than the original songs, pioneering an approach that would be central to the emerging dancehall style.
After a number of moderately successful hits for Studio One, such as "Vanity", "Hang On Natty", "Mr. DC", and "Jah Jah Children", his debut LP Live Loving made his name and increased his popularity, and is regarded as pioneering the dancehall style that would dominate the early 1980s.
"Good Thing Going" (a cover of a song originally recorded by Michael Jackson in 1971) was picked up for distribution by RCA and reached Number 4 in the UK Singles Chart in March 1981, leading to an album of the same name. The Herbman Hustling album saw a return to dancehall and roots reggae.
Returning to Jamaica, his Youth Promotion sound system performed regularly in Kingston's Maxfield Park, featuring Jah Stitch and newcomers who had been nurtured by his organization such as Ranking Joe, Captain Sinbad, and Ranking Dread. His Black Roots label featured his productions of these artists plus others such as Barry Brown, Tenor Saw, Little John, Tony Tuff, Barrington Levy, Horace Andy, and one of his discoveries from England, Trevor Hartley. Minott also produced early works by Nitty Gritty, Junior Reid, Yami Bolo, Colourman, Daddy Freddy, and Garnett Silk.
In the 1980s he was working with producers in Jamaica including, Mikey Dread, George Phang, Sly & Robbie, Philip "Fatis" Burrell, Channel One, Prince Jammy, and Donovan Germain, as well as recording for United States-based Lloyd "Bullwackie" Barnes (the Wicked A Go Feel It album from 1984). His biggest hits included "Herbman Hustling", "No Vacancy", "Jamming in the Street", "Rub A Dub Sound", "Buy Off The Bar", "Rydim", and "Devil's Pickney".
He linked up with Sly & Robbie for 1984's "Rub a Dub Sound Style" single, which is regarded as a prototype for the ragga style that developed in the mid-1980s.
Minott's desire for independence led him to leave Studio One in 1978 and form his own Black Roots Records label and Youth Promotion organization, the latter with the aim of helping young singers from the same ghetto background as himself. Minott also ran the Youthman Promotion sound-system, giving young performers their first public exposure.
Minott died on 10 July 2010 at the University Hospital of the West Indies in St. Andrew Parish, Jamaica, after being admitted earlier that day. The cause of death remains undisclosed. He had been affected by a heart condition since early 2009 and cancelled several performances in May 2010 due to chest pains.