LIVE Q&A with Corey D'Augustine (Sept 14) | IN THE STUDIO

Tune in for a live Q&A with IN THE STUDIO instructor Corey D'Augustine! Want to know more about a certain artist, technique, or material? Let us know your questions and requests for future episodes in the comments section.
Originally broadcast live on Thursday, September 14 at 3:00 p.m. EDT
See Corey's last Live Q&A:
• Live Q&A with Corey D'...
Check out the whole IN THE STUDIO series:
• TUTORIALS: IN THE STUDIO
Want to know how some of the 20th century’s most celebrated artists made abstract paintings? Sign-up for MoMA's free online course, "IN THE STUDIO: POSTWAR ABSTRACT PAINTING." mo.ma/coursera
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#art #moma #museum #modernart #nyc #artist #inthestudio #coreydaugustine #rothko #kusama #basquiat #live #liveqa #howtopaint #artschool

[@themuseumofmodernart]

Tune in for a live Q&A with Corey on Wednesday, February 7 at 3:00 p.m. EST! He’ll be answering any questions you might have on artists, materials, and techniques. kzbin.info/www/bejne/ham2aYuVi5uHebc

[@jeffreytaipei7907]

I can listen to Corey talk all day.

[@imnoturgf]

Your knowledge of art is astounding. Please keep making more videos, I've learned more from you in the past few days than in my whole life!!

[@maksksbaum]

Thank you, this is great! Also what a way to make MOMA active participant of the painting community, much appreciated.

[@echoinsahara]

Love all the videos. Love this guy! So informative and helpful. Never stop doing this please.

[@charlaherbert1480]

Cory, you're more binge worthy than anything out there. Thank you so very much!

[@jquale3101]

Thank you MOMA and Corey! I live in an art desert and your studio video series provides essential art education and entertainment. Please continue this important series.

[@ropehitch]

This was fascinating. Great supplement to the focussed lessons in the course. This course is blowing my mind on a regular basis.

[@AboutArchie]

I don't always understand Corey. I don't always agree with Corey. But I ALWAYS learn, and I'm frequently captivated listening to his insights and expertise. A sincere and heartfelt thanks!

[@jendu9538]

Thank you, Corey! Thanks for asking my questions! You made my day! Hahaha...Looking forward for your new videos ! All the best!

[@DanielRustad]

Thank-you so much for these Q&As. I have enjoyed them. Are you considering more classes on Coursera? Best education I have ever experienced. No lie. :)

[@8896786557898]

i have the nerdiest fangirl crush on this guy

[@susanh8511]

Absolutely love your videos . Thank you Corey D'Augustine, thank you MoMA.

[@caseychalemanderson2660]

Thank you Corey! I'm learning so much from your videos. You are answering questions I always wanted answers to, sometimes confirming concepts that I figured out over years of painting. You display so much generosity with your information, such respect for artists, and I love how inclusive your speech is. I feel that you are welcoming to all who are curious about art. You've knocked down that ultra-clubby art world attitude that still prevails.

[@LyndaLehmann]

For month and months I've been bemoaning the loss of my independent study painting group, as life changes propelled me to move across the country. But listening to you speak with so much knowledge and authority about painting, grounds and anchors me to that dimension of creativity that I was once able to express in my tiny art community. I'm already inspired, learning things I'd missed, and looking forward to a plunge into the grand universe of inner space impacting pigments. Thank you MoMA and thank you Corey!

[@AlejandraLin]

Corey! I’ve accidentally stumbled onto your videos and now I’m hooked. I’ve already watched five videos in a row!

[@arangoanamaria100]

Thank you love your videos.I am teaching Visual Art in a bilingual school in Colombia South America and we watch many of your videos!!!Keep it up!!!

[@menezesonia]

I love the way you teach!!! thank you! from Brazil

[@janmignaud4298]

Thanks Corey. Totally interesting. GREAT!

[@irenecohen332]

I do want to add that the Coursera course is one of the best studio art courses I have taken. So much information, so much food for thought, and then using the materials and creating the paintings taught me so much. I spent my childhood and a lot of my adulthood wandering through MoMA but took no art classes nor did I start to paint and study until my 60's. Thank you!

[@sn1000k]

Irene Cohen good luck Irene!

[@kelguy2002]

I can’t Imagine A Better ORATOR on ART - Thank You Mr. D’Augustine ☮️❤️🎨

[@Ho-c]

Loving this Q&A's. as well as the series. keep going.

[@janeguthrie6906]

Really enjoyed this Q&A!! Thank you!

[@ekaterinavanovskaya860]

Thank you so much for these videos!

[@MarcoCaridad]

This was awesome! Thank you.

[@user-ul7rc4pk9x]

Love this! Thanks a lot!

[@PopExpo]

Thank you for answering that "gesso" question. I've wondering about that these past 2 weeks.

[@graceeddy1938]

Corey you rule! thank you so much for your wise words :)

[@MindGem]

Fantastic that I found your playlist. Everything is interesting and I learn so much from this. Always been a huge fan of Braque and that's how I stumble upon your studio video but all this is gold. Keep it up.

[@themuseumofmodernart]

We're happy you found us +MindGem!

[@mudslingerpaintflinger]

I love that you said to trash somethings. or to not get attached to your work. I myself cover up works all the time and I also have just been so frusterated that I've just went out in the backyard and burnt one in the fire pit!

[@annapanasiuk3643]

So intelligent, happy to discover it in 2020 ♥️

[@donnadrewnowski1256]

Very captivating demo! Well done : )

[@sahand8897]

fabulous! Thanks.

[@ingridye9509]

very lucky to hear those important educational advice , thx a lot

[@danaadams70]

you are soooo helpful thank you

[@OnBeingAndNothingnes]

Interesting subject matter and Corey is an amazing presenter. Corey mentioned painting icons it would be great to see that process.

[@alamode_1425]

I'm currently following your course on coursera, that's how I found out about you and your videos, I love them so much, I love abstract expressionism, always have and I love the Moma which we currently have here in Paris just near my house. I'm not a painter per say, I'm a fashion designer and illustrator and yet, I find your tips very useful to my work.

[@ChristianCesena]

Maestro!!

[@irinademirova5111]

Very infomative, thak you

[@angelamarcogliese1491]

Really enjoy all your videos. I heard you mention there would be one on Cubism. When can we expect it?

[@swimcsi]

Hey, Cory! Still use your info from the AE class. Think of you often and tell others about these classes. Still love my painting of you when I gave you DeKooning teeth. Watching the videos again and hope you do more.

[@emilytarleton2332]

I feel like I learned more in the first ten minutes of this video than I did taking 3 years worth of art classes in high school

[@catyvaganay6344]

Please do more videos!!

[@torinoscaletunes]

These 'how-to' videos are fascinating. How about sculpture as a potential future subject - Barbara Hepworth and the rest of the St Ives School would be interesting. Other than that, Richter or Basquiat get my vote. Keep on keeping on, Corey.

[@MaryThompson63]

I just discovered this series and I love it, both the In the Studio and the Live Q&A. Are you only doing modern abstracts and related styles? If not, I'd love to see episodes on Frida Kahlo, Mary Cassett, and Georgia O'Keeffe. Thank you!

[@paksml-Samuel_Indratma]

Super wise art guru 🙏🏻🙏🏻🙏🏻

[@jemmanuel6674]

You are a great teacher; I'd be very interested to hear you speak on Povera, specifically the more painterly artists like Antoni Tapies and Jannis Kounellis.

[@tbomber]

absolutely love this new series. it has turned me into a fan of abstract art (I used to lambast it). can you explore watercolor as a medium in modern/abstract art? cheers!

[@themuseumofmodernart]

Thanks for your question! Here's Corey's answer from this week's live Q&A: kzbin.info/www/bejne/ham2aYuVi5uHebcm38s

[@wwt9983]

Do you have any thoughts on water soluble oil paints-from both a practice standpoint or conservation standpoint (it may be too early to study the latter)

[@davidmcclellan9652]

are the videos "how to paint like..." still being produced? They're great!

[@dangray]

Very interesting, I want to meet someone as smart as you.

[@katharinahuemer4711]

Thanks so much, Corey! As we all know practice is the key, can you recommend something where to practice on (as buying canvases all the time is quite expensive but the specific surface is still quite important - at least to me)? Again, thank you very much for your videos, love them!

[@themuseumofmodernart]

Thanks for your question! Corey was able to answer your question during this week's live Q&A. Here's his response: kzbin.info/www/bejne/ham2aYuVi5uHebcm21s

[@MultiChelsable]

Can you please break down Max Ernst's usage and technique of decalcomania?

[@rehellman]

Please do a session on how painters like Bruegel and Bosch achieved detail on a tiny scale- refined applications in modern art?

[@limerenciarte]

I really miss his videos

[@ropehitch]

I have a couple of questions about the Pollock studio exercise. I will be working on a large, unstretched, sized canvas on the ground. I have a combination of alkyd and acrylic enamels. I don't want to damage this painting after it has dried, but will need to mount it to a support Most likely I will use strainer bars that I ripped from 2x2 and 2x4 pine stock (with a bevel for the front edge). How fragile will the painting be ? Would it be cavalier to roll it up and take it to a different site for stretching or do I need to ensure that the painting remains flat during transportation and the stretching process ? With my sundry collection of enamel paints, can I freely alternate layers of alkyd enamel and acrylic enamel paints or do I need to ensure that no acrylic is applied on top of a wet or dried oil layer ? Thanks!

[@robertbakeriii8225]

Why do artists stretch their own canvas? Is there something less valuable about a painting on a factory Stretched canvas? When purchasing a pre-stretched canvas what should you look for? Sorry about the three part question , Robert

[@themuseumofmodernart]

Thanks for your question! Here's Corey's response from this week's live Q&A session: kzbin.info/www/bejne/ham2aYuVi5uHebcm15s

[@raindog9862]

How about a Mark Bradford, although he is not exactly painting. :-) Saw "Ridiing the Cut Vein" and it was my favorite piece.

[@rlund651]

Another brilliant Ab Ex artist living today is Louise Fishman

[@anastassiyakim7041]

Does Corey has an IG account, very curious about his personal abstract works

[@christineriutzel]

I want to watch this another time. But does it go away after 24 hours???

[@themuseumofmodernart]

+Christine Riutzel Once the live-stream ended the video converted to on-demand, so you'll be able to watch whenever you'd like!

[@murraymarshawn2175]

Corey is infinity pleasant.

[@R.N.19]

What are some of the techniques that Frida Kahlo used?

[@MatildaBelafonte]

I was really surprised to hear you say that there are no virtuoso painters anymore and that Richter is only "almost" a virtuoso. I always assumed that there were at least a handful of them around today, so I'd love to know how do you define what a virtuoso painter is or does?

[@Lewabwee]

There are virtuoso (realist) painters out there but no one seems to pay them a ton of attention. Daniel Sprick is my favorite and there are a lot of other really good ones who have stuck with me like Steve Huston, Sadie Valeri and Edward Minoff. There's a whole realist movement right now that's experiencing a major resurgence (going from nearly nonexistent to on the fringes). I don't necessarily think that you have to be a realist painter to be a virtuoso painter but I think that learning to draw and paint the figure is the most effective way to study artistic principles because it forces you to contend, on some level, with all of them.

[@eduardomoreira6100]

Wow... Great video but one sort of need a speed train to hear all the info ...lol

[@dianemetzger220]

Corey D'Augustine, and all other MOMA presenters: Corey, I watched your Q&A video today--something I never made time for before--and was so glad I did. I am a lifelong painter but had been feeling no inspiration for several years. This week, after many long weeks of quarantine, I discovered the MOMA series on KZbin, and it's feeling more like taking active part in a program, rather than just passively viewing. I'm finding that many of my artist's questions are being answered, and my original artistic inspiration is being honoured. So this opportunity is turning out to be a tremendously healing, surprisingly wonderful upside to the awful coronavirus situation. So thank you to MOMA, and all presenters, for your offerings.

[@jeffroysdon]

Regarding the question about abstract expressionist's working today going to throw LouiseFishman who's a little younger and Joe Bradley whos way younger into the AB EX hat. Maybe Mark Bradford?

[@TheTerminalExpress]

I'm an Abstract Expressionist!

[@sn1000k]

No! Not just pushing down on making tape! Hit it w some medium/gel.

[@emilieboisvert3747]

Yeah, like the nice person version of Sandor Clegane !!!

[@RENEDU2]

so tell us about yourself...

[@pearlshifer1776]

"apocalyptic wallpaper"

[@colinmoller2626]

You should do a video exploring gerhard richter's abstract painting style

[@cvgurau]

at the risk of sounding like a kiss-ass, this is definitely one light bulb you've turned on in terms of learning to appreciate the AbEx movement, and I've BEEN to art school. Having said that, what are some avenues one could explore in furthering a beginner's education in this art form? (books, films, podcasts, etc) that you'd recommend? Also, you should narrate books. Your voice got me through hours of otherwise monotonous drawing (and in terms of a couple of painting vids, outright distracted me from it for a while....)

[@themuseumofmodernart]

Thanks very much for your question! Corey was able to answer it during this week's live Q&A. Here's a link to his response: kzbin.info/www/bejne/ham2aYuVi5uHebcm35s